The Lens-Sensor Recipes Podcast

SilverLight Photo Co.
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For years, I had searched for the perfect lens-sensor combination; a lens and camera duo that would produce a beautiful image with few adjustments and little post-processing. It would look REAL straight out of camera (SOOC) and be everything I needed and wanted in a camera system. However, as I tested each pair, they all told a different story, and would deliver light to the sensor differently. So, I began tweaking settings, jotting down notes (on index cards) for each lens-sensor combination I tried. I soon realized I needed a database to access all my settings & LUTs, and created my website.

  1. 4D AGO

    Is the Nikon Z5 v1 Good for Video?

    We know Nikon cameras are going to get better for video purposes, because they bought RED (the Nikon ZR already looks really good) but are any of their older and more budget-friendly cameras (the Z5 v1) that can create professional-looking video?

    28 min

  2. FEB 13

    PART 2: Are Lens Filters Good?

    So, I do agree that filters affect the image, but what if I told you there are times when using filters can sort of improve the dynamic range? So, before anybody gets too upset, let me emphasize that I think it works well with SOME lenses, but not with others.

    15 min

  3. FEB 13

    PART 1: Are Lens Filters Good?

    Okay, let's agree first that using a filter doesn't actually change the dynamic range specifications of your camera's sensor. It is however, an optic that will affect the way light will hit the sensor, and THIS is what can change what I'll call the "perceptive dynamic range".

    15 min

  4. FEB 10

    Is My Business Idea Good (and How Does One Know)?

    If you've ever thought of starting your own business, you've probably wondered if your idea is any good. Some people say you need to make sure your business is solving a problem and then you know there is demand (for what you're doing) but what if people don't know a problem exists?

    15 min

  5. FEB 4

    Are Real-Time LUTs & LUMIX Lab Good?

    The short answer is yes, but there's so much more to learn from what Panasonic is doing, and how they think.

    22 min

  6. JAN 27

    The SHOOT43 Multicam Video Production Method

    Starting to work on a multi-camera production method, called SHOOT43! www.SHOOT43.com Introduction and Audio Setup (00:00:01) Speaker introduces the episode, mentions testing a lavalier mic, and sets the context for discussing multi-camera video production. Why Use Multiple Cameras? (00:00:40) Explains the benefits of using multiple cameras for clean edits and different shot types (wide, medium/tight, telephoto). Sensor Size and Camera Roles (00:01:10) Discusses choosing cameras based on shot roles, sensor size considerations, and using Micro 4/3 for tight shots. Full Frame Camera Experimentation (00:02:25) Shares experience acquiring a Nikon Z5 full-frame camera and its potential use for wide and medium shots. Assigning Roles to Each Camera (00:03:41) Explores the concept of assigning specific roles to each camera for easier setup and editing. Multi-Camera Cage Setup (00:04:51) Describes building a multi-camera cage to mount multiple cameras on one tripod for efficient solo operation. Applications and Static Shots (00:06:14) Covers practical uses for the multi-camera setup, emphasizing the importance of static shots in interviews and coverage. "Shoot for Three" Branding (00:07:12) Introduces the "Shoot for Three" concept, inspired by basketball, as a branded technique for multi-camera shooting. Solo Operation Efficiency (00:07:50) Highlights how solo operators can efficiently capture multiple angles with minimal effort using the multi-camera setup. Camera System Flexibility and Stabilization (00:08:17) Discusses using different camera systems (Micro 4/3, APS-C, etc.) and the importance of in-body image stabilization. Panasonic Camera Recommendations (00:09:30) Recommends Panasonic G85, GH5, and FZ1000 for stabilization and telephoto capabilities in multi-camera setups. Missed Opportunities with Single Camera (00:10:37) Reflects on missed creative opportunities when only having one camera at scenic locations. Necessity of Multiple Cameras for Time-Sensitive Shoots (00:11:44) Stresses the need for multiple cameras in fast-changing situations, like sunsets, to maximize coverage. Shifting Focus: Multi-Camera and Tilt-Shift Lenses (00:12:10) Mentions shifting focus to multi-camera techniques and introduces interest in tilt-shift lenses and adapters. Tilt-Shift Lens Acquisition and Future Content (00:13:02) Shares recent purchases of tilt-shift lenses, plans for related content, and audience interest in the topic. Conclusion and Website Promotion (00:14:03) Wraps up the episode, promotes the "Shoot for Three" website, and hints at future content on multi-camera setups.

    15 min

  7. JAN 17

    Is the Hollyland Lark A1 Wireless Microphone Good?

    I'm starting to test more wireless LAV microphone systems and so far, the noise cancelling on this one is pretty good! Here's an Amazon affiliate link #ad: https://amzn.to/49GwSXj

    16 min

  8. 11/07/2025

    A $40 70-300 Lens That's Good Enough for Pro Work

    THE LENS: https://ebay.us/W3TSNK THE CAMERA: https://ebay.us/pAfxF3 LENS-SENSOR SETTINGS: https://www.silverlightphotoco.com/camera-settings/promaster-70-300-4-5.6-panasonic-g7-natural

    24 min
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About

For years, I had searched for the perfect lens-sensor combination; a lens and camera duo that would produce a beautiful image with few adjustments and little post-processing. It would look REAL straight out of camera (SOOC) and be everything I needed and wanted in a camera system. However, as I tested each pair, they all told a different story, and would deliver light to the sensor differently. So, I began tweaking settings, jotting down notes (on index cards) for each lens-sensor combination I tried. I soon realized I needed a database to access all my settings & LUTs, and created my website.

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