Classical Music Now

No Dice Collective
Classical Music Now

Joe Chesterman-March chats and laughs with the composers, players and organisers doing exciting things in the world of classical music today. Expect insights into the creative process, career paths, cross-disciplinary chat, and an honest look at the the classical music industry for the people in it. The No Dice Collective podcast ran March 2020 – June 2021. Thank you for listening.

  1. 05/01/2021

    E14 Raymond Yiu: Forming a Creative Identity

    Raymond Yiu is a Hong-Kong born, London-based composer, jazz pianist, conductor and writer on music. Originally trained as an engineer, Yiu was self-taught as a composer until he undertook his DMus under the auspice of Julian Anderson at Guildhall in 2009. His debut album The World Was Once All Miracle showcases his talent with three identity-exploring works informed by his time at Guildhall. How to get your foot on the ladder as a self-trained composer Why he won’t be getting a publisher any time soon Why Raymond never wrote the Cantonese pop songs that inspired him so much https://raymondyiu.com/ This episode is sponsored by Dorico: the next-generation music notation software from Steinberg. Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions. Links and Show Notes Raymond Yiu: The World Was Once All Miracle out now on CD (with great liner notes) Lontano ensemble directed by Odaline de la Martinez North West Wind recording Raymond with Odaline de la Martinez’ Raymond with Lukas Foss No Dice’s latest spoken word gig Joe Hisaishi of Studio Ghibli scoring fame (I said his name wrong) Benetton’s ad with an image of David _Kirkby_ — Enjoying the podcast? Leave a kind word on iTunes to help others find us Join our mailing list to get everything No Dice first

    58 min
  2. 12/01/2020

    E12 A Classical Marketing Masterclass w/ Aubrey Bergauer

    Aubrey and I geek out about marketing in the classical realm. Why classical’s core product will always be live music Why we shouldn’t be streaming whole concerts for free Plus Aubrey gives her advice on how new groups should approach finding and keeping new listeners, and how to get around the fear of the unknown with newly written music. If you’re a musician or arts administrator of any kind, this is an essential listen. If you fall outside of that, enjoy looking behind the curtain at what an orchestra exec spends her time thinking about. Some Aubrey bio fun facts: she grew Seattle Opera’s BRAVO! Club to the largest group for young patrons in the US, led the Bumbershoot Festival to achieve an unprecedented 43% increase in revenue, and propelled the California Symphony to double the size of its audience and nearly quadruple the donor base.  https://www.aubreybergauer.com/  This episode is sponsored by Dorico: the next-generation music notation software from Steinberg. Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions. Links and Show Notes 💿 Get our CD Stillness with 25% off when you order before Christmas 💿 It’s a CELLO-BRATION! - California Symphony (Available till Dec 11 2020. Emphasis mine.) The referenced LSO video. Click ‘show chat replay’ to see Maxine Kwok in action. Jill Robinson at TRG Aubrey’s excellent blog. This post is California Symphony’s ‘Public Commitment to Diversity’, which I love. Geffen Playhouse’s Zoom play: The Present San Francisco Symphony: Throughline (free!) Live with Carnegie Hall: Remembering Ruth Bader Ginsburg (also free!) — Enjoyed season 1 of Classical Music Now? Leave a kind word on iTunes to help others find us Join our mailing list to fill the void in your heart between now and season 2 in March

    54 min
  3. 11/01/2020

    E11 Ellie Slorach: A Conducting Check-in for 2020

    Ellie and I have a really open chat about our experiences with choral conducting and running a music group. Plenty of golden advice from Ellie, plus she explains why conductors shouldn’t silo into orchestral or choral, the weirdness of masterclasses, and creative administration. Ellie is a conductor, and founder of Kantos Chamber Choir (who I sing with). She recently debuted with the Hallé and toured with Matthew Bourne’s Romeo and Juliet production as the Young Associate Conductor. She is musical director with the Hallé Youth Orchestra, Radius Opera, Stafford Choral Society; and associate conductor with Manchester Chamber Choir and Huddersfield Choral Society. Ellie Slorach https://www.ellieslorach.co.uk/ This episode is sponsored by Dorico: the next-generation music notation software from Steinberg. Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions. Links and Show Notes In The Field - Kantos Chamber Choir Royal Opera House - Opportunities for Women Conductors Jamulus Ellie’s Britten-Pears Young Artist Programme masterclass with Marin Alsop Ellie conducting the Hallé Youth Orchestra National Theatre Live (online screenings have now finished) Piece of the Month blog series - No Dice Collective Music played in this episode Robert Nathaniel Dett – O Holy Lord Rory Wainwright Johnston – Ave Maria Available to hear as part of Kantos’s In The Field project — Leave a kind word on iTunes to help others find us Join #mailinglistgang and get new podcasts and pieces sent straight to your inbox every month

    51 min
  4. 10/01/2020

    E10 Shruthi Rajasekar’s Fascinating Position

    Shruthi Rajasekar is a composer from Minnesota USA who straddles the worlds of Western contemporary music and south Indian Carnatic music from a truly unique position. Having grown up in the US with prominent Carnatic musician Nirmala Rajasekar as a mother, Shruthi is a joy to talk with as we cover: Choral culture and education in the US vs UK How the pandemic is actually improving conversations around pieces in the rehearsal process Shruthi’s experience at SOAS and RNCM We also get super into the weeds discussing how despite its insane cross-rhythms, Carnatic music never changes time signature – plus how Shruthi breaks those rules in her piece, Numbers. Shruthi Rajasekar https://www.shruthirajasekar.com/ This episode is sponsored by Dorico: the next-generation music notation software from Steinberg. Educational & crossgrade versions available at significantly discounted prices. Get your 30-day free trial version of Dorico that will allow you to try out all of the features Dorico has to offer with no restrictions. Links and Show Notes Many thanks to NMC for allowing Shruthi’s piece Numbers to be played in this podcast. Find out more about their great Young Composers Scheme album on their website or stream the piece. Shruthi’s ‘German and Sanskrit’ piece, Devotee (played throughout) Shruthi’s mum, Nirmala Rajasekar Out of Context #1: Diversifying Programming with Integrity – Shruthi’s article for I Care If You Listen B C Manjunath's Instagram: “My mood for few days has simply been in Triplets, Sextuplets and Duodeciplets” 😅 Transcribed madness. 42:28s anyone? Music played in this episode Devotee Numbers — Get new podcast episodes straight to your inbox and a piece recommendation every month

    45 min
  5. 08/01/2020

    E8 The Vijay Iyer Interview: Deconstructing Classical Music

    ⭐ Revolutionary alternatives to tokenistic diversity programmes ⭐ Deconstructing boundaries between jazz and classical and freeing yourself to make the music you want to make ⭐ Methods for sneaking improvisation in front of classical musicians without them freaking out Vijay Iyer is an ECM-signed artist. He has worked with Yo-Yo Ma’s Silk Road Ensemble, written violin concertos for Jennifer Koh, and music for the LA Phil New Music Group. He has been ‘Jazz Artist of the Year’ more times in more magazines than it is polite to count and it is my immense honour to welcome him to Classical Music Now. If you want to access the work for yourself and check go to https://en.schott-music.com/shop/autoren/vijay-iyer Links and Show Notes MixTape by Vijay’s students Wadada Leo Smith Fluxus movement Mutations – Vijay Iyer Shepard tone demonstration Probably the most famous use of it in music Time, Place, Action – Vijay Iyer (extracts) Still Life With Commentator – Mike Ladd, Vijay Iyer Vijay Iyer presents Ritual Ensemble at Wigmore Ensemble Vijay’s conversation with Georgina Born We didn’t really dig into Vijay’s views on genre and community, but they're really good so if you're interested you can hear him talking about it in an interview for the Ojai Music Festival, where he was musical director in 2017 – https://www.youtube.com/watch?v=FUtV9E5AB_I Music played in this episode Emergence – Vijay Iyer Read Hugh’s article on Emergence that sparked this episode! — Get new podcast episodes straight to your inbox and a piece recommendation every month Acknowledgements Vijay Iyer EMERGENCE Published by Schott Music Corporation, New York NY Emergence was commissioned by the National Forum of Music in Wroclaw, Poland which organizes Jazztopad Festival. It was premiered by the NFM Leopoldinum Chamber Orchestra in April 2016.

    47 min

About

Joe Chesterman-March chats and laughs with the composers, players and organisers doing exciting things in the world of classical music today. Expect insights into the creative process, career paths, cross-disciplinary chat, and an honest look at the the classical music industry for the people in it. The No Dice Collective podcast ran March 2020 – June 2021. Thank you for listening.

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