Edinburgh Film Podcast

The University of Edinburgh

Dr Pasquale Iannone (Lecturer in Film Studies) is joined by staff and students from across the University of Edinburgh as well as guests from the world of film and TV to discuss all aspects of screen media.

  1. Sep 1 ·  Video

    EFP 87: Writer-director Louis Paxton on The Incomer

    Host Dr Pasquale Iannone is joined on this episode by Edinburgh filmmaker Louis Paxton to discuss his feature debut, folk comedy The Incomer (2026). The film tells of thirty-something brother and sister Sandy and Isla who live on a remote Scottish island. The pair live cut off from society in a state of arrested development. One day, the local authorities decide to send one of their workers to the island to serve notice of eviction. But the siblings won’t give up their home without a fight. Starring Domhall Gleeson as council worker Daniel, Grant O’Rourke as Sandy and Gayle Rankin as Isla, The Incomer was the Opening Night Film at this year’s Edinburgh International Film Festival after having its world premiere at the Sundance Film Festival in January. While this is Louis’ feature debut, he has been making eye-catching films for many years. He grew up in Edinburgh and his older sister Ruth is also an acclaimed writer-director. In their wide-ranging discussion, Louis tells Pasquale how he and Ruth first got into films - it turns out the three of them all used to rent movies from the same Marchmont video shops. They discuss his short films and work in TV before moving on to The Incomer. Louis tells Pasquale about his use of locations, the idea behind the distinctive look of the film and his approach to music. The film will be released in the UK on Friday 4th September and in the US later in the month.

  2. Aug 19 ·  Video

    EFP 86: Deniz Sarisakal on Kaurismäki's Drifting Clouds

    This episode of the podcast takes us to Finland and the irresistibly dry and droll comedies of Aki Kaurismäki. A major figure in World cinema since the early 1980s, few filmmakers have created such a distinctive universe through their films. As critic and historian Michael Brooke has noted, in Kaurismäki’s films ‘we’re in ‘a never-never land somewhere between the 1930s and the 1980s, where people drive Cadillacs, listen to old-time rock’n’roll, dance the tango, and issue such wise aphorisms as 'Life is short and miserable – be as merry as you can.’ This year marks the 30th anniversary of Drifting Clouds (1996), one of Kaurismaki’s key works and host Dr Pasquale Iannone discusses it in the company of one of the 2025/26 MSc Film Studies students, Deniz Sarisakal. Drifting Clouds is the story of a Helsinki couple in their late 30s who both lose their jobs and find themselves struggling to survive.  It sounds like the plot line of an Italian neorealist picture, or maybe a Ken Loach film, but this is Aki-land, and deadpan humour is never far away. Deniz and Pasquale begin by talking about Kaurismäki’s background and his distinctive formal and thematic approach. They also touch upon his influences, including his love of Japanese auteur Yasujiro Ozu. Discussion then turns to Drifting Clouds and elements such as plot, characterisation and mise en scene as well as sound and music.

  3. Jul 1 ·  Video

    EFP 83: Caroline Young on Fashioning Hitchcock

    Host Dr Pasquale Iannone is joined by author Caroline Young to discuss her new book Fashioning Hitchcock (Bloomsbury, 2026). Caroline is a prolific author and critic based in Edinburgh. Specialising in fashion, pop culture and classic cinema, her previous books include The It Girls: Glamor, Celebrity and Scandal (2025), Single & Psycho: How Pop Culture Shaped the Unhinged Woman (2025), Crazy Old Ladies: The Story of Hag Horror (2022) and Hitchcock’s Heroines (2018). Spanning more than fifty years of film history, Caroline’s new book provides fascinating insight into the use of costume in films by the legendary Master of Suspense.  Caroline tells Pasquale about the beginnings of the book and the reasoning behind its structure. They discuss the way Alfred Hitchcock used costume in his silent and early sound films before turning to his years in Hollywood with classics such as Rebecca (1940), Notorious (1946), Rear Window (1954), Vertigo (1958), Psycho (1960) and many more. Caroline tells Pasquale about the crucial role of acclaimed costume designer Edith Head in crafting unforgettable pieces for actors such as Ingrid Bergman, Grace Kelly, Cary Grant, Kim Novak and Tippi Hedren. Edinburgh Film Podcast was nominated and Highly Commended in the Arts and Culture category at the inaugural Scottish Podcast Awards, which took place in Glasgow in June 2026. EFP was presented with a certificate 'in formal recognition of exceptional merit and distinction, placing this production among the highest tier of its category.'

  4. May 25 ·  Video

    EFP 81: Professor Martine Beugnet on cinema and the blurred image

    On this episode, we dial down the sharpness and celebrate cinematic blurriness. Going against the common assumption that blur is only for backgrounds, a new book by Professor Martine Beugnet explores the power and poetics of the blurred image. Originally published in French in 2017, Blur (2026) is part of the Cutaways series from Fordham University Press, where authors take a close look at one particular cinematic theme or motif. Martine has published widely on film theory and aesthetics since the early 2000s, with highly influential books such as  a monograph on director Claire Denis, Proust at the Movies, Cinema and Sensation: French Cinema and the Art of Transgression and dozens of articles, book chapters and edited collections. She is currently Professor in Visual Studies at Université Paris Cité but she spent more than a decade of the early part of her career teaching here at the University of Edinburgh. Martine tells Pasquale about the process of having her work translated and the appeal of the short format volume. She talks about her choice of film examples which range from mainstream Hollywood cinema to experimental film, silent cinema to contemporary works. Discussion then turns to the many ways in which filmmakers employ blur, whether it’s to create ambiguity, to delineate a sense of character subjectivity or to shift back and forth in time. Films mentioned in the discussion include Vertigo (Alfred Hitchcock, 1958), The Ipcress File (Sidney J. Furie, 1965), La captive (Chantal Akerman, 2000), Son of Saul (László Nemes, 2015) and In Water (Hong Sang Soo, 2023).

About

Dr Pasquale Iannone (Lecturer in Film Studies) is joined by staff and students from across the University of Edinburgh as well as guests from the world of film and TV to discuss all aspects of screen media.

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