Trailer Geeks and Teaser Gods

SCAN Media, LLC

Trailer Geeks and Teaser Gods... the podcast that honors the art of making movie trailers, teasers, key art, and all the strategic content that launched the movies, TV shows, and games you love.

  1. 4d ago

    Opening Weekend: EP-2: "The Mogul" – Alan Horn (Studio President)

    Opening Weekend: Selling Hollywood with Jim Fredrick continues on the TG&TG feed. A soap marketer who'd never set foot in Los Angeles became the most successful studio head in movie history. Alan Horn ran Warner Brothers and then Disney, greenlighting Harry Potter, The Dark Knight, and the modern Marvel and Star Wars era. He sits down with Jim Fredrick to trace a 60-year career built on serendipity, and to talk honestly about what selling a movie takes now. Takeaways: Hired because he was perfect. A Procter & Gamble marketer working on Ivory soap, Alan got recruited by Jerry Perenchio precisely because he'd never watched much TV and never been to LA. "You're perfect. You're hired." Norman Lear backed him against a mutiny. Writers walked out of his first All in the Family table read. A month later Lear stood up in front of 40 people and told them to accept it or get out. The Blackwing 602 pencil made it official: "You are now qualified to give notes." Green light or nothing. Alan took the Warner Brothers presidency only with final say on what got made, then built the run that led Bob Iger to call him for Disney. You can't buy an opening weekend anymore. Social media broke the old playbook. Audiences text each other 20 minutes into a Friday screening, and marketing keeps getting treated as low-hanging fruit when studios need to cut. Pull quotes (social-ready): "Every problem that I've ever had in business is a people problem." — Alan Horn "Throw a hundred lines in the water, because all you need to do is catch one fish." — Alan Horn "It's not so easy to buy an opening weekend, because people start texting each other 20 minutes into a movie on a Friday." — Alan Horn "It isn't really pre-COVID anymore to me. It's pre-streaming dominance." — Alan Horn Sponsors: Golden Trailer Awards (goldentrailer.com) West One Music and Q Factory by Robert Etoll (westonemusic.com)

    Opening Weekend: EP-2: "The Mogul" – Alan Horn (Studio President)
  2. Jul 29

    Opening Weekend: EP-1 "The Shawshank Redemption" – Liz Glotzer (Producer)

    We're proud to introduce Opening Weekend: Selling Hollywood with Jim Fredrick, starting with episode one right here on TG&TG! The most beloved movie on IMDb was, on opening weekend, a flop. Jim Fredrick, who cut the original trailer at Castle Rock, reunites with producer Liz Glotzer to unpack how The Shawshank Redemption got left at the box office and found its audience anyway. Takeaways: The title took the blame. Trimming Rita Hayworth and the Shawshank Redemption down to The Shawshank Redemption was meant to play commercial. The press pinned the soft open on a title nobody could decode. No stars, an R rating, a prison. Jim walks through the marketing wall he faced, with Darabont sitting beside him guarding the cut so the trailer gave nothing away. Three million to walk away. Darabont turned down a big payday to not direct, and chose to helm his debut instead, one of several near-misses behind the finished film. Oscars, then Turner, then legacy. Seven nominations nudged theatrical, but the film truly found its audience through relentless TNT airings and a chart-topping home video run. Pull quotes (social-ready): "For 18 years, The Shawshank Redemption has been the number one movie on IMDb. So why wasn't I able to open the film?" — Jim Fredrick "We thought we were being commercial by changing it from Rita Hayworth and Shawshank Redemption to The Shawshank Redemption. Probably that was our first mistake." — Liz Glotzer "The marketing perspective is always give as much away as possible." — Liz Glotzer "You pretty much couldn't turn on the channel and Shawshank wasn't playing." — Liz Glotzer Sponsors: Golden Trailer Awards (goldentrailer.com) West One Music and Q Factory by Robert Etoll (westonemusic.com)

    Opening Weekend: EP-1 "The Shawshank Redemption" – Liz Glotzer (Producer)
  3. Jun 3

    No Trade Mag, No History Book. Logan Gruidl Is Fixing That.

    Logan Gruidl is Senior Producer at Picture Head and the founder of The Trailer Brief, a bi-weekly newsletter covering trailer craft, industry news, and the campaigns shaping entertainment advertising. After coming up as an AE at Outpost and Grandson, Logan built his finishing expertise at Picturehead while quietly becoming one of the industry's most thoughtful new voices. Key Takeaways: The finishing side of the industry is poorly understood even by people in it. Logan breaks down how color, mix, versioning, and delivery work at a post house like Picture Head. The Trailer Brief was born from a need to stay engaged with the creative side of the industry while doing finishing work full-time. The journalism background helped. AI as editorial tool, not ghostwriter. Logan uses ChatGPT to round up trades and Claude to pressure-test his drafts, not write them. The Uncut Gems trailer was the piece that made him want to work in this industry. Grandson had it on their homepage when he was interviewing. Building community matters. Between Behind the Trailer, TWMT, Jules Levy's Tuesday roundups, and now The Trailer Brief, a real ecosystem of industry education and documentation is taking shape. Standout Quotes: "We're in a cool place right now where the people who founded the industry are still working, but there's also a whole new slate of editors who came up wanting to be trailer editors — and now they're working next to the people who cut the things that inspired them." "I felt like the way to keep accountable was to write about them." "If I can distill it down to four bullet points for someone who just got off a 12-hour shift, and they feel better about their knowledge of the industry — that's a win." "I don't think anyone my age really wants to be a finisher, aside from me." "I was like, okay, time to go to Picturehead — be a smaller fish in a bigger pond." Links: The Trailer Brief: the-trailer-brief.beehiiv.com Logan on LinkedIn: @Logan-Gruidl Thanks to our sponsor: The Golden Trailer Awards: goldentrailer.com Join the Community Leave a rating and review Share the episode with a friend in the industry Subscribe for new episodes every week Enjoying the show? Rate and review wherever you listen. It helps more people find us. Now go do some inspired work.

    No Trade Mag, No History Book. Logan Gruidl Is Fixing That.
  4. May 20

    Monica Brady | Co-Founder & Exec. Producer, Golden Trailer Awards

    Monica Brady has spent 26 years doing something that didn't exist when she started: honoring the people who make movie trailers. Co-founded with her sister Evelyn on a boat to Fort Sumter in 1999, the Golden Trailer Awards grew from a scrappy DGA screening room show (running on two Avids, fingers crossed) into the industry's premier celebration of trailer craft. In this episode, Monica traces the full arc of the GTAs, from a pre-broadband era when trailer editors were essentially invisible, to a show that now spans dozens of categories and serves as a genuine career launchpad for aspiring creatives. 5 Key Takeaways The GTAs were born out of necessity, not ambition. Monica and Evelyn weren't trying to build an institution. They were trying to find a trailer editor for their student film and couldn't. No directory, no resource, no awards show existed. So they created one. What was meant to "run on autopilot" is now 26 years in. The show evolves as the industry evolves. From 23 categories in 1999 (including one they couldn't even explain) to dedicated tracks for streaming series, video games, and social trailer bites, the GTAs have always followed the craft. Categories don't get added by committee — they get added when the industry shows up and says "we cut these like theatrical trailers." Music is the most powerful recall tool in the trailer editor's kit. Monica keeps coming back to music as the thread connecting memory, emotion, and ticket sales. Editors who also play instruments aren't a coincidence — music is math, and the pattern recognition required for both is the same muscle. The trailer industry is uniquely positioned for the AI era. Most industries are bracing for an onslaught of AI-generated content. Monica's case: who better to make sense of a flood of footage than people who have spent decades being handed raw material with no script, no direction, and a tight deadline? The trailer editor's core skill is exactly what the moment will demand. Standout Quotes "We sent out some applications, and the rest will run on autopilot. And 26 years later, you're looking at the autopilots." "Who but the trailer industry have had a decades-long start at taking nonsensical footage about a topic they know nothing about — no script, no direction — and crafting a story together?" "These trailer editors are artists. And that is one of the things that sets the human being apart from whatever's coming at us right now." "Everybody help each other. We're here a very short amount of time on this planet. Let's just make the most of it." Links & Resources Golden Trailer Awards: goldentrailer.com GTA 26 — May 28, 2026 | Saban Theatre, Beverly Hills Join the Community Leave a rating and review Share the episode with a friend in the industry Subscribe for new episodes every week Enjoying the show? Rate and review wherever you listen. It helps more people find us. Now go do some inspired work.

    Monica Brady | Co-Founder & Exec. Producer, Golden Trailer Awards
  5. May 12

    Kris McDonald: Cutting Trailers. Teaching the Craft. Behind the Trailer.

    Kris McDonald is a Creative Director and Senior Editor at XAV, and the founder of Behind the Trailer — a free educational platform dedicated to helping aspiring trailer editors break into the business and level up their craft. He came up through Open Road and Trailer Park before landing at XAV (which was Project X at the time), where he's built a career cutting campaigns for major studio and streaming titles including The Chosen, The Big Cigar, and Deepwater Horizon. In this episode, Kris traces his path from runner to creative director, reflects on the mentors and moments that shaped him, and pulls back the curtain on what it actually takes to cut a trailer that makes an audience stop breathing. Key Takeaways Say yes to everything — even the soccer video. Early in his career, Kris was asked to cut a highlight reel for a client's daughter's graduation party. He treated it like a studio campaign, stayed late, and poured everything into it. The client loved it, sat him down in the bay, and introduced him to the work of Nick Temple. The lesson: every cut is an audition. Set a goal, then chase it down. After learning that his mentor Adrian finished his first trailer at 25, Kris made it a personal mission to hit that same milestone. He cut constantly, studied obsessively, and hit the mark — finishing his first trailer on The Blind Side right around his 25th birthday. Emotion, story, rhythm — in that order. Kris breaks down the three pillars he builds every cut around, drawn from Walter Murch's In the Blink of an Eye. A trailer can be slick and fast and technically impressive, but without emotion, it doesn't land. Trial and error is the process. When asked about a gut-punch moment of silence in the Deepwater Horizon trailer, Kris was refreshingly honest: he knew what he wanted the audience to feel, but finding the right technique was pure experimentation. Knowing the destination and figuring out the route are two different skills. Behind the Trailer exists to pay it forward. Everything Kris knows, he learned because someone in a bay was willing to show him their sequences and give him notes. Behind the Trailer is his way of making that kind of mentorship available to anyone who wants it — for free. Standout Quotes "I want you to feel like you can't breathe. I know that this is the moment of the trailer where your breath is taken away. Now, how do I do that?" "I cut a lot of bad trailers. I got good at creating an open, but then it would just drag." "Any sort of information I can give back to people wanting to get into this industry — that's the number one goal." "This is my dream job. I'll never stop cutting." Find Kris & Behind the Trailer behindthetrailer.com Instagram: @behindthetrailer YouTube: @behindthetrailer Behind the Trailer Community Discord (free) — discord.gg/wRdGTFwhh2 For aspiring editors looking to break in, industry pros who want to give back, and anyone who just loves trailers Connect Corey Nathan – @coreysnathan Brought to you by... The Golden Trailer Awards – goldentrailer.com Join the Community Leave a rating and review Share the episode with a friend in the industry Subscribe for new episodes every week Enjoying the show? Rate and review wherever you listen. It helps more people find us. Now go do some inspired work.

    Kris McDonald: Cutting Trailers. Teaching the Craft. Behind the Trailer.
  6. Apr 29

    Stav Ozdoba on Indie Filmmaking, Editing, and Building Rubber Sole Creative

    Before founding Rubber Sole Creative, Stav Ozdoba came to the U.S. with one goal: become a filmmaker. Within months, he was in meetings to direct a feature. Not long after, he learned just how brutal that path could be. What followed wasn't a straight line. It was a pivot. From indie films to editing weddings. From teaching himself Final Cut to landing at Sony. From cutting sizzles and promos to leading teams and eventually building his own creative shop from the ground up. In this episode, Corey and Stav trace that journey and get into what actually sustains a career in this business. Not just passion, but craft. Not just ambition, but clarity around what you're truly good at. They also dig into how storytelling changes across platforms, why "added value" creative matters more than ever, and what it really takes to carve out space as an independent in a crowded, evolving industry. Calls to Action Follow Stav Ozdoba and Rubber Sole Creative on LinkedIn Visit: rubbersoleav.com Like what you hear? Leave a rating and review Follow Corey: @coreysnathan across platforms Subscribe for weekly conversations with the people behind the work Key Takeaways The path isn't linear, and that's the point Stav arrived in LA aiming to direct films, but the reality of the industry forced a pivot. Editing became the lane where his instincts and abilities aligned and ultimately opened more doors than chasing directing ever did. Follow what you're good at, not just what you love Passion alone isn't enough. Stav makes a clear distinction between what you enjoy and what you can consistently execute at a high level. The sweet spot is where skill and interest meet. The edit bay is the real classroom Early on, Stav learned by proximity. Watching other editors. Asking questions. Absorbing instincts. Not formal training, but immersion in the craft. Story is the constant, format is the variable Whether it's a trailer, a sizzle, or a social cut, the job is still storytelling. The platforms change. The audience behavior changes. The need to connect emotionally does not. Underserved work is often the biggest opportunity Rubber Sole was built around doing the work others overlook. Behind the scenes, sizzles, added value pieces. Done right, those pieces don't just support campaigns, they drive audience interest. Relationships still matter more than tools Even in an era of AI and rapid change, the business still runs on trust. When stakes are high, people call collaborators they know can deliver. Creative ownership requires risk tolerance Leaving Sony to start Rubber Sole wasn't a calculated leap with guarantees. It was a bet on craft, relationships, and the belief that great work would create opportunity. Standout Quotes "I stopped following my passion and started following what I'm good at." "You're always telling a story, no matter the platform." "If the work is undeniable, the room will open." "We're not competing on price. We're competing against average." "Sometimes if you don't get your dream job, you have to create it." Connect Stav Ozdoba – rubbersoleav.com Corey Nathan – @coreysnathan Sponsors The Golden Trailer Awards – goldentrailer.com Mesa Wealth Management – mezawealth.com Join the Community Leave a rating and review Share the episode with a friend in the industry Subscribe for new episodes every week Enjoying the show? Rate and review wherever you listen. It helps more people find us. Now go do some inspired work.

    Stav Ozdoba on Indie Filmmaking, Editing, and Building Rubber Sole Creative
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106 Ratings

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Trailer Geeks and Teaser Gods... the podcast that honors the art of making movie trailers, teasers, key art, and all the strategic content that launched the movies, TV shows, and games you love.

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