Sweetman Podcast

Simon Sweetman

Conversations with creative people. simonsweetman.substack.com

  1. 6D AGO

    Poetry Reading: Havelock North Public Library (February 12, 2026)

    Here is a recording of my portion of a very cool literary event in Havelock North. The Cuba Press drove into town on the big orange metaphorical bus and we had readings, and a chat about our books in front of a wonderful and engaged audience. They stayed! They bought our books. They had great questions for us and comments afterwords. Thanks so much to the brilliant Wardini Books and Mary and Cuba Press. What you’ll hear here is just my portion — I’m in conversation with my publisher, editor, and friend Mary McCallum. (I don’t have the write to record and distribute the other writers, but just so you know we all had the same amount of time to discuss our books, our writing, and how it related to Havelock North/Hawke’s Bay). I chose to read a cover poem of Philip Larkin’s This Be The Verse, my own poem in response to that, The End of the Larkin Line (from my 2020 collection, The Death of Music Journalism). And then two pieces from 2024’s The Richard Poems, including Girls And Boys at the Havelock North Swimming Pools — as featured in Best NZ Poems: It was such a fun event — and really special to be back in the Havelock North Library. A place I first stepped foot in when I was about four years old. Sounds Good! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Sounds Good! at simonsweetman.substack.com/subscribe

    14 min
  2. JAN 13

    Audio Recording - Short Story: Snag

    Snag is a nasty wee story that includes violence and discussion of sexual assault. It’s flippant, provocative, and probably downright brutal. But that’s up to each individual to decide. So if you think you’re better off skipping this story — then you should. I’ve supplied a text for it below, and the audio recording is up above. You can read it, or read along with the the recording, or just listen. You can, as I said above, just skip it all entirely. Your choice. Despite the fact that the Best Man said one word far too many times in his speech, it had been a good wedding. ‘Notwithstanding.’ You were glad to have been there. However, it really did bug you all the same. This word. It wasn’t even quite being used correctly. And Christine in her black dress staring a dagger right at you while you winced through that speech was an obvious sign there was more to come. At the end of the night, drunk, she would not be standing. That was partly her own fault, and maybe you had something to do with it too. She tried some sort of ornery lap dance, some sort of ‘getting even’ shtick for some imagined slight. She slid across your knee, the dress like wetted wax paper, and then this grotesque lick of your face, from the bottom of your chin up to the corner of your left eye in a cartoon exaggeration of slow crawl. Well, you just took the two hands you had and pushed her onto the floor where she sat like a bag of spuds. And your wife Olivia, appalled, would later describe the situation as barbaric for all — those watching, those in it, and even those that would go on to hear about it. But your wife also thought Black Dress was almost asking for it, said the whole look of her was like a sausage trying to slip its casing, or was it a sausage unaware it was slipping its casing? At any rate, you said “snarler” and laughed your way into a snort. “You probably didn’t need to push her quite so hard, Jimmy,” your wife said, in the taxi, heading home to your rented accommodation. “I mean, it was quite a thud. Did you really have to use both hands?”“Olivia, I’d have used more hands if I could,” you said. Another snort. And with that, as if suddenly triggered, the realisation that Archie would be up in three or four hours, and will want the full degustation: Bluey, PAW Patrol, and Peppa F*****g Pig. Olivia was a saint, they all said it. Behind your back. As well as right to your face. How on earth did she put up with you and all your antics? But you knew that Olivia knew that the real Jimmy wasn’t for anyone else. The real Jimmy was just for her. And for Archie now of course too. This other Jimmy smeared peanut butter all down the cupboards while making two thick sandwiches before bed, kicked one shoe out the window of the Airbnb. Woops! And ripped his tie off so quickly that the top button went with it. Also, only one cufflink on final count. You would sway through the new day, wasps in your throat, and a need to constantly scratch at your head. You would watch the cartoons with Archie, and then when he went back down, if he went back down, you would get a second wave of sleep too. You weren’t a bad guy. You just could not say no to the open bar. How, you wondered, could anyone say no to the open bar? “Who was that woman in the black dress?” Olivia stood at the top of the stairs. “I mean, she was awful, but she really set you off?” “Just someone from uni.” “Just someone?” “No. Not like that. Literally just someone. Part of the wider gang, obviously, I mean she was there at the wedding. But that’s the first time I’d seen her in 20 years I’d guess.” “Well, she had her eye on you all night, and most of the afternoon. Was she there alone? It seemed like it at least. She acted like it at least.” “What does that mean?” “I think you know what it means. Know many other married women that just go and lick the face of a married man in front of his wife?” “Beside you honey, no I don’t.”“You’re f*****g funny Jimmy. And you’re f*****g lucky, you know that? You’re f*****g lucky that you’re f*****g funny, but seriously, I am not sure how we face up later today at the Aftermatch.”“Aftermatch?”“You know, the next day BBQ. The thing. The wedding gloat.”“Ah, the post-mortem?”“Don’t call it that! But yes…”“Well, we just won’t go. Text and say Archie’s sick if you have to, I’ll do it. But also what’s the problem? Hair of the dog. Might be good…”“The problem, Jimmy, is a bunch of people saw you shove a drunk single woman to the ground, rather violently. The problem, Jimmy, is neither of us checked to see if she was okay, and no one has been in touch with us since, and it is going to be incredibly awkward turning up there as if nothing happened. When, Jimmy, something clearly happened.”You knew what happened. You could never say. There was an electrical current between you and Christine. You had this weird history, admittedly 20 years of radio silence, complete inactivity, seemingly the whole thing had shut itself down, gone away. But you had a history of both getting drunk and ending up in combative, hostile situations. You were dragons for the piss, both of you. And though you never exactly hooked up, there was baggage. You were in each other’s lives, at some point, and in the weirdest way. You went to her house one night and watched her sleep, used the spare key because all student flats had one and everyone knew where they were, and you had stumbled home from the pub and sat in a chair in her room while she snored and you watched. Just watched. She would do the same to you, a couple of weeks later, except you woke up with her on top of you. Straddling you, she had grabbed your hands and put them on her boobs, her hands behind your hands prompting you to squeeze. You’d pushed her to the side of the bed, gone straight to the fridge and necked a beer. “Jimmy, you’ve gone somewhere,” Olivia said. “Where are you? What are you thinking about?” “Nah. Nothing. Just hungover, zoning out love,” you said. “Well, I’m not lying about today. We are showering. We are going. Archie is not sick. And I do want Liz and Graham to meet him. And I do want you on best behaviour.”“When am I not though?” you said. Hoping for a laugh, and in the end supplying it yourself. At the vineyard they were all sitting on long wooden benches, a lot of chambray shirts. Too many cricket hats, bunch of unlikely outfielders you thought. And one or two dads throwing one or two Pétanque balls gently for their kids to marvel over, the clack-clattering of the children collecting these round trophies, disrupting games, burrowing them like a reverse Easter Egg hunt. You breezed past a few of last night’s dead soldiers with a dismissive wave, safe under sunglasses, you took a mimosa and asked if there was anything harder on offer. “Not for you,” came the curt reply from the matron of honour. “Ah well,” you said, “best make the ma-most of this one then, eh!” She probably groaned. But f**k it all. Olivia a vision, parading around wee Arch, the star of the day as far as you were concerned. I mean, Graham, Liz, sure. Their day obviously, but also, how long does this shit go on, right? It was their day yesterday. Liz instructed Graham where to sit, and they unwrapped a bunch of junk from the guests, and you flopped about in a beanbag talking to a kid about why Monsieur Donkey was the best character in Peppa Pig, especially when he just hammers Daddy Pig with how shit English food is, saying he brought all of this stuff over from France with him, because he knows the Poms need it, he lists bread and cheese, and even water. The kid looked at you, and shouted “Mummy!” A woman appeared behind bangs and whisked her child away. You slumped further. You must have nodded off for a bit, but talk about rude awakenings, no one around you at all, just a shadow of some legs and sticky wine all on you, Christine standing over, her legs spread widely, her skirt hitched right up. A close talker, lost for words. Just staring. You writhe about and wriggle free of the beanbag’s clutches, stand as if at attention. Christine pokes you hard in the chest. “We are going over there,” she says, and points to the tractor shed on the corner of the plot, just behind a couple of huge oak trees. Of course you worry Olivia will see this, of course you realise you haven’t talked to anyone else, apart from the Peppa Pig bit with the kid, which was rudely cut short by an uptight mum. In the tractor shed, Christine asks you how you’ve been. You say, “better.” She says, “I don’t doubt that.” You say, “Look, f**k, what even is all this anyway? We were f*****g stupid drunk kids. Now we’ve grown up, let’s just…”“You still look like you’re stupid and drunk, just not a kid,” she cuts you off. “Jimmy, you look bad mate.”“Don’t call me mate.”“Alright then, non-f**k buddy. I mean, what even are we?”“We are two people who used to get messed up and didn’t know how to talk to one another sober and then got so drunk we couldn’t speak at all. We are two people from another lifetime.”“And yet, here we are.”“Yeah, but I didn’t even want to come today.”“I seem to recall that’s always been your problem, Jim. That time you basically lured me to your place, and I was there on top of you, and you push me aside for a f*****g drink?!”“Look, just leave me alone, I didn’t think you had kept up with Liz, I didn’t expect to see you, I don’t know what to say to you, but um, look, we don’t need closure, we don’t need anything.”“Oh but the thing is, Jimmy, I saw the way you were looking at me. All f*****g night. I know what you were thinking.”“Look Christine, you stupid f*****g bitch, you are nothing. You’re just this f*****g idea of a woman squeezed tight into a dress. You’re no

    16 min
  3. Cockleshells

    10/14/2025

    Cockleshells

    Sounds Good! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Most people think the “Mary, Mary, quite contrary” thing is just a rhyme — a cute little bounce off the name. And maybe there’s that thing in there too where it’s giving a quick character assessment of the child, the idea that the wee girl making a tiny, temporary flower arrangement in a sandpit is stubborn or flashes moods or just isn’t always listening. But hang on. She’s asked a reasonable question. She’s addressed by name. To be certain, her name’s repeated, there’s no confusion this could be for anyone else. Mary is asked how her garden grows. She does and does not answer this all at once. She lists what’s in the garden, and repeats the favourite bit, the focus, those lined-up pretty maids. Is that a dig (oops, sorry!) at the fact that the curious person uses her name twice? Is it? Does she, out of petty spite, sass back with her favourite bit of the garden twice, mocking the fact that her name was repeated? We can’t be sure about that. But what’s clear is she never mentions the number of trips to the garden centre, or the fact that some weekends it’s at the expense of other things. She does not talk about what goes into the making of the growing, preferring to just list it out as if that is enough of the news. This person, taking an interest, might now be none the wiser — because there was no clarity. Just a girl messing with the mind of a soul kind enough to inquire. Mary has autism. She thinks she is answering the question correctly. She is supplying the information that matters to her and ignoring the social cue to engage in pleasantries. Instead, she lists the results, what was seen, what was on display. No Sedum, no Hostas. The silver bells are good and fine, but they are not her Special Interest. She really loves the pretty maids. She particularly loves them all there in a row. “Mary” was there to catch a predator, and as she became unsafe, she had to holler, “And pretty maids all in a row” twice, so that the back-up would arrive. (They did not catch it the first time). “Mary” could pass for eight years old when dressed in a smock, with a bonnet and bells, but she was actually much older and had perfected a ‘little girl’ voice which she used on the Take Your Daughter To Work Day once, and the Senior Officer then told her dad that they could use this. They could absolutely use this. Sounds Good! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Thanks for reading Sounds Good! ! This post is public so feel free to share it. Get full access to Sounds Good! at simonsweetman.substack.com/subscribe

    2 min
  4. 10/11/2025

    Poetry Reading: “The Death of Music Journalism” Turns Five

    It’s been five years since we launched my first book of poetry, The Death of Music Journalism. I did a little audio podcast at the time sharing some of the story behind the writing of the poems, the making of the book, and reading some of the work. I thought for its fifth birthday, I’d share a reading of five poems that I don’t think I’ve ever read out from the book before. A range of the content — from toxic masculinity, to family and friendships and memory, all framed by music. And of course the book was reimagining the way you can write about music; or a way I could write about music. We launched at Meow in Wellington. Here’s the fabulous Cuba Press team of the time that helped with this book: Mary on the left, publisher and editor supreme. Sarah (not with the company now) was the designer of the fabulous cover (from an amazing painting by Matthew Couper). And Paul was the selector of a lot of the poems, editor, typesetter, and really the champion for this work to happen. I think it was his first book where he stepped up into more of an editing role — and if I’m remembering that right, it was my great luck to have him in that role, as he showed all care, all responsibility, and wise choices. The launch was to be a party — and so Mike Blue opened with music (and a poem): The phenomenal Freya Daly Sadrove read poems from her amazing book, Head Girl, which we sold at the launch too: And the amazing Rachel McAlpine read poems too. She had her book about How To Be Old (now the title of her most excellent podcast). So we sold her book too, after she read some of the funny, lovely, and wise poems from it: I was so lucky to have Pip Adam launch the book. And Mary McCallum (publisher) also spoke about it and introduced me to do a reading: If you bought the book you could scan a QR on the back (2020 called, it wants its tech back!) and you could access a huge playlist of every song reference from the book. You still can have access to that by the way: I wrote about the launch — including sharing my speech from the day: And the aforementioned podcast reading: I was even interviewed by RNZ — and got to read a poem out live on air! And then, or what felt like shortly after, it was over. But it lives on in Facebook and OneDrive memories and reminders. Which is why I offer this reading today. Hope you enjoy it. The book is out of print, but in second hand stores — including some of the last of the new copies. If you wanted a copy I could find you one. Give me a holler. For real. Sounds Good! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Sounds Good! at simonsweetman.substack.com/subscribe

    14 min

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Conversations with creative people. simonsweetman.substack.com