Retrospective Rants

JoeyH

I write, I rant, and sometimes there's thought to it. All sorts of topics from big questions to small nerdy stuff. Beyond that, we hope you'll enjoy our content, and that wherever you're listening from: Have a Good One. joeyh1996.substack.com

  1. Jul 19

    Joseph Huff's PERFECTED Iliad.

    Retrospective Rants “Iliad” Script. Intro: Welcome to Retrospective Rants! With me, Joey Huff, as your host. (whispers) Why no opening sketch? Because life is a comedy sketch. And because I’ve decided to get on the olde bandwagon, the “adaptation” bandwagon. The blinders have been pulled from my eyes, and I understand that the classic Greek legends of old must be cleansed and remade for the ever glorious and ever infallible modern audience. Behold as I summarize to you: Joseph Huff’s Iliad. First topic is the format. Movies are the way of the past. And unfortunately, too few people can see the benefits of watching thousands of short form clips in a single sitting. If you meet such an individual, be sure to pity them. Thus, my epic will told in 9 25-minute episodes. Why not 45 minutes or an hour? That’s a good question. First Episode: Instead of Helen starting out as the most beautiful woman in the world, she’s gonna be a total girl-failure, and she hates her responsibilities as princess of Sparta and is so done with her family. Because they won’t shut up about how her sister, Penelope, scored a hot boyfriend named Odysseus. All Helen wants is to build a laser cannon, just like her pen pal, Archimedes. But no one takes her seriously, because she only wear pajama robes, her hair is all messy, there’s always grease and food on her clothes, and sometimes she forgets to shower. It’s just too much effort. But she’s still the eldest princess of Sparta and she must marry a prince. On her 18th birthday, all the heroes and kings of Greece come to Sparta to woo the girl-failure. Not because they like her, but because most of them want a shot at Gerard Butler, I mean Leonidas. When they discover that Leonidas won’t be born for a few centuries, a riot breaks out. But Odysseus comes up with a plan. He gives Helen a total makeover, and she looks so hot that she turns all the Greek Kings bisexual. But now, all of them want Helen. So, to prevent another riot, Odysseus makes them all promise to share Helen on different days of the month. And if anyone tries to get with her on unassigned day, the other heroes will kill him. The proposal is accepted, and among all the heroes present, Menelaus is chosen as the husband. Why? Because Menelaus is also a big nerd, and he wants to build a laser cannon too. So, Helen and Menelaus marry, and she decides to only wear her total makeover fit for him. Thus, disgusting all the other suitors, and convincing them to leave her to Menelaus. 2nd Episode: The gods are having a big party but nobody invited Eris, goddess of Chaos. In retaliation, she crashes the party and serves all the women Pumpkin Spice Lattes, until there’s only one left. But the bottle and straw are cursed, so that only the most beautiful goddess can drink from it. Artemis, Hestia, Demeter, and Persephone are pretty sure they could just gather a bunch of ingredients and make enough Pumpkin Spice for everyone. But their mix skills aren’t up to snuff. So, the snobbier goddess: Aphrodite, Athena, and Hera continue to fight over the last latte. None of the gods want to get involved, but Zeus is tired of hearing about Pumpkin Spice. So he points at a random mortal, Paris of Troy, who’s stalking sheep for…reasons best left unsaid, and tells the goddesses “ask that idiot to choose the hottest goddess.” The three basic goddesses ambush Paris before he can do something horrific, and offer him different gifts if only they’ll choose them as most beautiful and most deserving of the pumpkin spice. Hera offers him all of Asia, Athena promises to teach him how to work Excell, but Aphrodite knows that Paris is a freaky-deeky boy and promises to teach him dancing moves so stylish and sexy that no woman, or sheep, can resist him. Paris agrees to the last one, and Aphrodite claims the final pumpkin spice. But it’s been in that cup for weeks at this point so it’s nasty. Armed with his new dance moves, Paris solves the Trojan Population Crisis, and his father, King Priam, reluctantly acknowledges him as a true prince. Hector, the eldest prince thinks his brother needs to do some actual work, so he sends him on a diplomatic mission to Sparta. After all, Helen, Queen of Sparta, is so mid that Paris wouldn’t even think of seducing her. Right? 3rd episode: Unfortunately, Paris arrived on the Spartan Monarch’s date night, and he sees Helen all dressed up and sexy. Paris starts dancing, and Helen is powerless against the sheer rizz before her. The new couple flees Sparta, leaving Menelaus with the check. Menelaus invokes the agreement that all the Greeks signed, reminding them that if he has no wife, Gerard But-I mean Leonidas will never be born. All the Greek kings rush to his aid, and Athena and Hera promise all manner of blessings and boons on the condition that Troy burns. But the boats can’t sail to Troy. Because the wind is still. You see, Aphrodite told Artemis that she actually loved her homemade Pumpkin Spice and it was only Athena and Hera who hated it. So Artemis is keeping the wind out of the Greek sails as payback. Agamemnon, older brother of Menelaus and most senior king among the Greeks, decides that the only way to save a girl-failure is to sacrifice another girl-failure. He decides that the best candidate would be Iphigenia, his own daughter. The other Greeks don’t think he has the balls to do it, so they’re all like “go ahead, we dare you!”. But he calls their bluff and tries to burn his daughter. Athena is so horrified by this act that she kills Agamemnon and makes his daughter the new leader of the Greeks. The heroes think Iphigenia is silly name though, so they just call her Agamemnon II and sail off to Troy. Episode 4: Some charlatans will try and convince you that Homer’s decision to set the Iliad in the final year of a ten year war had some point to. Something about the cost of war, or longing for home or whatever. Those people are liars! Obviously, Homer made a huge oversight by skipping over ten years worth of content, I mean story, and I alone can correct it! On the way to Troy, Achilles meets Patroclus. Now there’s a lot of controversy surrounding Patroclus. Some people say he’s Achilles’ brother or cousin. Other people who’ve never had real friends insist that Achilles would never get angry about Patroclus’ death unless they were f*****g. But the enlightened few, such as myself, know the truth. Patroclus and Achille were Legendary, Greek figures, therefore they were related and f*****g. And my epic retelling will spread that truth. Wait, what was I talking about? Oh yeah. Achilles meets Patroclus, his cousin-brother-lover, on the way to Troy. They haven’t seen each other in years and Patroclus says: “I’m stuck on the Reef, come help me out cousin-brother-lover-senpai”. And Achilles obliges. Meanwhile in Troy, Helen is tired of cleaning wool out of her new bedroom. But Aphrodite teaches Paris new dance moves keeping the queen of Sparta in a state of mad lust. Helen also discovers that the real Hector has been dead for years. His wife Andromache has been running around disguised as him and going on all sorts of adventures. She’ll fight big lions, exterminate armies of goat people, tutor young Socrates, and watch a German Opera in one sitting. Very feats indeed. Until finally, the Greeks arrive in Present day. Episode 5: At last we’re at the Trojan war. But because we blew most of the budget on Pumpkin Spice, we have to save what little money for the final episodes. We’re gonna take a bunch of close stills of random extras sitting around a campfire, and they’re going to talk about how horrible the fighting has been. It’s genius. Then we’ll break to the Greek Kings dividing the spoils. Only for Covid to hit, because none of them obeyed Apollo’s Mask Mandate. Thus the sun god is punishing them for their sins. And the only way to fix everything, is another human sacrifice. Now some of you might wonder why a human sacrifice would change anything when hundreds of people die every day in the war. And you know what? That’s a good question. Anyway, Agamemnon II says that they need to kill Briseis, a member of Achilles’ polycule. The Greek Queen claims this is for the gods, but really, she’s just mad because Achilles not only refused to attend her weekly orgy, but set up a competing one on the other side of war camp. And all the cool Greeks went to that one instead of hers. Thus earning her enmity. Achilles recognizes this as a personal attack and declares that he will not fight alongside his countrymen unless Agamemnon II apologizes. Which she refuses to do. Episode 6: The Greeks and Trojans form their battle lines and Paris presents an idea. He and Menelaus will duel, and the victor will take Helen. The Spartan King is surprised, but accepts. Unfortunately, Paris meant a dance duel. And before the power of the trojan prince’s groovy voodoo, Menelaus falters. Then a portal to the future opens and Chris Tucker comes through to teach Menelaus how to dance like Michael Jackson. With his new arsenal, Menelaus styles all over Paris and not even Aphrodite can save him from the shame. But she does teleport him away from the battle and put him back with Helen. She saw the dance battle from afar though and witnessing Menelaus’ skills give her resistance to Paris’ inferior groove. This anger’s Paris, who sentences her to herd his very personal herd of sheep. The Greeks call Paris a cheater and a crybaby and begin their on Troy. Episode 7: The fighting continues, but neither side gains the upper hand. For the Greeks, Odysseus uses his anti-material rifle to no scope dozens of Trojan healers, but Ajax and Diomedes don’t have enough piercing resistance to make it past the Trojan archers. Meanwhile, Andromache, who everyone still thinks is Hector, promises Zeus that she’ll discover the Americas and bring hundreds of big booty Latinas to Mt

  2. Mar 30

    A copious and perhaps uncharitable critique of the Castlevania show's villains.

    Whispers and murmuring, interrupted by a gavel. Archie: “Welcome applicants, to your initial interview for the University for Aspiring Dark Lords and assorted Evil Bastards. Before we get into the questions proper, I’d like to do a general inquest into your individual motivations. You know: Why do you want to be a mega villain? That sorta thing. Let’s start with you, the pasty lady with the long nails. What’s your name and tell us your motives. Carm: “I am Carmilla, and I will rule over this world. Unlike those childish men.” Archie: “Ok…anything else? What are you qualifications for ruling the world?” Carm: “Those manchildren hoard and waste power that I deserve, and I’m going to take it and use better than any of them.” Archie: “Ok, that’s more of a restatement than anything. I get what you’re saying. The penis is evil, hail the uterus and all that. But why do you specifically-“ Carm: “Because I deserve power. I endured the stupidity of men for far too long, and now I’ll take power for myself.” Archie: “Ok, so you’re just a stereotype of a stereotype of the neo-feminist, with not much else going on. Got it.” Carm: “I am an empowered legend!” Archie: “Your gangly armed melanin deficient self, screaming about all the respect you deserve while doing all the shit you criticize everyone else for isn’t empowering. It’s annoying. Begone with you.” Sound of fire and screaming. Archie: “Ok, Mr. Renaissance looking Man: What’s your name and motive?” St. Germ: “I am Saint Germain, adventurer and alchemist. And I shall open the infinite corridor where my beloved is trapped and free her.” Archie: “That’s not very evi-“ St. Germ: “And I will sacrifice as many lives as needed to accomplish my goal.” Archie: “That’s more like it. How will you accomplish this?” St. Germ: “I will manipulate the worst undead dregs of world…” Archie: “Sounds goods…” St. Germ: “I will use hundreds of souls both evil and innocent as fuel…” Archie: “Nice…” St. Germ: “To build a half man/half woman construct that will control the interdimensional corridor and free my beloved.” Archie: “You’re going to build a futa with interdimensional powers?” St. Germ: “It’s called a Rebis.” Archie: “I know what you want to call it. I’m going to call it what it is. But anyway, this necromantic futa is going to open the infinite dimensional doorway, and you’re going to save your girlfriend.” St. Germ: “Yes.” Archie: “Uh-huh…What’s your girlfriend’s name?” St. Germ: “Uhm…pardon.” Archie: “Your girlfriend. What is her name?” St. Germ: “Well her name is…uhm…hmm.” Archie: “Right. Did you come up with the theory of interdimensional futa on your own?” St. Germ: “No, the secrets of this great work were told to me by a complete stranger who knew my identity and entire purpose while I was wandering the Infinite Corridor.” Archie: “This stranger sounds pretty ske-Wait you where in and out of the Infinite Corridor?” St. Germ: “The stranger had a key to get me out.” Archie: “The stranger had a-Why didn’t you ask for more of those? Is it one way or something?” St. Germ: “She said it would open the corridor wherever I choose.” Archie: “Is there a fuel limit or something?” St. Germ: “She said it was charged with many deaths. So maybe? It was very vague, and she was very insistent that I kill a lot of people and discard my morality. It was the first and only solution to her.” Archie: “Did none of this seems suspicious to you?” St. Germ: “I wanted to see my beloved again.” Archie: “Right, what’s her name?” St. Germ: “I…you know what, to hell with you. I’m done with this.” Archie: “Yeah go cry with your totally not a scam interdimensional sex doll.” (footsteps, door closes) Archie: “Build a quasi human man-girl to control dimensions when there’s already keys for that? What kind of stupid magic is this? Whatever. You, swirly skull spirit looking thing, What’s your deal?” Not Death: “I am Death.” Archie: “No you’re f*****g not.” Not Death: “I’m a quasi-vampiric entity that feeds on souls and has been around for so long that people modeled the idea of death after me.” Archie: “Sounds like deconstructionist b******t to me. But it’s not unexpected. Continue.” Not Death: “I pledged myself to Dracula so that he would unleash a wave of slaughter and feed my hunger for lives.” Archie: “Which version? Ah-Don’t answer that. Just go ahead.” Not Death: “But he was killed. And now I will bring him back to unleash a whole new wave of slaughter and gorge myself.” Archie: “Great, and how will you accomplish this?” Not Death: “By tricking Saint Germain into corralling dracula’s remaining servants into building the Rebis and then trapping Dracula’s soul and his wife’s soul into the Rebis which will drive them insane which will make them kill everyone.” Archie: “Let me guess, you were the stranger who gave renaissance boy his futa plan?” Not Death: “Yes, I am a master manipulator.” Archie: “No, you found an idiot and sent him to do a bunch of busy work to once again…what is this magic system? Other people make big interdimensional gates, one place I know has technology that transports them through hell, but you guys…nothing is clicking here. Not Death: “It’s not really magic, it’s advanced scientific phenomena.” Archie: “Oh, you’re those kind of people. Did you consider finding other people besides Dracula to get the slaughter fest started?” Not Death: “No, I need Dracula.” Archie: “You mean the plot needed Dracula.” Not Death: “What?” Archie: “Nevermind. You know what, go ahead. Go trick a bunch of people, to build a futa doll, and then put Dracula and his wife into the doll, to make them crazy, to make people dead. It’s totally not convoluted and certainly not stupid and I’m sure it will work out. Go.” (door opens and closes). Archie: “I’ve just about had it. You’re the last one, wait don’t tell me you’re-“ Drac: “I am Dracula.” Archie: “These people’s version of Dracula, sure. Now tell me your story.” Drac: “Once I was miserable and destroyed all that displeased me, which was everything. Then I met my wife.” Archie: “What’s her name?” Drac: “Lisa.” Archie: “Thank God, he knows. Ok: continue.” Drac: “She gave me a new appreciation for life. She encouraged me to live as a man, not as a monster. Then the violent superstitious fools of this world accused her of being a witch, and burned her at the stake.” Archie: “So now you’re going to kill the people who killed her?” Drac: “I’m going to kill the whole world!” Archie: “Of course you are, how silly of me.” Drac: “Humanity doesn’t deserve to live! They are a worthless species deserving only extermination for their crimes.” Archie: “Your wife was human.” Drac: “She was one of the good ones.” Archie: “Of course she was. Dare I ask how the fools managed to capture her?” Drac: “I was away, travelling as a man, for I had promised not use my powers.” Archie: “Why did they think she was a witch?” Drac: “Uhm…well she was using the advanced technology I gave her to heal people. This shows that humanity is too stupid to-“ Archie: “So the advanced healing technology was human enough, but the advanced traveling technology and mag-I’m sorry, super science, was too much and you had to go without that. Same with weapons, and other avenues of protection.” Drac: “I trusted in the goodness of humanity like she wanted. And that was only further proof that-“ Archie: “That’s not hope in humanity that willful imprudence. You also know there are supernatural threats, so why wouldn’t you put measures in place to defend against those, and thus the human ones as well?” Drac: “I…wanted peace?” Archie: “You’re both supposed to be smart enough to plan for these sorts of things. Please, don’t tell me you had kids…” Drac: “We have a son. My one weakness, and chance for-“ Archie: “Did he also want genocide the planet?” Drac: “He believed in his mother’s foolish dream.” Archie: “So you’re going to kill him because you were committed to the path of death? Or something like that?” Drac: “I only grievously wounded him because I was angry at the world, but I still loved him.” Archie: “Sounds like the writers were throwing motives at the board till something stuck.” Drac: “What?” Archie: “Your motives sound morally grey and super complex. I hesitate to ask, but how were you going to kill everyone on the planet? Were you gonna unleash a plague or something?” Drac: “I would summon an army from the guts of hell to-“ Archie: “Wait! Demons? What kind of demons? Are they fallen angels or deceased sinners?” Drac: “They’re dead humans that my acolytes bring back from the dead and implant into new bodies.” Archie: “And the other idiots already established that your magic system allows you to seek out specific souls and bring them back from death. Did you not know that for some reason?” Drac: “I am Dracula, I have knowledge of all mysteries and advanced sciences beyond human understanding.” Archie: “So the answer is yes.” Drac: “Yes.” Archie: “Why didn’t you just bring Lisa back? It’s clearly possible.” Drac: “I…I was too far gone and committed to the path of revenge.” Archie: “You spared your kid and you keep around a bunch of minions to carry out your dirty work. I’m gonna assume you also have a favorite or two? A trusted vampire spawn or general?” Drac: “My chief lieutenants are actually…ehm…” Archie: “Spit it out.” Drac: “They are Human wizards. One of them is much cooler than the other. In fact he’s so cool that you probably won’t bother critic

  3. Mar 16

    Rant for "13th Warrior".

    Note: Below is the un-corrected script for the audio of the podcast. I highly recommend you listen to the audio rather as this is a podcast, rather than a traditional “article”. Archimedes: Welcome my noble audience, I am Archimedes Lichelord of Cyrenica, and today we embark on a grand and mythic adventure! Snot 1 and 2: Oh boy! I love magical adventures! Archie: No, there’s no magic in this. Snot 2: No magic? Archie: No demons or dragons either. Snot 1 and 2: What?! Archie: It’s human beings and everyday beasts in this story. Snot 1: How can it be an adventure if there’s no magic? Archie: Because we’re going to focus on mortal yet extraordinary fellows accomplishing great deeds against impossible odds. Snot 2: You said it was a mythic adventure. How can it be mythic if there’s no magic or dragons or monsters? Archie: It’s more about how a great story evolves on myths and then grows into or inspires legends. And how those inspire people to live out still more heroic tales. Snot 1: Why would they do that if there’s no magic? Snot 2: Yeah, who wants a story about real life. We live real life everyday. Archie: There’s lots of sword fights, and mystery. Also character growth and acknowledging the strengths of different cultures and what they bring to the human struggle. It’s also an excellent display of how men sometimes fight for the strangest of reasons, but can also form the strongest of bonds despite supposedly insurmountable odds. It’s a good story. Snot 2: Was any of that in the original? Archie: What? Snot 1: These days everything is based on something else. So, we’re asking: is any of the stuff you’re talking about in the original. Archie: I mean, according to every exact detail no… Snot 2: I knew it. Archie: “Listen you little s***s! I’m going to talk about 13th warrior, it’s great adventure movie with great characters in an interesting setting. And you twits are gonna sit down, shut and learn something about storytelling. Got that? Snots: (Crying) “Why are you so mean”, “It was just a joke bro, “You’re so cruel”, What did we do you anyway?” Archie: Ffffffuuuuu- Welcome to Retrospective Rants, with me, Joey Huff as your host. Today I’m going to talk about an adventure movie from the 90s, that The 13th Warrior, starring Antonio Banderas. Let’s get into it. Oh yeah, spoiler warning. In ages past, our protagonist, Ahmed Ibn Fahdlan played by Antonio Banderas, is ejected from his comfortable role in the court of the great Caliph, and made ambassador to a country far to the North of the world. But his journey is interrupted, for as his caravan flees a group of bandits, they happen upon a group of Vikings who have come here to hold a funeral for their deceased king. As Ahmed does his awkward best to communicate, and well, be an ambassador, word comes to the camp that the lands of King Hrothgar are under attack by an unknown and unspeakable terror. The Vikings have a wise woman do her seer thing of consulting bones, as one does. And she says that 13 warriors must go forth to save the besieged land, no more, and no less. But the 13th warrior cannot be a Northman, and thus Ahmed is singled out as this 13th warrior. And that’s our set up. This movie is based on the legend of Beowulf, but not directly. No-no. It is in fact based on a book written by Michael Crichton (Of Jurassic Park fame). And that book is half based on Beowulf and half based on an now dubious account of an Arabian man’s encounter with Vikings. There’s a whole other story there. But Crichton’s book, Eaters of the Dead was written as a way to combat critics of the original poem of Beowulf who say the original classic is uninteresting. This means that the movie 13th warrior is an adaptation of a book that is a narrative focused defense of a classic old English poem. Huh… Despite this strange adaptational road, 13th Warrior is a fun and efficient adventure with a lot of heart. There’s as much of a focus on Ahmed’s attempts to ingratiate himself with his new company, as there is on the actual conflict with the mysterious monsters. There are quite a few differences between the Ahmed’s Medieval Arabic culture and culture of his Viking companions. The northmen are rougher and bigger and they don’t waste much time on niceties. Sometimes it’s a little gross. There’s a whole scene where they pass around a single bowl of water which is used for washing hair, hands, mouths and whatever else. They rinse their teeth and then spit water back into the bowl so it can be used by the next person. It’s fascinating in a gross way. Ahmed is from the court of Arabic nobility where pageantry and well, courtly protocol and are present in excess. Added to that, Ahmed is a poet. He comes across as, and kind of is, softer and more pampered than his current fellows. He’s also the stranger to this motley crew, and his fellows, most of them anyway, don’t expect much from him. Even teasing him. But Ahmed is no pushover. He uses his talent for languages and words to quickly pick up on what the others are saying, impressing them all with his wits. When Vikings mock his smaller horse, Ahmed shows off both his riding skills and the agility of his steed. Again, impressing them. And when the first attack from the monsters arrives, he stands his ground and even manages to kill one of the marauders. Ahmed is never painted as a victim, or even really an underdog. He’s the new guy that the boys have some preconceptions about and breaks through with his actions and attitude. This makes way for a strong bond to be formed between him and the Vikings. It’s especially strong with Herger, the roguish veteran with quick wits and Buliwyf, the leader of the company who, in my opinion, is a worthy competitor to Aragorn in terms of adventure story kings and leaders. These relationships are, in my opinion, the heartful half of this movie. The actual conflict of the story, fighting the monsters or “wendol” is the other half. This is where we get into spoilers, and a few of my nitpicks with the movie. The wendol are not actually monsters, they’re cave men who try to imitate bears. Their “mother”, taking the place of Grendel’s mother, is witch who crafts poisons, and they have more horses than Genghis Khan. Seriously, these bear cosplayers who live in bone tents and caves have an obscene amount of war horses. Yes the wendol are very savage and unraveling their nature is part of the story, but they’re also a bit silly. I’d be lying if the wendol were particularly memorable bad guys. They kill more and more of our heroes as the story progresses, showing that they are at least dangerous. But we only spend so much time with the full company of thirteen, and the ones that die early are ones we don’t spend a lot of time with. And we don’t get any particular members of the wendol tribe who are villainous or memorable. We get the mother of the wendol, and the war chief, but they’re more akin to upgraded or elite enemy variants in a video game rather than full characters. The only other opposing force is the prince, or son of King Hrothgar. He is the typical spoiled and cowardly nobleman and works to undermine Buliwyf out of jealousy and fear for his own position. And while his plans are dealt with in an effective though quick scene, he remains and doesn’t do anything noteworthy for the rest of the movie. You might ask: then what makes the conflict interesting? Well, our heroes. They put in quite a bit of legwork to figure out how the wendol function and how best to dispatch them. There’s also a lot of character work to be shown in their interactions with the people of the besieged village, and how both parties unite and work together against their common foe. For some technical notes: The costuming is excellent, if a bit, dare I say, fantastical. The company of Vikings all have their own unique gear, probably to indicate where they have sailed and what loot they have taken. It’s cool, but also eye catching in a way that makes the historical puritans laugh. Trust me, I checked. The villagers all look like medieval frontier settlers, used to living in rough places and the wendol look like evil cavemen. Not much else to say. I don’t have much to say about the camerawork, but the locations are quite excellent. The ships and the settlement all seem like lived in places rather than simple sets. Like wise the scenes where the Vikings hunt the Wendol mother in their cave network is intense and the closeness of the environment adds to that. The action is also excellent; it is a John McTiernan film after all. All that being said, The 13th Warrior is a fun and engaging adventure film with some minor problems of conflict that, in my opinion, are edged out by excellent character work for our main protagonists. I highly recommend you watch it. That’s all for today then. Thank you so much for listening to this Retrospective Rant and have a good one! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit joeyh1996.substack.com

  4. Mar 2

    Rant For "A Knight of the Seven Kingdoms"

    IMPORTANT! Below is the raw uncorrected script for the episode. It’s meant as an aid, not a substitute for the full product. You have been warned! Me doing a bad impression of the GOT Theme, which is then interrupted by “farting” noises. “Ewww, that’s foul.” “Yes but it’s gross with purpose.” “What?” “It’s distinguishing itself from the other shows in the franchise in a decisive visual manner.” “No, it’s clearly a jab at House of The Dragon for not coming up with their own opening sequence.” Gary: “You fool, the themes of the opening shit run far deeper than that. It’s obviously a deconstruction of audience and performer social dynamics via shock imagery.” Wimpy: “I think it’s a post trans feminist statement on the Marxian position on material distribution. Parody of that silly intro for the episode where Daenerys goes crazy, then interruption by gunshot leading into the episode proper. Welcome to Retrospective Rants, with me, Joey Huff, as your host. Better late than never, but I’m gonna talk about “A Knight of the Seven Kingdoms”, the latest of TV’s westeros offerings. Let’s get to it. There will be spoilers. I’m gonna get this out of the way. I am but a casual Westeros. What does that mean? It means I watch the shows and then I watch other people talk about the original books and lore. Also, I play the Game of Thrones mod for Crusader Kings 3, but that’s different subject. Point being, I like but am not in love with George RR Martins world. Yet even I am not deaf to the adoration many fans have for the Knight of the Seven Kingdoms novellas. These stories take place about 90 years before the grand intrigues of the core story, and about 80 years after the um…epic conflict of House of the Dragon. Both the novellas and this show look away from the struggles for the Iron Throne, Bloodraven notwithstanding, and focuses on the struggles of the average folk. Our hero in these stories is: Dunk. An orphan who grew up from the worst slums of the capital of Kings Landing and now wears the name of Ser Duncan the Tall. He is but a humble wandering hedge knight, accompanied by Egg his young squire. Together they explore westeros and get into a lot of trouble. And the 1st season of this show focuses on how these two met, and Dunk hoped to enter his first joust only to end up fighting a trial by combat for his very life. His supposed crime? Saving an innocent woman from the wrath of a vain and cruel prince. It’s your classic under dog story but set in a fantasy kingdom. And it’s awesome. Even if you’re a new comer to the Song of Fire and Ice, I imagined you’d have to go out of your way not to be swept up in the adventure of A Knight of a Seven kingdoms. Our Heroes and villains, the world they live in, and the choices they make are so compelling and so human. The action of the final battle is lethal and engrossing and the humor, though sometimes juvenile, is always true to the characters and often adds to the humanity of each moment. And speaking of the characters, they are the show’s greatest strength. We’ve an ensemble of some of the best supporting cast in any story ever. Baelor the truly noble Heir to the Throne, Steely Pate the brusque but good hearted smith, Raymond Fossaway our constant if also socially challenged comrade who goes on a massive Alex Jones Rant about the Targaryens. Lionel Baratheon the Mad and Madly Charismatic Laughing Storm. Every character is acted to perfection, not a single moment is wasted, and everyone feels real. And of course they are all built around our dynamic though fantastic duo: Dunk and Egg. Young Egg is a every bit the prodigious, though still innocent child. Filled with wonder at the wide world and the possibilities within it. He is wise beyond his years and has the confidence to act on it, but he’s still a child in need and in search of guidance in this confusing feudal world. And of course he gets it from our hero, Dunk, or Duncan the Tall. Dunk is no great strategist or thinker. He’s actually a bit slow at times. Nor is he a supreme prodigy of combat. But he is possessed of earnest conviction and belief in the promise of True Knighthood, and both his spirt and frame are big enough to take all the punishment this cruel world can dish out. Like his squire egg, Dunk is still trying to find his purpose in this feudal hellscape of Westeros. And though his beliefs and the dreams burn bright, his faith his in ability to live up to them run low. Our Hero suffers from anxiety and a fair bit of imposter syndrome, and struggles to beat that as much as he struggles to navigate the nuances of westerosi politics. Yet when the time comes, and the hypocrites and corrupt nobles of the land try to crush the ideas of chivalry and justice beneath their selfish ambitions, Dunk gets up and fights for whats right. He’s earnest, lovable, and heroic. A true knight. And our cast is augmented by some of the finest set, costume, and sound design you’ll ever find. Westeros, at least since season 2 of game of Thrones, has long suffered from a desaturation problem. Not so much here, where the beautiful locale and vibrance of the tourney ground are a feast for the eyes. Until a suitable dramatic moment arrives, then the atmosphere becomes tense, gloomy, and set for pure action. Everyone is also clothed as they should be. Nobles look nobles, thieves look grimy, and those trying to climb the ranks where their rugged gear proudly. Point being that nothing looks overtly clean or sterile, the costumes look as worn or as well kept as they ought to be. And the oh my the sound. Somone had a lot of fun. The pounding of horsehoofs, the impact of weaponry, and orchestra of wilderness, everything sounds gorgeous. And the music is bit of a departure from other westeros shows as well. The Iconic Theme does make an appearance, when the time is right. But most of time we get folksy sounding themes and at one point smooth jazz in place of orchestral grandeur. Except for one time and that’s for comedic effect. That’s one thing I suppose could be considered a “flaw” with the show. Knight of the Seven Kingdoms is much funnier than the other shows. A lot of the humor though, is crude humor. And some people think it undercuts the drama. All I can say is: it isn’t marvel. The drama or tension is never diminished by a joke, if anything some of those jokes are meant to highlight the dire state of what’s happening or being talked about. This is also an HBO show based on works from George RR Martin. Violence and other graphic content are aplenty here. If you watched the other stuff, you know the stories with mass murder, sexual violence, and children getting shanked, then you really have no place to complain about anything happening in this show. However, I will say that, barring the martial violence, this may be the least gratuitous and perverse of the shows so far. There are some moments but they’re more for shock comedy than anything else. But still, you can’t show this to your kids. In summation, A Knight of the Seven Kingdoms is a heroic tale with a very human and grounded cast and superb presentation. I loved it and so did a lot of people. We can only hope that the next season is as good as this first one. And that’s all I’ve got for the day. Thank you so much, I hope you enjoyed this Retrospective Rant, and have a good one! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit joeyh1996.substack.com

  5. Feb 23

    Why I love The Old Republic!

    Why the Old Republic is my Favorite Star Wars era. Long ago, I Joseph Huff, autistic master of star wars lore, devoured all content from the galaxy far far away. Then an arrogant mouse wielding immense cash stepped forth to mangle what millions already enjoyed. After many decisive blows had been struck, I tore myself from the current star wars media, I mean, besides Andor and The Jedi Fallen Order games. Those are pretty cool. But besides that, I have flung myself into past star wars content, where Nostalgia and my eventual crash out is law. Now I plumb the depths of old content, foolishly hoping to change the present that is THE MOUSE. Cough-cough. Welcome to Retrospective Rants, with me, Joey Huff as your host. If you haven’t figured it out, I’m going to talk about Star Wars. Specifically the Old Republic Era of Star Wars. The best Star Wars. Yes, including the mmo. Darth Marr is THE MAN. But there are few reasons for my love of The Old Republic era, which takes place many thousands of years before the movies. And I figured I’d talk about my top 5 right here. Let’s go! 1st reason: It’s the most Space Fantasy era of this space fantasy. The Jedi and the Sith are all out in force instead of just being figures obscurity and rumors. They’re treated like the heroes in Trojan War. An uncommon sight, but a very real and dangerous one. And while that does wonders for the action in our stories, it also lets us have many wonderful opportunities to explore The Force itself. What it can do as a source of power, what it’s wielders go through as they interact with all the other facets of the galaxy (and each other) and of course the nature of the force itself. Some of the stories, Knights of the Old Republic 2, all praise Chris Avellone, take a philosophical look at the force, but that’s for another episode. And with the force and it’s wielders getting more of a focus, the normie characters are pressed to use every trick they must suppress or even surpass force users. Crazy droids, personal shields, mutant monsters, and more are present in spades. And they’re all made with loyalty to the Star Wars aesthetic and mythos. The Old Republic really drives up both the fantasy and sci-fi elements and that’s always wonderful for the eye to see and the mind to wonder at. 2nd reason: The Aesthetics of the Old Republic. The Star Wars aesthetic is preserved and enhanced throughout the Old Republic era. You can look at what key figures are wearing, even if the outfit is crazy, and instantly recognize them as Jedi or Sith. You can see space ships and guess at the faction while enjoying the scale and role of each craft. There’s also a distinction between the ancient vs the developing/evolving technologies. In comics depicting events a thousand years even before the video games ships look kinda boxy and some lightsabers require battery packs depicting the origin of popular star wars facets and how they develop or stall. Soldiers and weapons from aliens that are forgotten or diminished by the time of the original trilogy are varied and unnerving. Giving a visual confirmation on why they were so feared and why the powers that be within the movies wanted these out worlders were vanquished. And frankly, everything is just cooler. Battle armors for soldiers both conventional and force driven are refined because this is a time of war and strife. Everything is familiar, but also amped up to keep up with the theme of epic conflict and exotic scenery. Our Heroes and Villains are out to kill and look damn good while doing it. Which leads me to my third reason for loving the old republic. 3rd reason: The old republic is a perfect marriage between the Prequels and Classics. The scale of the prequels is paired perfectly with the adventure of the original movies. All the cultures that were cased or at least hinted at in the Prequels are present and because they are developing and even fighting against one another, well times are quite eventful. New factions are rising and falling, worlds are being discovered, colonized or perhaps just stripped. And as reader of the novels and comics or protagonist in the games we get thrown into the frontlines of both frontier exploration and state intrigue of every level. Stories might focus on a group of families trying to settle on an outer rim world, reminiscent of the old west. Archaeologists might un-earth ancient technology from a lost civilization that bent the force to it’s will. And of course a group of misfits might fly across the galaxy in hopes of defying uncovering the Sith’s latest grand plans. Mysteries and Adventure of every scale can be found in the time of the old republic. 4th reason: My 4th reason for liking the Old Republic era is simple: It was unapologetically for nerds. Video games, comics, some table top, and books were the main mediums of the Old Republic. And the only people who delved into those, really delved into them, were people with a passion for science fiction, fantasy, and love for adventurous stories and epic lore. I won’t say there wasn’t pandering, people want to make money after all. But there was a focus on who they were catering to. The old republic embraced new markets by catering to fans of all nerdy genres and interests. Gamers, comic nerd, and book junkies could all transport themselves to the Galaxy Far Far away through whatever immersive way they liked. And these stories brought new characters, mysterious worlds, and terrifying force powers. Yes, we ate well. But there was never a need to twist Star Wars in order to cater to a demographic that never liked it in the first place. There was never a need to simplify the lore bend into something unrecognizable so that they could snag an audience that never liked Star Wars to begin with. Which I suppose brings me to my final reason for Loving the Old Republic. 5th reason: So what is it? The Old Republic era actually expanded on Star Wars. And What I mean by that, is it gave us more original star wars content without simply dredging up a mangled version of old ideas and without trying to twist Star Wars into something it isn’t. That isn’t to say that there aren’t some crazy stories in the old republic. The Sith create all kinds of mutant abominations, The Republic Senate proves that they’ve always been allergic to success, The Qel-Dromas need to calm down, and droids are used in many ways that horrible and not safe for work. And yet it’s all done with respect for the Star Wars identity. The Old Republic stories and it’s continuity were all made with a respect for the original movies and the core story and narrative elements that made Star Wars what it once was. For a long time, we got more star wars content, without the need to just build off old stories and certainly no need to diminish old stories in order to make new ones. “Are you saying all of the Old Republic stories were good?” Amidst decades worth of content, from many different writers and mediums across a whole bunch of cultural upheavals happening all at once? Yeah there will be some bad stories. And people admitted those stories were bad instead of trying to force them on us like they were something good. And since the stories that were awesome were the ones that stuck around and got further expanded upon, the fans had a good time and the mythos was enriched. It was Star Wars, pure and simple. And those are my reasons for Loving The Old Republic, and the stories it brought to Star Wars. I hope you enjoyed my ramblings. Thank you so much for listening to this Retrospective Rants, and have a good one. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit joeyh1996.substack.com

Ratings & Reviews

5
out of 5
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About

I write, I rant, and sometimes there's thought to it. All sorts of topics from big questions to small nerdy stuff. Beyond that, we hope you'll enjoy our content, and that wherever you're listening from: Have a Good One. joeyh1996.substack.com