The Self-Recording Band

Benedikt Hain / Manel Espinosa Berenguer

Weekly no-bs episodes for self-recording musicians. Brought to you by full-time engineers and producers, working on hundreds of songs every year. No hype, no fluff. Not trying to make brands happy, not being paid for an opinion. Simply sharing what has worked for us and the artists we've worked with. Listen now and approach your next DIY recording project like you're a seasoned pro!

  1. 5d ago

    320: From Second-Guessing Every Mix To Finishing & Releasing Songs - Thomas Hauenstein

    🚀 Want our personal help with your studio or your next music project? If you want to finally finish songs and make them sound so good that you can't wait to share them with the world... 👉 Book a free first coaching session with us: theselfrecordingband.com We’ll listen to your music, look at your current situation, create a custom plan for you and figure out if you're a good fit for our coaching inside The Self-Recording Syndicate.  If you are, we can help you make records you're truly proud of and give you the skills and confidence to do it over and over again. -- About this episode: What happens when you stop second-guessing every mix and start actually finishing and releasing your songs? That’s a big part of Thomas Hauenstein’s story. Thomas is a solo artist, songwriter, and longtime member of The Self-Recording Syndicate. He writes and produces his own music, plays multiple instruments, programs and records drums, mixes his songs, and also collaborates with other musicians. For a long time, one of his biggest challenges was simply not knowing whether what he had made was actually good enough. He could write songs. He could record them. But evaluating his own mixes, knowing what needed to change, and deciding when something was finished was much harder. In this episode, we talk about how that changed. Thomas shares how developing his ears, getting consistent feedback, and finishing more projects helped him build confidence and actually release music instead of leaving ideas unfinished on a hard drive. We also get into his very hands-on approach to recording:  Creating fuzzy rock tones, programming realistic drums, experimenting with acoustic guitar mic setups, sampling his own drum kit, collaborating with other musicians, and learning when to let go of control. And underneath all of it is one idea Thomas comes back to: “It has to be heard by other people.” In this episode: Going from uncertainty to actually releasing musicWhy finishing songs matters so much (beyond the obvious)Learning to trust your own earsThe value of outside feedbackWhy chasing perfection can keep songs stuck foreverProducing both full rock arrangements and stripped-back acoustic songsMaking programmed drums feel more naturalBuilding unique guitar and bass tonesThomas’s acoustic guitar recording setupUsing modeling microphones creativelySampling your own drum kitWhy unique sounds make productions more personalCollaborating with other musiciansLearning to give up some creative controlThe challenge of doing everything yourselfManaging expectations when music is not your full-time job If you have a hard drive full of unfinished songs and keep wondering whether your mixes are good enough, Thomas’s story will probably feel very familiar. And it might inspire you to finally take action. -- If this episode helps you, we’d really appreciate it if you left a rating/review or shared it with another self-recording artist. It helps us reach more musicians like you, invite exciting guests and keep the podcast going. -- For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/320 Thomas Hauenstein: instagram.com/thomas_hauenstein (@thomas_hauenstein) -- Send us Fan Mail If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

    320: From Second-Guessing Every Mix To Finishing & Releasing Songs - Thomas Hauenstein
  2. Aug 26

    319: What Mastering Actually Does To Your Music - Maor Appelbaum

    🚀 Want our personal help with your studio or your next music project? If you want to produce your songs in a way that gets the emotion across and makes your vision for the music come out of the speakers... 👉 Book a free first coaching session with us: theselfrecordingband.com We’ll listen to your music, look at your current situation, create a custom plan for you and figure out if you're a good fit for our coaching inside The Self-Recording Syndicate.  If you are, we can help you make records you're proud of and give you the skills and confidence to do it over and over again. -- About this episode: What does mastering actually do to your music? It’s easy to think of mastering as the final technical step. Make it louder, maybe add some polish, export the final files, done. But for mastering engineer Maor Appelbaum, the job goes much deeper than that. Maor has worked with artists including Faith No More, Sepultura, Dream Theater, Yes, Meat Loaf, and many more. And in this episode, he explains mastering as a form of presentation: shaping the tone, focus, contrast, texture, dynamics, and overall feel of a finished mix so the listener connects with the music more deeply. We talk about why mastering isn’t just about loudness, why tiny changes can matter, how transient response changes emotional impact, when a mastering engineer should leave a mix alone, and why there is no universal mastering chain that works for every song. Maor also shares his thoughts on collaboration, AI mastering, hearing health, learning through mentorship, and why the human connection around music still matters so much. In this episode: What mastering actually does to a finished mixWhy mastering is about presentation and emotional impactHow EQ, compression, limiting, saturation, and width change how music feelsWhy tiny mastering moves can still matterWhen more processing makes a master worseWhy there is no universal mastering chainWhat artists should expect from a professional mastering engineerWhy mastering can reveal problems you missed in the mixWhether you should mix into a limiter or mastering chainThe difference between a “loud mix” and a true mastering processWhy collaboration and outside perspective matterHow Maor developed his ears, taste and skillsProtecting your hearing as an engineer or musicianMaor’s perspective on AI masteringWhy keeping people involved in music matters for the future of art and the community around itIf you’ve ever wondered what mastering really adds after the mix is finished, this conversation gives you a much deeper answer than “make it louder.” -- If this episode helps you, we’d really appreciate it if you left a rating/review or shared it with another self-recording artist. It helps us reach more musicians like you, invite exciting guests and keep the podcast going. -- For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/319 Maor Appelbaum: maorappelbaum.com instagram.com/maorappelbaummastering -- Send us Fan Mail If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

    319: What Mastering Actually Does To Your Music - Maor Appelbaum
  3. Aug 19

    318: What Artists Actually Need From A Modern Music Producer - Pablo Lopez Figueroa

    What do artists actually need from a modern music producer? Not just someone who can hit record, choose microphones, or make a mix sound polished. A great producer helps turn a rough idea into a finished record. And a huge part of that work happens before the final recording even starts. In this episode, we talk with Spanish producer, guitarist, songwriter, and engineer Pablo Lopez Figueroa about what modern production really looks like. Pablo works with artists across the entire process: songwriting, arrangement, pre-production, recording, performances, editing, mixing, mastering, and bringing in additional musicians when a song needs them. A big part of the conversation is about pre-production and why decisions about structure, tempo, key, dynamics, instrumentation, vocal melodies, and contrast often matter more than the plugins or gear you use later. We also get into collaboration, making faster creative decisions, keeping ego out of the production process, creating a studio environment where artists feel comfortable, and why working around other ambitious musicians can accelerate your growth dramatically. Pablo is a member of The Self-Recording Syndicate and also part of our Studio Growth Mastermind, where studio owners meet weekly to exchange ideas, solve problems, and grow their creative businesses together. In this episode: What artists should actually expect from a modern producerWhy so much of a great record happens before you hit recordWhat good pre-production really includesBuilding contrast into songs and arrangementsWhy better production starts with better decisionsHelping artists turn rough demos into finished recordsWhy the producer’s ideas don’t always need to winWorking with bands and choosing a musical directorAvoiding endless revisions and creative indecisionCreating a studio environment where artists can do their best workWhy acoustics matter more than expensive monitorsBuilding a professional studio on a realistic budgetThe value of community, accountability, and learning from your peersPablo and Manel’s journey from music students in Dublin to professional producersIf you think a producer’s job starts when the red light comes on, this episode might change the way you look at the entire record-making process. -- If this episode helps you, we’d really appreciate it if you left a rating/review or shared it with another self-recording artist. It helps us reach more musicians like you, invite exciting guests and keep the podcast going. -- For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/318 Pablo Lopez Figueroa: lacharcasound.com instagram.com/pablopezfi youtube.com/@pablopezfi -- 🚀 Want our personal help with your studio or your next music project? If you want to surround yourself with like-minded, ambitious artists and producers like Pablo and Manel... 👉 Apply for coaching: theselfrecordingband.com/coaching You'll get our unlimited, personal guidance.  Depending on what your goals are, we can help you make records you're proud of, or build and grow the studio business you've always wanted. We’ll listen to your music, look at your current situation, create a custom plan for you, and help you execute it step by step. -- Send us Fan Mail If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

    318: What Artists Actually Need From A Modern Music Producer - Pablo Lopez Figueroa
  4. Aug 12

    317: Sounding Professional Doesn't Mean Generic, Boring, Or "Overproduced" - Domi Schreiber (MyKungFu)

    Can your music sound professional without becoming generic, boring, or overproduced? That tension is the main theme of this conversation with Domi Schreiber, the Swiss artist behind MyKungFu. Domi has a very specific artistic taste. He likes warm, organic, slightly imperfect productions with unusual textures, sparse arrangements, and a strong emotional identity. But for a long time, sounding different from other artists made him wonder whether his music simply wasn’t good enough.  In this episode, we talk about the difference between sounding professional and sounding polished into sameness. Domi shares how he developed his own sonic identity, why he prefers character over perfection, and how learning the technical side of recording and mixing gave him more creative freedom instead of less. We also talk about unusual instruments and textures, working with real studio musicians, keeping imperfections that add emotion, building a live show that feels different from the studio recordings, and learning to promote your own music without handing everything over to someone else.  In this episode: Why professional doesn’t have to mean genericThe difference between polished and overproducedFinding your own sonic identityWhy sounding different can feel uncomfortableKeeping warmth and character in your productionsKnowing when imperfections make a song better - and when they make it worseWhy sparse arrangements can be more powerfulUsing unusual sounds and non-traditional instrumentsLearning the technical side without losing creativityWorking with other musicians while protecting your visionTranslating studio productions into interesting live performancesWhy self-recording can give artists more freedomLearning music promotion and advertising as an independent artistWhy finishing and releasing matters more than chasing perfection Domi was also a member of The Self-Recording Syndicate and worked with us through 1-on-1 coaching to improve his recording, mixing, and production skills while staying true to the sound he wanted to create.  If you’ve ever worried that making your music sound more professional might also make it sound less like you, this episode is for you. -- If this episode helps you, we’d really appreciate it if you left a rating/review or shared it with another self-recording artist. It helps us reach more musicians, invite exciting guests and keep the podcast going. -- For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/317 Domi / MyKungFu: mykungfumusic.com patreon.com/mykungfu MyKungFu on Spotify MyKungFu on Apple Music -- 🚀 Want our personal help with your next project? If you want feedback on your songs, your arrangements, your recordings, or your mixes… …followed by a clear plan to build your skills, confidence and turn your demos into finished releases... ...plus the professional guidance to implement it all: 👉 Apply for coaching: theselfrecordingband.com/coaching We’ll listen to your music, create a custom plan for you, and help you execute it step by step. -- Send us Fan Mail If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

    317: Sounding Professional Doesn't Mean Generic, Boring, Or "Overproduced" - Domi Schreiber (MyKungFu)
  5. Aug 5

    316: What Great Drummers Do Differently - Michi Dreilich

    What separates a good drummer from a great one? Most people would probably think it's timing, technique, or playing everything perfectly. But the biggest difference is:  Great drummers make intentional choices. They understand how dynamics, tuning, feel, sound, and even small imperfections can change the emotion of a song. In this episode, we talk to professional session and touring drummer Michi Dreilich about what great drummers do differently and how musicians can create drum parts that truly serve the song. Michi spent ten years playing with Blackout Problems and now works as a touring drummer for different artists. He also teaches drums and records custom drum tracks remotely from his own studio, Container Drums. He was previously a member of The Self-Recording Syndicate and worked with us through 1-on-1 coaching to further develop his recording setup, workflow, and drum sounds.  In this conversation, Michi explains why good drum performances are about much more than hitting the right drums at the right time. We discuss the balance between precision and feel, what a real drummer can add that programmed drums cannot, and how to make bold creative decisions without losing sight of the artist’s vision. We also listen to three versions of Manel’s song “Lágrimas de Sal”: The original phone demo, a full production demo with programmed drums, and the finished version featuring Michi’s live drums and Benedikt’s final mix.  In this episode: What great drummers do differentlyWhy every drum choice should serve the songThe difference between feel and sloppy playingWhen imperfect timing makes a performance more excitingHow dynamics create emotion in drum tracksHow to program more realistic drumsWhat real drummers add that samples cannotBalancing the artist’s ideas with a session drummer’s creativityChoosing drums, cymbals, heads, tuning, and dampeningGetting great drum sounds in an imperfect roomWhy room-mic placement can transform your recordingsComping and editing professional drum performancesHow Michi developed his remote recording studioThe evolution from phone demo to finished production Whether you play drums, program them, or record a drummer in your own studio, this episode will help you think more intentionally about the performance and sound your song actually needs. -- If this episode helps you, we’d really appreciate it if you left a rating/review or shared it with another self-recording artist. It helps us reach more musicians, invite exciting guests and keep the podcast going. -- For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/316 Michi Dreilich: instagram.com/michidreilich instagram.com/containerdrums https://linktr.ee/michidreilich -- 🚀 Want our personal help with your next project? If you want feedback on your songs, your arrangements, your recordings, or your mixes… …followed by a clear plan to build your confidence and turn your demos into finished releases... ...plus the professional guidance to implement it all: 👉 Apply for coaching: theselfrecordingband.com/coaching We’ll listen to your music, create a custom plan for you, and help you execute it step by step. And if you want to try what Manel did, let Michi add drums to your song and then send it to us to mix, we can do that, as well! Let's talk! -- Send us Fan Mail If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

    316: What Great Drummers Do Differently - Michi Dreilich
  6. Jul 29

    315: Why Most Bands Never Finish Their Album - Fabian Valentini (Max im Parkhaus)

    Why do so many bands never finish their album? For German indie rock band Max im Parkhaus, it wasn’t a lack of ideas or inspiration. It wasn’t a lack of talent. It wasn’t even a lack of opportunities or budget. After two failed attempts with professional #1 producers, years of frustration, and almost giving up completely, guitarist and songwriter Fabian Valentini decided to take control of the process himself. The result was the band’s first album they were genuinely proud of. In this episode, Fabian shares what finally made the difference, why trusting yourself as a producer matters, and what he learned from spending years chasing the wrong version of success.  We also talk about perfectionism, finishing creative work, balancing music with a full-time career, and what happened just one week after the album’s release. Along the way, we discuss: Why most bands never finish their albumThe biggest lessons from producing an album three timesHow to build confidence as a self-recording artistHow Fabi built the skills to do it himself - and what he needed help withWhat helped them rebuild trust in themselves and the processThe danger of perfectionismLearning to trust your creative instinctsSelf-producing while running a full-time businessWhy sounding like yourself matters more than sounding commercialThis is an episode about the hardest part of recording music: Finishing it.  -- If this episode helps you, we’d really appreciate it if you left a rating/review or shared it with another self-recording artist. It helps us reach more musicians, invite exciting guests and keep the podcast going. -- For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/315 Max im Parkhaus: Get the vinyl instagram.com/maximparkhaus Spotify TIDAL Apple Music Fabian's video agency: look-medien.de -- 🚀 Want our personal help with your next project? If you want feedback on your songs, your arrangements, your recordings, or your mixes… …followed by a clear plan to build your confidence and turn your demos into finished releases... ...plus the professional guidance to implement it all: 👉 Apply for coaching: theselfrecordingband.com/coaching We’ll listen to your music, create a custom plan for you, and help you execute it step by step. And if you want to try what Fabi did and let us mix your self-recorded songs, we can do that, as well! Let's talk! -- Send us Fan Mail If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

    315: Why Most Bands Never Finish Their Album - Fabian Valentini (Max im Parkhaus)
  7. Jul 22

    314: Can Recording Studios Be Sustainable? Why Michael Buschka Is Building His Studio Differently.

    Can recording studios be sustainable? That’s the question we explore in this episode with Michael Buschka, a recording and mixing engineer from Germany who has built his studio around sustainability, conscious decision-making, and genuinely caring for the artists he works with. Michael shares how he applies sustainable principles to every part of his business. From renewable energy and second-hand gear to ethical merch, banking, and the online services he uses. But the conversation quickly expands beyond sustainability. We also talk about: Creating a recording environment where artists feel safe to be vulnerableWhy rushing records almost always leads to disappointmentHow to build a mixing workflow that keeps the creative process funWhy finishing songs is one of the most important skills any producer can develop.Why artists perform better when they feel comfortableWhy great templates improve creativityThe value of mentorship and feedbackBuilding a studio business around your valuesWhether you’re a self-recording artist or an aspiring producer, this episode is full of practical ideas for making better records—and building a creative career you’ll actually enjoy.  -- If this episode helps you, we’d really appreciate it if you left a rating/review or shared it with another self-recording artist. It helps us reach more musicians, invite exciting guests and keep the podcast going. -- For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/314 Michael Buschka: michaelbuschka.com instagram.com/michaelbuschka -- 🚀 Want our personal help applying this to your next project? If you want feedback on your songs, your arrangements, your recordings, or your mixes… …followed by a clear plan to build your confidence and turn your demos into finished releases... ...plus the professional guidance to implement it all: 👉 Apply for coaching: theselfrecordingband.com/coaching We’ll listen to your music, create a custom plan for you, and help you execute it step by step. -- Send us Fan Mail If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

    314: Can Recording Studios Be Sustainable? Why Michael Buschka Is Building His Studio Differently.
  8. Jul 16

    313: How Legendary Rock Records Are Made - Kyle Hoffmann (NRG Recording Studios)

    What separates good audio engineers and producers from great ones? In this episode, we sit down with Kyle Hoffmann, Chief Engineer at the legendary NRG Recording Studios in Los Angeles, to talk about the iconic NRG sound and the skills that matter most. Both in the studio and throughout your career. Kyle shares his journey from intern to Chief Engineer, what he learned at Berklee College of Music, and why mentorship, attitude and relationships have shaped his career far more than gear ever could. We also talk about: Why attitude matters more than technical skillThe difference between producing and engineeringBuilding trust with artists in the studioLearning from mentors instead of relying on tutorialsWhat aspiring engineers get wrong about professional studiosWhether audio school is worth itWhy legendary studios like NRG still matterHow to build a long-term career in audioThis conversation is packed with practical lessons that go far beyond equipment and recording techniques. -- If this episode helps you, we’d really appreciate it if you left a rating/review or shared it with another self-recording artist. It helps us reach more musicians, invite exciting guests and keep the podcast going. -- For links to everything we've mentioned in this episode, as well as full show notes go to: theselfrecordingband.com/313 NRG / Kyle: nrgrecording.com instagram.com/nrgrecording instagram.com/khoffmannmusic -- 🚀 Want our personal help applying this to your next project? If you want feedback on your songs, your arrangements, your recordings, or your mixes… …followed by a clear plan to build your confidence and turn your demos into finished releases... ...plus the professional guidance to implement it all: 👉 Apply for coaching: theselfrecordingband.com/coaching We’ll listen to your music, create a custom plan for you, and help you execute it step by step. -- Send us Fan Mail If you have any questions, feedback, topic ideas or want to suggest a guest, email us at: podcast@theselfrecordingband.com

    313: How Legendary Rock Records Are Made - Kyle Hoffmann (NRG Recording Studios)
5
out of 5
13 Ratings

About

Weekly no-bs episodes for self-recording musicians. Brought to you by full-time engineers and producers, working on hundreds of songs every year. No hype, no fluff. Not trying to make brands happy, not being paid for an opinion. Simply sharing what has worked for us and the artists we've worked with. Listen now and approach your next DIY recording project like you're a seasoned pro!

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