356 episodes
Shat the Movies: 80's & 90's Best Film Review Shat on Entertainment
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- TV & Film
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4.5 • 1.3K Ratings
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What are the The Best 1980s & 1990s Movies? Do you find yourself asking if the movies we loved while growing up were really that good? Have you caught yourself thinking, “why don’t make movies like they use to?” Can you still remember spending your Friday Nights searching for the perfect movie rental at Blockbuster Video? Do you know what Blockbuster Video is? If you answered yes, then this is the podcast for you!
Website: http://shatthemovies.com/the-best-80s-90s-movies/
Email: hosts@shatthemovies.com
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The Long Good Friday (1981)
On a transatlantic odyssey to discover the magic of Bob Hoskins, the Shat Crew instead finds itself wondering "is this Ireland?" and "did all the English look alike in the 1970s?" Come get lost with us in "The Long Good Friday."
In this episode, Gene laments the loss of '70s pub culture and criticizes the film's wasted deaths with no emotional impact. Dick focuses on the "slasher film" vibe of the movie and praises the complexity of Harold Shand. And in a rare moment of cinematic insight, both Shat hosts critique the camera angles, sets, plot and editing of "The Long Good Friday."
Of course, we also make time to talk about Hoskins' sexy shower scene, Helen Mirren's impact on a young Dick Ebert and the technique of dramatic irony.
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Major Payne (1995)
Dick Ebert wonders why Damon Wayans wasn't in more movies after filming "Major Payne." Gene Lyons wonders why Damon Wayans was in any more movies after filming "Major Payne."
This 1995 comedy featuring the musical stylings of 2 Live Crew and star power of Michael Ironside and Bam Bam Bigelow had us asking what was wrong with Major Payne's romantic interest (Karyn Parsons) and why any director would allow sped-up motion in his movie.
While Gene bemoaned Major Payne's misrepresentation of JROTC, Big D found some nuggets of truth in the movie's tough-love message. And both agreed Louis Gossett Jr. was the man to take the lead role to another level.
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Leave a Voicemail: Call: (914) 719-7428
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Hellraiser (1987)
"Hellraiser" spawned an 11-film franchise that neither Dick Ebert nor Gene Lyons had ever seen because they were too afraid of Pinhead. This week, commissioner Jason B. changed all that.
Join the Shat Crew as we discuss dysfunctional '80s couples, sexual deviance and Clive Barker's thrifty but amateurish abilities as a director.
While Gene asks whether Julia was supposed to be sexy, Detective Ebert searches in vain for misdirection and meaning in the plot. The Shat Crew also explains the uneven nature of the cenobites and wonders why Kirsty is in the hospital.
Was the final battle a letdown? Did Steve even need to be in this movie? Does "Hellraiser" deserve its place on the Mount Rushmore of Horror? Have a listen and let us know what you think.
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No Way Out (1987)
If you enjoy spy movies with no spying, romantic comedies with no laughs and Sean Young movies with no sex appeal, you'll love 1987's "No Way Out."
This Kevin Costner thriller spends 45 minutes developing a love affair that goes nowhere, features a computer that can do anything, implicates '80s home decor as the real killer and might just be the prequel to "The Hunt for Red October."
In this episode, Big D advises men to "never cheat down," and Gene gives his tips for visiting Washington, D.C. The Shat Crew also covers when you're responsible for replacing a friend's bedding, Russians targeting a hot-dog stand, what to wear when cleaning up a homicide, the '80s inspiration for The King Bee and one of the worst police squads in the history of cinema.
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Website: https://shatpod.com/movies
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Leave a Voicemail: Call: (914) 719-7428
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Apocalypse Now (1979)
When the daughter of a Vietnam veteran asks you to review "Apocalypse Now," you answer the call. Both Gene and Dick agree this movie is epic, but the topic of Marlon Brando's weight sparks an all-out war.
This 1979 adaptation of "Heart of Darkness" is both miracle and masterpiece, expertly depicting drug use (Big D verified) and the convoluted crossroads of the Vietnam War (Gene is a bit of an expert.) The attention to detail, recklessness and introspection hit American audiences with a film unlike any they'd seen before, and the shockwaves still resonate on this 2023 podcast.
Where Dick Ebert sees a disjointed plot, Gene Lyons sees the direct DNA of Joseph Conrad's groundbreaking novella. And where Gene sees a disappointing ending, Big D tells the story of the John Milius ending that never was.
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Email: hosts@shatpod.com
Website: https://shatpod.com/movies
Leave a Voicemail: Web: https://shatpod.com/voicemail
Leave a Voicemail: Call: (914) 719-7428
SUPPORT THE PODCAST
Donate or Commission: https://shatpod.com/support
Shop Merchandise: https://shatpod.com/shop
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Bad Boys (1983)
Shat The Movies is proud to present the film that scared Dick Ebert straight and drove Gene Lyons to realize he wouldn't last a week in prison: 1983's "Bad Boys."
Sean Penn's breakthrough feature film introduced '80s filmgoers to a young Ally Sheedy, a gigantic Clancy Brown and the most dangerous correctional facility in America. It also presented a surprisingly well-developed teen romance, and it taught us all how to use a pillowcase to become barn boss.
In this episode, the Shat Crew discusses how the "Bad Boys" movie poster steals the movie's thunder, how solitary confinement might not be that bad and how the staff of Rainford Juvenile Correctional facility likely was gambling on death matches between children (even though Big D thinks they were doing an OK job).
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CONTACT
Email: hosts@shatpod.com
Website: https://shatpod.com/movies
Leave a Voicemail: Web: https://shatpod.com/voicemail
Leave a Voicemail: Call: (914) 719-7428
SUPPORT THE PODCAST
Donate or Commission: https://shatpod.com/support
Shop Merchandise: https://shatpod.com/shop
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Customer Reviews
Oddly entertaining
The more I listen, the more I like
Any explanation on Ash leaving?
Have the guys said anything at any point on any of the pods as to why Ash is gone? Whatever your opinion on her, no matter the reason she is gone, I think long time listeners should at least be filled in when a host is leaving. If you can’t go into detail, that’s obviously fine. A simple recognition of the change doesn’t seem like too much to ask. Been listening for a long time, always good for a laugh and/or a trip down memory lane. Appreciate all of the work that goes into it.
Ash killed the show-edit
Call it a wrap. When the original crew, with an occasional guest spot from King or Keri, was the regular offering, the dynamic was solid. New “classics” thru an unbiased lens from today. Now it seems to have become a show where a self important college professor wants to steer every show into pontificating on BDE and SDE, and her constant obsession with just the D in general(not big D). Now, I’m sure if she were to actually read this, she would comb over and point out any and all misspelling’s or mistakes in grammar. She would be right… and would likely not take much more than that from it. She IS a college professor, you know? Also, she’s never seen , like, %75 of the movies she’s reviewed with a “modern eye”. Sooo she has no nostalgic value of them… What was the concept of this show, again?
Added 2 stars with the removal of Ash.
Still need a good 3rd host. I understand that can be tricky, but that doesn’t change the audience’s feeling the need for one.