Talking Like A Teen

Talking Like A Teen

The podcast where we have a tendency to rush back into our pasts! Inspired by pop duo Tegan And Sara, hosts Ashley Burgy and Adrian King take listeners on an unconventional yet poignant look back at the pop culture that shaped them during their formative years and beyond.

  1. 10/13/2025

    Episode 58: Paperback Head Pigeons

    [The episode’s about Invader Zim, CW: Mild spoilers for a few episodes of a cartoon that is almost 25 years old. Enjoy the following barely related rant below.]  So I had this idea of doing a riff on some ‘90s commercial about Hungry Man TV dinners or something about potatoes (listen to the episode, it’ll make sense), but I found this article today about how this potato chip company (the biggest one, they make most of the chips but I’m also not advertising for them so no name drop, the article’s linked below) is doing a “drastic rebrand” after finding out that 42% of consumers “didn’t know their chips were made out of potatoes” and to that I say, “…Huh? How?!” Ok, so: A slightly sneaky play that some corporate leadership will do, especially new leadership, is to futz with the branding or logo. If you’re a job-hopping Sweaty Executive who’s looking for a line item to put on their LinkedIn page or whatever, you spearhead a logo or branding change. You as the executive don’t have to do much (marketing and your art departments are doing most of the work), but it’s still a project you, Sweaty Executive, led. So, credit taken. This potato thing sounds like the absolute flimsiest excuse to do a rebrand ever. Either that, or American education is so in the toilet that we don’t know stuff about snack food, the thing that we should obviously be best at. And we are Too Good At Snacks for me to believe that.  It sounds like, among other things, that the logo is going to look more “like the Sun”, we are redoing the packaging to look “like the wood planks of a potato crate”, and that obviously we’re doing to shout out that the chips are, in fact, made from “real potatoes”. I cannot believe that marketing is a real thing. This truly is the darkest timeline.  Also what other questions were asked on this survey?!?! Idk, I’m spiraling out (like spiral cut potatoes, ayyyyy). At any rate, I will be thinking about this 500 word pseudo-press release for the next several hours. Enjoy the episode. Next time I’ll just stick to rewriting the Doom Song or something.

    1h 9m
  2. 09/15/2025

    Episode 56: My Number

    So, nostalgia for commercials is weird, right?  I was listening to the episode edit, trying to figure out an angle for this write-up that you’re reading (hi hello welcome) and thought maybe it’d be fun to find a super niche piece of media from 2005 and write about it. So I head to YouTube to brainstorm, type in “2005 things” in the search bar and so many of the results were just commercial compilations. Which….struck me as strange, and now I’m doing an Overthink about it and dragging you along.  Commercials are a strange sort of pop culture time capsule. I have used them several times as fodder for write-ups: The Mc DLT commercials, KC Masterpiece, [a third thing that I’m too lazy to research], the list goes on. Some of the longest running TLAT references are just old commercials: Bagel Bites, Crossfire, you know ‘em. They’re strange because they do capture the vibe of a time, but also…they are * just* selling you stuff. Bagel Bites Guy is wailin’ into a mic trying to get you to buy a box so you can do your own bagel bites draft meme and he can get his royalty check. But also I can’t help but think about how back in 2005, commercials were memes before we had a term for memes! They were these tiny weird little pieces of media that everyone experienced because we all had more or less the same basic cable package and options were limited. But because they were doing Catchy Capitalism, everyone that was watching TV at a certain time is now  just a sleeper agent walking around waiting for the activation phrase “education connection” ,“800-588-2300”, or “structured settlement”. (Also why were there so many contraptions that allowed you to add filling inside a cake?!) And now we’ve circled from “annoying things that interrupt my show” to apparently “Thing on YouTube that I am actively seeking out to do A Nostalgia.” The commercial [is] the show. And for someone who traffics in nostalgia for occasional content, I don’t know why this hits me as strangely bleak today. Maybe commercials are art, and I’m the problem. The question at the beginning that started as a leading question is now…just a question, I guess. Maybe I’m wrong. Maybe I’m Grandpa Simpson, yelling at cloud. The world is weird now, who am I to judge you for sitting down to watch all nine versions of the free credit report dot com commercials? They are bangers. Anyway, here’s part two of our 2005 music episode. Hope you enjoy it.

    1h 2m
  3. 08/25/2025

    Episode 55: Sometimes I See Stars

    I’ve started up another Skyrim playthrough, which for me is usually one of the biggest red flags that burnout is raising its ugly head, as this game, while a thing I enjoy, is something I tend to delve into when I need a thing to fill time while not having my brain go brr. (So look forward to that “Conversations with an Adult part 2: Burnout Boogaloo” episode in two months) but. That’s not why I’m here. I’m here to soft pitch the thesis that “No Stone Unturned” is an ok quest actually. For those of you that don’t know, there’s a Skyrim quest where you stumble across an “unusual gem” (what’s unusual about it is that it is hot pink in the gray/brown/green ass game) and then, upon getting it appraised, finding out that your gem is part of a set of 24 and you gotta go find ‘em. And unlike most quests, there’s no quest marker telling you where they are, so this is no easy feat. Once you collect these 24 gems, you’re sent to go collect the crown they’re from, at which point, the quest ends and your reward is this passive ability to find more gems (and gems more often) while you’re out exploring. “Burgs, this sounds horribly tedious,” you might say. “Eh,” is my impassioned response. The thing with quests like these is that (shocker) the people that built the game from the ground up want you to play it. They spent time and effort and all that jazz building all of these areas, especially in an open world game like Skyrim, and they want you to explore it. Therefore, games like these are going to have quests that incentivize you to explore: think the shards in DA: Inquisition, the metals/gasses/literature/mummies or whatever in ME1, audio diaries, bobbleheads, souls, orbs, power moons, friggin….Korok seeds, the examples are endless. The game wants you to play it, and if you don’t want to, then…idk, touch grass, I guess. The quest is optional, just don’t interface with the hot pink gems if you don’t want to. If you want quest markers, there’s a mod. Or countless lists on websites you can use to track stuff. It’s ok, you’ll get through it, or you won’t. No biggie.  What does this have to do with the music of 2005? Almost nothing, other than music itself also working in a very similar way. If you’re willing to explore, your new favorite band could be in the dark corner over there. The next song that will “change your life, I swear” says Natalie Portman in 2003 might be opening for a band you already know but you skipped the opener to arrive late like a Cool Person. If you don’t want to look for hot pink gems, it’s all optional, mainstream radio’s got you. But you’ll never know what a Korok seed does unless you find one. (also don’t tell me, I haven’t played that Zelda game yet.)

    56 min
  4. 08/11/2025

    Episode 54: Mommy Needs A Silverchair

    (SLIGHT SPOILERS FOR THE NEW JURASSIC PARK MOVIE YOU KNOW THE ONE WITH SCARJO IN IT [this episode is about the band Silverchair’s album “Young Modern” if you’re skipping the rest of this, enjoy]) So, a week or so ago, one of my favorite humans on the planet and I did a date night of sorts that we called “Diner-saur Night”, in that we went and got gravy-covered greasy breakfast food at a cruddy diner and then went and saw “Jurassic Park 7: You’re Welcome Chris Pratt Isn’t In This One”. We had a lovely time, it’s a pretty fun movie but I cannot stop thinking about two tiny nitpicking points of order and how it has plagued my brain ever since. (these are where the small spoilers are happening, I have warned you so many times) Nitpick One: This movie has a beginning text crawl. In this text crawl, the movie establishes that around 30 years have occurred since dinosaurs were brought back. Fine. This text crawl then proceeds to tell the viewers (who are, need I remind you, there to view a film about dinosaurs doing a Ruckus) that in thirty years, people are bored and tired of dinosaurs. Look. Short of “The Dead Speak!!!” or whatever Episode 9 was trying to do, I am generally going to take a text crawl and roll with it–I get it, we’re doing world building to give the movie context, sometimes the worlds we’re building are nonsensical. But I absolutely CANNOT abide by “30 years later, dinosaurs are lame AF” while sitting in a movie sequel being released literal weeks after the OG film celebrates its 32nd release anniversary. No. Absolutely not. People would be stoked on real dinosaurs much in the same way that people are still stoked on digital dinosaurs. Premise denied, movie. Nitpick Two: Dinosaurs are being genetically modified in this one, much like basically all the rest of ‘em. Especially in these last few, where we are kinda splicing together known dinosaurs with other ones to make superdinos or whatever, at what point do these stop being dinosaurs and just become like…kaijus or Big Chonky Reptilian Monsters Trademark Symbol? How many genetic modifications before a dinosaur isn’t a dinosaur? I don’t know that I have an answer here, per se. I absolutely have time for the argument that they’ve technically never been dinosaurs, as the OGs were mixed with frog DNA, thus making it not purely genetically just a dinosaur. I thought about this a lot during certain portions of this movie, mostly because there are a few dinosaurs that are not looking like traditional dinosaurs and are kinda starting to look like Muk, the Pokémon with a dinosaur texture pack thrown over it. Some of these bois in “Jurassic Park 7: Yes All Of The Women Are Wearing Practical Shoes In This One” are looking kinda goopy and not like T-Rexes, and that’s a bummer to me, a person who expects this dinosaur film franchise to maintain a level of integrity in regards to its visual language. This might be a me issue. I don’t know. In conclusion, Dinosaurs(???) caused a ruckus for 120 minutes on a large screen and that’s enough for me. Expectations met. And I got three different forms of carbs covered in gravy. All in all, a good night. (And yes, before you ask, I absolutely could not be bothered to look up what the actual Christian name of this film is, sorryyyyyy.

    1h 41m

Ratings & Reviews

5
out of 5
2 Ratings

About

The podcast where we have a tendency to rush back into our pasts! Inspired by pop duo Tegan And Sara, hosts Ashley Burgy and Adrian King take listeners on an unconventional yet poignant look back at the pop culture that shaped them during their formative years and beyond.