Every Song

Cleo the Leo

Every Song: A series on songwriting. cleoandtheleos.substack.com

  1. Childhood realities vs Parenthood contemplations (2005-2025)

    05/11/2025

    Childhood realities vs Parenthood contemplations (2005-2025)

    Welcome, you are listening to Every Song. A series where I play songs I’ve written throughout the years and share the stories behind them. 3 months. 54 episodes. 120 songs. If my math is correct (which it rarely ever is). This here is the season finale of the first season of Every Song. Oh, how very fitting that I am once again, sick for the very last episode and my nose is so stuffy yet runny and itchy and eurgh. And my voioce is low again and I’m trying to like pitch it up higher and give it a bit more energy. I realise that in some of the episode openings I sound really soft and high-pitched and some I sound really, like, “WELCOME”, like I’m ready to confront an issue or confront something that is inside me that I’m about to tell people. Some are, like, really soft and feminine and vulnerable. I was listening through some of the openings the other day and I was like, “Oh my god, I sound different in every episode”. So, in this episode I sound sick again. It feels like my body is purging as I purge and release a lot of pent up emotions from my life through these songs. I don’t know what my body’s doing. It’s just been a really weird and stressful year. My mental stress is manifesting physically. Not really emotional stress. I think emotionally, I’ve been really good this year. Things for me emotionally have been really stabel and nice and my life is, I guess, emotionally peaceful. But just the mental load of career and finances - just the logistics of life. The really boring logistics of life has been really ‘wearing down on me’? (Is that a saying?) It’s just taking a toll on me. I feel like it’s physically manifesting in my body. When I started this series a few months ago, I did so at a place in my life where I felt like I was coming up to a crossroads or an overlap between limbo and my previous life. It felt like I was waking up everyday to a previous life even though I had not yet lived a future life. It just felt like everyday I woke up, it was already over and I was living a flashback for months and months. I was only working part-time as an elected governor for my local council, which I was trying to supplement with a second job so I can survive. However, for that first half of the year, I just kept getting rejected. I just could not get a second job. I just ended up having a lot of time on my hands all of a sudden after the last few years of working two jobs and doing post-grad studies all at once. At the same time, my boyfriend Lloyd was stationed out of town for work and we did long distance for over 3 months. I was just alone in our apartment for ages with my thoughts. That’s when I slowly started to pick up my guitar again. I slowly started to sit in front of my digital piano and play, a little more every single day. I just started writing little by little again day after day. When I first started playing and singing again, I was very rusty. Well, I still am. But it is because I haven’t seriously been disciplined with music or seriously been in practise for years, since before COVID. So, my vocals weren’t what they used to be. Also, as an instrumentalist, as a musician, I knew I was very very rusty. My timing, my finger dexterity, my theory; I was just very out of practice. I started wondering if I should get myself back in the swing of things and dust of my old fingers and vocal chords. Not to mention, the only software I have right now is Garageband. My knockoff Logic Pro X doesn’t work on this laptop so I don’t have access to any fancy effects or mixing and editing features. Which, I guess, is supposed to be the purpose of this songwriting series: to be as stripped back as possible. Another point that I was going to make was that, because at this time I was already capitalistically conditioned, I did initially wonder what the hell the point would be since it’s not going to be a reliable second job that could supplement my lifestyle. But there was not much else to do at that time and I felt a little bit of a calling to just play music. And so, I did. I thought it might be a good idea to start forcing myself to write full songs again as well as play through my old songs. Everything I have ever written before. That’s where I got the idea for this series. I thought playing through the evolution of my songwriting might get me back in the zone. I feel like it definitely did. I do feel like now that I’m at the end of this first part of the series, I’m in a good space creatively. Although, it could get a lot better if I cultivated an environment of creativity everyday at home or hopefully at a new job now that I’ve moved to a new country in search for a new job. They keep calling us financial refugees or economic refugees. Even though the word refugees, obviously, I don’t agree with labelling myself that. But I think just because a lot of Kiwis are moving in hoardes to Australia now because there are no jobs in New Zealand, that’s what the news and a lot of the street language (I was gonna call it street slang)- a lot of people, a lot of us are being financial/economic refugees. Well, I would rather just call myself an economic migrant, but yeah. What was I saying? Yeah, so, creatively I’m in a good place and I just hope that I don’t lose this momentum. Especially when this creative flow that I’ve found myself in these days, in addition to the regular self-reflection that comes with singing through old music, has helped contextualise how far I’ve come. Even though, I have so much to go, still, with improving myself. When I was younger I had so many confusing and harmful thoughts and emotions that I didn’t know quite what to do with or how to process or how to release in a healthy way. That’s due, in part, to not being taught in a way that goes through to me and not being taught because I had no reliable close adults who also possessed the skill to do it themselves in their own lives. It is really harrowing now, looking back at how much damage being raised by a community of emotionally illiterate adults and religious dogma can do to a child. To nobody’s surprise, I turned out, also, to be an emotionally illiterate young adult who has caused harm toward others without awareness and care. Until now, I guess. I have been trying to work on being less of an a*****e for the last few years, since my late twenties but it is of course going to be a lifelong journey. As Scanlon says, “Working out the terms of moral justification is an unending task”. I should accept that for the rest of my life I will be continuously trying to justify the implications of my decisions against various moral codes and worldviews of whatever specific context and time period. Additionally, I will also be continuously trying to justify the wrongdoings of others unto me, because I’m trying to make sense of it all, especially by grown adults who were supposed to support and love me unconditionally, grown adults who we’re supposed to trust with our lives as children, not just in practicality and survival but also with spiritual and ethical enrichment. Although, I do wonder, since I am a child of—or rather, a product of—Asian cultural and philosophical upbringing, was I ever even entitled to being given anything more by the people who conceived and raised me than just a roof over my head, food, clothing, and an education? Some say that if you have those essentials then you ask for nothing more. Your legal guardians are not your little friends, they say. They are not there to give you unconditional support with your personal ventures outside of academic success or commercial success that doesn’t conform to the structures of traditional employment; they are not here to give you an emotional safe space for you to be vulnerable with your mental state and give you nuanced, sensitive emotional care and affection. Their only job is to make sure you toughen the f**k up so that you can survive that harsh world out there, stay alive and be of acceptable social and medical standing (because if you are not, that’s very embarassing on their part and god forbid they be perceived as a failure as legal guardians). As a 34-year-old woman now, in the midst of serious consideration on bearing children and fertility, I cannot help but wonder if the end goal of parenthood is just the performance of parenthood for the public; to conform to societal standards of familybuilding and homemaking; to simply be deemed an exceptional parent or legal guardian; to show off smiles in family holiday photos and a neat home when hosting dinner parties; to give ones offspring an adequate amount of practical protection from exposure to the natural climate and a home environment to churn out little baby cogs in the machine so that they can wash their hands clean of any other mental or emotional responsibility (“If I did ABC then I don’t have to do DEF and you should just shut up and be thankful for it”). I cannot help but wonder if that is just the whole point and logistics of parenthood and building a family. From what I have personally witnessed and lived through, I just simply struggle to see parenthood as a phase in ones human life to create and nourish another human life to being their best and most authentic self with no expectations, no judgement, no conditions, just pure acceptance. Is that the way it’s supposed to be? Because I didn’t experience that. I just felt a lot of pressure to become something I’m not everyday, and show up as something I’m not everyday and only be given support if I show up as something I’m not and cannot be everyday. I have met other adults now who did experience pure, unconditional support and love from the people who raised them and I feel jealousy, to be honest. And to be honest, I am so deathly afraid of becoming a parent myself, lest I become just another life-bearing adult who only gives a child the bare essentials to survive but not

    37 min
  2. The discipline of not caring (2009)

    04/11/2025

    The discipline of not caring (2009)

    Welcome, you are listening to Every Song. A series where I play songs I’ve written throughout the years and share the stories behind them. This is the second to last episode of the first season. The song I’m going to play today is called The Last Melody. I initially thought to play this as the last song of the last episode tomorrow because the title would be fitting, but I decided against it. I didn’t want the season finale to be about romance since the whole second season will be about my relationships anyway. So, for today I will sing the last male-centred song of the first season. Plenty of time for more boy-talk next year. What I want is to get all the songs that aren’t about or dedicated to my official relationships out of the way now. or at least most of those songs. Think of it as a ceremonial letting-go ritual. I may never sing these songs ever again because I’ve released them out into the world now and they’re no longer just kept inside me or my songbooks. Process complete. Well, to be honest, I can’t wait until I release and let go of all that is carried within songs that are about my previous relationships. Maybe it will help me process them fully and I can just fully focus on moving forward in my life without ever having to worry about keeping resentment inside me or holding unnecessary grudges. I only say unnecessary because I believe that there are some things that are so heinous that resentment and ill-feelings toward them hold validity. Singing and talking through these songs that, I never realised, are like diary entries since I was a kid, and talking through them and what happened from memory, and looking back at my emotional responses to certain things have served as a reflectionary practice in the last few months. It’s started this awareness triggerpoint in me now that when I do or say or react to certain things which are ruled by my emotions, I stop and go, “Oh wait, is that because this happened when I was younger and therefore now the only way I know how to cope with that is to do XYZ?” Just a bit more self-awareness is probably what I’m trying to say. Wait, can one be too annoyingly self-aware that it cripples onward progress in life? I’ll circle back to that in the future. But for now, here’s a song about committing to never write about someone ever again. With reasons ranging from wanting to force oneself to just move on and never address it ever again because it was a painful experience to just not wanting to seem creepily obsessed about this one brief teenage connection and now it’s just beginning to become a symptom of loserism and it’s very f*****g embarassing. This does fall under the category of songs about X. After I wrote this song, I realised that I had the power within me to just make myself pretend people never existed, but in order for me to do that I had to unhealthily block out a lot of emotions and put walls up. Which wasn’t always succesfully executed, especially when I found myself in lovergirl mode and I completely devote all my love and life to one guy. This whole experience was probably one of the root causes of me having two hard sides when I deal with romantic discomfort. I’m either a cold hard b***h who doesn’t care about who she hurts or an utter pushover who tends to get controlled by any guy who shows the slightest sign of devotion back to me. I did eventually start growing out of this pendulum after my first relationship had ended. However, it’s still sometimes a hard habit to break especially when you’re out there as an adult in the dating scene and you just have to either toughen up and get your needs met or be vulnerable and risk being taken for granted. This song is called The Last Melody, written on the 10th of September 2009. 090910 The Last Melody I will write you a million songsEven if you only choose to listen to oneAnd I will follow wherever you goBut I’m still hoping that someday you will stopAll these words I’m sayingHave all been spoken beforeAnd all these promises I’m makingHave all been broken before|Because it’s been three yearsAnd I’m still right here on the same spot you left meAnd oh, these tears I’ve shedHave done nothing but resurrect the memories I don’t want to rememberI don’t want to forgetI would like to stand by youAnd see your eyes againBut I should know betterThe heart is pitch blackThis melody I wrote for youWill be the last I wonder if this scar of mine will ever healIt’s a record of the life that we once hadI should be thankful I even got the chance to love youEven though the opportunity has driven me madIt’s only because you were my firstYou were everything, you were my worldAnd I tried my best to believe youI did all I could to make things workBut it’s been three years and I’m still fighting fearsI still do not have a clueAbout where you are, what you are, who you truly areWe would have never made it this far Thank you for listening to episode 53 of Every Song. Until next time. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit cleoandtheleos.substack.com/subscribe

    11 min
  3. 02/11/2025

    A love spell in a song (2018)

    Welcome, you are listening to Evey Song. A series where I play songs I’ve written throughout the years and share the stories behind them. This is a song I wrote to manifest better love in my life. Wait, I hate that word “manifest”. It sounds so woo-woo. Basically, this is a song I wrote after my horribly horrendous first relationship ended, which went on for 6 or so years. I wrote this as I imagined a new, better love coming into my life. One that won’t betray, deceive, abandon, or harm me in any way. And, lo and behold, the next three relationships I have been in after that first one with Satan himself, have been gorgeously gentle, supportive, mutually nurturing relationships with these great guys. Writing this song was almost like a promise to myself to only to accept the kind of love and partnership that is focused on healthy companionship and uplifting each other. And that is what my other three relationships after my first one has been like. To my surprise, a constantly tumultuous relationship was NOT the norm and I slowly learnt that it’s not something that should be kept normalised. Musically, melodically it is inspired by Jessie Ware’s Say You Love Me. Almost like a cover but not really. This is a song called Dawn is Breaking. I wrote it on the 2nd of January 2018. 180102 Dawn is Breaking The moon is meltingOver the seaUnder such comedyIs where we’ll meetTime goes slowlyAs lovers loveFinding diamondsIn the rough Calm and clearlyThe calling will beCrumbling completelyCarelesslyDawn is breakingSo is sheHe was made for herAnd her for he As the shadowsLay on the groundThere on my skinYou are foundSpirit to spiritSoul to soulI will take theeTo have and to hold Dawn is breakingSo am ITell me that I’m yoursAnd you are mine Thank you for listening to episode 51 of Every Song. Until next time. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit cleoandtheleos.substack.com/subscribe

    8 min
  4. 01/11/2025

    Writing around riff references (2006)

    Welcome, you are listening to Every Song. A series where I play songs I’ve written throughout the years and share the stories behind them. I am lumping these two songs I’m going to play today because they are ones that were prompted by my mate Peter. Not exactly co-wrote because we didn’t write these songs together. I just got ideas for these songs from a couple of riffs he played to me in passing, and I just kinda wrote around them. The first one is inspired by Seether’s Disclaimer II album, (for some f*****g reason?) Oh hey, fun fact. Peter was born on the same day in the same hospital as Fiso. Middlemore Hospital on the 26th of May 1991. 060800 Gasoline Because I see youYou’re dripping with gasolineAnd I’ll breathe you inIf it means you’ll never leaveBut I can’t love youYou’re something that I haven’t earnedSo, I’ll just seethe you throughNothing else left to learn So, I’ll hit the road againFarewell to you my good, good, friendShe’ll keep you pretty happy, pretty busyYou don’t know what you mean to me To be honestBreathing is getting hardThe more you flatter meThe deeper you stab me in the heartI’ll bring your burdens with meAs a memory of what tore us apartAs long as you sleep in peaceI’ll try to make it back to the start So, I’ll keep me to myselfFarewell to you, this is the endYou’ll stumble and you’ll fallHere I go againAlone I wrote Gasoline some time in August 2006. The next one also stems from a guitar riff Peter played me one time. It’s not the exact one I have, but the piece he played was similar and I was able to use that as reference when composing. And the lyrics were generically inspired by some Brooke Fraser songs. This is Astray, written on the 20th of September 2006. 060920 Astray Let’s just stay here for a whileCause baby I’m still so deep in denialWhy would somebody with a beautiful soulFeel something for meDon’t matter ‘bout timeWe could stay here foreverDon’t matter ‘bout promises we said we’d keepI don’t know if there is a way of making sureThat you’re not just another dream Cause I sure am making progress with you by my sideSo many things I must confessDon’t need these wings to flyCause you lift me up and out, awayEvery time I go astray There’s something I need to stayBefore we’ve got to partAnd it’s that babyYou’ve mended back my heartCause I, I was lost from the startBut then you found meDon’t matter ‘bout lifeI could certainly survive in your armsDon’t matter ‘bout enemies we have to fightWe’re driving down every roadThat points to the path of infinityEternity with you Thank you for listening to episode 50 of Every Song. Until next time. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit cleoandtheleos.substack.com/subscribe

    9 min
  5. Fiso Matthew Tofaeono-Tanuvasa (2014)

    31/10/2025

    Fiso Matthew Tofaeono-Tanuvasa (2014)

    Welcome, you are listening to Every Song. A series where I play songs I’ve written throughout the years and share the stories behind them. This episode is about my late friend, Fiso Tanuvasa. He passed away in 2014. Fiso and I met when we were 9 years old at St. Joseph’s primary school, Onehunga, 2001. And we were friends right until the end. I don’t even know what else to say. This song came about one beautifully, sunny day just two days after he passed away. I was kind of annoyed at the weather for being so nice and inconsiderate while we were mourning a loved one, a friend. I have actually never sang this song to anyone before. Not in Fiso’s services or any of the events the week of his funeral. Nor have I shared it to our friends or his family. It’s a song I usually just sing at home by myself when I think of him. This is Shine. I wrote it on the 16th of January 2014. 140116 Shine Today I wondered why the sky was blueIt’s because of youThe clouds have partedHeaven’s gate is wide openJust to let this new angel in And I hope you keep the sunshine for us one ore dayJust because saying goodbye to you will bring the rainBut I’m happy now that you’ve escaped the painSo, go on angel, shine away Tomorrow will you still be in the air?Will you hear my prayer?Cause I feel you in the breezeIn the wind that sways the treesYour spirit’s running free And I will always wonder what would have beenIf through the battle God had let you winInstead he put your beautiful soul to sleepYou’ve been released Thank you for listening to episode 49 of Every Song. Until next time. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit cleoandtheleos.substack.com/subscribe

    5 min
  6. Songs on the ukulele (2009-2010)

    30/10/2025

    Songs on the ukulele (2009-2010)

    Welcome, you are listening to Every Song. A series where I play songs I’ve written throughout the years and share the stories behind them. Here are a couple of songs I wrote on the ukulele when I first got one. I think I got it for Christmas or at least around Christmas of 2009. The first song for today is one that (I’m pretty sure) is about the guy I talked about on episode 17, the song called Official Lady Friend. Well, this song’s not about him completely, but, as I’ve explained before, these types of situat ional songs for me are usually just inspired by the emotions I felt at that time. I also tend to mix in elements and references from other events or connections that I have similar feelings toward. This song is called Life is Good, written on December of 2009. 091200 Life is Good I’ve been trying so hard to keep myself happyBut how could I do that when you’re not here with meAnd no, I don’t believe in destinyBut I have a sinking feeling that we were meant to beThe rain pours down without your touchCan’t you see the sky is crying for the both of usAnd no, I don’t believe this luck of mineNow I can’t imagine my life if our words have never collidedAnd I sing la di da Oh, life is goodWe’ve got to enjoy it like we shouldBut as soon as you walked out of mineAll I’ll ever done is cry, cry, cryDarling , my life is goodAnd I’d save myself if I couldSo, I should get up off my feetAnd realise that with or without youMy life would still be pretty sweet Someone once told me, “Good things take time”But now I’ve lost the will to live and gained the skill to rhymeYet again I’m on my ownSo I’ll be messing around since you’re goneMatter of fact I met someone, someone newAnd he’s nothing, nothing at all like youBut that’s my problem right thereNot being with you is my worst nightmareAnd I sing la di da I wrote the next song just a couple of months after Life is Good. The theme also revolves around the concept of struggling to enjoy life when you feel disappointed by the outcome of some things, especially ones that are dependant on others, friends, family, romantic connections. It’s about feeling guilty for being lost and alone and hopeless when one is supposed to have all the privileges that being placed in a sophisticated, advanced civilisation is supposed to allow. Here is Heart of Babylon. I wrote it on February of 2010. 100200 Heart of Babylon There ain’t no need to worryThat, I tell myselfEveryday I’m learningYou can depend on no one elseBecause everybody, everybody changesNo matter how hard they try to stay the sameAnd even I have turned into somebody elseAt least I can admit when i need help I am lost in this townAnd it’s crumbling downAn SOS, I’m sending outBut in my mind still dwells the doubt thatAn angel will come and speak of loveI am all alone in the heart of Babylon A heartache’s a heartacheIt hurts all the sameBut I’ve never felt heartbreak beforeUntil you came my wayBecause your kisses they caught me off guardSo, I’ve been acting stupid since we’ve been apartAnd I cannot wait until the day I see your face againJust to show you how much I don’t care Thank you for listening to episode 48 of Every Song. Until next time. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit cleoandtheleos.substack.com/subscribe

    10 min
  7. 29/10/2025

    Keeping some things IN the pocket (2025)

    Welcome, you are listening to Every Song. A series where I play songs I’ve written throughout the years and share the stories behind them. This is a song I wrote it just a few months ago as a songwriting exercise when I was trying to get myself out of a funk with writing and composition. It wasn’t a complete writer’s block since every now and then I had ideas for lines of lyrics and melodies, but I was finding it a hard time finishing a full song. So, during this month (June 2025) I was trying to discipline myself to write everyday even if it meant I would be singing and writing things that didn’t make sense to anybody else but myself or statements of no consequence or statements of consequence that some people might hear and go, “Yikes, probably shouldn’t say that out loud…” The song is aptly titled Out of Pocket. Musically, I wanted to get a little silly with the vocals and sing in an operatic tone. I used to do it a lot when I was a kid and being f*****g annoying around the house singing loudly. This was especially around the time I was just discovering the concept of opera singing when I was in primary school and I would just be at home trying to imitate the sound that they make with their voices. Brief sidenote: I planned to play this song for the episode today and funnily enough, Rosalia released her new song Berghain featuring Bjork and Yves Tumor just yesterday, in which she sings in an operatic tone/vocals. So, I feel like I’m aligned this morning or aligned with the universe. Whatever that whole woo-woo concept is. And for the melody, it is obviously heavily inspired by Kali Uchis’ All I Can Say with the waltz timing and also Lana Del Rey’s Shades of Cool. Here is Out of Pocket, written on the 16th of June 2025. 250616 Out of Pocket I’m only just like my motherBecause of learned behaviourOtherwise, we’re not reallyOf the same soul or characterI just realised that I’veOnly had boyfriends with a singularBiological brotherAnd it’s not intentionalMaybe something coincidentalOr nonsensical It won’t hurtIf I keep some things in my headNot everything, no not everythingNeeds to be saidSometimesIt would be better of leftIn the pocketCause not everything, no not everythingNeeds to be sang Thank you for listening to episode 47 of Every Song. Until next time. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit cleoandtheleos.substack.com/subscribe

    6 min
  8. 28/10/2025

    Boys from outta town (2008-2010)

    Welcome, you are listening to Every Song. A series where I play songs I’ve written throughout the years and share the stories behind them. This is The Boy From Waiuku. 080612 The Boy From Waiuku Looking in front of the mirrorKnowing that I am aloneToday is just simply clearerNot minding that I’m flying solo And I want to be freeSo, just leave me beAnd I’m going to let goSo I can rock n roll But I’m never too happyTo feel like wearing blackSome days i’m just too angryTo feel like turning backI said today I’m just too happyTo feel like being badTomorrow I’ll feel naughtySo you can feel as glad The first time that I didn’t careAbout the outcome of my spontaneous decisionTo start living my life on the edgeAnd to satisfy my every temptation Dancing in the corner of the roomWhere nobody can see us twoI fell in love on the dance floorWith the boy from Waiuku I wrote The Boy From Waiuku on the 12th of June 2008. Evidently, the title doesn’t seem like it has much to do with the body of the song. It’s almost just a couple of lines I threw on the end of the song as I was finishing it. But when I was composing the song, trying to work on the ending, I just kept playing the chords and improved the lines. It kinda just came out and I was like oh s**t oh s**t I better remember that - what did I just sing? The, “I fell in love on the dance floor with the boy from Waiuku”. I liked that line and I didn’t know where that came from. I guess it’s also a homage to all the times my friends and I would go to Waiuku at Wilson’s place/bach there - all the summers we’d go there. I didn’t actually plan for there to be a coda. It was just this weird throwaway line I put in there. The last line refers to this rando (the boy from Waiuku) I met at an after party for our year 12 school ball in 2008 when I was 16. He was a friend (or was it a cousin?) of Dyall’s from Waiuku, and he was only in town that weekend to party with us. For the life of me, I cannot remember his name, only that he was from outta town and since (remember I’ve mentioned this before) I never ever go for any of the boys from my school cause I don’t s**t where I eat, I basically decided that he would be my main entertainment for the night when we were introduced to each other. Oh no, I do remember one more thing about him. His mum was a hairdresser and she used to make him sweep the floors at the salon. I know that because he asked if I had a part-time job, and I was telling him that some days after school and on the weekends, I work as a colour technician at the local hairdressers, Rodney Wayne in Royal Oak Mall. Rodney Wayne’s not there any more, it’s another salon nowadays. But yeah, I do remember laughing about that. So, Waiuku as in this guy I met at a party and Waiuku also from all the summers we would spend there as kids. I think (if I remember it correctly) I was already working on the song some days or maybe weeks before actually finishing it. Like I said, this was around the time of our Year 12 school ball and the line, “I’m never too happy to feel like wearing black” is about my ball dress because I chose a cheetah print dress instead of my usual signature colour and the people were shocked. And it’s also a reference to how people always point out the fact that I almost only wear black and I’m just like mm-hmn no s**t Sherlock. They tell me that I only wear black as if I didn’t notice it and pick it out myself. Another funny yet annoying story from the year 12 ball in 2008 was that the day of the ball, as in the morning of, I woke up with a massive pimple on my nose. No exaggeration. It was like a Disney original TV show where a character inconveniently gets a huge zit on their face on the day of something important happening. I knew that this pimple was going to be photobombing every single photo with me in it that night so I just posed with a peace sign over it for most of the pictures. No seriously. It turned into a whole thing and all my friends would pose with like peace signs around the pictures so that it’s not so obvious that I keep holding a peace sign over my head even though I look back at the photos now and it’s very obvious. It wasn’t so bad in the end cause it turned a potential confidence-downer into something iconic and memorable. The next song is about summer flings - well it was supposed to be when I first got the little wind to start writing it … but it is also lowkey inspired by teenage horror TV shows and movies like I Know What You Did Last Summer and Pretty Little Liars. I wanted to write about the idea of gossip and secrets and how harmful they might be when one is of that age, while also trying to just enjoy one’s youth. This song is called Summer Love. I wrote it on the 23rd of December 2010. 101223 Summer Love La la la la la la loveSummer love The sun is rising to another dayWe’re still in bedBut I don’t mind cause I’m in your armsThere’s no where else I’d rather beBut you insistYour batter is chargedWe’ll find something else to do insteadSo, we head down to the beachAnd make sweet love in the sand He said she saidSomebody’s getting away with murderI said you saidDon’t worry about it we’re innocentThey said that we’re headingDown a rock road it’s roughBut there ain’t nothing wrong withSome good old fashioned summer love The wind is stillWe feel the thrillOf our hearts beating fastOur skin is burningAs we’re yearningTo feel each other’s touchWhen the moon comes roundIt don’t matterWe’ll light up a fireBy the oceanI’ll have the best viewOf your beautiful eyes Now I wish I could stop the world from spinningCause I don’t wanna lost this feelingWhen this season endsWill we meet each other againI never said we’d lastNo promises madeNone broken He said that she saidSomebody’s getting away with murderI said that you saidDon’t worry, just sing it again Thank you for listening to episode 46 of Every Song. Until next time. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit cleoandtheleos.substack.com/subscribe

    12 min

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Every Song: A series on songwriting. cleoandtheleos.substack.com