Photography Clips

Photography Clips

What is the point of these Photography Clips? This podcast includes snippets of my thoughts on various aspects of photography, art, and creativity. The goal of Photography Clips is to get you thinking about your own unique points of view.

  1. WM-569: The Power of "I Do Not Know" | Photography Clips Podcast

    May 31

    WM-569: The Power of "I Do Not Know" | Photography Clips Podcast

    I've always asked questions. That's how I've learned most of what I know. I've asked other photographers. I've read. I've tried things. I've made mistakes. I've gone back and looked again. I've taken a photograph, wondered why it worked, then taken another one and wondered why it didn't. That's always been part of photography for me. I don't see "I don't know" as giving up. I see it as the start of learning. It means there's something I haven't figured out yet. It means there's an answer worth looking for. That's why I like the phrase "I don't know yet." That one word changes the whole meaning. "I don't know" can sound like the end of the road. "I don't know yet" leaves the door open. Photography has taught me that there's always more to learn. No matter how long you've been doing it, there's still another way to see. There's another way to frame a subject. There's another way to use light. There's another way to wait, move, crop, edit, or understand what you were trying to say with the camera. That doesn't make photography discouraging to me. It makes it worth returning to. If I already had every answer, there wouldn't be much reason to keep picking up the camera. When I was younger in photography, I thought the goal was to reach a point where I always knew what to do. I thought experience would remove doubt. I thought there would come a day when I could walk into any scene, know the right settings, know the right composition, and know exactly how the final photograph should look. That day never came... Podcast Notes: https://www.moneymakerphotography.com/the-power-of-i-dont-know-yet/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Music From the Doctor's Office: https://www.moneymakerphotography.com/music-from-the-doctors-office/

    16 min
  2. You Might Also Like: Our Thing: The Birth of Salsa in Nueva York

    May 31 ·  Bonus

    You Might Also Like: Our Thing: The Birth of Salsa in Nueva York

    Introducing Our Thing: The Birth of Salsa in Nueva York Trailer from Our Thing: The Birth of Salsa in Nueva York. Follow the show: Our Thing: The Birth of Salsa in Nueva York In 1964, an Italian-American ex-cop and a Dominican musician in New York City opened Fania Records, the “Motown of Salsa.” The artists from Fania toured the world, sold millions of records and changed culture forever. But Fania Records also became mired by royalty divisions, lawsuits and falling-outs. This is the story of the birth of salsa in Nueva York and the rebellious, seductive and political label that defined it: Fania Records. Hosted by Oscar and Emmy-nominated actress and Brooklyn native Rosie Perez and produced by Pulitzer Prize-winning Futuro Media. It is the most comprehensive audio narrative yet made about the birth and wild heights of salsa, a genre that continues to shape global culture today. Series premieres Tuesday, May 26. Join Futuro+ and listen early and ad free. Follow the show and don’t miss an episode! Want to support our independent journalism? Join Futuro+ and you can binge the entire season of “Our Thing: The Birth of Salsa in Nueva York” right now. Plus, get exclusive episodes, sneak peaks and behind-the-scenes chisme on all our podcasts: www.futuromediagroup.org/joinplus. Hosted on Acast. See acast.com/privacy for more information. DISCLAIMER: Please note, this is an independent podcast episode not affiliated with, endorsed by, or produced in conjunction with the host podcast feed or any of its media entities. The views and opinions expressed in this episode are solely those of the creators and guests. For any concerns, please reach out to team@podroll.fm.

  3. WM-568: Photography Law Through the Lens of Media Law, Part 3: Public Recording, Monetization, Police Encounters, and the Limits of Lawful Conduct

    Mar 30

    WM-568: Photography Law Through the Lens of Media Law, Part 3: Public Recording, Monetization, Police Encounters, and the Limits of Lawful Conduct

    By the time we reached this part of the semester in my Media Law class, the room felt different. Copyright had been structured. Privacy had been layered. But now we were talking about public confrontation. Cameras on sidewalks. Musicians are being recorded without permission. Journalists challenged by police. Business owners are angry about being filmed. The professor, who was a Pittsburgh-based media attorney who represented creative professionals, would lean back and say something that stuck with me: "Most people arguing about rights don't understand the structure underneath them." That line applies perfectly to modern public recording debates. Today, anyone with a phone can film in seconds. Anyone can upload. Anyone can monetize. And anyone can spark a confrontation that reaches millions. But the legal principles governing public recording did not begin with smartphones. They are the product of decades, even centuries, of legal development. To understand where the line is, we have to look at how it was drawn. Podcast Notes: https://www.moneymakerphotography.com/photography-law-through-the-lens-of-media-law-part-3-public-recording-monetization-police-encounters-and-the-limits-of-lawful-conduct/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Music From the Doctor's Office: https://www.moneymakerphotography.com/music-from-the-doctors-office/

    11 min
  4. WM-567: Photography Law Through the Lens of Media Law, Part 2: Privacy, Releases, and the History Behind Them

    Mar 23

    WM-567: Photography Law Through the Lens of Media Law, Part 2: Privacy, Releases, and the History Behind Them

    When I was studying videography and photography in college, I expected to spend most of my time thinking about lenses, lighting ratios, audio capture, and editing timelines. Then I walked into a Media Law class that changed the way I looked at everything I was creating. The professor was not just an academic. He was a practicing media lawyer. He represented music groups, photographers, and creative professionals. He was based in Pittsburgh, but he fought cases well beyond it. Some were national. Some crossed borders. He spoke about disputes that affected real careers, real albums, real images, and real money. It was one of those classes where you never stopped taking notes. Not because you were afraid of a test, but because you realized this was the infrastructure underneath the creative industries. We had always heard about copyright for books, about early authors protecting their writings. But then the discussion moved into recorded sound, into the era of Thomas Edison and the phonograph, into mechanical reproduction, into photography, and into the idea that a machine capturing something still required a human author behind it. That is when it clicked for me. Creative technology changes. The law follows. And every new medium forces the legal system to answer the same questions again. In Part 1, we traced how copyright moved from the Constitution to photography. In this part, we shift from ownership to limits. Even if you own the image, that does not mean you can use it however you want. This is where privacy law enters. Podcast Notes: https://www.moneymakerphotography.com/photography-law-through-the-lens-of-media-law-part-2-privacy-releases-and-the-history-behind-them/ Photography Clips Podcast: https://www.moneymakerphotography.com/podcast/ Music From the Doctor's Office: https://www.moneymakerphotography.com/music-from-the-doctors-office/

    11 min

Ratings & Reviews

4.3
out of 5
6 Ratings

About

What is the point of these Photography Clips? This podcast includes snippets of my thoughts on various aspects of photography, art, and creativity. The goal of Photography Clips is to get you thinking about your own unique points of view.

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