All Pop, No Culture

All Pop, No Culture

Movies, TV, strong opinions, and plenty of laughs. Join Kevin and the All Pop, No Culture crew for reviews, recommendations, and debates about big releases, streaming discoveries, and old favorites. Come for your next watch. Stay for the conversation. Watch on YouTube or listen in your favorite podcast app. Contains explicit language; discussions may include spoilers.

  1. 5d ago

    292. Clayface Is Incredible + Street Fighter Rules + Whalefall & Glee Returns

    Watch Episode 292 on YouTube This week on All Pop, No Culture, Kevin, Andrew, and Pete cover Clayface, Street Fighter, Whalefall, and the newly announced return of Glee. Kevin and Andrew open with an enthusiastic review of Clayface, the surprisingly dark DCU body-horror film centered on an actor whose life falls apart after a brutal attack and experimental treatment begins transforming him into something else. They discuss the performances, practical effects, Gotham, Mike Flanagan's influence, and why the movie may be one of the biggest surprises of the year. Pete then brings news of Glee returning, leading to a larger conversation about whether the series can recreate its original magic, which cast members need to return, the tragedies surrounding several members of the original cast, and whether a modern Glee should target longtime fans or a new generation entirely. Kevin also reviews Street Fighter, calling it a colorful, funny, visually impressive adaptation that succeeds by understanding exactly what kind of movie it is. The discussion covers Ryu, Ken, Chun-Li, Guile, Blanka, M. Bison, the film's anime flashbacks, and why it delivers far more than expected. Finally, Kevin reviews Whalefall, starring Austin Abrams and Josh Brolin. While the hook involves a young diver becoming trapped inside a whale, the emotional core is a story about grief, fathers and sons, and coming to terms with a difficult relationship after it's too late. The episode also includes Buddy, Backrooms, Resident Evil, Obsession, The Diplomat, Vision Quest, The Studio, The Offer, I Play Rocky, and a long discussion about the movie-theater experience.

  2. Oct 27

    291. Elizabeth Holmes Documentary Debate + Lizzie Borden Monster + Billy Crystal's 860

    This week on All Pop, No Culture, the crew dives into the new Elizabeth Holmes documentary You Can See Everything, the latest season of Monster centered on Lizzie Borden, and Billy Crystal's deeply personal Broadway show 860. Lauren opens with Monster: Lizzie Borden, discussing Ella Beatty's performance, Charlie Hunnam's return to the anthology, Rebecca Hall, Lizzie's upbringing, the famous axe murders, and the increasingly blurry line between historical truth and Ryan Murphy's dramatic interpretation. Andrew and Saloni then lead a long discussion of You Can See Everything and the complicated question at the center of Elizabeth Holmes' story: did she knowingly lie, or did she genuinely believe Theranos would eventually become what she promised? The conversation explores whistleblowers, inaccurate blood testing, investor deception, Sunny Balwani, Billy Evans, Amanda Seyfried, The Dropout, the earlier HBO Theranos documentary, and how charisma, wealth, ambition, and self-delusion can combine to create something almost cult-like. Lauren closes with a moving review of Billy Crystal's 860, a Broadway show inspired by the loss of his longtime California home in the 2025 wildfires. Through memories of family, Robin Williams, Muhammad Ali, Rob Reiner, and more than four decades of life in one house, Crystal turns grief into a story about gratitude, laughter, and the things we carry with us after physical possessions disappear. The episode also includes conversations about Anna Delvey, WeWork, Mark Zuckerberg, The Gilded Age, The Pitt, and Lioness.

  3. Sep 24

    288. Resident Evil Is a Must-See + Hacks Rules + Transformers + Strange New Worlds

    This week on All Pop, No Culture, the crew covers Hacks, The Lost Boys on Broadway, Transformers: The Movie, Star Trek: Strange New Worlds, and the new Resident Evil. The episode opens with a discussion of Hacks, including Jean Smart and Hannah Einbinder's complicated relationship, the show's cross-generational appeal, and how it mixes genuinely funny comedy with ideas about aging, relevance, ambition, and women working in entertainment. Lauren then gives an enthusiastic review of The Lost Boys musical on Broadway, praising its new music, staging, vampire effects, cast, and the way the musical expands the emotional story beyond the original 1980s film. Kevin and Andrew revisit Transformers: The Movie on the big screen and dive into everything from Peter Cullen and Optimus Prime to the theatrical audio problems, the new animated epilogue, Toei versus ACOM animation, and why a movie designed to sell toys accidentally became a defining piece of childhood pop culture. Eric makes the case for Star Trek: Strange New Worlds, including Ethan Peck's Spock, the new Kirk, Trelane, Q, and why the series succeeds by allowing Star Trek to be fun again. The episode closes with Kevin's enthusiastic review of Resident Evil, a scary, funny, fast-moving adaptation that throws an ordinary courier into the middle of the Raccoon City nightmare. The discussion covers its IMAX presentation, Austin Abrams' relatable lead performance, game-inspired mechanics, jump scares, fandom backlash, and why it may be one of the strongest horror films of the year.

  4. Sep 16

    287. Lanterns Is the DCU's Best Show Yet + Buddy Is Insane + Disclosure Day Review

    Kevin and Andrew are back, and this episode covers a lot of ground. The main discussion is Lanterns, the new DCU series starring Kyle Chandler as Hal Jordan and Aaron Pierre as John Stewart. After a slower opening, Andrew becomes fully invested by Episode 3, and both hosts argue that the grounded mystery may be the strongest project in James Gunn's DCU so far. They discuss the Manhunters, John Stewart's family, Hal's arrogance, Sinestro, the wider Lantern mythology, and why the series works even without constantly leaning on superhero spectacle. Kevin also reviews Buddy, an R-rated horror comedy built around a children's television character who becomes increasingly violent and terrifying. What begins like a Barney-style kids' show slowly turns into a bloody, surreal horror movie with surprising franchise potential. Andrew then joins Kevin for a mixed discussion of Steven Spielberg's Disclosure Day, including Emily Blunt's performance, the film's ideas about alien contact and religion, how believable public disclosure would be in the age of AI and misinformation, and whether the movie would have been better suited to streaming. Kevin also recommends The End of Oak Street, a dinosaur adventure that feels like a modern Spielberg film, and Ridley Scott's The Dog Stars, a quieter post-apocalyptic drama starring Jacob Elordi, Josh Brolin, Margaret Qualley, Guy Pearce, and Allison Janney. The episode also touches on Spider-Man: Brand New Day, Vision Quest, Widow's Bay, Dark Matter Season 2, the Harry Potter TV reboot, and why audiences are increasingly frustrated with multi-year waits between seasons.

5
out of 5
18 Ratings

About

Movies, TV, strong opinions, and plenty of laughs. Join Kevin and the All Pop, No Culture crew for reviews, recommendations, and debates about big releases, streaming discoveries, and old favorites. Come for your next watch. Stay for the conversation. Watch on YouTube or listen in your favorite podcast app. Contains explicit language; discussions may include spoilers.