It’s Take Over Tuesday where you the listener run the podcast. And this week’s episode is featuring Jon! Not ‘Good Enough’: Inside the Eyes Wide Shut 4K Debate with Jon Thompson In this lively, wide-ranging conversation with post-production veteran John Thompson, DJ and Jon dig into the controversy around Criterion’s Eyes Wide Shut 4K release and why 12‑bit Dolby Vision (Profile 7) matters for preserving filmmakers’ intent—especially for Kubrick. Jon breaks down bit depth, chroma subsampling, Dolby Vision’s cinema vs. TV profiles, and how downsampling can rob highlights, depth, and color nuance. They branch into the history of film vs. digital (from DCI and IMAX to ACES and grain management), why presentation is part of the art, and how home theater standards influence the entire ecosystem. Along the way: Kaleidescape vs. disc, power supplies and noise, lenses and bokeh, the economics of high-end vs. mid-market gear, AI hype vs. reality, and vivid anecdotes about Kubrick’s process, Neil Armstrong’s “one small step,” and the enduring value of striving for better over “good enough.” Bottom line: If you care about fidelity, consistency, and honoring the work, asking for the best available delivery format isn’t nitpicking—it’s the point. Chapters 1. (00:00:00) Opening banter and setting the agenda 2. (00:00:45) Eyes Wide Shut on Criterion sparks a quality debate 3. (00:04:40) Dolby Vision vs HDR10: history, licensing, and bit depth 4. (00:07:36) 8‑bit to 16‑bit: lessons from VFX, DCI testing, and standards 5. (00:12:19) Pixel depth over pixel count and the rise of HDR cinema 6. (00:16:43) Kubrick’s influence: obsession with perfection and process 7. (00:20:01) Case study: The Long Good Friday—12‑bit vs 10‑bit impact 8. (00:31:41) High‑end processors and niche features: Trinnov and pro Atmos 9. (00:41:26) Why file‑based playback can rival DCPs 10. (00:44:53) Film vs digital highlights, dynamic range, and capture choices 11. (00:50:13) Grain myths and proper grain management in scans 12. (00:56:42) Why not 12‑bit? QC, seamless branching, and costs 13. (00:59:31) Criterion’s track record, pricing, and likely silence 14. (01:03:15) Trickle‑down tech: DLP, big OLEDs, and falling prices 15. (01:05:41) Resolution vs HDR: when 2K is enough on smaller screens 16. (01:06:25) Why Kaleidescape images pop: ASICs and HDMI design 17. (01:10:27) Power supplies and noise: linear vs switch‑mode in AV 18. (01:19:41) Kubrick team lore: lenses, DPs, and preparation for Eyes Wide Shut 19. (01:26:48) AI accusations, editing tools, and writing voice 20. (01:45:02) Chroma subsampling 4:2:0 vs 4:2:2 vs 4:4:4 explained 21. (01:50:06) Digital archiving woes: lost tapes and fragile negatives 22. (01:54:05) Studios restoring classics and obsessive research culture 23. (02:03:00) Is streaming anti‑art? Group experiences and curation 24. (02:05:00) Context matters: then vs now in theatrical awe 25. (02:07:17) Community, tribes, and social media echo chambers 26. (02:12:00) Pre‑internet research, libraries, and conspiracy thrillers 27. (02:14:18) Bandwidth overkill and file sizes then and now 28. (02:16:49) From flying negatives to digital delivery timelines 29. (02:18:18) Cameras shrink, phones shoot 8K, and custom IMAX rigs 30. (02:21:36) Nolan, Odyssey, and managing IMAX spectacle 31. (02:25:35) What does space smell like? Humor and human details 32. (02:26:24) Moon landing conspiracies, restorations, and Armstrong’s tale 33. (02:33:11) Closing thoughts: Kubrick’s rigor and the 12‑bit ask 34. (02:42:43) Wrap‑up, meta on discourse, and sign‑off Follow & Say Hi to the Guys on Twitter DJ - Bright Side Home Theater (@BrightSideHT) / Twitter John - John Circone ⚽️ (@JohnCircone) / Twitter Steve - Steve George (@LegalBeagleOK) / Twitter And if you’d like to contribute to the show… Here are Two Ways YOU CAN BE ON THE SHOW Email the guys and put “HT Experience” in the subject line they will talk about your comment on the Podcast. Email or DM Them on Twitter to schedule to record a Take Over Tuesday episode.A movie you liked or a Movie you hated? A favorite scene? Good or Bad Experience with Home Theater gear? Comments about past Bright Side Home Theater podcasts?Anything about your Home Theater Experience, just let them know and you’ll be on the show! Links Patreon: patreon.com/brightsidehometheater Twitter: @BrightSideHT email: brightsidehometheater@gmail.com web: Brightsidehometheater.com Merch: www.teepublic.com/user/bright-side-home-theater Thanks to: Theme Music by Jeff Bernheart/Throne Vault Productions. https://thronevaultproductions.bandcamp.com/