Artifice

Artifice Podcast by Emily Merrell

Great art almost feels like magic—it opens our minds to brand new ideas, and teaches us to see ourselves and our world more clearly. Of course, behind all great art, there are artists. And that’s where the real magic happens… As we go beneath the art itself to explore how different artists do what they do, we see glimpses of the sorts of creativity, resilience, and bravery that lead to the art that moves our world. And maybe we can learn to borrow some of that magic for our very own thinking. Join professional musician Emily Merrell for conversations with artists of all kinds. Together, we examine the mysteries of our own experiences, our muses and fears, our gifts and foibles, our beliefs about the origins of creativity, and the secret magic we’ve discovered in our unique creative processes. Mediums include: studio art, graphic design, dance, cooking, illustration, creative writing, storytelling, comedy, music composition, music performance, film making, acting, production, fashion design, photography, and more. Visit https://emilymerrellmusic.com/artifice-podcast/ for more information. - Theme Song "As You Are" by Emily Merrell @emilymerrellmusic - Illustration and Graphic Design by Sarah Keele @sarahkeeleart - Photography by Jen Palmer @jenpalmerphoto - HMU by Shawna Turner @shawnaturnerdesigns

  1. Ep. 240 : Chris Ramos Returns

    2D AGO

    Ep. 240 : Chris Ramos Returns

    Christopher Ramos is currently serving as Director of Bands and Assistant Professor of Music at Utah Valley University in Orem, Utah. He conducts the UVU Wind Symphony and directs instrumental studies within the music education area. He additionally teaches courses in conducting, music education, and music appreciation. He received the DMA in instrumental conducting at The Hartt School, studying with Glen Adsit and Edward Cumming. While at Hartt, he assisted in conducting Hartt's instrumental performing ensembles and the Greater Hartford Youth Wind Ensemble, and as part of the adjunct faculty he taught courses for graduates and undergraduates in conducting, brass methods, diversity and belonging, jazz pedagogy, and in the core music theory sequence. Before Hartt, Chris served as a band director at Dalat International School in Penang, Malaysia where he taught Western classical and jazz music in performing and theory courses across grades 6-12, and his students were invited to perform in international festivals across Southeast Asia. He is also an active scholar working at the intersection of musicology, wind band studies, and music education with his latest publications forthcoming in the Music Educators Journal (NAfME) and the Utah Music Educators Journal (UMEA). In 2022 he received the Goldstein Award from the University of Hartford, and in 2016 he received the Joanne Kealinohomoku Prize from the Society of Ethnomusicology Southwest for his scholarship. He holds additional degrees from the University of New Mexico where he studied with Eric Rombach-Kendall, and from East Texas A&M University (formerly Texas A&M University-Commerce) where he studied with Phillip Clements (conducting), Luis Sanchez (piano), and Mike Morrow (horn). In addition to his conducting, researching, and teaching, he actively performs both on the French horn and at the keyboard. He has produced, performed, and conducted on records for the Naxos, Summit, and Parma record labels, and he has performed in and conducted ensembles in concert halls, stages, forests, and patios across the United States and Asia. An avid supporter of new music, he has been part of numerous commissioning projects for solo horn, chamber ensembles, and wind ensembles. He is a second-place winner in The American Prize for conducting and in 2025-27 he holds the Harry Begian Conductor Scholar Award at Blue Lake Fine Arts Camp. He is an active member in the College Band Directors National Association, Utah Music Educators Association, Utah Bandmasters Association, National Band Association, American Musicological Society, and National Association for Music Education, and is an honorary member of the Phi Mu Alpha Sinfonia National Music Fraternity.

    2h 10m
  2. Ep. 238 : Cricket Jergens

    MAY 5

    Ep. 238 : Cricket Jergens

    My work is fueled by the complex dissonance of a modern human experience—dominant over and separate from the natural world. A dance between grief and hope, my art evokes visual representations of ambiguous loss of natural entities and celebrations of persistent patterns, teachers, medicine and kin. Trees are my primary source of inspiration. My mediums range across fiber arts disciplines and include felting, weaving, paper and book making, and basketry. Process is essential to comprehension of my felted work as it represents a personal expression of ritual, and the fusing of individuals into collective; an echoing of earthly interconnectedness, mycelial networks and coalescence. Bent knees allow flat palms to meet earth, expressing acts of care, reverence and patience–a physical prayer of grief, gratitude, and remembrance. This ritual of wet felting and its physically demanding process help me to expel grief, loss, frustration and anger. In turn, because of the labor intensive process, I must give myself fully to the piece knowing I will sacrifice my body’s abilities in the days following. I view this dynamic as an exploration of “how much do we live in reciprocity with our earth?”. While traveling, basketry has been my most consistent medium choice as it allows me the flexibility of a gradual less demanding process.  My work aims to evoke an environmentally conscientious community through a declaration that we are a global community, equally responsible for the protection of Earth.  Materials sourced from nature engage environmental agents as collaborators, not merely subject matter. I have been traveling/volunteering fulltime since the summer of 2024. After the completion of my degree, I craved education from life beyond the realm of academia and the insular scope of American understanding. I have since been to 11 countries. This experience has helped me flourish in problem solving, communication, forgiveness, my understanding of international relations, the connectedness of our human experiences despite nationality or social position, that positive land relationships exist everywhere, and the importance of my relationship with myself, my artwork and my spirituality. Links: Contentsofcricket.com @contentsofcricket ig

    1h 60m
5
out of 5
22 Ratings

About

Great art almost feels like magic—it opens our minds to brand new ideas, and teaches us to see ourselves and our world more clearly. Of course, behind all great art, there are artists. And that’s where the real magic happens… As we go beneath the art itself to explore how different artists do what they do, we see glimpses of the sorts of creativity, resilience, and bravery that lead to the art that moves our world. And maybe we can learn to borrow some of that magic for our very own thinking. Join professional musician Emily Merrell for conversations with artists of all kinds. Together, we examine the mysteries of our own experiences, our muses and fears, our gifts and foibles, our beliefs about the origins of creativity, and the secret magic we’ve discovered in our unique creative processes. Mediums include: studio art, graphic design, dance, cooking, illustration, creative writing, storytelling, comedy, music composition, music performance, film making, acting, production, fashion design, photography, and more. Visit https://emilymerrellmusic.com/artifice-podcast/ for more information. - Theme Song "As You Are" by Emily Merrell @emilymerrellmusic - Illustration and Graphic Design by Sarah Keele @sarahkeeleart - Photography by Jen Palmer @jenpalmerphoto - HMU by Shawna Turner @shawnaturnerdesigns