The Drunk Duck Quackcast

Michael Morris
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The QuackCast is a theduckwebcomics.com podcast hosted by Ozoneocean, Banes and Tantz Aerine who run DrunkDuck, the oldest Webcomic hosting site on the net! They chat about all things webcomics, writing and art techniques, social and cultural issues, pop-culture, and a whole variety of interesting subjects!

  1. 2 DAYS AGO

    Catchphrases and content creations

    Catchphrases are things that can be used to make characters more recognisable and instantly familiar. It can really help them connect with audiences! But when used badly it can make them cloying, irritating or even hateful. This quackcast was inspired by Banes' use of a catch phrase on his latest page of Continuity Falls: "Ah'll be Gosh-Durned!". We also chat a bit about how content creators in general often come up with catchphrases in order to better connect with audiences and how silly that can be. Coming up with catch phrases like content creation is not usually easy, you have to craft and spit out a lot of it before something sticks and you can never really tell what they will be until it's happened… so the conversation also shifts to the constant treadmill of content creation that has become its own niche in the economy and how that can become a drag on a lot of people and lead them to doing dark deals… For example the once excellent Veritasium channel on Youtube, who's creator went from doing extensive research on interesting and unusual scientific questions, who then after he sold his channel to a production company it degraded to slickly produced illustrations of other people's articles, usually very poorly researched ones that have a lot of popularity. We'll chat more about that next week and how it can drive people to using AI and further degrade their content. But for now: catchphrases! What are your faves and have you ever come up with some for your characters or even yourself? For me a couple of my faves are "UNACCEPTABLE!" from Lemongrab on Adventure Time, and "Bah-leted" from Stongband on Homestar Runner and Friends. The closest I've come in my comics is "Hehe, DIE" by Cc in my comic Pinky TA, that seemed to strike a note with people. The best off Gunwallace track this week was Typical Strange - Great pop! Originally from Quackcast 188, 13th of October, 2014. Topics and shownotes NEXT WEEK'S TOPIC: Content vs Art Links Continuity Falls - https://www.theduckwebcomics.com/news/2026/apr/30/continuity-falls/ Featured comic: Bad Heroes - https://www.theduckwebcomics.com/news/2026/apr/27/featured-comic-bad-heroes/ Featured music: Typical Strange - https://www.theduckwebcomics.com/Typical_Strange/ - by Banes, rated T. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS

    56 min

  2. 28 APR

    The anatomy of comedy

    The DD comedy promotion month is coming to a close so we're having a Quackcast focussing on comedy in general this time. Tantz, Banes and I talk about comedy, how it works, and what makes something funny, and ironically that's one if the least funny things you can talk about! There are a lot of different kinds of comedy: puns, slapstick, cruelty based comedy, taboo based humour, humiliation based comedy, non-sequitur "random" humour, cute comedy, intellectual comedy, satire, toilet humour etc. I heard the other day that "slapstick" (physical comedy), gets it's name from the noise making "slap-sticks" used by the harlequin clowns in the commedia dell'arte plays from the 1500s. They'd use those to mark when something was funny and the audience was supposed to laugh, though that sounds a little dubious to me… Personally I think the simple "subverting of expectations" neatly explains the methodology behind most if not all comedy: You set something up which comes with its own inerrant expectations, then you surprise people by giving them a conclusion that goes against those expectations, while still fitting in with the logic of the scenario presented. And if things are done right, then you find it funny! That explains puns, humiliation, physical humour, crude humour, anything! This is why the typical number of panels in a gag comic is 4, because that's the easiest way to do setup: You present the concept, you set it up, you provide a complication or question, then you surprisingly subvert it. I did not invent that idea BTW. Then there's also relatability VS specificity: The more relatable something is, the easier it is for most people to find it funny. But if it's too general then it's seen as lame and obvious. Specific subjects can be cuttingly funny but you limit your audience right down. Related to this: In the Quackcast Banes mentions the idea that comedy helps to tell truths at the heart of things. I do not think that's the case, I think it's just that easy generalities connect with more people, so when you surprise them with your subversion more of them will react and agree that it's funny, rather than because it's a "truth". People often say comedians are "truth-tellers", though again, they're just being relatable with very simplified concepts. I'm examining comedy in a very raw and basic way here that is entirely unfunny! I don't think many people approach it that way when coming up with jokes. For most of us we rely on our instincts and what makes us laugh rather than thinking about how it works and why it's funny. How do you approach comedy? This week our best-off from Gunwallace is: Bruno Harm - an appropriate Rockford files style intro for a guy who thinks he's Peter Gunn. Added comedy lines! Originally from Quackcast 278, 5th of July, 2016 Topics and shownotes Featured comic: Pieces of Lingering Dust - https://www.theduckwebcomics.com/news/2026/apr/21/featured-comic-pieces-of-lingering-dust/ Featured music: Bruno Harm - http://www.theduckwebcomics.com/Bruno_Harm/ - by Bruno Harm, rated E April comedy them month! - https://www.theduckwebcomics.com/news/2026/apr/24/funny-stuff/ Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS

    1hr 2min
  3. Manipulating your Audience

    21 APR

    Manipulating your Audience

    This is the second part of our Manipulation focussed Quackcast, and we have a special guest: Gunwallace! This time we're talking about manipulating your audience to think or feel certain things that you want them to in order for your story to have a greater impact. Gunwallace was here to help us with the humour aspect because getting people to find things funny is a challenge all in itself! It could be emotional beats, things like sadness at an event in the comic like the death of a character, betrayal, disappointment, joy, revenge, triumph, elation… If you can make the audience feel that along with the characters then the story events have way more meaning! Conversely, if you mishandle it then the event can be a little meaningless or even funny like the famous miscarriage scene in the Ctrl+Alt+Del (CAD) webcomic. But how do you manipulate people into having the feelings you want them to? I suppose the best way is having them identify with the characters, make their situation relatable, make the audience care about the characters and what they're experiencing, then these effects will have a greater impact. Humour is another aspect of this, how do you convince people that something is supposed to be funny and that they should laugh? That's really too big of a subject, but briefly: you can set up a situation and then subvert expectations in a silly way, you can exaggerate things foolishly, have a character embarrass or humiliate themselves etc. There are a lot of ways to go about it. Humour is very easy to fail at though: generalised humour is best because you'll have the broadest appeal and the most chance to make the joke land with more people, but if you're too general the joke becomes generic and boring. Specific humour about a clever reference or focussed on a particular subculture or scene can be razor sharp and awesome, but if people don't get the references then it comes off as meaningless. Lastly, if you have a character who's meant to be super smart, beautiful, a great fighter, charismatic, mysterious or something else, how do you manipulate the audience into believing that? One way is to have other characters simply describe them as that… which is the worst way to do it, at least in isolation. If other characters are announcing those traits you'll need to back it up with an example or it will come off as silly. Part of the trick then is to have a combination of characters reacting to them in a way that confirms those descriptions as well as a demonstration of it: Show a character is smart by having them quickly solve a difficult issue or come to a clever conclusion, rather than writing something like "they're the world's smartest person, they graduated from all major universities at 9 and they have 5 doctorates in neuroscience, experimental quantum physics, rocket science, genetics, and virology!", rather than giving the audience the impression that the character is smart it will make them think the writer is an idiot. How do you manipulate the audience into having the impressions that you want? Have you ever tried to do that and failed? The best off Gunwallace track this week was picked by Gunwallace himself, it's the theme to Joe Pop - Staring Oz and Banes! This one is funny, and was a lot of fun to do! Oz is so great on base! Originally from 9th of March 2015 Topics and shownotes Links Manipulation part 1, Quackcast 784 - https://www.theduckwebcomics.com/quackcast/episode-784-manipulation Featured comic: Another Random Sequential Experiment - https://www.theduckwebcomics.com/news/2026/apr/13/featured-comic-another-random-sequential-experiment/ Featured music: Joe Pop - http://www.theduckwebcomics.com/Joe_Pop/ - by dave63, rated E. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS

    59 min

  4. 14 APR

    Taboos in humour?

    Taboos are generally things that are considered "forbidden" by society for various reasons, but what we start with are personal taboos rather than at the society level, but we do talk about that too. Taboos for me in humour are animal cruelty, sexual violence, racism, sexism and ableism, all to varying degrees but animal cruelty is the main one. I really hate it when a joke involves killing or harming an animal. When it comes to personal taboos I don't tend to become a "Karren" about it, when I personally have an issue with a type of humour I'll generally turn away from it rather than assume everyone thinks like me and go on a tirade. Society level taboos are different, sometimes it's culturally based, like taboos about comedy based on religion, national heroes, nationalism, etc, it could be political, it can be touchy subjects like racism, sexual violence, cannibalism, sexism etc, or even silly things like toilet humour and bodily functions! There can be good reasons for both avoiding taboos completely and also tackling them head on directly. One of my favourite TV sitcoms is It's Always Sunny in Philadelphia which makes a point of constantly taking taboos head on. A general rule about taboos and touchy subjects in humour is to "punch up" rather than "punch down", which means it's not cool to go after the vulnerable, instead go after the empowered and entitled. But that doesn't mean you should infantilise the groups you deem worthy of protecting and treat them like that have no agency or humour, that can be just exactly as bad as attacking them directly because in both instances you are dehumanising them. A great instance of tackling a taboo in humour is Robert Downey Jnr's blackface in Tropic Thunder. Blackface is a taboo because it was about creating a dehumanising caricature of black people in order to denigrate them. The blackface in Tropic thunder isn't used that way at all, it's making fun of the character who is doing the blackface, his entitlement, overweening arrogance and gall to think he should be able to get away with it, as well as the ridiculousness of the situation. Do you have personal taboos that you don't joke about? Or do you think it's a good idea to make jokes about certain taboos in humour? -Waning- I recount a horrible, awful sexist joke near the end of the cast as an example and Tantz Aerine demolishes it with humour showing a good way to deal with such a thing. This week our best-off from Gunwallace is: Temple at Fifty Fathoms - Disco freaky! Better version, groovy, naughty, perfect. Originally from Quackcast 220, 12th of May, 2015. Topics and shownotes Featured comic: Seven Seventeenths - https://www.theduckwebcomics.com/news/2026/apr/07/featured-comic-seven-seventeenths/ Featured music: Temple at Fifty Fathoms - by Skreem Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS

    56 min

  5. 7 APR

    What the butler saw, or Sexuality in media

    We're talking about the changing depictions of sexuality in media over the years. A big misconception is that trends are purely linear, so a popular belief is that things started out all very pure and safe and gradually degenerated into a kind of sexy free-for all… which is not true. Humans have always been the same, sex is a massive part of our cultures, since the first media existed sex was a part of it (back in the ancient world and pre-history). The 19th and 20th centuries where no different. Prudish Victorians are a myth. Film, books, music, comics and more in the early days included depictions of sex and sexuality, the first porn films came out at the same time as the first mainstream films and it was a similar story with all other media. But there was always push-back from other parts of culture and so that toned things down. This is a continuous process: Sexuality and censorship, the pendulum swings. In the the 1930s in the USA they had the Hays code which got rid of sexiness and sexuality in Hollywood and that had knock on effects for the rest of the world. By the time of the 1960s though things had gone the other way, especially since the Hays code wasn't a thing in Europe and their sexier content came over and influenced the USA. Since then things have continued to go up and down: with the rise of porn on home video, sexuality in film and TV decreased in the 1980s. By the 90s with the rise of cable TV became sexy again and so on. Comics in the USA had the Comics Code Authority, which took out all adult aspects from comics for decades and affected comics in different countries too, but not all. Meanwhile in Europe, Asia, and South America there was interesting stuff being created. We got a taste of that through things like Heavy Metal magazine and some of the Manga that was imported and translated. In the USA and UK it encouraged the growth of an alternative culture that wasn't subjected to the Comics Code Authority and so artists like Robert Crumb proliferated. A push-pull with censorship is always going on for all sorts of reasons. Another misconception is that Christianity and religious conservatives are the main enemy so that there's a proxy divide between progressive left-wingers and the conservative right but the truth is that it's far more complicated unfortunately. We cover this in the Quackcast, but briefly, depictions are often driven by commercial interests rather than simply the needs of art so we have had over-representations of certain kinds of eroticism in media, like things only really made for the male gaze (because men were imagined to be the main audience), which led to distorted depictions (exploitation films), and objectification. This led to to a push-back in art and intellectual circles against that sort of thing. Then there are factors like the protection of children, which crosses all political divides: all of us want to keep them safe. These processes happens in all countries at different rates and different times and the creative products of every culture influence those in other cultures and cause further change. How do you handle sex and sexuality in your own work? When I started Pink TA my goal was not to have any barriers to what I wanted to show, but as the years went on I realised I had to tone things down so my comic could be seen more widely and as I've gotten older I have a lot less interest in sexy things than I did when I was younger anyway so that caused further change. This week we have another best off from Gunwallace and this time it's - X up - 6 … is this a theme for a comic? … no! It could be a theme for X Up, it does have some Wah Wah guitar (the sexiest guitar), after all, but it isn't. This is a theme for the number 6. That number that a certain user, plymayer, gives to comics all when he feels they deserve it. A 6. A 6 out of 5. This is a theme for a concept. The concept of a supportive DD'er. To plymayer … and to every 6 he has handed out. (Okay, so it's also a theme for X Up … but don't tell anyone). - Disco sex - Originally from Quackcast 256, the 1st of February 2016. Topics and shownotes Links Thread that was inspiration for the topic - https://www.theduckwebcomics.com/forum/topic/180234/ Featured comic: Kuro Shouri - https://www.theduckwebcomics.com/news/2026/mar/31/featured-comic-kuro-shouri/ Featured music: X UP - http://www.theduckwebcomics.com/X_UP/ by Plymayer, rated A. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS

    1hr 1min

  6. 31 MAR

    Women in comics

    Tantz developed an idea to promote DD creators by doing themed months. DDers were asked to come up with themes that fit various months and when those came around we DDers were asked to nominate creators and their comics to be promoted as part of that themed month. March was chosen to be the Women in Comics month to coincide with Women's History Month. So in this Quackcast we're celebrating our female creators and recapping the success of the themed month. DD has been around for well over 20 years now and in that time our site has tried to stay as egalitarian as possible across all fronts. We have always had prominent women creators on the site producing amazing comics and our staff managing DD has always had a fairly equal split between women and men. So why the need for a women in comics month if this is the case? It's because despite all this many women don't feel comfortable having their gender known in case their work is judged and assumptions made because of that and also to avoid certain types of unfavourable attention. The purpose of our women in comics month is to help all of us and comics in general because more equality of representation gives us a diversity of points of views and experiences and that massively enriches our community and the comics available to us to read. Who are your fave women comic creators here on DD? Or if you're a woman creator, what has your experience been like here? When I first started posting my own comic here in 2004 Creators like Amelius, Coydog, Skoolmunkee and Blackitty really welcomed me and I was in awe of their work and talent as well as their roles in the community. This week our best-off from Gunwallace is: Demon Eater - Jillyfoo's demonic horror comic. This has a gritty, grungy, red sound of rending and tearing, pulsating, and the chittering of unholy insectile monsters! Originally from Quackcast 190, 26th of October, 2014. Topics and shownotes Women in comics Newspost - https://www.theduckwebcomics.com/news/2026/mar/06/march-dd-theme-female-creators/ Women in comics thread - https://www.theduckwebcomics.com/forum/topic/180217/ Featured comic: Where the Light Falls - https://www.theduckwebcomics.com/news/2026/mar/24/featured-comic-where-the-light-falls/ Featured music: Demon Eater - https://www.theduckwebcomics.com/Demon_Eater/ - by Jillyfoo, rated A. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ Kawaiidaigakusei - https://www.theduckwebcomics.com/user/kawaiidaigakusei/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS

    1 hr

  7. 24 MAR

    Manipulation

    This topic is about manipulation and manipulators. This is a super broad topic because manipulation is everywhere: not just unscrupulous people but in normal communication, advertising, story writing, art etc. for good, evil, and purely neutral objectives. But for the purposes of this cast we got Tantz to use her expertise to limit it down to mainly focus on people. So what IS manipulation? It's getting others to do things or change their thinking, often against their interests. They think it's their own decision based on their own wants and reasoning but in reality they're behaving in the way that the manipulator wants them to, using triggers, deception, and other clever methods. As children most of us learn how to easily manipulate others through behaviours and actions: things like tantrums, fake tears, being cute etc. Basically big obvious stuff that easily gets a reaction. Thankfully most of us also grow OUT of such crude behaviour, though some silly adults never do, or if they do they go back to it. The behaviour of master manipulators is driven by a perception of weakness: they see manipulation as their main available option to exert power because they don't feel they're able to in any other way. They can make great villains. A memorable manipulator villain is the mother in The Sopranos. A great example of the power of nasty manipulators is shown in the 1988 film The Chocolate War (also a great use of Kate Bush's "Running up that Hill"), where one boy's act of rebellion at the school causes him to be the target of a bullying campaign by a master manipulator. Sometimes manipulation is unintentional: certain things trip triggers we have and we change our behavior despite our better interests. The whole "sex sells" is based on that. People knowingly take advantage of that but it's ripe for comedy when they don't realise they're doing it. The character Francis in the comic Bottomless Waitress by Banes and I is one such example. The film Something about Mary is an entire story based on this premise because characters romantically fall for Mary, and do whatever they can for her and then they even deliberately manipulate others in their competition for her affections! Do you have a character that uses manipulation to get their way or can you think of an example of a noted manipulative character in fiction? This week we have another best off from Gunwallace and this time it's - Firefly cross - A very mystical sound, with traditional, middle eastern style music mixed with dark techno fuzz, this one is intriguing! Originally from Quackcast 285, 10th Oct, 2016. Topics and shownotes Links Thread about manipulation - https://www.theduckwebcomics.com/forum/topic/180225/ Featured comic: The Fox and Feather Saga Vol One - https://www.theduckwebcomics.com/news/2026/mar/16/featured-comic-the-fox-and-feather-saga-vol-one/ Featured music: Firefly cross - http://www.theduckwebcomics.com/Firefly_Cross/ by Dragonsong12, rated E Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS

    57 min

  8. 17 MAR

    Where do we go from here?

    Many times in your writing you reach a point where things just peter out and you can't seem to move beyond. We're not really talking about a traditional writer's block here though, it's more like running out of puff, "out of steam" so to speak… You get your story and or characters to a point and then "what now?". Maybe it's because the content of the current story no longer fits with the script you were working on because too many interesting things got added in as you were creating the pages, but now it's all falling apart because the story as it is now is too different from the planned one. Maybe it's because you lose enthusiasm for the current story. It could be that you've seen new trends and styles and fun things you want to include but can't fit them into your current story so you get tired of it. Maybe you don't have a script and can't really work out what to do next. It could be that you find a plot hole and know you'll need a rewrite to move any further. Or maybe you're starting a new chapter but can't work out how to do that. There are many reasons to run out of puff and we chatted about some ways around that in the cast. Again, this is NOT about blocks which are not really related to the writing and are more just psychological. One of the ways was to limit your scope right down: just focus on a few characters in a much more limited set of circumstances or maybe even the point of view of a single character and proceed from what interests and concerns them, what they like, need, and care about, what they experience etc. That means there are less things to worry about, it's easier to crystallise in your mind where you should go with things, and it's also way easier to get your audience to relate to and identify with what you're doing. Another key method is to rely on structure if you can. If you have an old script and old thumbnails and all that stuff, try and see if you can hammer your way back to it. You might not be able to because of later story changes or you may not even have a script, but if you do and you CAN go back to it, it's worth it even if you feel it's a bit old and boring, because it's all planned out already and when you move past the dull stuff you can write more interesting stuff into your script later. Finally another trick is to just jump to another scene completely. It could be a time jump, like two days later or earlier, or even a flashback. You can use dreams, visions, or a recounted story by a character. You can also jump to parallel scenes with other characters in other places, or simply a different character point of view… What are some run-out-off-steam moments you've had and how do you get beyond them? This week our best-off from Gunwallace is: Filaments a Kerbop Story - The mysterious, dark shadowy reaches of space, glowing tendrils of a pink gassy nebula, dimly seen, distant stars, shadowy pockmarked asteroids turning lazily… a happily little junty turn plucked out on strings winds its way through the gloom, spreading cheer and light! Originally from Quackcast 497, 22nd of September, 2020. Topics and shownotes Featured comic: No feature this week because I was sick so enjoy Kawaii's feature from last week: Summer to Winter - https://www.theduckwebcomics.com/news/2026/mar/03/featured-comic-summer-to-winter/ Featured music: Filaments a Kerbop Story - https://www.theduckwebcomics.com/Filaments_a_KerBop_story/ - by Caliway, rated E. Special thanks to: Gunwallace - https://www.theduckwebcomics.com/user/Gunwallace/ Tantz Aerine - https://www.theduckwebcomics.com/user/Tantz_Aerine/ Ozoneocean - https://www.theduckwebcomics.com/user/ozoneocean Banes - https://www.theduckwebcomics.com/user/Banes/ VIDEO exclusive! Become a subscriber on the $5 level and up to see our weekly Patreon video and get our advertising perks! - https://www.patreon.com/DrunkDuck Even at $1 you get your name with a link on the front page and a mention in the weekend newsposts! Join us on Discord - https://discordapp.com/invite/7NpJ8GS

    1hr 1min
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About

The QuackCast is a theduckwebcomics.com podcast hosted by Ozoneocean, Banes and Tantz Aerine who run DrunkDuck, the oldest Webcomic hosting site on the net! They chat about all things webcomics, writing and art techniques, social and cultural issues, pop-culture, and a whole variety of interesting subjects!

Information

  • Creator
    Michael Morris
  • Years Active
    2010 - 2026
  • Episodes
    100
  • Rating
    Explicit
  • Copyright
    © WOWIO, Inc.
  • Show Website
    The Drunk Duck Quackcast