Art Music Perspectives

Art Music Perspectives
  • 5.0 (6)
  • PERFORMING ARTS

Professional website for the musician and teacher Kyle D. Johnson

Episodes

  1. 11/19/2019

    Music of Introversion: Julian Loida’s “Wallflower”

    Julian Loida is a Boston-based percussionist, collaborator, and curator. In September 2019, he released his first full-length studio album, which he describes as a celebration of the shy and introverted. The album features original compositions for vibraphone, piano, other percussion instruments, and ambient vocals. In this episode, we discuss Loida’s development as a musician, his past projects, and specifics around crafting a ten-track album of new works. The music heard in this episode:“Silver Lacquer”“Absent”Partita No. 2 in C minor (Bach) played by Glenn Gould“You Will Be Missed”“Wisterian-Hysteria”“Ashé”Julian’s website: http://www.julianloida.com/My website: http://www.kyledjohnson.com/

    23 min

  2. 05/15/2019

    Experiencing Pain Through Sound: Ustvolskaya (Pt. 2) and Maryanne Amacher

    The last episode of Art Music Perspectives delved into performers’ experience of pain and discomfort in playing the music of Galina Ustvolskaya. In this episode, we’ll explore how listeners can experience pain, often at the hands of composers who purposefully create sonically-uncomfortable listening experiences through sound. My guest this episode is:Maria Cizmic, author of Performing Pain: Music and Trauma in Eastern EuropeThe music heard in this episode is:Ustvolskaya, Symphony No. 2Meshuggah: DemiurgeMaryanne Amacher: Chorale Transcript and CitationsDownload

    17 min

  3. 12/19/2018

    Performing Pain through the Music of Galina Ustvolskaya

    Soviet composer Galina Ustvolskaya wrote music that seemed to defy the rules of pain/injury prevention for pianists. Her pieces frequently ask the pianist to play with the edges of the hands, the clenched fist, or the forearms. Additionally, the expressivity of her works is extreme, with dynamics reaching cacophonous levels. Even so, what draws musicians to play her music? How did her music fit into late-Soviet society? My guests this episode are: •Maria Cizmic, Professor of Humanities and Cultural Studies at the University of South Florida; author of Performing Pain: Music & Trauma in Eastern Europe•Tom Curry, Professor of Tuba & Euphonium at UW-Madison•Iva Ugrcic, Director of LunART Festival (Madison, WI)•Satoko Hayami, Collaborative Pianist The music in this episode:•Bach/Busoni, Chaconne •Ustvolskaya, Piano Sonata No. 6•Ustvolskaya, Composition No. 1 (“Dona nobis pacem”) for tuba, piccolo, piano; featuring Tom Curry, Iva Ugrcic, and Vincent Fuh. Curry’s debut solo album is available from Summit Records: https://www.summitrecords.com/release/alight-tom-curry/ Transcript and CitationsDownload

    24 min

  4. 01/31/2018

    Ep. 4: Narrative of “The Alpine Chough”

    Messiaen includes a written account of his birdsong collecting tour in the preface to each movement of the Catalog. Read as a quasi-ethnographic account of the ecology around him, the prefaces can also be interpreted as a type of narrative. This episode explores the place and birds of the first movement of the Catalog, followed by a union of Messiaen’s written account with a musical performance of “Le Chocard des Alpes” (The Alpine Chough). Guest: Mark Berres, ornithologist. Transcript & Citations

    22 min

  5. 12/30/2017

    Ep. 3: Natural Sounds in Musical & Social Practice

    Music history is full of examples of composers who used environmental sounds in their works, notably Ludwig van Beethoven’s Pastoral Symphony, in which he uses Western instruments to mimic the sounds of three different species of birds. In the 20th century, composers were able to use recordings of natural sound in their works, but not without problematic entanglements. Guest Craig Eley discusses the connections between recorded sound and environmentalism. Musical performance: Le Merle Noir for flute and piano. Transcript & Citations

    32 min

  6. 11/30/2017

    Ep. 2: The Language of Birdsong

    How does one translate sounds of the forest to the manuscript page, or even describe a natural sound in language? Do Messiaen’s transcriptions succeed? Guests: Mark Berres, ornithologist, and Steve Dembski, composer. Musical performance: “L’alouette Lulu” (Song of the Woodlark) from the Catalog. Transcript & Citations

    24 min

  7. 10/31/2017

    Ep. 1: The Catalog of Birds

    An introduction to Olivier Messiaen’s epic, seven-volume work around birds in the composer’s homeland of France.  Special guest: Todd Welbourne, pianist. Musical performance: “Le Courlis Cendre” (The Curlew), Book 7 of the Catalog. Transcript & Citations

    35 min
  • 7 Episodes

Ratings & Reviews

5
out of 5
6 Ratings

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Professional website for the musician and teacher Kyle D. Johnson

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