What the Lyric

Becky and Matthew
  • 5.0 (2)
  • MUSIC COMMENTARY

Bad lyrics are music to their ears! Your hosts Becky Morrette and Matt Seymour dig deep into the world of music to bring you the worst of the worst songs available today. Regardless of genre, decade, or taste, there's no song they won't dissect like a middle-school science project. So grab a drink, sit, and realize in disbelief: yeah...those lyrics made it to radio.

Episodes

  1. 03/13/2020

    Episode 6 - Party Anthems

    Episode 6 - Party Anthems.  This episode Becky and Matthew talk about what makes a Party Anthem.  Is it the repetitive lyrics?  A good dance beat?  Or perhaps just a call to get drunk and rowdy.  One song is from the 1987 (guess who's pick that was) and the other song is from 2009.                                                                                  PARTY ANTHEMS BECKY 0:07  Welcome to what the lyric, the podcast that confirms Yeah, that actually made it to radio.   BECKY 0:22  Well hello everybody welcome to what the lyric, today we're talking party anthems. Again I took that to mean any song that everyone will sing along to. Or like the end all be all karaoke because there's always those karaoke songs that everyone busts out or the end of the night the drunkies all sing together slurred speech and all   MATTHEW 0:50  Now tell me what is your familiarity with parties slash karaoke?   BECKY 0:56  Uh, not really karaoke so much but I have I've been to a number of parties in my day, mostly in my younger days. I don't do like the parties, you know, much.   MATTHEW 1:07 You don't get swasted?   BECKY 1:09 Oh god, no. If I get wasted now it takes me like a week to recover. We went to go, a friend of mine and I went to go see a show. We each had one drink. The show is on a Thursday night when it was like a beer because we're not that kind of people. Show is on a Thursday night, we both walked into work the next day, and we're like, we should have taken today off.   BECKY 1:31  That's how bad it was. So yeah,   MATTHEW 1:35  Well, well done   BECKY 1:37   Back in the day. I did. I did boot and rally once.   MATTHEW 1:41  No idea what that means.   BECKY 1:43  Oh, so when you boot and rally means you've thrown up. And then you just get right back on the horse and start drinking again.   MATTHEW 1:50  Oh, I see the horse boots ya and you rally,   BECKY 1:55  You boot as in throw up and then you rally and you go back party. That was also the same time that I said, I could totally do a triathlon and then ended up doing having to do a triathlon. Not that same day, but like two years later I yeah.   MATTHEW 2:13  That's pretty rough.   BECKY 2:16  Yeah, that was about 10 years ago.   MATTHEW 2:23  Nope I'm not a party-er I'm a big old square generally. I just value sleep entirely too much. I love the taste alcohol. And like I'm a generally fun drunk, but my God, that for sleeping is like totally the worst. I'm trying to think of like the worst drunk I've ever been. Well, couple events.   BECKY 2:46  I know. I was like, oh I got a few.   MATTHEW 2:49  I think the dumbest one. I think the one that really encapsulates how I party may actually shape the song that I've chosen is the fact that I got horrifically drunk at Fourth of July like a couple of years ago, also is very stupid.   BECKY 3:04  Please tell me Star Spangled Banner is your song?   MATTHEW 3:06  Yes. No, it's what's the one that everyone has to listen to every Fourth of July. Born in the USA?   BECKY 3:13  Yeah. Oh, fabulous.   MATTHEW 3:14 Born in the USA. But really what happened, I am incredibly pale. I lose water like nobody's business there was a rooftop party. They had no water, just alcohol. So for the entire day, I had no water and was only drinking alcohol until like midnight and I'm like, Why do I feel so ill? That's weird. Oh, I'm incredibly dehydrated. And you know, thank God, but I really, as I laid on that cold bathroom tile floor. I was like, I'm going to die here.   BECKY 3:50  Ah, that was me with kidney stones. So I know is the cold floor. And I'm going to die here. But yes, I feel you.   BECKY 3:59   I feel very sane and I appreciate.   BECKY 4:02  Similar pain Yeah.Oh God never kidney stones.   BECKY 4:09   I know I have gone last time so I'm very curious to know.   BECKY 4:15  So I will say aside from the signing up for a triathlon drunk, the boot and rally drunk, probably the second most popular time is when I said we were in Australia. I'm totally naming my first kid after this club and the night we were there was kinky disco, which is now I have a cat by the name of kinky disco.   MATTHEW 4:39  I had no idea.   BECKY 4:41  You did not know that. Yes, I my I'd gone with a friend of mine who eventually became my roommate. And we, I had said, Oh my God, this place is so great. I'm totally naming my first kid after that, and then we got a cat, Jimbo. And then she said Jimbo was lonely. And somehow convinced me to go to one of those pet adoption things and then she said you can name it whatever you want. And she picked out Kinks original name was pumpkin. blech, well Yeah. And so we get her in the car and she goes, what are you going to name her? And I was like, you know what's coming and she said, "No I don't know.. oh shit." and I went kinky disco. And so for roughly 16 years kinky disco has been and she's lived up to her name. So that's, that's probably the two times the two really good times I've been.   MATTHEW 5:41  Then I cannot wait to know what song you chose based purely on the times that you've been schwasted.   BECKY 5:48  So I picked I'm going to just start reading the lyrics it's from eighty eight.   MATTHEW 5:54  Oh, again preconception for me.   BECKY 5:56  You might know it from the movie. It was in a movie   MATTHEW 6:00  Would giving me the movie title give it away.   BECKY 6:02  It might   MATTHEW 6:02   Okay then don't   BECKY 6:03  But you might have also not seen it because you're young enough where you might - Footloose which I saw so many times in theatre. When I wake up well, I know I'm going to be I'm going to be the man who wakes up next to you.   MATTHEW 6:18  Yep. Now oh wait is it I forgot where the are there parentheses in the title?   BECKY 6:27  there are.  When I go out yeah I know I'm going to be I'm going to be a man who goes along with you   MATTHEW 6:33  The proclaimers   BECKY 6:34  Yes   MATTHEW 6:36  I'm like is it I'm gonna be in parentheses 500 miles.    BECKY 6:37  I'm going to be 500 miles Yeah, yeah. And I love this song mainly because it only came to me like at 5pm last night and we are recording at 3:30pm I was driving from doing my errands and this song came on and I first outing do when I wake up will I'm going to be I'm going to be the body's waked up a few because everyone does a s****y Scottish accent. And then   BECKY 7:09  Once it gets to the chorus it's the but I would walk 500 miles, you know, however, I did every version of that accent through the entire song the whole drive home. I'm sure people were like what is happening in that car?   MATTHEW 7:29  That woman is having a stroke   BECKY 7:32  But I would walk 500 miles. I love it. I love that. I can't you can't not do it. I also again, I'm going to when I'm,  if I get drunk Well, I know I'm going to be the man who gets drunk next to you. You won't . I'm going to say it right now. You won't. I don't even know what haver up is. I have to look that up. Peter. I wish I could call you right now, but that would be rude to ask what haver up is because I know,   MATTHEW 8:05  He probably knows.   BECKY 8:06   I know he told me one time. And then you know he'd  walk 500 miles and he'd walked 500 more, just to be the man who'd walk 1000 miles. Why don't you just go with I would walk 1000 miles to be the man why'd you have to add the 500? Maybe because they were twins and there were two of them.   MATTHEW 8:27  Ah, that's true. Or did they know that, was it Vanessa Carlton was going to come along with 1000 miles?   BECKY 8:34   I have some issue with that song. That's a personal issue that can be discussed off mic. Yeah, I uh oh, god, it just that song in a song just makes me happy. Oh, it's talking, haver is talking foolishly or babbling. So if you're talking nonsense, I'm going to be the man talking nonsense next to you. You're Scottish I can't understand a lick of what you're saying anyways, so it doesn't really matter.   BECKY 9:10  I also like that when he says to fall down at your door so he's walked 1000 miles   MATTHEW 9:16 and died   BECKY 9:17  and then just dropped because walking 1000 miles is a is a good distance. But I also like that he says when I'm working Yeah, I know I'm going to be I'm going to be the man who's working hard for you. And when the money comes in for the work, I do all pass almost every penny on to you.   MATTHEW 9:40  Okay, well that's just being smart.   BECKY 9:41   Just got to buy new shoes. If he's walking 500 miles you got to replace those things every so often.   MATTHEW 9:46  I think that is reasonable...   BECKY 9:48  Yep But I honestly, I spent the whole song doing But I would walk 500 miles. And I would walk 500 more. And then I would also duh duh duh da myself so the car doing a call repeat to myself so I'd be like duh duh duh da and then I kind of lean over a little bit further and be like duh duh duh da in my car while driving, so yes,   MATTHEW 10:27  This one's going to be hard to rate just because it's like, I can't hate this song.   BECKY 10:31  You can't cause everyone sings it. Everybody's going to wake up.   BECKY 10:36  No I'm going to be, I'm gonna be the man next to you. It's the way that they sing it. And I love it so much and every time that I hear it   MATTHEW 10:47  I mean, there are some bad lyrics that I have just so much tremendous goodwill toward it.   BECKY 10:51  It's so it's so good. And then that the whole head bob thing. They're like chickens pecking at the ground the way they're   MATTHEW 10:59  Like Scottish   BECKY 11:00  Just furiously moving their nec

    28 min

  2. 01/02/2020

    Episode 5 - Podcasters Choice

    Episode 5 - Podcasters Choice - Anything goes on this edition of What the Lyric. Becky and Matthew choose their favorite bad lyrics from any decade and and genre. One is from 2016 and the other is from 1978. Who will be victorious? Podcasters Choice   [Start 00:00:00]   [Music playing 00:00:06]   Becky: Welcome. To What he Lyric? the podcast that confirms, yeah, that actually made it to radio.   Hello and welcome to What the Lyric? Today and What the Lyric? podcasters choice, we pick apart whatever song we want, it's a free for all. And I have picked something recent.   Matthew: Oh.   Becky: I think it still fits into the me-too movement theme I got going on.   Matthew: I do have to ask first though. Most hated bands…   Becky: These guys.   Matthew: Across the board…   Becky: Yes.   Matthew: Do not tell me yet. But any others like…   Becky: These guys.   Matthew: Was it an easy choice for you to make?   Becky: Yes. It was so… The first song that James Arthur, horrific train wreck of a wedding song that people are using. That one and I think this one are the reason that this podcast exists.   Matthew: Wow.   Becky: Yeah.   Matthew: There was no other song. That popped into your head?   Becky: Nope. This one. I was like and this is it. There are a couple others. That I thought of because they were funny, but I was like, no, I hate this one immensely. Like. So much, so much   Matthew: Fascinating. See! Mine was less generated by hatred and more confusion. Because I do have… This is again a favourite song of mine.   Becky: Kind of how bizarre confusion?   Matthew: Yes.   Becky: Okay.   Matthew: It is precisely how bizarre. I think everyone has heard the song and everyone has been like the f**k. I am excited to get into that.   Becky: Then I am going to let you go first, because…   Matthew: Really?   Becky: Yeah.   Matthew: End on the hatred note but start with confusion.   Becky: I have got a heavy dissertation going on over here.   Matthew: I mean, it is going to take, you no time to get…   Becky: Okay.   Matthew: What this song is. I am trying to think. Let me find. Oh, the songwriter is Jimmy Webb. And you know what…   Becky: Jimmy Webb?   Matthew: You're going to have to think of more of the 70s. This is coming out of the 70s. I am breaking my millennial streak and also my 2008 streak.   Becky: Does it have to do with pina colada?   Matthew: It does not, although that is a fantastic song and I will not hear a word about those lyrics. I am going to skip the part where the song title is. Well, let's just start at the beginning. Spring was never waiting for us, dear. It ran one-step ahead as we followed in the dance. Blank is melting in the dark. There is your first clue.   Becky: Is this MacArthur Park?   Matthew: Yes, and I…   Becky: And I can't tell you how much I love this song for craziness of it.   Matthew: Right, but precisely right. If you look at the lyrics and this is a fantastic song by Donna Summer.   Becky: Oh, no. It is not, have you read the history of this?   Matthew: I have read a part of it. I don't know all of it. I love the Donna Summer version.   Becky: Oh, that is the classic. That one. Yes. Then Anthony Clark, a comedian, did a version. Well, he did a part about this song and his bit, which always made me giggle.  We used to play this at work, I looked it up, and there was somebody that did a cover of it. That we then spent a good half an hour trying to find so that we could play it. Now I get to look it up. But yes, MacArthur Park, genius.   Matthew: So I already knew off the bat, like, this is going to be low on the yikes scale. because…   Becky: Oh, it is so good.   Matthew: It is a phenomenal song if you have not heard it. But again, the entire thing is about MacArthur Park.   Becky: Cake out in the rain.   Matthew: And supposedly, it is supposed to be about the park because it says MacArthur's park is melting in the dark.   Becky: Yep.   Matthew: All the sweet green icing flowing down, presumably foliage.   Becky: Yep.   Matthew: And then it just goes off the f*****g rails and it is like someone left the cake out in the rain. I don't think that I can take it. Cause it took so long to bake it.   Becky: Oh, my God.   Matthew: And I will never have that…   Becky: Here is when I hear the disco [Making noise 00:4:48] noise, yeah.   Matthew: There is so much going on in the song and this person is lamenting it took so long to bake it and I will never have that recipe again. And the series of oh no. Like you cannot describe the depth of emotion captured by that no.   Becky: So good. It is so good. And it's a seven minute long song. Also my favourite, it was Waylon Jennings. Matthew: I did not know Waylon Jennings.   Becky: Including a 1969 Grammy winning version by Waylon Jennings. And you can hear how pissed off he was singing that. Like he's f****n lyrics don't mean shit. He was probably drunk or stone or whatever.   Matthew: [Inaudible 00:5:30]   Becky: Yeah. Oh, amazing. Waylon Jennings, Grammy won a Grammy.   Matthew: Did not know that. Also, I apologize, it was not in the 70s but it was in the 60s.   Becky: Yeah, 69. Yeah. I had to look it up.   Matthew: General area.   Becky: 68 was when it was first recorded. But you were close. It is a known area for the Donna Summer one.   Matthew: Right.   Becky: My mom had that album by the way.   Matthew: I mean it is phenomenal. And the thing is, there aren't many lyrics here. And I would argue that none of them are terrible. It is just so f*****g weird. Like I recall the yellow cotton dress. Okay, that makes sense presumably someone wearing it, foaming like a wave. That makes absolutely no sense. And the ground beneath your knees, even less sense. Like how do you track and create lyrics that make absolute zero sense when you take three sentences together.   Becky: Let's be honest. Late 60s, the whole summer of love coming up soon.   Matthew: Wholesome non-drug usage   Becky: Probably a lot of drugs happening. Why is there a cake reference? What the whole cake reference? Matthew: Like looks at a park and says, you know, I really want to go to the cake.   Becky: It looks like a cake.   Matthew: Everything that I walk around this park screams cake.   Becky: I have never had a park look like a cake. Yeah,   Matthew: I would want to go the park more if it did.   Becky: That's again, that's an acid trip. And I may or may not have seen things that looked unlike that.   Matthew: It's just like so weird because someone… Interesting fact, though, if you look at the lyrics, the first time you hear about the cake. It says someone left the cake out in the rain. She says it again; someone left the cake out in the rain. A little bit later on the song, the final stanza…   Becky: Does it becomes her cake?   Matthew: It does. It said someone left my cake out in the rain. And I don't think that I can take it because it took so long to bake it. And I'll never have that recipe again.   Becky: I will tell you what. After the whole cake off that we had at work, I understand that layer…     Matthew: There was a cake off?   Becky: We had the cake off. The Halloween theme, Friday the 13th, cake off.   Matthew: Well, we should clarify that this cake off was not for October Friday the 13th. It was a September Friday.   Becky: Yeah it was September, Friday 13th, a Halloween. It was more horror Friday 13th inspired cake off that we did it work. And yeah, I get that. I get that. The It cake I did was rough. I will never do that one again. And I hope I never remember that recipe because it did take so long to bake it.   Matthew: And you will never do that recipe again.   Becky: And I will never do that recipe again. Yeah. So yeah, I get it. I understand where she's coming from on that. I mean, I get it. I am with her.   Matthew: I know. All of them get it. I mean I personally don't understand the analogy of a park to a cake.   Becky: So good.   Matthew: The emotion in it, regardless of how…   Becky: She is good.   Matthew: batshit crazy the lyric are.   Becky: Yeah.   Matthew: I honestly give this zero yikes. Because it is, weird but I just wanted to bring it because it is a favourite song.   Becky: It is so good.   Matthew: And it make so a little sense.   Becky: Yeah. It makes no sense whatsoever. It is so good. So good. All right. So mine.   Matthew: Who do you hate? Oh, it might be recent. I might get it.   Becky: It is from 2016.   Matthew: Ariana Grande?   Becky: Oh, no, it's a group and then another singer. These guys are known also for being producers, but they do all these collabs, as the kids say. And this was the first time that I heard them. At first I was like, well, this is kind of bland. Then I start listening to lyrics and I wanted to punch them in the face.   Matthew: I am intrigued.   Becky: Okay let me read some of the lyrics. Here is how it starts. Hey, I was doing just fine before I met you. I drink too much and that is an issue, but I am okay. No. hey! tell your friends it was nice to meet them, but I hope I never see them again. I know it breaks your heart. Moved to the city in a broke down car. In 4 years, no calls. Now you are looking pretty in a hotel bar. And I can't stop. No, I can't stop.   Matthew: I remember vaguely the song and I would not remember it if I had not heard you. Months ago talking about how much you hate this band.   Becky: Eviscerate this band. Yeah.   Matthew: I forget what the song is called, but is it The Chainsmokers?   Becky: Oh, it is.   Both Speakers: And Halsey.   Matthew: That is it.   Becky: I necessarily have issue with Halsey. I have a lot of issues with the fucki

    24 min

  3. 12/23/2019

    teh Hip Hop episode

    In this episode Becky and Matthew delve deep into the late 80s and the early 2000s hip hop.  Will it be a hip hop battle to end all battles?   What the Lyric? Rap/Hip-Hop   [Start 00:00:00]   Music: [00:00:07]   Becky: Welcome to What the Lyric?, the podcast that confirms. Yeah, that actually made it to radio.   Welcome to What the Lyric? Today we are talking about hip-hop, the rap. I don't know what else I'd call it.   Matthew: The rap.   Becky: The rap.   Matthew: I mean you are talking to the two white people in the room talking about hip-hop. That is what this episode is.   Becky: I know. Oh, this is going to go down horribly. Although I do love my 80s, rap and I love the old Run DMC stuff before Aerosmith. Who else is in there? I am trying to think. A tribe called Quest. Although I cannot remember if they were 80s or not. It all runs together now for me. Then, of course, Public Enemy. I don't think that was 80s. Maybe they were 80s. Oh, my God. Yeah. Oh, there is a lot in there. 3rd Bass. That is right; I pull out 3rd Base, which you will never know. But the one guy in 3rd Base, a white guy is now like a baseball historian at Cooperstown, if I remember correctly.   Matthew: That is a turn career.   Becky: Yeah, Pete Nice. Was it Pete Nice? Oh I don't think it was Pete Nice. I cannot remember who it was now.   Matthew: Was it was not Pete Townsend? Becky: No, now I am going to have to look it up. Who were the members of 3rd Base? Yeah, so that is where I am coming from.   Matthew: Interesting. Mine, you know. Like, that is all I really need to say. We actually had a very interesting discussion at the end of the last episode talking about where does R&B begin versus hip-hop specifically.   Becky: Yes.   Matthew: I approach hip-hop from the more R&B side. So I am thinking Beyoncé, Lemonade.   Becky: All right, okay.   Matthew: To an extent, Drake, although he is not my favourite.   Becky: Oh God!   Matthew: And then smaller artists, particularly from the HBO show Insecure, has some very good hip-hop…   Becky: See I don't know that.   Matthew: References. TT the artists. What is the name of the song? Is featured in it. She is great. Now I will have to introduce you to it. Then, of course, where would we be? But two people, two white people talking about hip hop. Also, listen to the entirety of Hamilton and needed to get said. There it is. It has been said we can now glaze past it.   Becky: I only know the Alexander Hamilton [Making sound 00:2:56]. I don't know anything else.   Matthew: That is all you need to know. That is what the musical is.   Becky: Yeah, I. Oh, man. I think I was right with Pete Nice. What did I say? Oh, my God.   Matthew: You did say Pete Nice.   Becky: Yeah. There is MC Serch and Pete Nice, but I feel like. Yeah. Pete Nice. Baseball historian, I had it right the first time.   Matthew: Well, with a band name like 3rd Base, you kind of have to.   Becky: They had a song called The Cactus.   Matthew: Why?   Becky: I can't even remember. I just remember The Cactus. I am sure I still have that CD somewhere. But yeah, The Cactus.   Matthew: I love.   Becky: I cannot even remember. It is all gone. It is so bad; they did have a big hit. What was their big hit?   Matthew: Was, it baseball related?   Becky: No, surprisingly. You would think with a name like 3rd Base. Pop goes the weasel.   Matthew: Oh.   Becky: From 1991. I remember that. That sounds like a hit. I did not have that one. I had the Cactus album and that was eighty-nine derelicts of dialect, which had the pop, goes the weasel. Yep, that was ninety-one. That was when I graduated high school.   Matthew: I won't say where I was at the time.   Becky: And a hoodie [Laughing], moving on. All right. I am going to let you go first this time.   Matthew: All right. So like I said, my primary job on this podcast is to serve as millennial ambassador.   Becky: And I am the only.   Matthew: There is a generation, obviously listen to this podcast. Who is waiting for your songs, too?   Becky: I am sure.   Matthew: But I want to bring them up to speed in case they hopefully missed it.   Becky: I would also like to point out I am representing old school with my older school tortoiseshell old schools.   Matthew: Wow! Well done. Actually…   Becky: I did not even think about that. I just put them on this morning.   Matthew: I should as a side note, give Becky more credit for being much more fashionable than me. I mean, because I have just got like these s****y Nike…   Becky: No   Matthew: Running shoes and blue jeans.   Becky: It is Old Navy jeans and Adidas. It is not really fashionable, it is just comfortable.   Matthew: As we should.   Becky: As my vsco [Inaudible 00:5:26] said.   Matthew: Oh, I forgot the vsco queen of this podcast.   Becky: Yeah, the old lady vsco queen.   Matthew: So really, this song I remember driving to high school, I think senior year of high school.   Becky: Okay.   Matthew: This song is being played a lot.   Becky: 2008?   Matthew: 2008   Becky: Okay.   Matthew: Right. I was graduating high school that year.   Becky: Lord, have mercy, okay.   Matthew: And more specifically, I am trying to think. Where do I go with this? I am not really sure, but let me just say…   Becky: 2008 [Inaudible 00:6:09]   Matthew: There you go. Very fluent in Spanish.   Becky: Is he like Pitbull?   Matthew: Oh, nailed it, yes. And it was his first song. Because I was going to say, like oh! He is like…   Becky: The one with Robin Thicke?   Matthew: I did not know there was one, but that really disturbs me.   Becky: Where he sing I don't like it. I love it, love it, love it. Oh, is that Pitbull? That is Pitbull.   Matthew: Probably.   Becky: yeah, oh boy.   Matthew: This is his first one. He speaks a lot of Spanish and again, since I am incredibly white. Even though I grew up in Texas, I know no Spanish. Because I took French in high school for whatever…   Becky: Yeah, I took German.   Matthew: For whatever godforsaken reason. But my favourite my favourite thing about Pitbull is the fact that he can't decide on a nickname. He is either Mr. 305 or he is Mr. Worldwide, which therefore implies that the entirety of the 305 area code is actually the world to either him, which could either be very sweet, or the fact that he doesn't travel a lot.   Becky: 305, Miami, I am assuming?   Matthew: Yes.   Becky: Yeah, okay.   Mathew: So that is where he is from. I am assuming he is Cuban. No offense to Mr. Pitbull, if he eventually listens to this podcast…   Becky: I think he is.   Matthew: Which I highly doubt.   Becky: I am sure he is a big fan.   Matthew: Obviously.   Becky: Can't wait to get fan mail about that one.   Matthew: So really, the song that he chose was I know you want me. Becky: Mm hmm.   Matthew: Which makes several assumptions that I think Pitbull has not quite figured out. I am not sure there, is a huge audience who is craving his music, but nonetheless, he still posits that people do want him. Again, most of it is in Spanish. So I will skip those parts because quite simply, I just did not take the time to Google translate any of it. The bad lyrics for it. I give it minus one point for repetitiveness…   Becky: Yeah.   Matthew: Because some of it is simply. I know you want me, want me. Then it is like…   Becky: oh, God, I don't remember.   Matthew: You know I want you, want you. Then it just repeats multiple times. I will not go into that. There is a lot of just, word association.   Becky: Yeah, okay.   Matthew: I know that Good hip-hop. You can do word association. And it makes sense and it flows. Pitbull just being like, oh, shit. Got it right. Like you can you can hear him like a train barrels towards the end.   Becky: Those are make the favourite raps. Post Malone, I hate that guy so much for this. At one point, he says something. He is trying to rhyme something. Instead of saying Luck Roy, he is says Lecroy, so he can rhyme it. First off, I hate that damn drink anyways. Second, you cannot even pronounce it right. Why? Just so you can fit in your little rap. Mr. Syracuse? I don't think so.   Matthew: Oh, he is from Syracuse.   Becky: Yeah.   Matthew: Congrats. Another New York native like Becky.   Becky: Yeah. I did not get all the face tats, though.   Matthew: Not yet, you are young.   Becky: Working on it. I am working on it.   Matthew: Pitbull goes on to say, you know, stick to the clock on my way to the top, which I am like, okay. He is being timed. One assumes.   Becky: Yeah.   Matthew: I do not think that is necessarily a bad lyric. Then there is just a weird word association, so like Pit got it locked from Bruce to the lock her. The bruise, b-r-e-w-u-s according to the lyrics, I find that amusing. RIP so rest in peace…   Becky: Yeah.     Matthew: Huh, Big and PAC. P-A-C, I don't know if that's like the…   Becky: Biggie and Pac? Biggie and 2Pac   Matthew: That is what I am assuming, right?   Becky: Yeah, okay.   Matthew: So it is like ok, he is doing due diligence as one does in hip-hop by making references.   Becky: Yeah.   Matthew: So far he has not necessarily run afoul of anything, he said premise.   Becky: He is also hitting both coasts like he's trying and play Sweden…   Matthew: Right?   Becky: Yeah.   Matthew: Even though he very clearly raps the east coast by being like Mr 305 checking in for the Remix.   Becky: Yet it is also Miami like it's not New York vs LA…   Matthew: You can calm down.     Becky: Hip-hop, yeah.   Matthew: He extends his condolences to both of them, and then disses himself.   Becky: Many years kind of late too, by the w

    37 min

  4. 12/16/2019

    What the Lyric - Episode 3 - Musicals!

    Join Becky and Matthew as they turn their attention to musicals - both the broadway kind and the movie musical kind.  One is from the golden age of Broadway.  The other is from a little know movie opera from 2008.  Both deserve to be skewered.   What the Lyrics? Musicals [Start 00:00:00]   Becky: Hey, guys, just a quick note. When we went to record this, I left my headphones at home so I couldn't hear the funky noises that were happening when I was banging on the table during this discussion because I was so excited and heated about this discussion of musical songs. I apologize for that. Hopefully doesn't interfere with you loving the episode and liking us a million times and telling your friends about how awesome we are. With that said, I hope you enjoy it, and next time I will remember my headphones.   Music playing [00:00:38-00:00:45]   Becky: Welcome to What the Lyric? The podcast that confirms, yeah, that actually made it to radio. Welcome to Episode 3 of What the Lyric? Today we are talking musicals. How are you doing Matt?   Matthew: I am doing pretty well considering how much research I had to do into bad musicals, of which there are many.   Becky: There are a lot and a lot have made money, which is the part that I don't quite get. I am not sure how they made money because they were so bad.   Matthew: Agreed, and I took a broad stance on the definition of musicals. So thinking more along the lines of not just Broadway musicals, but off Broadway and basically movie musicals.   Becky: It was the movie ones that I was kind of like, do I go Disney? Because Disney has some crap lyrics, or I could go to all the stuff, we did when I was in high school. What did we do? We did Grease, but we had to change the lyrics on some of the stuff because it was too racy.   Matthew: Such as?     Becky: In one of the songs about him meeting. It was some weird slang for condom, but we could use it. Matthew: Was it rubber?   Becky: It was not using. I don't think it was. I would have to look it up but I think it was rubber. I feel like it was something like balloon or something. But you knew what it was when he was thinking about it. So we had to kind of do like the radio edit and go [sound 00:2:30] or something in it so that you filled in the blank.   Matthew: Which teenager does not know about condoms?   Becky: Oh my god. It was in the 1990s.   Matthew: Oh, they really did not know about condom.     Becky: 1991, so we should have. I mean it was all coming up then so we should have left it in there but no.   Matthew: I mean our high school did Wizard of Oz. That is very wholesome to an extent considering the fans, I don't know, destruction.   Becky: Yeah. The Wizard of Oz. What else do we do? Of course, there is always music Man Fiddler on the Roof.   Matthew: South Pacific.   Becky: You guys had some serious production.   Matthew: I did not say it was good.   Becky: High school musicals are very rarely good. I mean, let us be realistic on that one. I went back to my high school musical roots for mine.   Matthew: I think that is a perfect segue way into me asking   Becky: Okay.   Matthew: Where did you go?   Becky: All right.   Matthew: Take us back.   Becky: We are going back to and in the movie sung by Buddy Hackett, who I remember from when I was younger and he was an older man who I have this vague recollection of him being like a dirty old man kind of guy.   Matthew: I mean he was way. Wait, when was this made?   Becky: 60-65, let us say. I want to say 65. No, Sorry. Well, the musical was 57; 62 was the movie.   Matthew: That was a generation of dirty old men.   Becky: Yeah, yeah. Also covered by the Family Guy and several other outlets. I am just in a dive right into it. You ready?   Matthew: I don't believe so, but I'm willing to listen.   Becky: I think this first group, set it up nicely. Well, a woman who will kiss you on the very first date is usually a hussy and a woman who will kiss you on the second time out is anything but fussy. But a woman who will wait till the third time around. Head in the cloud, feet on the ground. She is your girl. You are glad you found. She is your shipoopi, shipoopi, shipoopi. The girl who is hard to get shipoopi, shipoopi. shipoopi, but you can winner yet. Mm hmm. That is shipoopi from the Music Man.   Matthew: Wow.   Becky: The whole thing is yet again a me-too movement in song form.   Matthew: Do we have any historical context for, is shipoopi slang for anything. Do we..   Becky: I don't think so. When I was doing the research for this. I just typed in worst song in a musical ever, and it brought up like some sort of forum for Broadway musicals. And everybody was writing these dissertations and one person just wrote shipoopi. And that's really all you need because shipoopi, I mean you can't say without giggling either, before, after, during and it shipoopi. What is that?   Matthew: And they don't explain it? That is why I love that. He does not need to explain it. He is just like.   Becky: No.   Matthew: So she is playing hard to get or presumably saying no. But it was like men who are super into...   Becky: My guess is she probably hates this guy. Thinks he is a total dill hole, but yet he just keeps breaking her down by saying shipoopi in front of her. Like a playground thing. He just keeps calling her shipoopi. And eventually she breaks out and goes, okay, I guess that's the guy.   Matthew: That is the guy from me. You know, I was not going to have sex with him the first day. Then he said shipoopi about 17 more times.   Becky: You know when I met your father.   Matthew: [Laughing] he had cutest name for me.   Becky: All he said was shipoopi. He did not say anything. He just said shipoopi over and over and over again. And we thought he had been dropped on his head, but apparently not. And that's when I fell in love.   Matthew: I knew he was the one.   Becky: By the third day of shipoopi. That is when I knew.   Matthew: Wait. What is the bumper sticker slogan that is like? Sorry, like not having to say sorry.   Becky: Oh, I cannot. Yeah, I know the one you are talking about.   Matthew: I think it is from a movie. Something means not having to say you are sorry.   Becky: Yeah, shipoopi mean.   Becky and Matthew: Not having to say that you are sorry.   Becky: I'm going to just start filling in shipoopi when I can't remember the words, which is a lot of times now that we've found out we have Alzheimer's and dementia in the family. So now, all of us are forgetting everything. So we are just going to be like, you know, that time shipoopi, you know? Right. shipoopi and see, who knows. But yeah, I mean and it continues on in the kind of abusive way with squeezer once when she isn't looking.   Matthew: Who!   Becky: Who does that?   Matthew: Apparently Buddy Hackett.   Becky: I like if you get a squeeze back that is fancy cooking. I don't know anyone, any woman who would get squeezed and be like oh, oh well hello. Then squeeze back and mean it.   Matthew: It brings up a very viable point. Of where on the spectrum of being touched does being slapped follow like is it technically a squeeze?   Becky: It could be. Or she might have just grabbed him by his junk and was like, never do that again, if you want to keep this and then he said once more for a pepper upper, she'll never get sore on her way to supper. So all this is happening, I presumably on the first date?   Matthew: No, because then she will be a hussy. So would it be…?   Becky: Well, no. If you kissed her on the first date, is she is usually a hussy.   Matthew: I see.   Becky: The second date it is your borderline because a woman who you kiss the second time out is anything but fussy. She is, you know, almost out to pasture. Then the third time around, that is the gal.   Matthew: Okay, got you.   Becky: If on the third day you squeeze her and she squeezes you back, home run.   Matthew: Fancy cooking.   Becky: Yeah, It is fancy cooking and a home run. Then once more up for a pepper upper. If you do it again and she is game, then you have just won the World Series, I guess.   Matthew: Marry this woman.   Becky: Yeah. Yeah. I cannot even.   Matthew: I feel like this song is a good example of like, is it bad lyrics? Because in the 50s and 60s, you had no way of just saying like, oh, we are banging on the bathroom floor.   Becky: Yeah. I mean.   Matthew: There is a lot of euphemisms for sex here. Fancy Cook and Pepper upper.   Becky: Well, pepper upper. I think drugs. I think we are looking for like an upper. Like maybe, a little ecstasy or I don't know, special k. Do kids still do that? Is that even a drugs?   Matthew: I think I am sure. I am a square, you are talking to the wrong person. I am impressed. I am assuming that most of these are euphemisms for sex.   Becky: I don't know. I should have asked my mother and father and be like, hey, when you guys were kids and talking about slang for sex. Did you ever go shipoopi or fancy cooking or pepper upper?   Matthew: Actually, there is still time. So like the follow up to this episode will be the [Inaudible 00:10:37]   Becky: I will call my parents after this.   Matthew: We will record it.   Becky: Quick question. It would not be any worse than, some of the questions my mom woken me up with her asking to, tell her what some slang means because somebody's at work, young kids that work mentioned and she didn't want to seem like she was not cool.   Matthew: Uncool.   Becky: Yeah. Tea bagging was one of them.   Matthew: Perfect. Never forget where you were. The moment your mom asks you.   Becky: No, I was not. I will not. I just gotten to work. And my mom called and she said, hey, look, I got a question for you, can you. What is tea

    31 min

  5. 08/02/2019

    What the Lyric - Episode 2 - the 90s

    In this episode, we bring our favorite bad lyrics from 1990 - 1999. One song from a group who don't quite understand the meaning of bizarre.  And another from an artist who likes to rattle off a lot of ladies names in no particular order.   Episode2 What the Lyric – the 90s   [Start 00:00:00]   Becky Morrette and Matthew Seymour   [Music]   [Becky Morrette]: Welcome to what the lyric, the podcast that confirms, yeah, that actually made it to radio.   [Music]   [Becky Morrette]: Welcome to episode two of what the lyric where we dub into the really bad lyrics of the 90s. The 90s for me, that's when I graduated high school and went to college in San Francisco. So, let's see how much of the 90s I remember. How about you Matt?   [Matthew Seymour]: You know, I also don't remember much of the 90s, admittedly, for different reasons.   [Becky Morrette]: Yeah   [Matthew Seymour]: Particularly since I was born in 1990.   [Becky Morrette]: Oh, Jesus.   [Matthew Seymour]: [Laugh] So I remember from about 95 on, and music was definitely not on my radar.   [Becky Morrette]: That's about when I remember it because I had stopped with the weed and the alcohol by then.   [Matthew Seymour]: You stopped? Once I found it. I never stopped.   [Becky Morrette]: Oh my God. That's another story. Off mic in case my parents are listening. Yeah. My mother, side note, my mother, by the way, one time we were, she's going to love that I'm telling this. We were leaving a mall when I'd come home from school. And I looked over and I swear to God, the people in the car next to me were smoking a bowl. And my mom goes, I said, Dad, "are they smoking a bowl?" My father, being a high school teacher, knew the slang and my mom was like ´´smoking a bowl? How do you smoke out of a bowl? It's a bowl, I don't understand how you smoke out of this´´. And my father, very quietly said ´´You brought it up, you explain it´´. [Matthew Seymour]: [Laughs]    [Becky Morrette]: I didn't. I didn't at all.   [Matthew Seymour]: God bless your parents.    [Becky Morrette]: A bowl? What? I don't understand how you smoke out of a bowl.   [Matthew Seymour]: How do you do something like that.   [Becky Morrette]: That is Ridiculous. What do mean? you can't. there is now to smoke it get something in a bowl. So, yeah, so that's enough about my mom.   [Matthew Seymore]: [laughs]   [Becky Morrette]: she's going to kill me. Yeah.   [00:02:12] inaudible   [Matthew Seymore]: What do you remember of the 90s music scene?   [Becky Morrette]: So at that point we, I, we I remember, Oh, this is a good one. I remember seeing I think it was house of pain and biohazard and somebody else on the same bill and that that was a big I don't know. That was early on in the night in the in the 90s. I remember like Smashing Pumpkins. I remember Nirvana, all that all that stuff. Plus, I also remember In synch, the Backstreet Boys, the Brittany's. Oh, my God.   [00:02:53] inaudible   [Matthew Seymore]: Now you are talking my language.   [Becky Morrette]: Oh yeah. Oh, it's bad. It's just bad.   [Matthew Seymore]: Who loves the 90s? We love.   [Becky Morrette]: I totally love the 90s and the 80s. There were a few in there that I was like, wow. I when doing the research for this, I was like, whoa, I forgot ice ice baby with ninety-one.   [Matthew Seymore]: Wow.   [Becky Morrette]: Yeah.   [Matthew Seymore]: I did not realize this.   [Becky Morrette]: Yeah. I mean. Hello. Talk about awful.   [Matthew Seymore]: [laughs]   [Becky Morrette]: But yet everybody knows it. And when that shit comes on everybody's up there dancing along.   [Matthew Seymore]: I'm already dancing.   [Becky Morrette]: Yeah. You can't not. You see you see the hair also M.C. Hammer.     [Matthew Seymore]: What? What?    [Becky Morrette]: Yes. Can't touch this.   [Matthew Seymore]: As in Yeah. Which was why in I'm.   [Becky Morrette]: 90? I think. Right on there.     [Matthew Seymore]: Wow!   [Becky Morrette]: Yeah. Yep. 90. I also saw him in San Francisco because he's an Oakland guy. It was right when he was kind of switching over to try and become hardcore. And then people were yelling. I felt so bad for the man. People were yelling stuff like You ain't shit. Ice-T is better. Like, whoever it was at the time, I can remember. And I was like, come on, man.     [Matthew Seymore]: It's M.C. Hammer, give him give him a break.   [Becky Morrette]: You had those hammer pants? We all had hammer pants.   [Matthew Seymore]: We all had photos of it.   [Becky Morrette]: Oh, my God. I still remember mine purple. Love those freaking pants.   [Matthew Seymore]: They looked comfortable.    [Becky Morrette]: They were. I totally want some more now.I'm not going to lie because those things are great for Lounging. The Hammer, I'm trying to think who else was there? There was a bunch, but yeah those I was like, for real?   [Matthew Seymore]: Oh yeah. The number one song when I was born was Sinead O'Connor's,  Nothing compares to you.   [Becky Morrette]: Let me just say, but that's Prince.   [Matthew Seymore]:Yeah but this was Sinead O'Connor's cover.   [Becky Morrette]: I now I know. It's Prince though. I love Prince. I can't help it.   [Matthew Seymore]: You are not feeling the Sinead O'Connor?   [Becky Morrette]: I do. You know, I have that album. She had a couple other good songs on that.   [Matthew Seymore]: Didn't realize it.   [Becky Morrette]: But I cannot remember. Yeah, I said album I actually have a CD. Album/Cd it's all the same to me.   [Matthew Seymore]: [Laughs]   [Becky Morrette]: So which way did you skip? Did you go like metalish, like nirvanai? Or did you go pop?   [Matthew Seymore]: So here is how things shake out for me. I basically grew up Amish, not actually, but very little musical knowledge.   [Becky Morrette]: Oh, my God. Please tell me you did some like sort of. Biblical church song.   [Matthew Seymore]: I knew a lot of, oh my gosh, I could tell you so many Christian single, like Pop singles.   [Becky Morrette]: Strippers.   [Matthew Seymore]: Savage Gardens.   [Becky Morrette]: Which I believe I saw in concert. I'm not sure, though, that's been a while.   [Matthew Seymore]: Oh, I'm going to have to think it's Stacy. Oh, I need to think of. There were there are a lot of people who crossed over.   [Becky Morrette]: Yeah, they were.   [Matthew Seymore]: from Christian Pop to   [Becky Morrette]: Oh yeah.   [Matthew Seymore]: just General pop.   [Becky Morrette]: Creed.   [Matthew Seymore]: Yes! There we go.   [Becky Morrette]: I don't think there was a crossover at all.   [Matthew Seymore]: It was just.    [Becky Morrette]: I think that guy was a horn dog working every angle to become a pop guy.   [Matthew Seymore]: I mean, Katy Perry did the same.   [Becky Morrette]: Oh, my God. I didn't know that.   [Matthew Seymore]: But that was not in the 90s.   [Becky Morrette]: Oh my god.   [Matthew Seymore]: So my musical knowledge basically spanned from the Beatles to   [Becky Morrette]: Yeah.   [00:06:16] inaudible   [Matthew Seymore]: Clearwater Revival. Those were my parents   [Becky Morrette]: classic years.   [Matthew Seymore]: the entire Gap of 80s and 90s up until my sister started driving, and that was when I got the taste of  In Synch, Backstreet Boys, Britney Spears, Savage Garden, 98 degrees.   [Becky Morrette]: Oh! yeah.   [Matthew Seymore]: That grouping. She left.   [Becky Morrette]:Yeah.   [Matthew Seymore]:Like graduated left town. Another gap, I started driving, and that was 2007 onwards, so.     [laughing]   [Becky Morrette]: Oh my God that's awesome.     [Matthew Seymore]: I had to do some research for this and I did choose one that like, was something I definitely encountered on the radio quite a bit,   [Becky Morrette]: Oh my god.     [Matthew Seymore]: Everyone encountered on the radio.   [Becky Morrette]: I can't wait because I wonder if I'll get it because there's you know, some blacked out moments in that decade for me.   [Matthew Seymore]: I Fully expect that within the first three lines you will know exactly what song this is.   [Becky Morrette]: Oh. Okay. You may get mine.   [Matthew Seymore]: Oh, I hope so.   [Becky Morrette]: You may. I have two but, the one is really easy. And that was ninety-one. And I had to look back at my yearbook and I thought I think this was our song, like the song that we chose, which would have been frightening if it was, but it wasn't. It was just as bad, but it was not.   [Matthew Seymore]: Wait, the song you chose for graduation?   [Becky Morrette]: No. For like you have like for our yearbook. And oddly enough, there is a yearbook back there. It's not my graduation year, but it's one. It's  hilarious, I think it's eighty nine, So it doesn't play well into the 90s. But you the senior class got to pick like favourite car, favourite colour, best song, their favourite song. And the one that I think we chose was I want your sex.   [Matthew Seymore]: Amazing.   [Becky Morrette]: Why not? Why not? Why wouldn't a bunch of horny 17 & 18 year olds pick I Want Your Sex by George Michael, who at that point no one thought was gay, which is another, I don't know how we missed that one as well.   [00:08:24] inaudible   [Becky Morrette]: White kids in upstate New York. No one gay. What?   [Matthew Seymore]: This was a New York City for crisis sake.   [Becky Morrette]: No. No. We all thought RuPaul was a woman.   [laughter]   Some people did.   [Matthew Seymore]: [laughs]   [Becky Morrette]: So, Yeah. So, I don't think I'm going to do that one. I think I'm going to do the other one.   [Matthew Seymore]: What's the year?   [Beck

    45 min

  6. 06/03/2019

    What the Lyric! episode 1 - Pop music 2016 to present

    Episode #1 Description   Welcome to "What the Lyric?!?" In this episode, we bring our favorite bad lyrics from Pop Music (c. 2016-2019). One song from an artist who desperately wants to fix her "Reputation" with some cringe-y spoken-word lyrics. And another from a Brit whose time would best be spent learning to "let go" of the booze.   Transcript of Episode #1   Becky: Welcome to What the Lyric?!? -- the podcast that confirms...yeah, that actually made it to radio.   Matt: Is it recording?   Becky: Oh now we're recording. Oh fun!   Matt: Oh yay!   Becky: Hello everybody and welcome to What the Lyric?!? where we talk about how much we love awful, awful lyrics. A little bit about me: I'm Becky. I will listen to anything once, and over and over again if it's really bad. And then there's Matthew over here, my partner in crime…   Matt: You know, honestly, if you had to summarize my musical tastes, the best way to look at it would be to say that my go-to karaoke song is "Promiscuous" by Nelly Furtado ft. Timbaland.   Becky: So you know we have good taste. That goes without saying. How this whole podcast is going to work is...We have one song each that {...} we get to pick off the theme of the episode. Today's theme is Pop Music from 2016 to 2019. We get to do a dramatic reading, and after the dramatic reading, we talk about why the lyrics are SO bad and why we had to call it out. All right, so starting first is...Matthew.   Matt: Okay.   Becky: Get ready.   Matt: Definitely get ready for this. So I chose a song...just to give you a little context for this: it comes from, I believe, August of 2017. So put yourself in that state of mind. It's a year after the election; things are terrible...still.   Becky: I was probably high.   Matt: I mean, weren't we all?   Becky: Yeah.   Matt: It is Seattle.   Becky: You'd have to be.   Matt: And so this person has decided to reshape their image and, you know, I'll just let the lyrics speak for themselves:   "I don't like your little games Don't like your tilted stage The role you made me play Of the fool, no, I don't like you I don't like your perfect crime How you laugh when you lie You said the gun was mine Isn't cool, no, I don't like you (oh!)"   Matt: And that's the first stanza.   Becky: Okay, so I'm guessing… Who'd be packing heat in 2017, you said? August?   Matt: Uh huh. Changing the image!   Becky: Could be… Oh! Changing the image? Only because of the changing image thing, that would be Taylor Swift?   Matt: Correct.   Becky: Oh the Swifties.   Matt: But do you...do you know the song?   Becky: Oh Jesus! Is it that...It's the one where she then breaks it down and says, "Oh, Taylor Swift isn't here right now. Because she's dead!" Something along those lines? *Laughs*   Matt: This would be "Look What You Made Me Do" by Taylor Swift.   Becky: Oh yes. *Repeats the phrase "Look What You Made Me Do" twice.* Or however the rest goes.   Matt: Exactly. And really, my choice for all of the songs in this podcast are based on what I like to call "Cringecore."   Becky: I love that. We are going to copyright that.   Matt: *Laughs* Really any songs that have lyrics that [make you go] "Oh!" You've heard of cringe comedy; that's kind of how I view these lyrics.   Becky: I like it.   Matt: And specifically the -- what makes this so cringey is what you already mentioned, the, let's find it…"I'm sorry the old Taylor can't come to the phone right now" set to the background music of, "Ooh, look what you made me do." "Why?" "Oh 'cause she's dead! Becky: The old Taylor is, like, what? 23? 24? I mean, she's not old.   Matt: She's got a guitar. I mean, her…   Becky: She's country. Country Taylor.   Matt: She's Country-Pop.   Becky: Yeah.   Matt: Don't you remember when it was just a love song, baby?   Becky: Oh man. Oh God. Ohh...Getting a little gag reflex going.   Matt: And don't forget the "I knew you were trouble."   Becky: Oh is that the one with the turtle sex noise meme?  *Laughs*   Matt: *Laughs* That is exactly what that is. *Laughs*   Becky: My favorite ever!   Matt: So really Taylor...I had a lot of options, just based on Taylor, but I have to admit, the lyrics are just...a mess. Let's keep it going. I mean, we've already heard the first stanza.   Becky: Oh yeah.   Matt: But then she continues to say she doesn't like being the fool, but "[she] got smarter, [she] got harder in the nick of time."   Becky: How does one get harder when they're carrying their cat around everywhere? I see a lot of photos of her with her cat. Don't get me wrong, [I'm a] crazy cat lady, but I'm not taking Kink with me...My cat's name is Kinky Disco. I'm not taking Kink with me to the grocery store, to the gym...Okay, I don't go to the gym, but like, I'm not taking her out on a night on the town.   Matt: Unlike Taylor Swift, which I will also say I find it interesting that for a woman whose last name is Swift, she didn't choose "faster" for the lyric. Like, that would have made AS much sense… "But I got smarter, I got faster in the nick of time." Okay! I'll still take that!   Becky: She got badder? I've never heard her swear! I've never seen her not smile.   Matt: She doesn't swear in this song either. The real question, and we can answer this question at the end of the analysis, but what, what, WHAT did we make her do? I'm just very curious.   Becky: Maybe make her carry a cat around all the time. *Laughs*   Matt: *Laughs* We did this to ourselves.   Becky: Maybe she has to date all these DJs. Maybe we forced that on her with our expectations of her music and turtle sex noises.   Matt: And her Starbucks lovers!   Becky: Oh God, that's right.   Matt: "But honey, I rose up from the dead. I do it all the time." Necromancer, interesting. "I've got a list of names and yours is in red, underlined. I check it once, then I check it twice. Oh."   Becky: Wait, what does that mean? What are you doing? You checked it. Yup, still there.   Matt: Based on the lyrics alone, we have realized that she has gotten harder in the nick of time and also, presumably, become an elf of the Santa variety. She's making lists; she's checking them twice. Don't know why she's using a red pen.   Becky: Well it is festive. Red -- Christmas-y. Becky: See I can't get past the "hard" part. She's not like, all of a sudden, turned to Nicki Minaj-hard. Or like, back in the day, Lil Kim hard.   Matt: She's not going to be Beyonce carrying around a baseball bat, breaking windows.   Becky: No, but she did bust out the band, the marching band.   Matt: Oh we can always get into that!   Becky: I saw that! I saw that!   Matt: But if that's the case, then she still did not get harder in the nick of time because she's still following Beyonce.   Becky: Yeah. And pink isn't really a "hard" color for me. Like, it's not a color I go, "Oh! I see Notorious B.I.G. is wearing pink. He's hard." That isn't why I would have classified him as hard. I don't think I've ever seen B.I.G. [in pink.] Maybe he did? I don't know; I'd have to go back and look now.   Matt: *Laughs*   Becky: I feel like I'd have to look that up. *Laughs*   Matt: And then really, the rest is chorus, which in case you haven't realized it, is just: "Ooh, look what you made me do. Look what you made me do. Look what you made me do. Look what you just made me...OOH, Look what…" Okay, I think we've got the idea.   Becky: I feel like someone got lazy. I feel like that happens a lot in lyrics. And that's lazy.   Matt: Which part?   Becky: The just repeating the same line over and over and over again.   Matt: Yeah, it's not a good look. And worse, is the next stanza:   "I don't like your kingdom keys" Kingdom keys.   Becky: Keys? As in house keys? Car keys?   Matt: Yeah, apparently someone's got a kingdom.   "They once belonged to me."   Becky: Okay.   Matt: Uhhh, questions?   "You ask me for a place to sleep Locked me out and threw a feast"   And the best part of this is at the very end of the line is, "What?!" So even Taylor looked at these lyrics, "Locked me out and threw a feast...WHAT?!" And they just included it.   Becky: Yeah, they said f**k it. It's Taylor Swift; it's going to be huge. That's exactly how it happened.   Matt: And ultimately, it was.   Becky: I know!   Matt: "The world moves on, another day, another drama, drama But not for me, not for me, all I think about is karma And then the world moves on, but one thing's for sure (sure) Maybe I got mine, but you'll all get yours."   Becky: All of a sudden we've gone from one person to all?   Matt: Oh yeah. So whoever took her kingdom keys apparently stole her keys, stole her kingdom and was like, "No bitch, you don't live here anymore."   Becky: Could kingdom keys *laughs* be a metaphor for virginity, here?   Matt: But then which one? Which one of the Starbucks lovers is guilty of that.   Becky: *Laughs* I wish I had kids so that I could be like, "Kids, keep your kingdom keys as long as you can. Just lock them away."   Matt: "Your chastity belts won't rust. Don't worry."   Becky: "Just keep those kingdom keys to yourself and be sure to give them to the right person."   Matt: Abstinence-only education.   Becky: "And if you are going to give them away, just keep them protected."   Matt: Just keep them on a carabiner. Becky: *Laughs* Those Schneider keys that had the chain you could just pull and snap back.   Matt: Exactly!   Becky: Keep them safe. You've got to know where they are at all times.   Matt: Taylor did not follow that advice. She is thinking about karma apparently. She's not going to do anything about how angry she is, which again really contradicts the meaning of the song.   Becky: The "Look wh

    34 min
  • 6 Episodes

Ratings & Reviews

5
out of 5
2 Ratings

About

Bad lyrics are music to their ears! Your hosts Becky Morrette and Matt Seymour dig deep into the world of music to bring you the worst of the worst songs available today. Regardless of genre, decade, or taste, there's no song they won't dissect like a middle-school science project. So grab a drink, sit, and realize in disbelief: yeah...those lyrics made it to radio.

Information

  • Creator
    Becky and Matthew
  • Years Active
    2019 - 2020
  • Episodes
    6
  • Rating
    Explicit
  • Copyright
    © What the Lyric 2019
  • Show Website
    What the Lyric