Philosophy, Ideas, Critical Thinking, Ethics & Morality: The Creative Process: Philosophers, Writers, Educators, Creative Thi

The Creative Process
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Philosophy episodes of the popular The Creative Process podcast. We speak to philosophers, writers, educators, spiritual leaders, environmentalists, bioethicists, artists & creative thinkers in other. disciplines To listen to ALL arts & education episodes of “The Creative Process · Arts, Culture & Society”, you’ll find our main podcast on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts! Exploring the fascinating minds of creative people. Conversations with writers, artists & creative thinkers across the Arts & STEM. We discuss their life, work & artistic practice. Winners of Oscar, Emmy, Tony, Pulitzer, leaders & public figures share real experiences & offer valuable insights. Notable guests and participating museums and organizations include: Academy of Motion Picture Arts & Sciences, Neil Patrick Harris, Smithsonian, Roxane Gay, Musée Picasso, EARTHDAY.ORG, Neil Gaiman, UNESCO, Joyce Carol Oates, Mark Seliger, Acropolis Museum, Hilary Mantel, Songwriters Hall of Fame, George Saunders, The New Museum, Lemony Snicket, Pritzker Architecture Prize, Hans-Ulrich Obrist, Serpentine Galleries, Joe Mantegna, PETA, Greenpeace, EPA, Morgan Library & Museum, and many others. The interviews are hosted by founder and creative educator Mia Funk with the participation of students, universities, and collaborators from around the world. These conversations are also part of our traveling exhibition.
 www.creativeprocess.info For The Creative Process podcasts from Seasons 1, 2, 3 visit: tinyurl.com/creativepod or creativeprocess.info/interviews-page-1, which has our complete directory of interviews, transcripts, artworks, and details about ways to get involved.
 INSTAGRAM @creativeprocesspodcast

  1. "Everything is Art. Everything is Politics." AI WEIWEI'S TURANDOT Director MAXIM DEREVIANKO - Highlights

    2 DAYS AGO

    "Everything is Art. Everything is Politics." AI WEIWEI'S TURANDOT Director MAXIM DEREVIANKO - Highlights

    “So when we decided to do a documentary to follow Ai Weiwei, we knew, of course, it wouldn't be just a simple opera, and we knew he would bring his own very special and original vision. Because, of course, he is not an opera director. From his point of view, it's a challenge, but from another perspective, it’s probably an enrichment for the opera audience because he doesn't follow the rules of opera. And, of course, once you decide to do a documentary about Ai Weiwei, it's in his DNA to be political. Once I started to follow him, the political issues and topics came into the documentary by themselves.” The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini’s final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini’s original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei’s belief that 'Everything is Art. Everything is Politics.' The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war. My guest is the documentary’s director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei’s words, “art competes with reality, but art will have the last word.” Episode Website www.creativeprocess.info/pod Instagram:@creativeprocesspodcast

  2. AI WEIWEI'S TURANDOT

    2 DAYS AGO

    AI WEIWEI'S TURANDOT

    “Everything is Art. Everything is Politics.I think art competes with reality. And art will give you the last words.” –Ai Weiwei The renowned artist and activist Ai Weiwei has used sculpture, photography, documentaries, and large-scale installations to challenge authoritarian power for decades. But his project at the Rome Opera House, directing Puccini’s final opera, Turandot, may be his most powerful fusion of art and politics yet. Puccini’s original is a fairy tale set in ancient China about a princess whose riddle game costs failed suitors their lives. But Ai Weiwei transformed this story into a stark reflection of the present, weaving in footage of refugee crises, COVID hospitals, and the Ukraine war—a production that became an urgent act of resistance for its Ukrainian conductor and cast. The opera and documentary are a living document of our turbulent times, embodying Ai Weiwei’s belief that 'Everything is Art. Everything is Politics.' The new documentary, Ai Weiwei's Turandot, goes behind the curtain to capture the artistic struggle and emotional weight of making this work—a process that began with one vision and was fundamentally changed by a global pandemic and a major war. My guest is the documentary’s director, Maxim Derevianko. He grew up in a family with deep ties to the Rome Opera House, and he offers a deeply personal, intimate look at how in Ai Weiwei’s words, “art competes with reality, but art will have the last word.” Episode Website www.creativeprocess.info/pod Instagram:@creativeprocesspodcast

    1 hr
  3. Listening to the Planet - Writers' Perspectives on Nature, Place & Interconnectedness

    5 DAYS AGO

    Listening to the Planet - Writers' Perspectives on Nature, Place & Interconnectedness

    How do our environments shape who we are and how we care for the world and each other? There are many solutions to climate change, inequality, and poverty around the world. How can we learn from them and transform our society? Eiren Caffall (All the Water in the World) discusses the importance of embracing complexity and emotional flexibility in facing ecological grief. Irvin Weathersby Jr. (In Open Contempt) discusses the transformative power of meditation and nature, drawing inspiration from Emerson and Thoreau. Jay Parini (Biographies of Steinbeck, Frost, Faulkner…) on the significance of place in literature and life. Natasha Hakimi Zapata (Another World Is Possible) explores the generosity and hope in people’s efforts to build better societies. Audrea Lim (Free The Land) on how personal experiences with public lands influence our views on conservation. Katie Kitamura (Audition, Intimacies) reflects on the role of landscape and memory in her novels. Dr. Bayo Akomolafe (Philosopher, Founder of Emergence Network) discusses his awe for mountains, using them as a metaphor for humility and the search for meaning beyond oneself. For more from each guest, listen to their full interviews. Episode Website www.creativeprocess.info/pod IG @creativeprocesspodcast

    13 min
  4. The Arrogant Ape: The Myth of Human Exceptionalism & Why it Matters with CHRISTINE WEBB

    17 OCT

    The Arrogant Ape: The Myth of Human Exceptionalism & Why it Matters with CHRISTINE WEBB

    “There are many ways in which I think human exceptionalism has seeped into the sciences, but one of the many ways is through the methodologies we use when we compare the intelligence of humans and other species. In particular, in my field, I’m a primatologist by training, comparing the cognitive abilities of humans with the abilities of our closest living relatives, the great apes. Many times, those studies compare the intelligence of captive chimpanzees who are living in highly restricted, manmade environments. Often, these chimpanzees have been separated from their biological mothers at birth. They're often separated from the group during testing. They're subjected to very human-centric experimental paradigms, like playing with plastic puzzle boxes or computer touchscreens, and we're measuring how they perform on these tasks.” In this episode of Speaking Out of Place podcast, Professor David Palumbo-Liu talks with primatologist Christine Webb about her new book, The Arrogant Ape: The Myth of Human Exceptionalism and Why it Matters. The title of the book itself is a concise and precise description of its two constituent halves. First, Webb tells us how science itself, from premodern times onward, has operated with an assumption it keeps reconfirming constantly--that humans are not only exceptional, but also superior to other forms of life. Webb convincingly debunks this science over and over again. And most importantly, she explains how this myth has devastating political, cultural, and environmental consequences. Combining scientific and humanistic studies, we go into some detail about what this arrogance produces, and why we desperately need a much more humble sense of ourselves. Christine Webb is an Assistant Professor in the Department of Environmental Studies at New York University, where she is part of the Animal Studies program. Her research is driven by growing awareness that the ecological crisis demands a profound shift in how we understand other animals and our place among them, leading to two intersecting lines of inquiry. First, her work seeks to elucidate the complex dynamics of animal social life and to apply this knowledge to foundational questions in animal ethics and conservation. Second, she is interested in how prevailing societal norms, values, and institutions shape contemporary scientific knowledge of other animals and the environment, with a critical emphasis on human exceptionalism. Her debut book, The Arrogant Ape: The Myth of Human Exceptionalism and Why it Matters, was recently published with Avery (Penguin Random House) and is being translated into 17 languages. www.palumbo-liu.comhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

  5. AI & The Future of Life with RISTO UUK, Head of EU Policy & Research, FUTURE OF LIFE INSTITUTE

    2 OCT

    AI & The Future of Life with RISTO UUK, Head of EU Policy & Research, FUTURE OF LIFE INSTITUTE

    “The Future of Life Institute has been working on AI governance-related issues for the last decade. We're already over 10 years old, and our mission is to steer very powerful technology away from large-scale harm and toward very beneficial outcomes. You could think about any kind of extreme risks from AI, all the way to existential or extinction risk, the worst kinds of risks and the benefits. You can think about any kind of large benefits that humans could achieve from technology, all the way through to utopia, right? Utopia is the biggest benefit you can get from technology. Historically, that has meant we have focused on climate change, for example, and the impact of climate change. We have also focused on bio-related risks, pandemics and nuclear security issues. If things go well, we will be able to avoid these really bad downsides in terms of existential risk, extinction risks, mass surveillance, and really disturbing futures. We can avoid that very harmful side of AI or technology, and we can achieve some of the benefits.” Today, we take a closer look at the future of artificial intelligence and the policies that determine its place in our societies. Risto Uuk is Head of EU Policy and Research at the Future of Life Institute in Brussels, and a philosopher and researcher at KU Leuven, where he studies the systemic risks posed by AI. He has worked with the World Economic Forum, the European Commission, and leading thinkers like Stuart Russell and Daniel Susskind. He also runs one of the most widely read newsletters on the EU AI Act. As this technology is transforming economies, politics, and human life itself, we’ll talk about the promises and dangers of AI, how Europe is trying to regulate it, and what it means to build safeguards for a technology that may be more powerful than anything we’ve seen before. Episode Website www.creativeprocess.info/pod Instagram:@creativeprocesspodcast

    1h 3m
  6. Nordic Art & Contemporary Perspectives at the ARKEN MUSEUM OF CONTEMPORARY ART - Highlights

    25 SEPT

    Nordic Art & Contemporary Perspectives at the ARKEN MUSEUM OF CONTEMPORARY ART - Highlights

    “This awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world, myself, my feelings or emotions, and how I reflect on things. Getting another person's perspective and taking that in is extremely generous. What we can take with us from the artistic practices we encounter is significant. Again, I think one of the fundamental aspects of art is that it doesn't require agreement, consensus, or rules. It's a place where we can speculate, imagine, and, hopefully, re-courage ourselves in a way, if that's a word. I've always been motivated by working with artists; that personal meeting is always extremely fruitful.” In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum. “I think that is one of the places where we are really challenged, especially when we speak to kids and young people, as they often feel they have little agency in creating a better future for themselves. So, I believe we can really give that space to our audiences by showcasing some of these groundbreaking practices that are out there right now in contemporary art.” Episode Website www.creativeprocess.info/pod Instagram:@creativeprocesspodcast

    12 min
  7. The Future of Museums with MARIE NIPPER, Director of ARKEN MUSEUM OF CONTEMPORARY ART

    25 SEPT

    The Future of Museums with MARIE NIPPER, Director of ARKEN MUSEUM OF CONTEMPORARY ART

    “We don't need to find an end solution, but it's a space where we can speculate, imagine, and practice our foresight. We can be part of a bigger imagination together with an institutional framework, which is really what we try to motivate as well when we communicate these exhibitions to our audience and speak with our guests about these works. We can also sense that it's really a place where a lot of people like to enter these days. When you turn on a TV, look at a newspaper, listen to your radio, or speak with your friends, it seems like the world is falling apart on so many levels. It's such a challenging time. I think we can also offer this space for reflection and hopefully provide a reflection that gives some idea or feeling of agency. For me, it's this awe that I feel every time I meet an artist who has the courage to deal with what it means to be in the world as a human being and to tackle it from different ways and through different media. I always feel that through the collaborations I have with artists, I learn a little bit more about the world.” In the ever-evolving world of contemporary art, some voices rise to shape the conversation in truly profound ways. Marie Nipper has spent her career at the nexus of institutional leadership, curatorial innovation, and artistic collaboration. As the director of the ARKEN Museum of Contemporary Art in Denmark, she is not just leading a museum; she's rethinking its very purpose—from an artistic lab to a public town square. Her journey has taken her from the hallowed halls of the TATE and ARoS to the forward-thinking spaces of Copenhagen Contemporary, all while championing the freedom of artists and the civic role of the museum. Episode Website www.creativeprocess.info/pod Instagram:@creativeprocesspodcast

    1h 9m
  8. How to Make an Algorithm in the Microwave with Poet MAYA SALAMEH

    21 SEPT

    How to Make an Algorithm in the Microwave with Poet MAYA SALAMEH

    “Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.” In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liutalks with poet Maya Salameh about her poetry collection, How to Make an Algorithm in the Microwave, which won the prestigious Etel Adnan Poetry Prize in 2022. The judges remarked, “Maya Salameh’s poetry stood out for its inventiveness in cracking the code of life ‘between system and culture'…The turns and swerves the poems make are astonishing; the expectations they upend are remarkable… It’s a testament to the aesthetic boundaries and intellectual revolt poets of Arab heritage are pushing, breaking, and reinventing.” We talk about what led her to both technology and poetry, language and story-telling, and the challenges and joys of representing life in the diaspora. In a time of war and genocide, Salameh’s poetry shows how patterns of life and reproduction and desire persist. In her readings and discussions of three poems, we find a new lexicon and a new grammar. Maya Salameh is the author of MERMAID THEORY (Haymarket Books, 2026), HOW TO MAKE AN ALGORITHM IN THE MICROWAVE (University of Arkansas Press, 2022), winner of the Etel Adnan Poetry Prize, and the chapbook rooh (Paper Nautilus Press, 2020). She has received fellowships from the National Endowment for the Arts, Sewanee Writers’ Conference, Bread Loaf Environmental Writers’ Conference, and the President’s Committee for the Arts and Humanities, and served as a National Student Poet, America’s highest honor for youth poets. Her work has appeared in The Offing, Poetry, Gulf Coast, The Rumpus, AGNI, Mizna, and the LA Times, among others. @mayaslmhhttps://speakingoutofplace.comBluesky @palumboliu.bsky.socialInstagram @speaking_out_of_place

    38 min
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Philosophy episodes of the popular The Creative Process podcast. We speak to philosophers, writers, educators, spiritual leaders, environmentalists, bioethicists, artists & creative thinkers in other. disciplines To listen to ALL arts & education episodes of “The Creative Process · Arts, Culture & Society”, you’ll find our main podcast on Apple: tinyurl.com/thecreativepod, Spotify: tinyurl.com/thecreativespotify, or wherever you get your podcasts! Exploring the fascinating minds of creative people. Conversations with writers, artists & creative thinkers across the Arts & STEM. We discuss their life, work & artistic practice. Winners of Oscar, Emmy, Tony, Pulitzer, leaders & public figures share real experiences & offer valuable insights. Notable guests and participating museums and organizations include: Academy of Motion Picture Arts & Sciences, Neil Patrick Harris, Smithsonian, Roxane Gay, Musée Picasso, EARTHDAY.ORG, Neil Gaiman, UNESCO, Joyce Carol Oates, Mark Seliger, Acropolis Museum, Hilary Mantel, Songwriters Hall of Fame, George Saunders, The New Museum, Lemony Snicket, Pritzker Architecture Prize, Hans-Ulrich Obrist, Serpentine Galleries, Joe Mantegna, PETA, Greenpeace, EPA, Morgan Library & Museum, and many others. The interviews are hosted by founder and creative educator Mia Funk with the participation of students, universities, and collaborators from around the world. These conversations are also part of our traveling exhibition.
 www.creativeprocess.info For The Creative Process podcasts from Seasons 1, 2, 3 visit: tinyurl.com/creativepod or creativeprocess.info/interviews-page-1, which has our complete directory of interviews, transcripts, artworks, and details about ways to get involved.
 INSTAGRAM @creativeprocesspodcast

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