In a rugged corner of West Texas, billionaire wildcatters and roughnecks are fueling an oil boom so big it’s reshaping our climate, our economy, and our geopolitics. This modern-day gold rush has sent both big oil companies and scrappy start-ups scrambling to secure a piece of the action. Texas Monthly’s Christian Wallace follows characters along every rung of the oil field ladder, from the executive cutting billion-dollar deals to the itinerant pipeline worker risking life and limb, and from the traveling exotic dancer following the trail of money to those who worry that our planet is on a path to destruction. Meet the people cashing in and those just trying to get by as the world around them is turned upside down. "A beautiful ride filled with levity, even as it delivers troubling forecasts for the future" - The Atlantic 2021 Webby Award Honoree, Podcast Documentary
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DOCUMENTALES
Durante los últimos 25 años, miles de mujeres han sido brutalmente asesinadas o han desaparecido a lo largo de la frontera en Ciudad Juárez, México. La investigación de éstos crímenes han revelado una red sistémica de corrupción, violencia, trata de personas y un proceso de globalización sin control que las autoridades han intentado ocultar desesperadamente. La Nota Roja, presentado por la aclamada periodista de investigación Lydia Cacho y realizado por un equipo de producción mexicano, examina la historia de los feminicidios acaecidos en Ciudad Juárez a través de los testimonios de investigadores que han tratado de resolver estos crímenes, y de los familiares de las víctimas, quienes sus vidas han sido transformadas por esta tragedia.
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CRÍMENES REALES
Over the last 25 years, thousands of women have been viciously murdered or disappeared along the border in Ciudad Juarez, Mexico. The investigation into these crimes has revealed a systemic web of corruption, drug violence, sex trafficking, and unchecked globalization that authorities have tried desperately to hide. Hosted by famed investigative journalist Lydia Cacho and produced by a Mexico-based creative team, The Red Note examines the story of the Juarez femicides through the voices of investigators who tried to solve the mystery of these crimes, and the families of the victims, whose lives have been reshaped by tragedy.
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CRÍMENES REALES
"Best True Crime Podcast" Nominee, 2023 Ambies Warsaw, Missouri, is a small, rural town of just over 2,000 people in the American Midwest. Locally it’s known as the “quiet end of the Lake of the Ozarks.” Very few realize that it’s the paddlefish capital of the world. But when a new group arrived driving flashy, imported cars and dropping hundreds of dollars on bait and tackle, the town became the setting for an undercover federal sting operation tasked with bringing down a suspected international caviar poaching ring. The Paddlefish Caviar Heist is a production of Imperative Entertainment and Vespucci and is written and hosted by Helen Hollyman. For Imperative Entertainment, the Executive Producer is Jason Hoch. For Vespucci, the executive producers are Daniel Turcan and Johnny Galvin. David Gauvey Herbert is Executive Producer. Based on original script reporting by David Gauvey Herbert. The series producer is Aron Keller. The story editor is Matt Willis. Thomas Curry is the managing producer. Cover art and design by Jeana Sullivan. Audio recording by Austin Sisler at Eastside Studios. Audio mix and sound-design by Matt Peaty.
Fear and hysteria grip the small town of Gilmer, Texas, when the search for missing teenager Kelly Wilson takes a series of bizarre and shocking turns. Thirty years later, journalist Wes Ferguson returns home to uncover what really happened to Kelly, who has never been found, in this wild, 11-episode true crime podcast. "A thorough examination of the circumstances surrounding Wilson's disappearance and the ensuring hysteria that engulfed Gilmer" - Longview News-Journal Devil Town is a production of Imperative Entertainment. It was written and created by Wes Ferguson. Executive Producer is Jason Hoch. Audio Engineering and editing by Shaine Freeman and Jason Hoch. Original score is by Robert Ellis. Recorded by Austin Sisler at Eastside Studios.
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