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Gated

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Music
Updated Monthly

Gated Record Label for a variety of good music.

Aug 8

A1 Paul Hierophant - The Elder Gods (clip)

Active in London’s electronic underground since the late 80s, Paul Hierophant has long worked in the space between techno, ambient, and dub, preferring atmosphere, tone, and slow-burn tension to obvious dancefloor tricks. The Elder Gods finds him further out on the fringes of electro, where the synths loom large and the delay and reverb units are given a proper workout. The result is widescreen, ominous, and immersive. The title track is a monolithic slab of rhythm where corroded synth pressure and ritualistic percussion feel less like a groove than some ancient machine grinding slowly back into life. Titans stalks forward on a cavernous half-step pulse, all foggy bass weight and fractured metallic vocal echos, like dub techno that has wandered into darker mythological territory and decided to stay there. The Hydra coils around a lurching low-end spine, its tentacular FX flickering and mutating while the groove stubbornly regenerates. Works and Days rounds things off with a standout alien vocal loop drifting through pulsing bass and drums, lending the track a meditative feel that works just as well for late-night headphone sessions as it does in the deeper end of a DJ set. This is an EP for selectors who like their electro expansive, slightly strange, and built for proper sound systems.
Aug 8

A2 Paul Hierophant - Titans (clip)

Active in London’s electronic underground since the late 80s, Paul Hierophant has long worked in the space between techno, ambient, and dub, preferring atmosphere, tone, and slow-burn tension to obvious dancefloor tricks. The Elder Gods finds him further out on the fringes of electro, where the synths loom large and the delay and reverb units are given a proper workout. The result is widescreen, ominous, and immersive. The title track is a monolithic slab of rhythm where corroded synth pressure and ritualistic percussion feel less like a groove than some ancient machine grinding slowly back into life. Titans stalks forward on a cavernous half-step pulse, all foggy bass weight and fractured metallic vocal echos, like dub techno that has wandered into darker mythological territory and decided to stay there. The Hydra coils around a lurching low-end spine, its tentacular FX flickering and mutating while the groove stubbornly regenerates. Works and Days rounds things off with a standout alien vocal loop drifting through pulsing bass and drums, lending the track a meditative feel that works just as well for late-night headphone sessions as it does in the deeper end of a DJ set. This is an EP for selectors who like their electro expansive, slightly strange, and built for proper sound systems.
Aug 8

B1 Paul Hierophant - The Hydra (clip)

Active in London’s electronic underground since the late 80s, Paul Hierophant has long worked in the space between techno, ambient, and dub, preferring atmosphere, tone, and slow-burn tension to obvious dancefloor tricks. The Elder Gods finds him further out on the fringes of electro, where the synths loom large and the delay and reverb units are given a proper workout. The result is widescreen, ominous, and immersive. The title track is a monolithic slab of rhythm where corroded synth pressure and ritualistic percussion feel less like a groove than some ancient machine grinding slowly back into life. Titans stalks forward on a cavernous half-step pulse, all foggy bass weight and fractured metallic vocal echos, like dub techno that has wandered into darker mythological territory and decided to stay there. The Hydra coils around a lurching low-end spine, its tentacular FX flickering and mutating while the groove stubbornly regenerates. Works and Days rounds things off with a standout alien vocal loop drifting through pulsing bass and drums, lending the track a meditative feel that works just as well for late-night headphone sessions as it does in the deeper end of a DJ set. This is an EP for selectors who like their electro expansive, slightly strange, and built for proper sound systems.
Aug 8

B2 Paul Hierophant - Works and Days (clip)

Active in London’s electronic underground since the late 80s, Paul Hierophant has long worked in the space between techno, ambient, and dub, preferring atmosphere, tone, and slow-burn tension to obvious dancefloor tricks. The Elder Gods finds him further out on the fringes of electro, where the synths loom large and the delay and reverb units are given a proper workout. The result is widescreen, ominous, and immersive. The title track is a monolithic slab of rhythm where corroded synth pressure and ritualistic percussion feel less like a groove than some ancient machine grinding slowly back into life. Titans stalks forward on a cavernous half-step pulse, all foggy bass weight and fractured metallic vocal echos, like dub techno that has wandered into darker mythological territory and decided to stay there. The Hydra coils around a lurching low-end spine, its tentacular FX flickering and mutating while the groove stubbornly regenerates. Works and Days rounds things off with a standout alien vocal loop drifting through pulsing bass and drums, lending the track a meditative feel that works just as well for late-night headphone sessions as it does in the deeper end of a DJ set. This is an EP for selectors who like their electro expansive, slightly strange, and built for proper sound systems.
Aug 8

A1 Tedere onverschilligheid (clip)

Marwan’s debut on Gated finds the sweet spot between dub, deep, and ambient techno. The focus is firmly on rhythm: layered percussion, spacious atmospherics, and slowly evolving textures that reveal a little more with every listen. These are immersive, patiently crafted tracks that never lose sight of the dancefloor. Tedere Onverschilligheid (which we think roughly translates as Tender Indifference) opens with evolving percussion and sweeping synth textures that gradually pull you under. Vrijheidsdromer settles into rolling bass, organic percussion, and subtle atmospherics, while Ik Ontdekte Sacramento Ezel begins with darker intent before opening into one of the EP’s more uplifting moments. Heldere Geest (Clear Mind) takes the scenic route, unfolding from fractured rhythms into a deep, hypnotic groove, before De Speech rounds things off with an expansive finale that feels equally at home closing a club set or carrying you through the last train home. Five expertly crafted, highly mixable tracks that will slot effortlessly into deep sets, and quite possibly convince you that buying “just one more record” was always a sensible idea.
Aug 8

A2 Vrijheidsdromer (clip)

Marwan’s debut on Gated finds the sweet spot between dub, deep, and ambient techno. The focus is firmly on rhythm: layered percussion, spacious atmospherics, and slowly evolving textures that reveal a little more with every listen. These are immersive, patiently crafted tracks that never lose sight of the dancefloor. Tedere Onverschilligheid (which we think roughly translates as Tender Indifference) opens with evolving percussion and sweeping synth textures that gradually pull you under. Vrijheidsdromer settles into rolling bass, organic percussion, and subtle atmospherics, while Ik Ontdekte Sacramento Ezel begins with darker intent before opening into one of the EP’s more uplifting moments. Heldere Geest (Clear Mind) takes the scenic route, unfolding from fractured rhythms into a deep, hypnotic groove, before De Speech rounds things off with an expansive finale that feels equally at home closing a club set or carrying you through the last train home. Five expertly crafted, highly mixable tracks that will slot effortlessly into deep sets, and quite possibly convince you that buying “just one more record” was always a sensible idea.
Aug 8

B1 Ik ontdekte Sacramento's ezel (clip)

Marwan’s debut on Gated finds the sweet spot between dub, deep, and ambient techno. The focus is firmly on rhythm: layered percussion, spacious atmospherics, and slowly evolving textures that reveal a little more with every listen. These are immersive, patiently crafted tracks that never lose sight of the dancefloor. Tedere Onverschilligheid (which we think roughly translates as Tender Indifference) opens with evolving percussion and sweeping synth textures that gradually pull you under. Vrijheidsdromer settles into rolling bass, organic percussion, and subtle atmospherics, while Ik Ontdekte Sacramento Ezel begins with darker intent before opening into one of the EP’s more uplifting moments. Heldere Geest (Clear Mind) takes the scenic route, unfolding from fractured rhythms into a deep, hypnotic groove, before De Speech rounds things off with an expansive finale that feels equally at home closing a club set or carrying you through the last train home. Five expertly crafted, highly mixable tracks that will slot effortlessly into deep sets, and quite possibly convince you that buying “just one more record” was always a sensible idea.
Aug 8

B2 Heldere geest (clip)

Marwan’s debut on Gated finds the sweet spot between dub, deep, and ambient techno. The focus is firmly on rhythm: layered percussion, spacious atmospherics, and slowly evolving textures that reveal a little more with every listen. These are immersive, patiently crafted tracks that never lose sight of the dancefloor. Tedere Onverschilligheid (which we think roughly translates as Tender Indifference) opens with evolving percussion and sweeping synth textures that gradually pull you under. Vrijheidsdromer settles into rolling bass, organic percussion, and subtle atmospherics, while Ik Ontdekte Sacramento Ezel begins with darker intent before opening into one of the EP’s more uplifting moments. Heldere Geest (Clear Mind) takes the scenic route, unfolding from fractured rhythms into a deep, hypnotic groove, before De Speech rounds things off with an expansive finale that feels equally at home closing a club set or carrying you through the last train home. Five expertly crafted, highly mixable tracks that will slot effortlessly into deep sets, and quite possibly convince you that buying “just one more record” was always a sensible idea.

Gated Record Label for a variety of good music.

Creator

Gated
Years Active

2019 - 2026
Episodes

99
Rating

Clean
Copyright

© All rights reserved
Show Website

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