RA Exchange Resident Advisor

"What is it about my music that's touching other people?" One of the forefathers of techno reflects on his legacy, the state of techno music and the city of Detroit live from IMS.

Most people in nightlife are familiar with the name Juan Atkins. One of the originators of techno, he grew up in Belleville, a middle-class suburb of Detroit, and would become one of the Belleville Three alongside Derrick May and Kevin Saunderson. This first wave of Detroit techno artists was inspired by the late night emissions of radio DJ The Electrifying Mojo—a late-night presenter who famously mixed different synth music, like Krautrock and the German outfit Kraftwerk—and the writing of futurists like Alvin Toffler, who imagined a different, utopic vision of urban life and technology.

In this keynote interview recorded live at International Music Summit in Ibiza, Atkins reflects on his roots and the musical movement that's grown from his first experiments with techno in the '80s. Returning to his adolescence, he unpacks the origins of his electro collaboration Cybotron, his solo project Model 500 (coming to Houghton this year) and his label, Metroplex, which became a blueprint for a hoard of techno imprints that would emerge in its wake. Now 61, Atkins also reflects on the broader impact music has had on his life—he has given lectures on the intersection of physics, music and spirituality—as well as the remaining stones left unturned as he enters the (very much still active) sunset in his career. Listen to the episode in full.

Recorded live at Brussels festival Listen, the veteran talks about leading the birth of acid techno and the sound of proto-techno in Belgium.

At the turn of the '90s, Belgium was under the twin influences of early techno and '80s new beat. It was artists like CJ Bolland who helped usher these two sounds together, bridging the low-slung sludge of bands like A Split Second and Lords of Acid with the futuristic chug of Juan Atkins, Jeff Mills and Detroit's first guard.

Bolland grew up in Antwerp and was exposed to underground music from his parents, who owned a club. Eventually beginning to produce himself, he helped create the early acid rave sound that would take over Europe. He signed to then-powerhouse label R&S Records with his career-defining single, "Horsepower," in 1991, and from there embarked on a prolific touring career.

In this Exchange, he talks to RA's senior producer Chloe Lula live from Listen Festival in Brussels, diving deep into Belgium's unique musical landscape and his thoughts on how it's evolved in response to its position between major techno hubs like The Netherlands and France. A massive gear head, Bolland also shares his favourite tools and reflects on how the state of music-making has changed in the years since he first started his career. Listen to the episode in full.

"There's a double edged sword to success." The North American booking agency shares insights on the state of the music scene and how they grew their enterprise from the ground up.

Andrew Kelsey and Mariesa Stevens started Liaison Artists—the North American booking agency that represents acts like BICEP, Maceo Plex, Dixon, Honey Dijon and many more—20 years ago. At that time, the nightlife landscape was different than the one we inhabit today; there were fewer artists, more localised scenes and a nascent but passionate group of artists leading the development of techno.

In this interview with RA music editor Andrew Ryce, Kelsey and Stevens talk about the agency's humble origins in San Francisco and the challenges they overcame to get their enterprise off the ground, developing it into the power house it is today. They also spend time discussing the temperature of the contemporary climate: a swing towards new sounds and an influx of new, young talent competing for a finite number of club and festival slots. In their view, the environment, while competitive, is fertile ground for a new, exciting era of clubbing and electronic music—and a newfound challenge to stay true to their sound in a scene that's changing rapidly. Listen to the episode in full.

Moby got his big break in the '90s when he released the hit "Go" followed by the hugely successful studio album Play, which has been included in countless movie and TV soundtracks. But beyond the limelight, the US artist has also gone through immense struggle. Raised in a working-class family in a wealthy part of Connecticut, he often felt displaced as a child, eventually moving to a disused factory space to make music before finally relocating to New York and trying his hand at being a DJ.

In this interview, Moby reflects on the early days of his time in New York. Rejected from all the record labels he sent his demos to, he felt like an outsider, choosing to frequent clubs like The Loft and Paradise Garage before finally becoming a resident DJ at the now-defunct club Mars. He also talks about living with panic disorder, anxiety, alcohol and drug abuse, and how he's turned his life towards activism and animal rights. Listen to the episode in full.

"There are more safe spaces for women to be themselves." The UK star discusses the diversity of the jungle scene and her new album, Silence Is Loud.

UK DJ and producer Nia Archives is among a coterie of new artists who are infusing drum & bass and jungle with heartfelt lyrics, lush chords and crowds that are more diverse and inclusive than ever before.

Born in Bradford, West Yorkshire, she grew up around a rich sound system culture, developing an early interest in documentary video and choral music from her church. She left home young, setting out to London on her own to pursue a dream of making it in music and self-releasing a string of debut EPs.

In the last two years, the 24-year-old has garnered a huge following. Her fans have fallen in love with her heart-on-the-sleeve lyrics taken straight from the pages of her diary—she calls herself an "emotional junglist"—as well as her fun, inclusive approach to a historically male-dominated scene. In this interview with Chloe Lula, she talks about her party series and her debut album, Silence Is Loud, produced alongside renowned songwriter and producer Ethan P. Flynn. Listen to the episode in full.

"We always put minorities to the front." The Mala Junta cofounder and affiliate talk about prioritising femme queer ravers, the value of local party crews and not taking themselves too seriously.

Friends and colleagues Hyperaktivist and Yazzus share one important value: putting marginalised folks to the front. The Venezuelan and Ghana-via-London artists, respectively, met in Berlin not long after Yazzus went to the Berlin-based Mala Junta party, a collective co-founded by Hyperaktivist, DJ Tool and door selector Nyaam Hassany. Yazzus was asked to be a party resident and has collaborated with the crew extensively, playing their shows and helping curate lineups ever since.

In this RA Exchange with Berlin DJ and journalist Juba, the two talk about their shared passion for better representation on party lineups and what authentic diversity means in a climate that often privileges checking boxes and meeting quotas. They also talk about their solo endeavours, their trajectories into dance music and their shared passion for nurturing the growth of homegrown parties and scenes. Amid Berlin's rising prices (and competition), they reflect that the ideals of collaboration and connection remain stronger than ever before. Listen to the conversation in full.