Sounds Of The Future

Tom DuPree III

Music Producer, YouTuber, and all-around critical thinker. Join me as I examine the current states of music, marketing, and technology to uncover the secrets of building a lasting career as a musician.

  1. 12/02/2022

    3 Skills Every Independent Artist Should Master

    If you want to be a great artist, you have to be a great communicator.  To achieve this, here are three fundamental skills I believe every artist should work to perfect that will transcend genre, age, and audience.  1. Learn to write.  Everything starts with writing.  Putting ideas down on the page helps me to clarify my thinking and crystalize ideas worth sharing—tweets, captions, song lyrics—all of it moves the needle.  If you’re not writing every day, I highly recommend you start. Write poetry, keep a journal, write lyrics—write any and everything you can think of.  A strong writing habit is foundational.  2. Learn to tell a great story.  Stories are a fundamental expression of humanity. We are drawn to them.  Your music tells a story. Your lyrics tell a story. Your content tells a story. Everything you do is an opportunity to tell a compelling story about yourself, your work, or the world around you. Whatever the format, a good story will always win.  3. Get good a short-form video.  If the internet is a castle, short-form is king.  We live in a world dominated by content. Great writing leads to great storytelling, and TikToks, Reels, and Shorts are where crystal-clear writing and great storytelling converge.  Master the first two, then put them in video format.  Great art is communication that transcends time and place.  If you can cut through the noise with great writing, great storytelling, and strong short-form video skills, the sky is the limit.  Watch the original video on my YouTube channel.  Like this episode? Hit me up on Instagram (@tomdupreeiii) and let me know what you thought!

    6 min
  2. 11/25/2022

    Why I Always Repurpose My Content

    A great idea is worth sharing, and a great piece of content that communicates that idea well can pull someone into your world and create a fan for life.  But sometimes even good ideas fall flat if not seen by the right person, at the right time, in the right place.  That’s why I always use my content more than once—I repurpose it.  There are four primary types of content that people consume online: audio, video, text, and images.  I do my best to post a combination of all four, but not every idea is conveyed equally across all media, which is why it’s important to me to communicate that same message on as many platforms as I can.  And the best way I’ve found to do that is to start with one.  My content generally starts as text. I am constantly taking notes and writing down ideas in the Notes app on my phone, and since I always have my phone on me, this little system works great.  Once I’ve decided I want to share an idea online (and because text is my initial weapon of choice), I will usually go to Twitter to share that thought with my audience there, and based on the response, I will decide whether or not to pursue it further.  If a tweet gets any sort of decent engagement, I know I’ve got a concept worth exploring.  Let the repurposing begin.  A simple tweet is a great foundation for repurposing my content—it’s short, to the point, and easy to adjust for other platforms.  There are two reasons I repurpose my content:  1) I don’t know what medium or what platform is going to see that idea resonate with my audience the most, and  2) It just makes my life a whole lot easier.  By reusing the same idea on multiple platforms, I only have to come up with one thing instead of 10, 15, or 20.  By vetting an idea on platform after platform, I am able to rely on my audience for real-time feedback about what’s helpful and what’s not, thereby improving my content and the value I am able to deliver.  Watch the original video on my YouTube channel.  Like this episode? Hit me up on Instagram (@tomdupreeiii) and let me know what you thought!

    6 min
  3. 11/18/2022

    3 Red Flags I Look For When Marketing My Music on Spotify

    Establishing strong vanity metrics on Spotify is really not that difficult, especially if you don’t care how you do it.  Fake followers, massive bot-driven playlist ads, and even legitimate streams from countries that don’t serve your long-term growth as an artist can make your artist profile look quite impressive to the untrained eye.  But if you’re like me, and you want to share your music with real people who truly enjoy the work you put out into the world, you’re going to want to do your best to avoid those pitfalls.  Here are the three biggest red flags I look for:  1. Which countries are listening?  I am always watching where my traffic is coming from on Spotify, especially as a result of my ads.  These days, I am primarily advertising in countries like the United States, United Kingdom, and Canada, but regardless of where my ads are being shown, whether in a select few countries or on a global scale, I am looking at the relationship between those countries on Meta’s ad platform and on Spotify for Artists.  To that end, one of the biggest red flags a look for is whether or not those countries match up to any degree.  For example, if a country is getting a lot of traffic on Meta but minimal action on Spotify, this is a clear indication to me that something is off and I need to make a change.  2. Top cities are important too.  Beyond the countries where I’m seeing love on Spotify, I am also paying strict attention to the cities where my music is being consumed as well. The primary red flags I am looking for here are cities I know have big data centers in them.  Wait, what?  That’s right. Many cities worldwide, and specifically within the United States, house massive Amazon (and other) data centers. These data centers are often used to set up bot farms to generate fake playlist plays, fake followers, and fake streams for artists.  3. And lastly, bad playlists.  As most of you likely know, I’m not a big fan of playlisting to promote my music on Spotify, but that doesn’t mean I don’t still get added to them from time to time.  When a song begins to get traction on Spotify, achieving a popularity score in the 30s or 40s, it is often the case that it will begin to appear on more popular playlists as a result, regardless of whether or not the song has been pitched to that service.  Whenever I see a song has been added to a playlist with a significant following, I immediately want to do my due diligence on it to make sure it’s legit.  It’s easy to grow on Spotify by faking the numbers, and with a small amount of money and a little bit of know-how, anyone can do it.  But I want my growth to be legitimate, and I want real people enjoying my music, even if it’s only a fraction of what the vanity numbers potentially could be.  Watch the original video on my YouTube channel.  Like this episode? Hit me up on Instagram (@tomdupreeiii) and let me know what you thought!

    10 min
  4. 11/11/2022

    12 Uncomfortable Truths About A Career in the Music Business

    Building a career in music is tough, but if it’s where your heart truly lies, if it’s the place where you feel called to share your gifts with the world, there are few things more rewarding than seeing your passion come to life.  As a full-time musician for nearly 15 years, here are 12 things I have learned along the way that will help you no matter where you are in your journey.  1. No one can do it for you:  I can’t tell you how many artists I see that want the “secret” or the “hack”. Do you want to know the secret? It’s this: work.  2. Small gains are the biggest wins:  Incremental progress is the name of the game, and the biggest unlock is showing up every single day for a long period of time.  3. It takes time:  Success in music doesn’t happen overnight. If you’re lucky, it will only take a few years, but for most of us, it will take much more than that.  4. When in doubt, release more music:  Music is content, and content is a volume game. More will always be better than perfect.  5. There is no “right way”:  Every one of us is on a different path. You can look to other artists and creators for inspiration and guidance, but your results will vary.  6. You can’t control the numbers:  Impatience with action, patience with results.  7. Ads are not the whole game:  Running paid ads to promote your music is a force multiplier for your output, not a replacement for doing the work altogether.  8. Your marketing budget matters:  And on the ad front, this one is probably the toughest pill to swallow: the more money you have to spend, the better your results are going to be.  9. Music is only the beginning:  Very few artists make all their money from music alone. If anything, making music serves as a springboard for building an audience and creating additional revenue streams.  10. Start by selling your time:  Producing, mixing, ghostwriting, marketing, graphic design, etc.—these are all great ways to supplement your primary source of income by doing something you love within the field of music.  11. Build assets long-term:  Selling your time is faster, but selling products is better.  12: And lastly, fame doesn’t equal success:  If you’re here for fame, you’re gonna have a bad time.  Instead of fame, focus on joy, value, and purpose. Find the thing you love to do so much that you’d do it for free and then figure out a way to make it sustain your lifestyle.  That’s success and will make you far richer than fame ever could.  Watch the original video on my YouTube channel.  Like this episode? Hit me up on Instagram (@tomdupreeiii) and let me know what you thought!

    12 min
  5. 11/04/2022

    Your Spotify Catalog - Don’t Sleep on Your Old Songs

    You’re only one song away from changing your life.  But sometimes that song isn’t your newest release.  Releasing music on a regular basis is an important aspect of building a body of work as an artist, but turning out single after single doesn’t mean you need to abandon the work you already have.  According to Spotify’s recent Fan Study, roughly three-quarters of all streams on the platform are now coming from an artist’s catalog, which Spotify defines as songs over 18 months old.  This means the work you released two years ago stands to earn you more streams, listeners, and revenue than the song you just put out.  Think about that for a second–the longer your music is out, the more powerful it becomes.  This sort of changes the game on new releases. Rather than thinking of a new release as an opportunity for a song to go viral, it might be better to think of it as a hook to reel in new listeners so they can discover the rest of your work.  I push new music and my catalog winners at the same time.  With every new song I put out, I build a new campaign and drop it into the marketing system I have that I know works, but this doesn’t mean I abandon what I already have working.  I am still using the same ads for “Hero” and “Lions” that I have been using for the past year and a half.  Because they work.  Those two songs are proven winners, so why would I turn them off?  Each new track is an opportunity to find a new winner, but it has to earn that right. I am constantly testing every new song against the current winners, and it is only when they clearly outpace the previous winners that they get the priority spot in my marketing campaigns.  Watch the original video on my YouTube channel.  Like this episode? Hit me up on Instagram (@tomdupreeiii) and let me know what you thought!

    8 min
  6. 10/28/2022

    How to Market Your Music on a Budget

    When it comes to music marketing, more money generally equals more opportunity, but that doesn’t mean you can’t win if you don’t have a load of spare cash lying around.  Even though spending more money to market your music can drastically improve the outcome of your campaigns, there are alternative ways to extend your reach as an artist.  If I only had $100 to spend on a new release, here’s what I would do:  First, I would run a conversion campaign and target a global list of countries, likely prioritizing Brazil, Mexico, and Chile because I know there are tons of engaged music fans in these countries that I can access for a much lower rate than I can in, say, the US or the UK.  Next, I would keep my targeting open, all the way down to age 13 to capitalize on a lower CPM for my ads right out of the gate.  After that, I would create an artist playlist, something like “This Is Tom DuPree III” and place my new track right at the top of it.  Because I’m operating on a limited budget, I want to make sure there is some way to retain the listeners I find each time I spend money, and because I can’t automatically place my new track at the top of my artist profile, a playlist like this is the best option.  From there, I’d run my campaign at a set rate for a window of time, something like $10 per day for 10 days, and then set it to expire once it’s done.  In addition to spending money on a limited ad campaign, if I were operating on a limited release budget, I would plan to make as much content about my song as is humanly possible.  Now, ideally, we should all be doing this anyway, but if you don’t have the capital, then spending time on organic content becomes even more important.  I’d create three short-form videos per day about my track and post them to Reels, TikTok, Shorts, and even Snapchat.  Do this for an entire 28-day window while your track is eligible for Release Radar, and you’ve got 336 opportunities to showcase your work to a new audience.   If each video gets 1,000 impressions, that’s 336,000 opportunities to find new fans.  Having a sizable marketing budget can certainly make life easier when it comes to promoting your music, but spending a lot of money on ads isn’t the only way to spread the word about your work.  If you don’t have a lot to spend, get creative, put in the time, save your money for the future, and you’ll watch your results continue to improve as you release song after song.  Watch the original video on my YouTube channel.  Like this episode? Hit me up on Instagram (@tomdupreeiii) and let me know what you thought!

    12 min

Ratings & Reviews

5
out of 5
3 Ratings

About

Music Producer, YouTuber, and all-around critical thinker. Join me as I examine the current states of music, marketing, and technology to uncover the secrets of building a lasting career as a musician.