Our Mothers' Gardens

Satya Nelms

Our Mothers’ Gardens explores the complexities of Black women’s relationships with their mothers and how the ways they have been mothered contribute to the women they are today.

  1. Episode 1

    "Creating and Holding Space": In the Garden with Kibibi Devero

    “If you try to speak to your mom and she says she’s always busy or she says doesn’t have time for you, eventually, you begin to feel like no one has time for you, and what you have to say isn’t important. It was really helpful to know that I could talk to my mom or my aunt and they were going to listen to me, and they were going to actually hear me and not just have a surface level response to everything I said.” In this premiere episode of the fourth season I am in the garden with Kibibi Devero. Kibibi and I discuss how she observed the mothers in her life hold space for others and themselves, and we talk about how that affects how she shows up for herself and others a grown woman. Sweet Epiphanies Apothecary owner, Kibibi Devero, remembers knowing three things for sure when choosing her career path. Quite simply, she wanted to: 1. NEVER work in the corporate world. 2. Do meaningful work in the medical field. 3. Leave spiritual work to clergy members. While some things went according to plan and others did not, Ms. Devero knows every step of her journey, thus far, has been a necessary experience ordained by the universe in preparation for the spiritual and natural healing work she loves and shares in support of wellness. After working in the corporate world for 17 years, the global effect of the pandemic was the catalyst for pursuing what she has always known to be her calling. Ms. Devero became acutely aware of the mental, emotional, and physical toll the pandemic had on the world around her. It was then that she decided to immerse herself in her purpose for natural healing. Sweet Epiphanies Apothecary is the culmination of her life experiences, her love of healing, and her ability to create unique formulas that facilitate health and wellness for her clients. Our Mothers’ Gardens is a Honeybunch of Stinkweed Production and features music produced by Ptah. Our Mothers’ Gardens is made possible in part by the generous donations of patrons.

  2. Episode 5

    "Learning and Practicing Grace": In the Garden with Leta Harrison

    “There’s a lot of pressure on women to be these super women, and we can’t do everything. We need rest. We need relief. We need to maybe do one or two things at a time. There’s no merit in being a phenomenal mom, a career driven woman, working out twice a day seven days a week, and doing everything right. You can do that, but there’s a lot of stress involved in that and I think when we fail we don’t give ourselves enough credit for what we have accomplished… I have a great relationship with my children. I’m making great connections with people. I’m setting boundaries. I’m giving myself grace. I’m understanding what my faults have been, and coming to peace with a lot of different things. And sometimes it was really dark, but I’m really grateful that I went through these things because now I really do have an appreciation for myself.” In this episode I am in the garden with Leta Harrison. Leta shares how she leaned into her grandmother and aunt for the nurture and security she didn’t get from her mother, and how she eventually learned to extend that same care to herself. Leta is a freelance photographer living in AUSTIN, TX with her two daughters. She is creating a space of expression for all. Our Mothers’ Gardens is a Honeybunch of Stinkweed Production and features music produced by Ptah. Our Mothers’ Gardens is made possible in part by the generous donations of patrons.

  3. Episode 6

    "Love That Liberates": In the Garden with Kesha Bruce

    “I didn’t have to earn love. I didn’t have to prove that I was good enough. I just was. I was always good enough. My mother taught me that there’s always enough love to go around. You never run out of love.” In this episode I am in the garden with Kesha Bruce. She shares how the way her mother and grandmother raised her made her courageous and confident in who she was and is. Kesha was born and raised in Iowa by a compassionate community of hippies and revolutionaries. She fell in love with drawing during a high-school art class and eventually decided to seek her fortune in the artworld. A week after graduating with a BFA in painting from The University of Iowa, Kesha sold everything she owned and bought a one-way ticket to New York City.  She landed in Brooklyn with a back-pack full of wrinkled clothes, 2 pairs of shoes, and $3000 in cash in her pocket from selling her car. Not only did she survive, she managed to earn a Master of Fine Arts degree from one of the most prestigious painting programs in the country and build a life for herself as a working artist. In short, she’s been exhibiting her work and producing projects and exhibitions in the US and France for almost 20 years. You can find her artwork in the permanent collections of The Smithsonian Museum of African American History and Culture (aka The Blacksonian), the Amistad Center for Art and Culture, the U.S. Department of State Art in Embassies Program, and if you pay attention, you’ll spot a few of her paintings on the set of a Netflix movie or a Shonda Rhimes’ TV show. In addition to her studio work, she’s one of the founders of Black Girl Basel- Miami Art Week’s premier gathering of Black-women artists, entrepreneurs, activists, cultural change-makers, and industry leaders from across the world. She also currently serves on the Board of Directors of Tessera Art Collective, a non-profit organization supporting the work and creative practices of womxn abstract artists of color. Our Mothers’ Gardens is a Honeybunch of Stinkweed Production and features music produced by Ptah. Our Mothers’ Gardens is made possible in part by the generous donations of patrons.

Hosts & Guests

4.8
out of 5
29 Ratings

About

Our Mothers’ Gardens explores the complexities of Black women’s relationships with their mothers and how the ways they have been mothered contribute to the women they are today.