In this episode of JJ Meets World, JJ and Tucker take a nostalgic, chaotic trip through Super Nintendo games, Super Punch-Out, '90s child stars, Macaulay Culkin, Elijah Wood, The Good Son, Richie Rich, The Pagemaster, Streets of Rage, Donkey Kong Country, and morbid family humor. The episode begins with a friendly debate about Super Punch-Out for the Super Nintendo, including Gabby Jay knockout times, Nintendo Power dreams, Chrissy Gordon's impossible six-second record, and whether JJ and Tucker should create a 48-hour leaderboard challenge with screenshots, matching Nintendo Switch hardware, and an Applebee's prize for the winner. From there, JJ and Tucker talk about retro gaming, SNES controllers for Nintendo Switch Online, classic arcade-style pattern recognition, Mike Tyson's Punch-Out, Streets of Rage, Teenage Mutant Ninja Turtles: Turtles in Time, Sunset Riders, Donkey Kong Country, and the strange cultural stereotypes baked into some classic video game characters. Then the conversation takes a sharp turn into The Good Son, the 1993 psychological thriller starring Macaulay Culkin and Elijah Wood. JJ walks Tucker through the movie's disturbing plot, including Henry's manipulation, Mr. Highway, the crossbow, the ice-skating scene, the bathtub revelation, the cliff ending, and the brutal final choice between saving a nephew or a son. JJ and Tucker also discuss why The Good Son was controversial in the 1990s, how Macaulay Culkin's father reportedly helped push him into the role after Home Alone 2, and why audiences were anxious about seeing one of the world's most famous child actors play a child killer. That leads into a bigger conversation about child star fame, including Macaulay Culkin, Elijah Wood, Daniel Radcliffe, Jonathan Taylor Thomas, Abigail Breslin, Mickey Rooney, Shirley Temple, and what it means for a kid actor to become a full cultural phenomenon. The episode wraps with memories of Richie Rich, The Pagemaster, the "Dad not found" computer line, dead-parent humor, rejected Christmas card ideas, and the weirdly healing power of making a very dark joke with exactly the right person.