the Way of the Showman

Captain Frodo

Philosophical and esoteric perspectives from a modern day Showman. Each season is different in its approach. S1 is essays. S2 is one book length attempt at Understanding Showmanship, S3 is conversations with remarkable Showfolk. The brand new Season 4 explores the relationship between Showmanship and Play.The host, Captain Frodo, internationally renowned circus performer, director, writer, husband and dad lays out, in great detail, his practical performance philosophy for performers who seek to deepen the conversation with their audiences and themselves. You can find him, and more of his writing at: www.thewayoftheshowman.com

  1. 162 - How Artists Edit Reality To Tell Emotional Truths with Ivar Hackscher, Jay Gilligan & Frodo

    1D AGO

    162 - How Artists Edit Reality To Tell Emotional Truths with Ivar Hackscher, Jay Gilligan & Frodo

    A snowy museum visit, a restless soundscape, and a conversation that kept outshining the art on the walls—this one is about the moment when performance feels undeniably real. We dig into why sincerity and trust matter so much, how a chosen audience can change the stakes, and what happens when the right people step into a room with the right intent. When you take your crowd seriously, they rise to the occasion, and the noise—footsteps, hums, clinks—turns into texture rather than distraction. From there, we unpack the power of teams and the long game of collaboration. Keeping a core crew over years compounds trust and taste, especially in small, fragile communities where one loss can feel like a corner of the room disappears. We ask the uncomfortable question: does time served equal value? Sometimes a decade of work underwhelms; sometimes a poem drafted at 5pm pierces straight through. The difference is judgment. Artists are editors and choice-makers, and the craft is in choosing what to keep, what to cut, and when to let the gesture speak without words. We also wade into AI, authorship, and authenticity. If a machine can make the frame, who supplies the meaning? The answer lives in the curating eye: selecting, sequencing, and framing with intent. Outsourcing isn’t new—pop songs and comedy thrive on writers’ rooms—so we explore how juggling, magic, and movement reframe authorship and improvisation. Delay the narrative, read the room, and collapse possibilities into a single, resonant outcome. Along the way, we talk myth-making and emotional truth: the stories artists tell themselves to aim higher, and the stories audiences need to feel the aura of the work. If you care about performance that invites rather than insists, about teams that build taste over time, and about the razor’s edge between process and product, you’ll find plenty to chew on here.  Support the show ... After a long abscence our Merch Shop is back! Check out t-shirts, hoddies, and hats! Show yourself as a Follower of the Way of the Showman. You can also "listen" to the Way of the Showman at youtube. If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify. If you want to contact me about anyhthing ou can reach me on thewayoftheshowman@gmail.com You can find out more on the Way of the Showman website. Follow the Way of the Showman on Instagram. If you're compelled to suport the showes and have the means to do so, you can suport the podcast financially at: https://www.buymeacoffee.com/captainfrodo

    56 min
  2. 161 - Folk Circus is Real Showmanship with Jay Gilligan & Captain Frodo

    FEB 3

    161 - Folk Circus is Real Showmanship with Jay Gilligan & Captain Frodo

    What if the most compelling part of a show isn’t the illusion, but the honesty? We sit down with juggler and creator Jay Gilligan to unpack “folk circus,” a performance style built on concrete skill, visible tech, and a fearless embrace of the room as it truly is. No hidden light booths, no invisible sound cues—just a performer hitting the button, moving the fader, catching the club, and meeting the audience where they are. Jay traces how constraints—touring by plane, school circuits, gym floors, libraries—shape an aesthetic that prizes minimalism without feeling small. We compare the spark of a set in a sports hall, where it transforms a familiar space, to the way expectations can swallow that same set on a grand stage. Along the way, we talk independence versus big-company sheen, why legacy comes from your own name on the poster, and how real-time presence turns glitches and interruptions into connection instead of cracks. The conversation dives into juggling as proof—throw, catch, repeat—and follows that concreteness through sound, light, and staging. We explore handling drops and disruptions openly, building trust by acknowledging reality, and crafting family shows that never talk down to kids. There’s a deep kinship here with folk tales and folk music: direct stories, shared moments, and a room that can swing from laughter to hush and back because everyone feels included. Authenticity isn’t a look; it’s when intention, skill, and environment line up so cleanly that the cables become part of the poetry. If you’re curious about making honest work that travels light and hits deep, this one’s for you. Listen, share with a friend who cares about craft over spectacle, and leave a quick review to help more curious minds find the show. Support the show ... After a long abscence our Merch Shop is back! Check out t-shirts, hoddies, and hats! Show yourself as a Follower of the Way of the Showman. You can also "listen" to the Way of the Showman at youtube. If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify. If you want to contact me about anyhthing ou can reach me on thewayoftheshowman@gmail.com You can find out more on the Way of the Showman website. Follow the Way of the Showman on Instagram. If you're compelled to suport the showes and have the means to do so, you can suport the podcast financially at: https://www.buymeacoffee.com/captainfrodo

    1h 36m
  3. 160 - From Poolside Jam to Cabaret Juggernaut with Paul Dabek & Captain Frodo

    JAN 20

    160 - From Poolside Jam to Cabaret Juggernaut with Paul Dabek & Captain Frodo

    We trace the unlikely arc that carried poolside pandemic brainstorms into London Calling, a high-velocity variety show that’s genuinely all-ages without sanding off its edge. As the Pandemic hit Las Vegas Paul Dabek and Captain Frodo dreamt by the pool of acts, podcast, and shows. As it turned out these dreams all came to fruition. We get specific about how the show grew: a clear adult-facing voice, visuals that enchant kids on contact, and design that marries LED world-building with just a few tactile anchors—a lamppost here, an oak bar to sell entire neighborhoods of London. We talk quiet-loud pacing, compress-then-expand staging, and the power of a loose narrative frame (train rides, stations, quick jumps) that keeps momentum without burying acts in exposition. Think Covent Garden street magic flowing into Wimbledon athleticism, all while the ensemble’s micro-moments—prop handoffs, shared looks, quick riffs—telegraph trust. Paul Dabeck opens the hood on the growth curve: from small houses and street pitches to winning pick of the fringe and selling five-figure ticket totals. He shares the marketing pivots that worked, why “family-friendly” is a tone not a label, and how sweat equity turned Facebook Marketplace parts into automated scenic that looks West End-ready. We also dive into his Vegas warehouse: a black box, workshop, and filming space evolving into Make It Rain, a community hub for artists to prototype, connect, and protect their mental health. It’s church-without-religion, where the faith is craft and the sermon is showing up. If you care about showmaking—stagecraft, culture, and the long game of compounding relationships—this one’s a blueprint. We leave you with blunt takeaways: risk with purpose, design worlds with one tactile anchor, market like a story, film your late refinements, build a culture of generosity, and ship version one before you feel ready. Subscribe, share with a friend who builds in public, and drop us a note about the project you’re making right now. What plate are you willing to smash to make it sing? You can find Paul at all the usual social media platforms and at his website @ PaulDabek.com Support the show ... After a long abscence our Merch Shop is back! Check out t-shirts, hoddies, and hats! Show yourself as a Follower of the Way of the Showman. You can also "listen" to the Way of the Showman at youtube. If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify. If you want to contact me about anyhthing ou can reach me on thewayoftheshowman@gmail.com You can find out more on the Way of the Showman website. Follow the Way of the Showman on Instagram. If you're compelled to suport the showes and have the means to do so, you can suport the podcast financially at: https://www.buymeacoffee.com/captainfrodo

    1h 28m
  4. 159 - The Paradoxes of Juggling - Michael Staroseletsky & Niels Duinker Publishing

    JAN 6

    159 - The Paradoxes of Juggling - Michael Staroseletsky & Niels Duinker Publishing

    In this episode I read the first chapter of the Paradoxes of Juggling by Michael Staroseletsky, a book published by NDjuggling.com which of course is run by Niels Duinker who was a guest on the podcast back in episode 135. If you are interested in ways to view the world through a craft this is a book you should check out. If you're interested in advanced practice and the technique of juggling this is a great read. It is also part of the brand new Compendium of Soviet Juggling Wisdom. What if a juggling act is more than patterns in the air—what if it’s a blueprint for freedom, identity, and the courage to keep going when you drop? We dive into a lyrical reading from Michael Staroseletsky’s The Paradoxes of Juggling and unpack why this art form refuses shortcuts and demands honesty. From the first image of balls moving like “living creatures” to the stubborn physics of clubs that won’t always obey, we sit with the tension between intention and reality and show how mastery grows inside that friction. Staroseletsky’s core claim is perhaps that the trick is both the vehicle and the destination. Juggling isn’t just technique polished to shine; it’s an inner practice that widens your tolerance for error and refines your timing until correction feels effortless. We explore the paradox that to juggle more, you must accept more—more variables, more variance, and more responsibility for recovery. We also talk about persona and truth onstage. Circus artists often “play themselves,” so the work only lands when the human behind the pattern is vivid and honest. Props aren’t passive; the moment an object leaves your hand, it asserts its own will, and the act becomes a dialogue you can see—rhythm as visible music, choreography in space, and story told through catches and drops. If Staroseletsky’s vision resonates, you’ll find the book at ndjuggling.com alongside other gems for artists, jugglers, and curious minds. Listen, reflect, and tell us what craft is teaching you about time, space, and self. If this episode sparked something, follow the Way, even better - share it with a friend, and leave a review so more curious listeners can discover it. Support the show ... After a long abscence our Merch Shop is back! Check out t-shirts, hoddies, and hats! Show yourself as a Follower of the Way of the Showman. You can also "listen" to the Way of the Showman at youtube. If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify. If you want to contact me about anyhthing ou can reach me on thewayoftheshowman@gmail.com You can find out more on the Way of the Showman website. Follow the Way of the Showman on Instagram. If you're compelled to suport the showes and have the means to do so, you can suport the podcast financially at: https://www.buymeacoffee.com/captainfrodo

    24 min
  5. 158 - Jesus, Bananas, And Baby Unicorns Walk Into A Church w Clay Hillman & Captain Frodo

    12/23/2025

    158 - Jesus, Bananas, And Baby Unicorns Walk Into A Church w Clay Hillman & Captain Frodo

    Do yourself a favor before reading any more of this: Listen to the Road To Joy now! Also! Listen to Clay Hillman’s wonderful piano music   What if the spark that powers great rituals, great sermons, and great shows is the same playful force? Captain Frodo sits down with Clay Hillman to follow that thread—from the shaman’s circle to the market square—and ask how joy, surprise, and sacrifice can teach us to love without the cage of judgment. The claim is bold: ritual likely grew out of play, and when we honor that, truth arrives with fewer words and more presence. We explore grief as the felt weight of love, the paradox at the heart of Good Friday, and why beauty includes the costly and the raw. Clay reframes the Good Samaritan so we stop imagining ourselves as the rescuer and recognize our place in the ditch; neighbor becomes the person we’d want to lift us, even an enemy. That shift replaces right-versus-wrong scorekeeping with a practice of attention, the same practice that makes a show land when a moment of surprise cracks the shell and breathes. Along the way, we talk mythic truth over literalism, how children signal play and still know what matters, and why wigs, robes, and ritual dances appear when stakes are highest. We also swap creative maps. Clay’s Casey Bonkers universe offers constellations of play; Frodo sketches thinking, feeling, and willing as a triad for building fuller acts. Symbols do the heavy lifting: two sticks can hold a cosmos, a market square becomes a universe once the showman starts. Stories that aren’t “real” still become true every day, and the best work often feels discovered rather than made. If you’ve ever sensed that ministry and showmanship share a calling—curating time and attention so people glimpse the center—this conversation will feel like finding language for what you already knew. Listen to K. C. Bonkers Road To Joy!  Find Clay Hillman here! If this resonates, subscribe, share it with a friend who loves story and craft, and leave a review so others can find the show. Then tell us: where did you last glimpse that center of joy? Support the show ... After a long abscence our Merch Shop is back! Check out t-shirts, hoddies, and hats! Show yourself as a Follower of the Way of the Showman. You can also "listen" to the Way of the Showman at youtube. If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify. If you want to contact me about anyhthing ou can reach me on thewayoftheshowman@gmail.com You can find out more on the Way of the Showman website. Follow the Way of the Showman on Instagram. If you're compelled to suport the showes and have the means to do so, you can suport the podcast financially at: https://www.buymeacoffee.com/captainfrodo

    58 min
  6. 157 - Serious Play and The Road To Joy with Clay Hillman

    12/16/2025

    157 - Serious Play and The Road To Joy with Clay Hillman

    Step aboard the Punky Steamer and watch everyday moments turn into portals. -> listen to the fantastic tale here!  I highly recommend checking this audio play out before listening to the episode. For one it’s awesome and for sure lots of what we talk about will feel deeper and make even more sense.   We sit down with Clay Hillman—once a Lutheran minister, now the imagination behind a toy-and-coffee shop and the audio adventure KC Bonker’s Road to Joy—to explore how play can be both serious and sacred. Clay’s world is richly built: a flying machine crewed by six archetypes of play, potions served with straight-faced wonder, and an audio play that clicks from past to present like a spell taking hold. The result is a practical philosophy of joy that you can taste, touch, and breathe. Clay introduces the Aeronaut, Cartographer, Chronaut, Philosopher, Goggle Jockey, and Tinker—personae that map how children experiment and how adults find vocation. When we keep those roles playful, work feels like meaning rather than grind. We dig into “sacred toys” too: stick, string, plane, block, wheel, and ball. Open-ended objects invite agency; they don’t perform for you, they ask you to perform with them. That’s why a simple paper toy can outshine a pricey gadget—it expands your world instead of prescribing one. Ritual ties it all together. In the shop, dragon blood, beetle juice, and unicorn milk layer in a glass until the final step demands your breath through a one-way straw. That small act completes the drink and inducts you into the story—breath revealing the invisible like a pinwheel turning wind into sight. We trace the same thread through vinyl records, soundscapes, and live showmanship where attention is the real currency. Presence isn’t forced; it’s designed through steps you choose to take. If you’ve ever felt a toy hold more truth than a lecture, or a performance feel like a pact kept, this ride is for you. Hear how myth, craft, and commerce meet without losing soul, and pick out your own play archetype along the way. If it moves you, subscribe, share this episode with a curious friend, and leave a review telling us the one small ritual that brings you wonder. Support the show ... After a long abscence our Merch Shop is back! Check out t-shirts, hoddies, and hats! Show yourself as a Follower of the Way of the Showman. You can also "listen" to the Way of the Showman at youtube. If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify. If you want to contact me about anyhthing ou can reach me on thewayoftheshowman@gmail.com You can find out more on the Way of the Showman website. Follow the Way of the Showman on Instagram. If you're compelled to suport the showes and have the means to do so, you can suport the podcast financially at: https://www.buymeacoffee.com/captainfrodo

    1h 10m
  7. 156 - Ringling Trains, Three Rings, And The Craft Of Comedy with Adam Kuchler

    12/02/2025

    156 - Ringling Trains, Three Rings, And The Craft Of Comedy with Adam Kuchler

    A hat flips, a wig sails, and an arena of sixteen thousand goes from breathless to thunderous—this is where Adam Kugler learned to make comedy work under pressure. We trace his path from the Ringling Brothers train to the Mad Apple stage in Las Vegas, unpacking the paradoxes that shape a clown: technique that opens doors, character that keeps them open, and the relentless practice of reading a room in real time. Adam grew up wanting to be a clown. Juggling paid the bills long enough for artistry to take root. Clown College didn’t hand him a single method; it handed him a map of contradictions. Mask work, European theater, and classic arena gags collided into lessons about energy, body angles, and the atmospheres you can create without adding a single prop. Years later, those ideas proved essential in Vegas, where five minutes of notes from the director migth become a live moment that same night. Working alongside Paul Debek,  (who's coming up in a soon to air episode early next year.) Adam built a shared vocabulary with Paul that let's them improvise with confidence and keep the audience’s attention pointed exactly where it needed to go. We also open the tent flaps on three-ring logistics and the life that supports them: Russian swings timing their crescendos around a teeterboard’s final throw, clowns covering rigging with tight 15-second “walk-arounds,” and a mile-long-feeling train where a five-by-seven cabin becomes a masterclass in living by design. The pay was modest, the repetitions were many, and the growth was real—most breakthroughs happened in front of people. Easy crowds gave permission to risk. Hard crowds demanded clarity. Both taught the same lesson: chase the flow by staying just beyond your current skill, and refine until even tough rooms lean in. If you love circus history, clowning, juggling, or the craft of performance at scale, you’ll find rich detail here: how myths start, how access to schools shapes technique, and why a good gag is a complete story—skill, problem, solution—in seconds. Subscribe, share with a friend who loves live shows, and leave a review telling us the moment that made you fall for the circus. Support the show ... After a long abscence our Merch Shop is back! Check out t-shirts, hoddies, and hats! Show yourself as a Follower of the Way of the Showman. You can also "listen" to the Way of the Showman at youtube. If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify. If you want to contact me about anyhthing ou can reach me on thewayoftheshowman@gmail.com You can find out more on the Way of the Showman website. Follow the Way of the Showman on Instagram. If you're compelled to suport the showes and have the means to do so, you can suport the podcast financially at: https://www.buymeacoffee.com/captainfrodo

    1h 26m
  8. 155 - Chainsaws, Pumpkins, And Philosophy w JellyBoy the Clown

    11/18/2025

    155 - Chainsaws, Pumpkins, And Philosophy w JellyBoy the Clown

    A chainsaw mounted to a sword. Seventeen pumpkins in a minute. And a philosophy that says a show only becomes real when the audience completes it. That’s the ride we take with Jelly Boy the Clown—writer, record-setter, and sideshow artist who turns chaos into craft. We start with the surprise aftermath of America’s Got Talent: millions of viewers, zero promotion allowed, and a door opening from an unexpected direction—Guinness World Records. From there we go inside the workshop, where ideas live first in a sketchbook, then on a bench with bolts and cork, and finally on stage. Why pumpkins beat watermelons, how to create negative space with pitchforks, and what three points of contact do for stability when the saw is humming in your throat. It’s engineering, rehearsal, and risk management wrapped in clown logic. The heart of the talk is presentation. Tools are level one; meaning lives in timing, character, and framing. Jelly Boy shares how he disarms fear—pairing eye hooks with Careless Whisper, mixing menace with sincerity—so the audience leans in. We dig into act architecture: the tennis racket routine evolving through constraints, failed slapstick reappearing later as the perfect chaos engine, and why variety beats repetition for laughs and suspense. Along the way, we trace his films—from a B-movie to a raw fire-recovery doc to Dark Imagination Party—capturing how the pandemic pushed the work from stages to cameras and back again. Threaded through is our host’s upcoming book, Facing The Other Way, a philosophy of showmanship that frames performance as a three-part system: performer, audience, and attention. Without a witness, magic isn’t magic. That idea lands as we talk edits, cuts, and voice—how slicing fifty pages can reveal the core, why a unified tone matters, and how community and small presses help art find its people. If you care about live arts, circus, clowning, sword swallowing, or the creative process of turning rough sketches into resonant moments, this one’s for you. If the conversation hits home, follow the show, share it with a friend, and leave a review. Your attention is the spark—help us keep the fire bright. Support the show ... After a long abscence our Merch Shop is back! Check out t-shirts, hoddies, and hats! Show yourself as a Follower of the Way of the Showman. You can also "listen" to the Way of the Showman at youtube. If you want to help support this podcast it would be tremendous if you wrote a glowing review on iTunes or Spotify. If you want to contact me about anyhthing ou can reach me on thewayoftheshowman@gmail.com You can find out more on the Way of the Showman website. Follow the Way of the Showman on Instagram. If you're compelled to suport the showes and have the means to do so, you can suport the podcast financially at: https://www.buymeacoffee.com/captainfrodo

    1h 40m
5
out of 5
35 Ratings

About

Philosophical and esoteric perspectives from a modern day Showman. Each season is different in its approach. S1 is essays. S2 is one book length attempt at Understanding Showmanship, S3 is conversations with remarkable Showfolk. The brand new Season 4 explores the relationship between Showmanship and Play.The host, Captain Frodo, internationally renowned circus performer, director, writer, husband and dad lays out, in great detail, his practical performance philosophy for performers who seek to deepen the conversation with their audiences and themselves. You can find him, and more of his writing at: www.thewayoftheshowman.com

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