VOLLMANNIA

Ryan Alexander & Jordan Rothacker

VOLLMANNIA is a show about the books of William Tanner Vollmann, with hosts Ryan Alexander & Jordan Rothacker. Episodes feature substantive conversations with guests about each work in Vollmann's bibliography.

Episodes

  1. 27/09/2025 ·  Bonus

    A Table for Fortune Coming 2026!

    Jordan and Ryan are back to celebrate the release of A TABLE FOR FORTUNE - coming 3/3/26 from Arcade Publishing - and discuss their thoughts on the first few hundred pages of WTV's long awaited God's Lonely Men-Cold War-War on Terror epic. Preorder today via Amazon, Barnes and Noble, or Bookshop.org. In A Table for Fortune, National Book Award-winner William T. Vollmann depicts from the balcony-level of history the last half-century of American politics, war, and life. At once a family drama, bildungsroman, and national epic, this 3,000+ page, four-part novel may be our most ambitious writer's most ambitious work.    Parts 1 and 2 gather from the half-forgotten annals of the near-past - Stasi documents, Iraqi newspaper articles, presidential radio addresses - to form a vivid and mesmeric epic centered on Elliott Stevens, or DAVE, a CIA analyst whose glee at winning the Cold War is matched only by the dread that culminates in the nightmares of September eleventh and the resulting War on Terror. The hero of Parts 3 and 4 is Matthew Stevens, Elliott's son, whose efforts to divine the fate of his life and escape his parents result in homelessness, addiction, and perhaps even happiness.  Spanning from 1968 to 2019, these volumes comb together - with Vollmann's trademark generous wit and Olympian prose - a staggeringly well-researched, definitive history of American post-war foreign policy with a deft, moving chronicle of a family's descent into resentment and gloom. Not since War and Peace have the internal lives of characters and the history of a nation been forged together in so forceful a study of causes, fate, and nationhood.  Elliott and Matthew Stevens are “passengers within a divine bullet,” which, like Gogol's troika before it, overtakes all flying to its nation's end. This boxed set, with all four volumes in hardcover, allows the book to be read as intended: as one towering novel, the magnum opus of one of the giants of literature.  Show Notes: A Reflection of the Public: A Short Story Heading Toward Nowhere Drones and Decolonization Four Men: Keeping Company with Outdoor People American Writing Today: A Diagnosis of the Disease Credits: Show logo (“An Incomplete Map of Vollmannia”) courtesy of Anna Roth. Music: Jeannette Fang, Preludes, Op. 28 - No. 2 'Presentiment of Death' by Frédéric Chopin. Public Domain Mark 1.0 – No Copyright from https://musopen.org.  Contact: Email: vollmannia@gmail.com Twitter: @vollmannia Instagram: @vollmannia http://vollmannia.buzzsprout.com/

  2. 29/12/2023 ·  Bonus

    Dolores as a Golden Monkey

    William T. Vollmann has partnered with us to sell 10 prints of his painting "Dolores as a Golden Monkey"! Each print will cost $2,500. Bill has provided a full description below. Order yours today (https://square.link/u/IfOW4bYw)! “Dolores as a Golden Monkey” is one of my transgender self-portraits.  The old-timey lumber shop some two blocks from my studio made me ten 16 x 20” cherrywood panels, with frames to fit, each frame consisting of two L-shaped pieces which I could engrave and paint either before or after seating the painting inside.  In this case the masklike figures on the frame were obviously done first, thereby isolating and commenting on instead of extending the acrylic-painted image, and incidentally almost occluding Dolores’s female parts in proof that I, too, can abase myself to honor “family values.”  The framed size of this painting is 18 x 22”.  My longterm model Lindsay R. considers this one of her favorites among my paintings. I like it for its bittersweet whimsicality.  Dolores would like to be “real,” and here she hopefully pretends to be, but at any moment she will be disassembled and returned to my meat locker.  (At age 64, I anticipate a similar fate.)  Hence, perhaps, her look of wide-eyed, slightly anxious bewilderment.  Like me, Dolores tries and tries to please, but can never be good enough. I prepared this panel with three layers of gold gesso over two layers of white.  Gold-colored acrylic was added to the earrings, etc., to sparkle up the old girl.  I am surprised to see how well it shines in this reproduction, which was painstakingly prepared for me by dear friends Jeff and Katherine Cox.  (It speaks especially well of Katherine’s tolerance that she worked so patiently on an image not to her liking.  On her computer screen she made D. less disgusting by superimposing one of those fig leaves called sticky notes.  Thank you for keeping on, Pixel Princess!) Thanks to Jeff’s high-resolution image capture, I knew that the picture would hold up at larger than life size.  This archival inkjet print (on Canson Arches Aquarelle rag paper, in the heavier weight of 310 gsm) reveals brush strokes and suchlike details.  The painting and its frame are reproduced at a 20 x 24”  —  in area about 121% of the framed original.  The total print dimensions are 24 x 30”. This edition is limited to 1 trial proof, 2 artist’s proofs and 10 signed, numbered copies. As I always remind myself, the world does not owe me a living, and if nobody considers this reproduction worth the price, then I will get another of the come-uppances that keep me in trim.  But if the edition sells out, I would like to see what one of my gum bichromate photographs looks like when much enlarged.  Will all the little dots of mineral pigment reveal themselves? Please write to Jordan if you would like me to reproduce anything else.  (I would need to commission several copies of a given print to justify Jeff and Katherine’s painstaking labor.) Thank you to everyone who has supported me over the decades. William T. Vollmann December 2023 Credits: Show logo (“An Incomplete Map of Vollmannia”) courtesy of Anna Roth. Music: Jeannette Fang, Preludes, Op. 28 - No. 2 'Presentiment of Death' by Frédéric Chopin. Public Domain Mark 1.0 – No Copyright from https://musopen.org.  Contact: Email: vollmannia@gmail.com Twitter: @vollmannia Instagram: @vollmannia Homepage

  3. 17/02/2022

    An Afghanistan Picture Show; Or, How I Saved the World

    In this inaugural episode, hosts Ryan Alexander & Jordan Rothacker discuss the 1992 memoir An Afghanistan Picture Show; Or, How I Saved the World. Specific topics include how the book can be categorized in terms of genre and style, the bipartite identities of The Young Man & William T. Vollmann, the failure of the individual to affect systemic change, and how “the Other” is depicted. They also discuss their backgrounds as Vollmann readers, their favorite Vollmann book(s), and their goals for the show. Show Notes: “The True Story of William T. Vollmann’s Research Assistant”: https://heavyfeatherreview.org/2018/06/20/carbon-ideologies/   Excerpt from The Cloud Shirt: http://www.grandstreet.com/gsissues/gs46/gs46c.html Excerpt from A Table for Fortune: https://goodtimes.sc/cover-stories/heading-toward-nowhere/ The New Yorker’s “20 Under 40”: https://archives.newyorker.com/newyorker/1999-06-21/flipbook/ KCRW Bookworm – Fathers and Crows: https://www.kcrw.com/culture/shows/bookworm/william-vollmann Ted Koppel’s favorite books: https://theweek.com/articles/587103/ted-koppels-6-favorite-books “Across the Divide”: https://www.newyorker.com/magazine/2000/05/15/across-the-divide   “American Writing Today: A Diagnosis of the Disease”: http://www.conjunctions.com/print/article/william-t-vollmann-c15 KCRW Bookworm – The Dying Grass: https://www.kcrw.com/culture/shows/bookworm/william-t-vollmann-the-dying-grass-part-i https://www.kcrw.com/culture/shows/bookworm/william-t-vollmann-the-dying-grass-part-ii “Life as a Terrorist”: https://harpers.org/archive/2013/09/life-as-a-terrorist/ The Celestial Bandit: A Tribute to Isidore Ducasse, the Comte de Lautréamont, Upon the 175th Anniversary of His Birth: http://www.kernpunktpress.com/store/p29/celestialbandit.html “Unnatural History of Construction: The Interim by Wolfgang Hilbig (translated by Isabel Fargo Cole)": https://statorec.com/unnatural-history-of-construction-by-ryan-alexander/ Credits: Show logo (“An Incomplete Map of Vollmannia”) created by, and used with the permission of, Anna Roth  Merch: https://www.redbubble.com/people/strollology/shop Contact: Email: vollmannia@gmail.com Twitter: https://twitter.com/vollmannia Instagram: https://www.instagram.com/vollmannia/ Homepage: https://vollmannia.buzzsprout.com

About

VOLLMANNIA is a show about the books of William Tanner Vollmann, with hosts Ryan Alexander & Jordan Rothacker. Episodes feature substantive conversations with guests about each work in Vollmann's bibliography.

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