Bone and Sickle

Al Ridenour

BONE AND SICKLE explores historical topics related to folklore and horror. With acerbic wit and a scholarly penchant for the grotesque, rogue folklorist Al Ridenour delves into a wide but carefully curated range of topics illustrated by stories from historical texts. Narratives are given dramatic readings by “Mrs. Karswell” (Sarah Chavez) backed by richly produced soundscapes blending original music, sound design and effects. The source books, though real enough, are said to be pulled from an imaginary library on Ridenour’s imaginary estate situated somewhere in the neighborhood of Charles Addams and Edward Gorey. Each episode begins with our hosts briefly discussing goings-on in this world before diving into the topic to be explored. Occasional alternate-format episodes are devoted to readings of classic horror stories or curious texts of antiquarian interest. Ridenour is the author of “The Krampus and the Old, Dark Christmas” (2016) and “A Season of Madness: Fools, Monsters, and Marv

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  1. Oct 19

    Benandanti versus Witches

    In this episode we return to the topic of the Benandanti, or “good walkers,” those mysterious spirit-travelers of   northeastern Italy, who claimed to leave their bodies at night to battle witches. Drawing upon the records of the Roman Inquisition from the sixteenth and seventeenth centuries, we explore a remarkable body of folklore involving nocturnal battles, wandering souls, magical healing, and increasingly sinister encounters with the Devil. We begin with a little audio teaser involving contemporary witchcraft legends from Friuli, the region in which most of our Benandante cases unfolded centuries earlier.  There, in the coastal town of Grado, on Epiphany Eve, terrifying sea-witches known as Varvuole arrive by boat, shrieking through the streets and threatening naughty children. Amid audio snippets of their bloodcurdling screams, we consider certain parallels between the Varvuole and Frau Perchta, Bone and Sickle’s favorite Epiphany Eve witch. Sea Witches, Varvuole, arrive in the harbor of the Grado. Next, we revisit the earliest recorded Benandante cases, those of Paolo de Gasparutto and Battista Moduco, whose testimonies describe vast armies of spirits gathering on Thursday nights during the seasonal Ember Weeks. Armed with bundles of fennel stalks, the Benandanti battled witches wielding stalks of sorghum, with the outcome determining the prosperity of the  harvest. We hear of mysterious captains, elaborate banners, and thousands of combatants gathering in fields extending into neighboring territories. We also learn how the spirits of the Benandanti could escape their sleeping bodies in the form of mice, and why disturbing those abandoned bodies might have fatal consequences. Pausing to examine the peculiar weapons and timing of these battles, we explore the significance of fennel and sorghum, the Catholic Ember Days, and the recurring association of Thursday nights with witches’ gatherings throughout Europe. As our investigation continues, we encounter testimonies in which the Benandanti’s original mission of protecting the harvest begins to give way to other supernatural concerns. First, we hear from Caterina la Guercia, who describes her deceased husband’s nocturnal journeys in processions of the dead. Next comes Toffolo di Buri, whose accounts introduce witches devouring children, transforming into cats, and committing other atrocities. We then examine the extraordinary case of a midwife who turned a newborn infant over a roasting fire to protect it from witchcraft. Our next witness, the cowherd Menichino della Nota, transports us into a more mysterious, dreamlike world in lurid testimony provided word-f0r-word by our very own Mrs. Karswell. We follow his spirit into the biblical Valley of Josaphat, where shadowy figures drift like smoke through misty fields scented with unseen roses. As inquisitors question him about the conventional witches’ sabbath, we discover how stubbornly he maintains that his supernatural companions serve God rather than the Devil. Moving into the seventeenth century, we encounter increasingly troubling accounts in which the distinction between benevolent Benandanti and malevolent witches begins to dissolve. The testimony of Maria Panzona introduces spirits traveling as butterflies, supernatural animals, magical substances, and a mysterious woman enthroned beside a well. Known as the Abbess, this imposing figure gradually emerges as the Devil himself. We follow Maria’s increasingly contradictory revelations through descriptions of witch initiations, journeys to Heaven and Hell, and her eventual imprisonment. Next, we meet Giovanni Sion, whose nocturnal adventures involve magical ointments, fabulous treasures, feasting, and encounters with a horned Devil. We hear how Sion is branded with a heated fork after refusing to renounce the Holy Trinity, and how his testimony mixes professions of Christian loyalty with disturbing accounts of diabolical rituals. Our final case takes us into the darkest territory yet. Michele Soppe, a Benandante who claimed to heal victims of witchcraft, describes gatherings presided over by the Devil in the form of a horned donkey. His testimony grows increasingly horrifying as he confesses to a pact with the Devil, the renunciation of Christianity, and the supernatural murder of children, including his own nephew. Throughout these investigations, we trace the gradual transformation of the Benandanti from defenders of agricultural fertility into figures increasingly indistinguishable from the witches they once opposed. Along the way, we also consider how inquisitorial questioning may have influenced the extraordinary stories preserved in the historical record. Finally, returning to Grado, where our journey began, we listen to a traditional Friulian charm intended to drive away the shrieking sea-witches. Invoking saints, storms, ogres, apparitions, and other supernatural terrors, this curious incantation offers a fitting conclusion to our exploration of the haunted fields and nocturnal spirit-world of old Friuli.

  2. Aug 15

    Born with a Veil

    To be “born with a veil” (or caul) was once regarded as far more than an unusual circumstance of birth. Being born with a caul—a portion of the amniotic membrane adhering to a newborn’s head or face—is exceedingly rare, but across centuries of European folklore it has been interpreted as a visible mark of destiny. Those born with one might be exceptionally lucky, possess healing powers or second sight, or enjoy supernatural protection. In darker traditions, however, the same sign could mark a future witch, vampire, or uncanny wanderer between worlds. We  begin with a quoted passage from Stephen King’s The Shining, in which it’s revealed that the psychically gifted boy, Danny, is born with a veil and then go on to explore the colorful vocabulary once used to describe the caul. Across Europe, the membrane was imagined as a cap, hood, helmet, veil, cloak, or even a “shirt.” Such expressions as the Scottish “sely hoo,” or blessed hood, and various European equivalents of “lucky cap” and “victor’s cloak” reveal how closely the caul became associated with good fortune. Next, we explore the earliest written references to caul superstition. A fourth-century biography of the short-lived Roman emperor Diadumenian claims that he was born with a strange membrane resembling a diadem. The same source remarks that midwives sold preserved cauls to lawyers who believed they would bring success in court. Medieval clerical writings likewise condemn officials who carried cauls as charms to silence their opponents. From there, the episode turns to the long practice of preserving cauls as family treasures. Surviving examples include a fragment enclosed in a locket made for John Monson in 1597 and the caul of King Frederik III, kept in a silver casket in the Danish royal collections. Seventeenth-century wills describe cauls mounted in jeweled gold settings and passed down as heirlooms believed to ensure a family’s continuing prosperity. We then address the caul’s most famous power: protection from drowning. By the eighteenth century, cauls were carefully dried on paper and sold to sailors. Newspaper advertisements addressed “gentlemen of the Navy” and offered them as proven safeguards for long voyages. Dickens satirized the trade in the opening of David Copperfield, whose caul attracts only one bidder—an attorney offering cash and sherry, but refusing to pay enough to guarantee himself against drowning. Caul kept as sailor’s charm displayed at Pitt Rivers Museum, Oxford. Mrs. Karswell then shares some amusing 19th-century anecdotes found in the long-running Oxford University publication, Notes and Queries. One report has a caul-bearing child who hild floated like a cork whenever his mother tried to bathe him. Another describes a prognosticating caul that physically transformed in sympathy to events unfolding in the life of the person consulting it. We then travel to Iceland, where fetal membranes were associated with the fylgja, a guardian spirit or external portion of the soul. The afterbirth could not safely be discarded, exposed to animals, or burned, lest the child lose this spiritual companion. Yet the caul’s magical potential also made it dangerous: witches were said to use it in love potions, and a seventeenth-century French royal midwife warned her colleagues never to preserve one because sorcerers might obtain it. The episode then moves eastward, where caul folklore grows considerably darker. In Romania and Poland, those born beneath the membrane might be destined to become strigoi or other vampiric beings after death. In Slovenia, Croatia, and Serbia, however, caul-born men could become supernatural defenders known as Krsniki or Zduhaći. Their spirits left their bodies at night to battle dragons, witches, night-hags, and rival spirit warriors threatening the community’s health, weather, and harvest. Next, we encounter their Italian counterparts, the Friulian Benandanti, or “good walkers.” Sixteenth- and seventeenth-century inquisitorial records describe men and women who claimed that everyone born with a caul was summoned in adulthood to fight witches during nocturnal spirit journeys. Their preserved “little shirts” were worn around the neck, blessed with prayers and Masses, and believed to protect soldiers or help lawyers win cases. Finally, we return to the sea with the curious modern discovery of a preserved caul purportedly belonging to a survivor of the the sinking of the Titanic. Its provenance may be uncertain, but the topic at least provides an excuse to close out with a snippet of the uniquely grim yet lighthearted folk song, “When the Great Ship Went Down.”

  3. Jul 5

    The Dog-Head Saint

    Today he’s known mainly as a figure from medals carried to insure safe travels, but that image of a giant carrying the Christ Child across a dangerous river represents only the final stage in the long and strange evolution of the saint’s legend. Earlier or forgotten aspects of his story describe Christopher as a ferocious soldier, the Devil’s servant, a cannibal, and even a dog-headed monster. Our episode begins with the best known version of the tale recorded in The Golden Legend, the classic collection of hagiographies written in 1260 by Jacobus de Voragine, a Dominican friar in Genoa. Here Christopher begins as Reprobus, a fearsome giant determined to serve the most powerful master in the world. He first serves a king but abandons him after discovering that the king fears the Devil. Reprobus then serves the Devil, only to discover that the Devil fears Christ. Seeking Christ, Reprobus encounters a hermit who suggests that the giant use his great strength to carry travelers across a dangerous river. One night, a mysterious child asks to be carried across. As Reprobus struggles through the rising water, the child becomes impossibly heavy. Upon reaching the opposite bank, the child reveals himself as Christ and explains that Reprobus has carried both the Creator of the world and the weight of the world itself. Reprobus thus becomes Christopher, the “Christ-bearer.” St. Christopher Joachim Patinir, ca1522 After this, comes the lesser known portion of his tale, in which Christopher runs up against Roman authorities thanks to his Christian faith. As a sign that God will be with him throughout this, his staff planted in the earth breaks for in blooms, and he’s preserved through numerous tortures and attempts to execute him after his refusal to worship the pagan gods. Tortures fail to harm him, arrows miraculously stop in midair, and Christopher eventually converts the king responsible for his execution. But earlier versions of the legend are considerably stranger. Around 986, the German poet and bishop Walter von Speyer composed two Latin hagiographies, one in prose and the other in verse. Each tells the same story, describing Reprobus as a dog-headed cannibal who could only bark before his conversion.  The struggle through the river in de Voragine 13th-century tale is prefigured as a spiritual transformation in the waters of baptism. An even older narrative is found in the apocryphal Acts of Andrew and Bartholomew.  Pieced together from parchments dated to the fifth and seventh centuries, merging stories, which originated in Coptic communities of Syria and Egypt. We hear extensive passages from this particularly fantastical tale read by Mrs. Karswell. In this  which the apostles encounter a terrifying dog-headed cannibal named “Bewitched.” He’s been sent to them by an angel, who first removes his appetite for human flesh and grants him the ability to speak. Renamed  “Christian,” (though still referred to in the text as “Dog’s Head”) the creature accompanies the apostles on their missionary adventures to the city of Barbaros in Parthia. When they are sentenced to death by  lions and tigers , Dog’s Head is divinely granted a temporary return to his original ferocity, and slaughtering and devouring the beasts. Walls of fire, flying idols, miraculous floods, and more grisly tortures and martrydoms, round out the narrative. St. Christopher in 18th-century Russian lubok print A slightly later Greek text, The Martyrdom of Christophoros, brings the legend closer to its later form. Reprobus remains a dog-headed member of a cannibalistic race but is now a soldier and Christian. After receiving the miraculous ability to speak, he converts fellow soldiers, survives numerous tortures, and is eventually martyred by beheading. Several elements later incorporated into the Golden Legend—including his flowering staff, conversion of prostitutes, and miraculous survival of torture—already appear here. A number of images of St. Christopher as a dog-headed man (Greek: cynocephalus) can still be seen  in Orthodox churches and monasteries in Greece and Russia.  While Peter the Great sought to suppress this portrayal of the saint in 18th-century Russia, his efforts were not entirely successful, and cynocephalus icons are produced by the sect known as the Old Believers to this day. Christopher’s monstrous appearance was intended to highlight both a pre-conversion savagery and extreme foreignness. Ancient and medieval writers from Herodotus to Marco Polo repeatedly placed imaginary races of dog-headed humans in distant, unexplored lands. Armenian illustrations of Pentecost similarly included cynocephali to symbolize the remotest peoples reached by Christianity. We end the episode with a nod to St. Christopher’a identity as the patron saint of surfers, and a bit of music from that unlikely nexus of Catholicism and surfdom.  It’s a snippet from the 1999 album by the Malibooz, Living Water:The Surfer’s Mass. “Horse-head” St. Christopher from Assumption Cathedral, Sviyazhsk, Russia.

4.8
out of 5
292 Ratings

About

BONE AND SICKLE explores historical topics related to folklore and horror. With acerbic wit and a scholarly penchant for the grotesque, rogue folklorist Al Ridenour delves into a wide but carefully curated range of topics illustrated by stories from historical texts. Narratives are given dramatic readings by “Mrs. Karswell” (Sarah Chavez) backed by richly produced soundscapes blending original music, sound design and effects. The source books, though real enough, are said to be pulled from an imaginary library on Ridenour’s imaginary estate situated somewhere in the neighborhood of Charles Addams and Edward Gorey. Each episode begins with our hosts briefly discussing goings-on in this world before diving into the topic to be explored. Occasional alternate-format episodes are devoted to readings of classic horror stories or curious texts of antiquarian interest. Ridenour is the author of “The Krampus and the Old, Dark Christmas” (2016) and “A Season of Madness: Fools, Monsters, and Marv

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