Behind the Mic With Kirkus Reviews

Kirkus Audiobook Reviews

Kirkus Audiobook Reviews Find your next great audiobook on Behind the Mic with Kirkus Reviews. Every Thursday, host Jo Reed and her guests discuss what they’ve been listening to and recommend the very best audiobooks. It’s the perfect way to keep up with new releases and hear about the ones you may have missed. Launched by AudioFile magazine in 2018, Behind the Mic now has its home at Kirkus Reviews, the most trusted voice in book discovery for more than 90 years. Visit us at kirkusreviews.com. Follow us on Apple Podcasts, Spotify, Audible, or wherever you get your podcasts.

  1. 3d ago

    Listening to Contemporary Fiction

    Host Jo Reed and contributor Leslie Fine discuss three new works of fiction that take listeners from 1980s New York to midcentury Florida and, finally, to a complicated homecoming in the present-day Adirondacks. Dion Graham returns to Ray Carney’s world in Colson Whitehead’s Cool Machine, bringing rhythm, humor, and depth to Ray’s divided life in Harlem. Amanda Stribling gives Laura Moriarty’s novel Sunlight Finds You the intimacy of a memoir, subtly carrying Nora from childhood into adulthood while grounding the novel’s larger emotional turns. And Richard Russo’s Under the Falls unfolds through an ensemble cast whose performances keep this story of a musician’s uneasy return home engaging as old relationships, resentments, and secrets begin to surface. Together, the three audiobooks show just how much the meeting of narrator and novel can shape the listening experience.   Audiobooks Discussed: Cool Machine by Colson Whitehead, read by Dion Graham (Random House Audio) Sunlight Finds You by Laura Moriarty, read by Amanda Stribling (Penguin Audio) Under the Falls by Richard Russo, read by Zachary Chastain, Emma Ladji, Matt Godfrey, Fred Berman & Leeanna Albanese (Random House Audio)   This is the final episode of Behind the Mic. Many thanks to everyone who made this podcast possible, both in front of and behind the mic—and, of course, to everyone who has been listening. Continue following Kirkus’s flagship podcast, Fully Booked, hosted by Megan Labrise, for the conversations and insights that will help you find your next great book, whether you’re reading or listening. Support for Kirkus’s Behind the Mic comes from Harper Audio, producer of audiobooks by HarperCollins Focus and HarperCollins Christian Publishing, publishers of some of your favorite authors, including Reba McEntire, Bob Goff, Savannah Guthrie, Max Lucado, Lysa TerKeurst, and so many more!   Learn more about your ad choices. Visit megaphone.fm/adchoices

    Listening to Contemporary Fiction
  2. Sep 17

    Memoirs Rooted in Place

    Jo Reed talks with contributor Alan Minskoff about three memoirs shaped by home and the complicated question of where we belong. In All That’s Unseen, Emilee Hackney narrates the story of her journey from an insular Pentecostal community in Southwest Virginia to Harvard University, with an Appalachian accent that keeps her connection to home unmistakably present, even as her world expands. Vincent Coppola’s Gowanus Crossing, narrated by Paul Bellantoni, takes listeners to the Brooklyn neighborhood of Coppola’s childhood, capturing its Italian American families, Catholic schools, street life, and the rough world surrounding the Gowanus Canal. Earphones Award winner Bellantoni particularly shines when he takes on the voices and rhythms of the neighborhood. And in Scavenging Beauty, Angelica Glass narrates her account of walking nearly 2,900 miles through Santa Cruz County, using the landscape and the act of walking to look back at a difficult childhood. Three lives become stories about the places that form us—and how we carry those places with us as we move on.   Audiobooks Discussed: All That’s Unseen, written and narrated by Emilee Hackney (Penguin Audio) Gowanus Crossing: A Brooklyn Boyhood by Vincent Coppola, read by Paul Bellantoni (Macmillan Audio) Scavenging Beauty, written and read by Angelica Glass (Penguin Audio)   Support for Kirkus’ Behind the Mic comes from Harper Audio, producer of audiobooks by HarperCollins Focus and HarperCollins Christian Publishing,  publishers of some of your favorite authors, including Reba McEntire, Bob Goff, Savannah Guthrie, Max Lucado, Lysa TerKeurst, and many more. Learn more about your ad choices. Visit megaphone.fm/adchoices

    Memoirs Rooted in Place
  3. Sep 10

    New Earphones Award Winners

    Jo Reed talks with Laura Rossi about three Earphones Award–winning audiobooks that showcase the range and power of great narration. In Caro Claire Burke’s Yesteryear, Rebecca Lowman gives surprising dimension to a deeply unlikable trad-wife influencer whose carefully constructed life takes an unexpected turn. Jenny Jackson’s The Shampoo Effect, read by Marin Ireland, follows four complicated women through a summer in coastal Massachusetts, with Ireland making each character distinct through subtle shifts in rhythm, pitch, and attitude. And in Transcendent, Laverne Cox narrates her own story with vulnerability and candor, sharing painful experiences from her childhood and reflecting on gender, race, and the struggle to live as her authentic self. Three very different audiobooks, each offering its own reminder of what makes listening such a distinctive experience.   Audiobooks Discussed: Yesteryear by Caro Claire Burke, read by Rebecca Lowman (Random House Audio) The Shampoo Effect by Jenny Jackson, read by Marin Ireland (Penguin Audio) Transcendent: A Memoir written and read by Laverne Cox (Simon & Schuster Audio)   Support for Behind the Mic with Kirkus Reviews comes from Harper Audio, producer of audiobooks by HarperCollins Focus and HarperCollins Christian Publishing, publishers of some of your favorite authors, including Reba McEntire, Bob Goff, Savannah Guthrie, Max Lucado, Lysa TerKeurst, and so many more! Learn more about your ad choices. Visit megaphone.fm/adchoices

    New Earphones Award Winners
  4. Aug 27

    Made for Listening

    Jo Reed talks with contributor Stephen Cummings about three memoirs created with audio at their center, using performance, archival clips, live recordings, and the human voice to tell their stories. Billy Eichner looks back at his Queens childhood, his rise through Billy on the Street, and the creation of the film Bros in Billy on Billy, an audio-only memoir that mixes his narration with clips from his career and reveals a more reflective side of the famously confrontational comedian. In Peeing in an Empty Bottle, comedian Roz Hernandez takes listeners along on a solo tour through the South and Midwest, combining exuberant narration with live performances and recorded conversations that explore comedy, community, and the realities of traveling through America as a transgender woman. Voice actor Billy West draws on his extraordinary vocal range in Voice-A-Versa, a memoir in which his honesty is as striking as his virtuosity. West moves from a painful childhood to the many characters he created for dozens of commercials and TV programs such as The Ren & Stimpy Show and Futurama (among many others), as well as his years on The Howard Stern Show. Together, the three audiobooks show what happens when memoir is conceived for the ear, making the voices, performances, and sounds of a life part of the storytelling itself.   Audiobooks Discussed: Billy on Billy: An Audio Memoir, written and read by Billy Eichner (Macmillan Audio) Peeing in an Empty Bottle (And Other Glamorous Shenanigans of an Almost-Famous Transgender Comedienne on the Road), written and read by Roz Hernandez (Simon & Schuster Audio) Voice-A-Versa: Finding My Voice(s) Behind the Mic, written and read by Billy West (Recorded Books Inc.) Learn more about your ad choices. Visit megaphone.fm/adchoices

    Made for Listening
  5. Aug 20

    Listening to Contemporary Fiction

    Host Jo Reed and contributor Leslie Fine explore three distinctive novels and the narrators who shape the listening experience. In Sarah Damoff’s The Burning Side, Stacy Gonzalez, Timothy Andrés Pabon, and Jackie Sanders portray members of a family in crisis, with Sanders’ warm, multidimensional performance as the family matriarch a particular standout. Elizabeth Strout’s extraordinary The Things We Never Say finds an ideal interpreter in Golden Voice Robert Petkoff, whose beautifully restrained Earphones Award–winning performance captures Artie’s loneliness and vulnerability while allowing Strout’s remarkable portrait of community, connection, and ordinary life to speak for itself. And in Emma Straub’s American Fantasy, Marin Ireland brings humanity and personality to three very different characters aboard a boy-band nostalgia cruise, making a light, pleasant novel considerably richer in audio. Jo and Leslie consider what happens when narrators know exactly how much—or how little—to do, and how the right performance can deepen an already exceptional novel or add dimension to a lighter one.   Audiobooks Discussed: The Burning Side by Sarah Damoff, read by Stacy Gonzalez, Timothy Andrés Pabon & Jackie Sanders (Simon & Schuster Audio) The Things We Never Say by Elizabeth Strout, read by Robert Petkoff (Random House Audio) American Fantasy by Emma Straub, read by Marin Ireland (Penguin Audio) Learn more about your ad choices. Visit megaphone.fm/adchoices

    Listening to Contemporary Fiction
  6. Aug 13

    Disability in Three Voices

    Host Jo Reed talks with contributor Kendra Winchester about three audiobooks that explore disability and offer distinct perspectives on community, resilience, and belonging. They begin with Mother Tongue by Sara Nović, narrated by Lisa Flanagan, a memoir that blends personal experience with Deaf history and culture while using inventive audio production to incorporate ASL into the listening experience. Next is A Way Home by Cinelle Barnes, read by the author, a brilliantly written, emotionally layered memoir that interweaves recovery from a brain aneurysm, an overdue return to the Philippines, and a search for home and self, with Barnes’ authentic narration adding another dimension to the listening experience. They conclude with All My Dead Cats and Other Losses by s.e. smith, performed by Em Grosland, which uses the stories of the author's cats as springboards for a thoughtful exploration of grief, disability, memory, and the many ways we mourn, with Grosland’s restrained, deeply empathetic narration giving Smith's reflections room to resonate. Together, these three audiobooks invite listeners to rethink disability—not as a single experience but as a rich and varied part of what it means to be human.   Audiobooks Discussed Mother Tongue by Sara Nović, read by Lisa Flanagan (Random House Audio) A Way Home: A Memoir of Losing Yourself, and the Beauty of Returning written and read by Cinelle Barnes (Brilliance Audio) All My Dead Cats and Other Losses: Practicing Good Grief in a Culture That Fears Mourning by s.e. smith, read by Em Grosland (Harper Audio) Learn more about your ad choices. Visit megaphone.fm/adchoices

    Disability in Three Voices

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Kirkus Audiobook Reviews Find your next great audiobook on Behind the Mic with Kirkus Reviews. Every Thursday, host Jo Reed and her guests discuss what they’ve been listening to and recommend the very best audiobooks. It’s the perfect way to keep up with new releases and hear about the ones you may have missed. Launched by AudioFile magazine in 2018, Behind the Mic now has its home at Kirkus Reviews, the most trusted voice in book discovery for more than 90 years. Visit us at kirkusreviews.com. Follow us on Apple Podcasts, Spotify, Audible, or wherever you get your podcasts.

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