All About Art

Alexandra Steinacker-Clark
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Hosted by American-Austrian art historian, writer, and curator Alexandra Steinacker-Clark, 'All About Art' is a podcast that is all about demystifying the professional arts sector. Through interviews with cultural practitioners, gallerists, museum directors, curators, art entrepreneurs, and more, 'All About Art' covers a wide range of professions in the sector, providing an exchange of experiences between people who have developed their professional contributions to the arts into successful careers. www.alexandrasteinacker.com @allaboutartpodcast

  1. 44 MINS AGO

    'Passion Tax': Can You Actually Afford to Work in the Arts?

    This week’s episode of All About Art talks about money 💶💰💸👛💷✨👩‍💻. The art world - well, in every profession I think, not just in our bubble - only speaks about it in whispers or over a few glasses of wine (if at all) but the silence around salaries and financial sustainability is actively harming people, especially those without a financial safety net behind them. Espeically now, when on last weekend’s episode of Sunday with Laura Kuenssberg on the BBC, Shadow Education Secretary Laura Trott (Conservative MP) stated that the Conservatives plan to stop government funding for "dead-end" university courses (meaning creative arts) if they win the next general election. (Source: Arts Professional) Although this episode was written and recorded before that interview aired, it is still an important listen. Drawing on data from the SML x ArtTactic Talent Report and my own career trajectory, I break down what jobs in the art world actually pay (spoiler: often less than the London Living Wage), why museum roles are structurally inaccessible to working-class applicants, and what the access problem really looks like in practice. I also share practical advice including: the questions I now ask myself before taking on unpaid work how I managed my budget in my early London career and why transparency around money is one of the most radical things we can do for this industry. Whether you’re just starting out, feeling stuck in a low salary, or wondering how anyone affords working in culture, this episode is for you. ------- If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠ Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠  ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector. SOCIALS:  Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/ This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/  COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/ Research and Creative Assistant: Iris Epstein

    15 min

  2. 13 FEB

    The Truth About Art World Careers: Inside Talent, Hiring, & Strategic Navigation with former co-managing partner of Sophie Macpherson Ltd.

    The Truth About Art World Careers: Inside Talent, Hiring, & Strategic Navigation with former co-managing partner of Sophie Macpherson Ltd. In this episode, I sat down with Rosie Allan, former co-Managing Partner of Sophie Macpherson, a leading recruitment firm specializing in the art market. I speak to Rosie about her journey into art world talent and recruitment, and what drew her to this particular corner of the industry. We talk about the groundbreaking Art Market Talent Reports that Sophie Macpherson has released over the past few years - research that has sparked essential conversations about working conditions, career pathways, and structural challenges across the sector. I ask her about the UK Employment Rights Bill and what it actually means for people working in galleries, auction houses, and museums today. We discuss what a strategic job search looks like in the current landscape, how the process differs between the US and UK art markets, and what mid-level professionals can do to convince employers they're ready for senior roles. We also talk about career progression in an industry where traditional advice doesn't always apply, Rosie's decision to step down as co-managing partner after years with the company, and so much more. Thank you Rosie for coming on the podcast! You can follow Sophie Macpherson Ltd on Instagram here: https://www.instagram.com/smlsearch/ You can follow Rosie here: https://www.instagram.com/rosieallan_art/ You can check out SML’s website here: https://www.sophiemacpherson.com/ - - - - -  If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠ Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠  ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector. SOCIALS:  Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/ This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/  COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/ Research and Creative Assistant: Iris Epstein

    40 min

  3. 30 JAN

    From Tip Jars to Patreon: Rebuilding Arts Funding from the Ground Up?

    From Tip Jars to Patreon: Rebuilding Arts Funding from the Ground Up? This week’s episode of All About Art tackles “patronage”, but on the micro scale. You’ve surely seen it before: “Buy me a Ko-Fi!” “Support me on Patreon!” and more - the latter of which you hear every time to tune into an episode of All About Art, because these sites allow your community to show support for the work they love and engage with. So, using FOLLOW.ART’s Support My Practice feature as one of my case studies, I dive deeper into the initiatives helping reshape how creative work gets funded. I explore why these models emerged, what they're replacing, and what it actually feels like to ask for support as a creator, especially when you are juggling so many other platforms (spoiler: it's complicated!). I also share some personal reflections on running this podcast for the last five years, the mental & emotional tax of self-promotion, and why £3 a month from one listener can make all the difference. So, whether you're a creator navigating these platforms (FOLLOW.ART is for curators and artists specifically), or you’re someone who's wondered if those small contributions actually matter, or maybe you’re just curious about the future of creative sustainability, this episode offers a little bit of an overview of where we are and where we might be heading with micro-patronage. You can follow FOLLOW.ART on Instagram here: https://www.instagram.com/followart.world/ You can check out FOLLOW.ART’s website here: https://follow.art/ ℹ️ #paidpartnership with FOLLOW.ART - - - - -  If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠ Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠  ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector. SOCIALS:  Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinackerand LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/ This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/  COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/ Research and Creative Assistant: Iris Epstein

    17 min

  4. 16 JAN

    How Curators & Artists Are Supported In The Digital Age, with Evelina Gorbačova, Head of Digital Development at FOLLOW.ART

    How Curators & Artists Are Supported In The Digital Age, with Evelina Gorbačova, Head of Digital Development at FOLLOW.ART FOLLOW.ART is a platform working to reshape how artists and curators connect in the digital age - You should listen in if you are interested in working at the intersection of art and technology, working at a startup compared to more traditional roles in either tech or the art world, or you are an artist and/or curator wanting to find digital career support online.  We talk about the exclusions that curators and artists face in existing digital ecosystems - how they're often left out or underserved by platforms that weren't built with their needs in mind - and how FOLLOW.ART is trying to address those gaps. I ask her about the Nexus Card, a digital identity format that the team describes as "the heart of FOLLOW.ART," and why they chose to build this rather than just another social media profile or portfolio site. We discuss the technical challenges of combining physical art world interactions with digital infrastructure, how the team thinks about balancing accessibility with building a sustainable business, and so much more. Thank you Evelīna for coming on the podcast and FOLLOW.ART for the partnership! You can follow FOLLOW.ART on Instagram here: https://www.instagram.com/followart.world/ You can check out FOLLOW.ART’s website here: https://follow.art/ ℹ️ #paidpartnership with Follow.Art - - - - -  If you love what we do, support ALL ABOUT ART on PATREON!  ⁠https://www.patreon.com/allaboutart⁠ Keep up to date on Instagram @allaboutartpodcast  ⁠https://www.instagram.com/allaboutartpodcast/⁠  ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector. SOCIALS:  Instagram⁠ @alexandrasteinacker https://www.instagram.com/alexandrasteinacker and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ https://www.linkedin.com/in/alexandra-steinacker/ This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/  COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠https://www.liser-art.com/ and Luca Laurence https://www.graffitikunst.at/ Research and Creative Assistant: Iris Epstein

    47 min

  5. 19/12/2025

    The Great Art Fraud: Performance, Pretty Privilege & an $86 Million Scandal

    The Great Art Fraud: Performance, Pretty Privilege & an $86 Million Scandal This week’s episode of All About Art dives into one of the biggest recent scandals in contemporary art. It’s based on my recent experience watching the BBC’s The Great Art Fraud, which chronicles Inigo Philbrick’s spectacular $86 million fraud that shook the art world to its core. I discuss a range of factors that led to this happening, from the halo effect and “pretty privilege” to the culture of opacity that still defines high-value art deals. I explore how Philbrick sold a lifestyle as much as he sold art - and how the BBC’s documentary, perhaps unintentionally, keeps that performance of glamor alive. We discuss the gaps in regulation, the role of symbolic capital in luxury markets, and why the documentary’s hero’s journey framing (I explain why I think its framed like this) feels kind of uncomfortably forgiving. Will the art world forget this scandal and engage in art deals with Philbrick in the future? It sure did feel like it towards the end… If you’ve watched the series or are fascinated by the intersection of psychology, performance, and market failure, I would love for you to have a listen & leave a comment to share your thoughts! Image & Media Credits Jay Jopling photograph: Oli Scarff / Getty Images, via Artnet News Kenny Schachter image: Courtesy of Sotheby’s Inigo Philbrick image: Getty Images, via The New York Times The Great Art Fraud promotional artwork: BBC Additional images (if applicable): Courtesy KennySchachter.art Image & Source Credits This episode includes images sourced from Getty Images, Sotheby’s, The New York Times, the BBC, and KennySchachter.art. Images are presented solely for purposes of criticism, commentary, news reporting, and education. All copyrighted material remains the property of its respective rights holders. No copyright infringement is intended. Images are displayed at reduced resolution and only for the duration necessary to support commentary. 📌 REFERENCE LINKS Artnet News piece on White Cube & Jay Jopling — Artnet News article. Artnet News: White Cube Paris gallery news and Jay Jopling image source Sotheby’s Sotheby's Brightspot profile on Kenny Schachter — Sotheby’s webpage. Sotheby’s: The Hoarder III: A Moment With Kenny Schachter The Art Newspaper coverage of Inigo Philbrick’s fraud case (image & article) — Art Newspaper story including imagery. The Art Newspaper: Philbrick fraud case image & story Guardian article on Inigo Philbrick (Christie’s invoice referenced) — The Guardian coverage of Philbrick’s art world swindle. The Guardian: Inigo Philbrick art world swindle and Christie’s reference IMDb listing for The Great Art Fraud — BBC documentary info and promotional assets. https://www.imdb.com/de/title/tt38048757/  YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠ FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠  ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector. Here are links to my social media, feel free to reach out: Instagram⁠ @alexandrasteinacker   ⁠ and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/  COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com  Research and Creative Assistant: Iris Epstein

    16 min

  6. 06/12/2025

    The Mind Control of Mount Making with Alex Abbott, Director of Dauphin

    The Mind Control of Mount Making with Alex Abbott, Director of Dauphin In this episode, I sat down with Alex Abbott, Art Consultant and Director of Dauphin, a company that specializes in displays and mounts. I speak to Alex about what his company does - which a lot of you have certainly come into contact with but not been fully aware of. Alex does the unseen work of ensuring the objects we view and love in museums, galleries, and homes are mounted with safety and care. That ancient jug you saw last week at the Museum of Natural History? That was mounted and tilted at a 40 degree angle by Alex and his team, but his main objectives are not to impress the viewer with his skills of mounting a work of art or history - his objective is that his work remains as invisible as possible while keeping whatever it is he is working with, safe.  I speak to Alex about the artworks he has worked with in the past, including Barbara Heptworth sculptures and suits of armor. I ask him what sort of things need to be considered when consulting on how works of art or objects should be displayed, and also what its like to be director of a company at quite a young age - he took the helm of Dauphin at just 25 years old. We talk about the psychology of displays, the unseen work of mount makers in the arts, so much more.   Thank you Alex for coming on the podcast! You can follow Dauphin on Instagram here: https://www.instagram.com/dauphinacrylic/ You can check out Dauphin here: https://www.dauphin.co.uk/ YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠ FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠  ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector. Here are links to my social media, feel free to reach out: Instagram⁠ @alexandrasteinacker   ⁠ Twitter ⁠@alex_steinacker⁠ and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/  COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com Research and Creative Assistant: Iris Epstein

    48 min

  7. 22/11/2025

    I wrote the perfect book for anyone who wants to work in the arts 🚀📚 (Working in Art coming April 2026!)

    My forthcoming book Working in Art has officially beeen announced as available for pre-order, with publication coming in April 2026. So, on this week’s episode of All About Art, I walk you through what went into creating this book - the travel to 9 cities across 5 countries, the interviews with arts professionals I deeply admire, and the honest moments of self-doubt along the way. I explain why I felt this book needed to exist: the arts and cultural sector contributes £19.1 billion to the UK economy annually, yet fewer than 8 state schools offer History of Art at A-level. How are young people supposed to know what career paths are available if we don’t show them? This episode is more personal than usual. I talk about the process of organizing interviews, editing down lengthy transcripts, and working through the fear of whether my own writing was good enough. I also share who this book is for - whether you’re considering entering the arts sector, already working in it, or simply curious about the range of careers that exist beyond artist or gallerist. You can pre-order the book here: https://www.alexandrasteinacker.com/book YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠ FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠  ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector. Here are links to my social media, feel free to reach out: Instagram⁠ @alexandrasteinacker   ⁠ and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ This episode is produced at Synergy https://synergy.tech/the-clubhouse/the-podcast-studio/  COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com  Research and Creative Assistant: Iris Epstein

    9 min

  8. 14/11/2025

    Designing a Fair Marketplace for Artists and Collectors with Bibi Zavieh, Founder of newcube

    New episode of ‘All About Art’: Designing a Fair Marketplace for Artists and Collectors with Bibi Zavieh, Founder of newcube In this episode, I sat down with Bibi Zavieh, Founder of newcube.art, an artist platform and art advisory. I speak to Bibi about her experiences at Christie’s and ArtNet before she ventured into entrepreneurship and launched newcube right before the covid lockdowns. I ask her about how she works with both artists as well as collectors, and how this new business model fits into the art ecosystem. We delve into what it means to collect art today, to gain art market expertise and develop an “eye”, so much more.   Thank you Bibi for coming on the podcast! You can follow newcube  on Instagram here: https://www.instagram.com/newcube.art/?hl=enYou can check out newcube here: https://www.newcube.art/ YOU CAN SUPPORT ALL ABOUT ART ON PATREON HERE: ⁠https://www.patreon.com/allaboutart⁠ FOLLOW ALL ABOUT ART ON INSTAGRAM HERE: ⁠https://www.instagram.com/allaboutartpodcast/⁠  ABOUT THE HOST: I am an Austrian-American art historian, curator, and writer. I obtained my BA in History of Art at University College London and my MA in Arts Administration and Cultural Policy at Goldsmiths, University of London. My specializations are in contemporary art and the contemporary art market along with accessibility, engagement, and the demystification of the professional art sector. Here are links to my social media, feel free to reach out: Instagram⁠ @alexandrasteinacker   ⁠ Twitter ⁠@alex_steinacker⁠ and LinkedIn at ⁠Alexandra Steinacker-Clark⁠ COVER ART: Lisa Schrofner a.k.a Liser⁠ ⁠⁠www.liser-art.com⁠ and Luca Laurence www.lucalaurence.com

    57 min
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About

Hosted by American-Austrian art historian, writer, and curator Alexandra Steinacker-Clark, 'All About Art' is a podcast that is all about demystifying the professional arts sector. Through interviews with cultural practitioners, gallerists, museum directors, curators, art entrepreneurs, and more, 'All About Art' covers a wide range of professions in the sector, providing an exchange of experiences between people who have developed their professional contributions to the arts into successful careers. www.alexandrasteinacker.com @allaboutartpodcast

Information

  • Creator
    Alexandra Steinacker-Clark
  • Years Active
    2021 - 2026
  • Episodes
    99
  • Rating
    Clean
  • Copyright
    © Alexandra Steinacker-Clark
  • Show Website
    All About Art

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