The Hip Hop African

Msia Kibona Clark

The podcast is the longest-running podcast on African Hip Hop culture. It features discussions on African Hip Hop music & culture from around the continent and the Diaspora. The podcast is produced in the Department of African Studies at Howard University. You can access the podcast at www.hiphopafrican.com and on all major podcast platforms.

  1. SEASON 2 TRAILER

    Special Series: Student Voices in African Hip Hop

    In this special introduction episode, The Hip Hop African Podcast launches a curated student series featuring standout final projects from the Hip Hop & Social Change in Africa course at Howard University and George Washington University. These short podcast episodes highlight how students are critically engaging African hip hop as culture, politics, storytelling, identity formation, and resistance. The featured projects move beyond surface-level conversations about music to examine how artists across the continent use hip hop to navigate history, power, language, migration, and social change. Featured Episodes Voices of Ghana Hosted by Shamma Alhammadi and Sandra Senpeteri, this episode explores Ghana through culture, conversation, and lived perspective. The hosts examine the histories, identities, and stories that shape contemporary Ghana beyond stereotypical narratives. Continental Cadences: The Global South Has Something to Say Diandra, Abiba, and Aardashini explore why African hip hop “hits different” by examining: Indigenous African languages in rap Visual aesthetics and representation Political framing and self-expression The episode investigates how artists use hip hop to communicate identity, challenge misconceptions about Africa, and create new cultural narratives. The Vanguard of the Revolution? Buna After Dark Podcast This episode examines African hip hop as protest and combat literature through the lens of Frantz Fanon and resistance movements across the continent. The discussion includes: The Fees Must Fall movement in South Africa MC Deeb and the Arab Spring in Egypt K’naan and hip hop’s relationship to diaspora, conflict, and national identity in Somalia Together, these projects demonstrate how hip hop functions not only as music, but also as political critique, cultural memory, and a tool of resistance across Africa and the diaspora. About The Course Hip Hop & Social Change in Africa is an interdisciplinary course examining African hip hop cultures through history, politics, gender, identity, globalization, and social movements. The course is taught collaboratively between Howard University and George Washington University. Listen & Follow Follow The Hip Hop African Podcast for more conversations on African hip hop culture, scholarship, and global Black cultural movements.

    3 min
  2. JAN 1

    Dokta on African Graffiti, Hip-Hop Pedagogy & Social Change

    This episode of The Hip Hop African Podcast features Dokta, a pioneering Senegalese graffiti artist, cultural organizer, and hip-hop activist whose work has been central to the development of African graffiti and street art since the late 1980s. Coming to hip-hop through graffiti, breakdancing, and MCing, Dokta represents an early generation of African hip-hop practitioners who understood the culture as a tool for education, community engagement, and social critique. “I don’t make art just to make it beautiful. I make art to talk to the people.” As a founding member of the Doxandem Squad and the creator of FESTIGRAFF, one of Africa’s most significant international graffiti festivals, Dokta has helped position African graffiti within global hip-hop networks while maintaining its grounding in local realities. In this conversation, he explains how graffiti in African contexts functions differently than in Europe or the United States—serving not only as visual culture, but as a form of public pedagogy that speaks directly to everyday social and political conditions. “Graffiti is respect—respect for the community, and respect given back.” Dokta discusses mentoring youth, resisting artistic imitation, and the responsibility of hip-hop artists to remain accountable to the communities they represent. His reflections offer valuable insight into African hip-hop as a lived practice, an archive of urban experience, and a form of knowledge production.

    13 min
  3. 12/09/2025

    Ready D on Four Decades of South African Hip Hop

    In this episode of The Hip Hop African Podcast, Dr. Msia Kibona Clark sits down with South African hip hop pioneer DJ Ready D — legendary turntablist, founding member of Prophets of Da City (POC), cultural educator, community builder, and one of the most important figures in shaping Cape Town’s hip hop identity. “We were the first generation, so nobody understood this music — they watched their kids transform in front of their eyes.” Ready D reflects on discovering hip hop during the final years of District Six, just before families were forcibly removed under apartheid. He discusses how hearing Rapper’s Delight for the first time created an unexpected bridge between U.S. hip hop and his own lived experiences, and how the trauma of displacement and the political climate of the 1980s deepened his connection to the culture. From the rise of Cape Town’s early B-boy crews, to the formation of an African-centered hip hop movement, to his powerful contributions as a DJ, radio host, mentor, and intergenerational collaborator, Ready D offers a rare and deeply personal account of hip hop’s development in South Africa. He also looks forward — reflecting on the evolution of DJing, the challenges of the contemporary scene, and the community-based projects he’s building today. “If you want to be good, you must be prepared to be a student for life.” This is a rich conversation about culture, politics, craft, and legacy — from one of hip hop’s most respected global pioneers.

  4. 09/03/2025

    Respect the Technique: A Mixtape Episode

    In this episode, we’re bringing you a special mixtape featuring 24 tracks released in 2024 and 2025 by MCs from across the continent, including Ghana, Nigeria, Rwanda, South Africa, Tanzania, and Zimbabwe. The mix highlights: Languages: English, Swahili, Ga, Yoruba, and more. Artists: Established names like Modenine, M.anifest, Nadia Nakai, alongside rising voices you may be hearing for the first time. Sounds: From classic boom bap and Afrobeats-inspired beats, to high-energy club tracks, to conscious and introspective flows. Inspired by U.S. hip hop podcasts that spotlight new music, this episode aims to showcase the incredible range of hip hop being produced internationally. The mix begins with South Africa’s Zulu Mecca—who will also be speaking at this year’s conference—and closes with Yugen Blakrok, from her powerful new album The Illusion of Being. Check out the full playlist and links to the featured artists: ZuluMecca "Iller Than" Modenine "Adidas" Wakazi "Crooked Crown" Eno Barony "No Manual" K. Keed "Dilemma" Fid Q & Mex Cortez "Simba" Sarkodie "Hustlers Dream" Gemini Orleans "Gasoline" Stamina "Bado Nipo" AYORKOR RONZY "Darkovibes" Falz the Bahd Guy & Shaybo "Popping Tonught" Angel Mutoni "Ousaah" Cassper Nyovest "Kusho Bani" Gigi Lamayne "COME OUTSIDE" Nadia Nakai & Moozlie "Sipthipithi" Eva Alordiah "I Look Good" Awa Khiwe "Rap Gandaganda" Ugly Dray "Not Love" Kweku Smoke "Agyekum" Yanga Chief "What If" Erigga "Just Breathe" MOJO AF "Samson" M.anifest  "Gye Nyame" Yugen Blakrok "The Grand Geode" We’re also excited to announce that Howard University will host the 3rd Annual Hip Hop Studies Conference from November 14–16, 2025. This year’s theme is Respect the Technique: Hip Hop & Technology. The call for submissions is open until September 20, 2025. For details, visit hiphop.howard.edu.

Trailers

5
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7 Ratings

About

The podcast is the longest-running podcast on African Hip Hop culture. It features discussions on African Hip Hop music & culture from around the continent and the Diaspora. The podcast is produced in the Department of African Studies at Howard University. You can access the podcast at www.hiphopafrican.com and on all major podcast platforms.

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