ArTEEtude: Art, culture and the creative mind. Never so close again. - with Detlef Schlich

Detlef Schlich
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ARTEETUDE is a West Cork–based podcast by visual artist Detlef Schlich, exploring the shifting intersections of art, culture, technology and the creative mind.Together with Sophia, his AI co-host, Detlef enters a conversational space where art history meets neuroscience, shamanic ritual encounters digital culture, and human imagination confronts artificial intelligence. Reflective, humorous and sometimes deeply personal, each episode investigates the forces shaping creativity, perception and contemporary life.Drawing on his practice in performance, photography, painting, sound, installation, film and media archaeology, Detlef treats the podcast not simply as a format, but as an artistic space in its own right — a place for philosophical inquiry, cultural critique, guest conversations, listener questions and poetic speculation. In a world driven by speed, distraction and surface-level connection, ARTEETUDE slows things down. It looks beneath the noise and asks: What does it mean to create today? How do technology and consciousness transform one another? What happens to spirituality in an increasingly digital culture? And where can the human soul still find resonance? Whether you are an artist, a thinker, a technologist or simply curious about the mysteries of creativity, ARTEETUDE invites you into a conversation where art, mind, body and machine meet.

  1. 8h ago

    #ArTEEtude 352 - Detlef Schlich, supported by his AI-Co HOst Sophia returns to Lackavaun and asks why these memories have resurfaced more than twenty years later.The episode ends with a new Los Inorgánicos track: “Goodbye to the Rats.”

    What happens when rebuilding a house becomes a way of reading your own past?In ArTEEtude 352, Detlef Schlich returns to Lackavaun and asks why these memories have resurfaced more than twenty years later — and why they have become more than a single podcast episode.Influenced by landscape, memory, Walter Benjamin’s idea of passages and his own evolving practice of Multilayerism, Detlef begins to see the reconstruction of the old house as something else: a method of thinking through layers.Then the philosophy gets dusty.The main house is completely stripped back. Rotten timber comes out. Floors are lowered. Stone walls are exposed and repointed. Drainage and underfloor heating go in. Woodworm treatment, chemicals, mosquitoes, concrete, exhaustion — and the slow process of learning skills from others before doing them himself.Yet beneath everything that has to disappear, something remains.The stone.The scars.The memory of the building.And eventually, through a new gable window, Dunmanus Bay enters the house.Keep what remembers. Lose what does not.The episode ends with a new Los Inorgánicos track:“Goodbye to the Rats.”About Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation. Research & Artistic MethodDetlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture. Download here for free: Shamanism, Art and Digital Culture: Cause and Effect https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience. Read here: Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich https://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_Schlich Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast. WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer. Official YouTube Channel: https://www.youtube.com/@WAWBand From the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music. AfricaSmile AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together. Watch here: https://www.youtube.com/watch?v=LnQbsh01YWU The Nile’s Bittersweet Song The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer. The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel. Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current. Watch here: https://www.youtube.com/watch?v=33AWko4IkKI WAW on BandcampSilent Night In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life. https://studiomuskau.bandcamp.com/track/silent-night Wild Atlantic Way This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast. https://studiomuskau.bandcamp.com/track/wild-atlantic-way YouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich https://www.youtube.com/watch?v=dAbytLSfgCw Detlef SchlichInstagram Detlef Schlich ArTEEtude I love West Cork Artists Facebook Detlef Schlich I love West Cork Artists Group ArTEEtude YouTube Channels visual Podcast ArTEEtude Cute Alien TV official Website ArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

    #ArTEEtude 352 - Detlef Schlich, supported by his AI-Co HOst Sophia returns to Lackavaun and asks why these memories have resurfaced more than twenty years later.The episode ends with a new Los Inorgánicos track: “Goodbye to the Rats.”

  2. Sep 13

    #ArTEEtude 351 - Visual artist Detlef Schlich continues his journey back to Lackavaun on the remote Northside of the Mizen Peninsula, where he began a radically different life in 2003. The episode closes with the song “The House That Built Me.” perf

    THE HOUSE THAT BUILT ME — Water, Stone and the Little RuinPodcast SummaryIn ArTEEtude 351, “The House That Built Me — Water, Stone and the Little Ruin,” visual artist Detlef Schlich continues his journey back to Lackavaun on the remote Northside of the Mizen Peninsula, where he began a radically different life in 2003.After the arrival described in episode 350, Schlich now finds himself largely alone in a damaged rural house without running water, learning how to create the basic conditions for living. With no driving licence, a scooter becomes his connection to Goleen, supplies, local knowledge and the outside world. Sand, gravel, cement, a concrete mixer and eventually belongings transported from Cologne slowly turn survival into construction.Rather than immediately tackling the main house, Schlich begins with a small ruin beside it. The building becomes both shelter and experiment: a place to learn how to mix mortar, rebuild walls, restore a chimney and transform an abandoned structure into a functioning home.Water becomes the central element of the episode. Before a borehole existed, construction water had to be carried by hand from a nearby spring and poured bucket by bucket into large rain barrels. Only later did Schlich discover that the source was locally regarded as a holy well, retrospectively giving the physical act of building an unexpected ritual dimension.The arrival of a huge drilling rig marks another transformation. Approximately seventy metres are drilled into the ground before water can finally be brought directly into the building. Material extracted from deep beneath the landscape is reused around the property, while plumbing, electricity, fire and a loft bed gradually turn the little ruin into a genuinely habitable space.Looking back more than two decades later, Schlich recognises something he could not yet articulate in 2003: he was not simply learning how to rebuild a house. The repetitive physical relationship between body, landscape, water, stone and material was beginning to shape an artistic language that would later emerge in his work with ritual, media archaeology and performance.The episode closes with the song “The House That Built Me.” performed by Los Inorganicos.A ruin has become a home.And now the real work can begin.About Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation. Research & Artistic MethodDetlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture. Download here for free: Shamanism, Art and Digital Culture: Cause and Effect https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience. Read here: Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich https://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_Schlich Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast. WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer. Official YouTube Channel: https://www.youtube.com/@WAWBand From the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music. AfricaSmile AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together. Watch here: https://www.youtube.com/watch?v=LnQbsh01YWU The Nile’s Bittersweet Song The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer. The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel. Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current. Watch here: https://www.youtube.com/watch?v=33AWko4IkKI WAW on BandcampSilent Night In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life. https://studiomuskau.bandcamp.com/track/silent-night Wild Atlantic Way This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast. https://studiomuskau.bandcamp.com/track/wild-atlantic-way YouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich https://www.youtube.com/watch?v=dAbytLSfgCw Detlef SchlichInstagram Detlef Schlich ArTEEtude I love West Cork Artists Facebook Detlef Schlich I love West Cork Artists Group ArTEEtude YouTube Channels visual Podcast ArTEEtude Cute Alien TV official Website ArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

    #ArTEEtude 351 - Visual artist Detlef Schlich continues his journey back to Lackavaun on the remote Northside of the Mizen Peninsula, where he began a radically different life in 2003. The episode closes with the song “The House That Built Me.” perf

  3. Sep 6

    #ArTEEtude 350 - Detlef Schlich returns to the beginning of his life in Ireland and reflects on his arrival in Lackavaun on the Northside of the Mizen Peninsula in 2003.

    What if the house you bought was actually a time machine? In 2003, I arrived in Lackavaun on the remote Northside of the Mizen Peninsula in West Cork.No running water. Old jeans stuffed between roof and wall to keep the wind out. Rats upstairs. Dunmanus Bay outside the door. And then I met Pat McCarthy. What initially appeared to be simply a remote and beautiful part of West Cork gradually revealed itself as a place in which several historical layers were still visible at the same time. Through the story of an old house without running water, the late arrival of rural electrification, dramatic population decline after the Great Famine, and the isolation of everyday life, the episode paints a vivid picture of a landscape that was already entering the 21st century while still carrying traces of a much older rural culture. At the centre of the episode is Patrick McCarthy, co-author of Northside of the Mizen, who personally welcomed Detlef to Lackavaun in April 2003. McCarthy becomes a symbolic link between oral storytelling, local history and a disappearing way of life. An old butter churn, a curious matchmaking story, and the Irish tradition of the Pioneer movement open wider questions about how knowledge, gestures and memories survive once their original cultural context begins to disappear. Rather than romanticising rural hardship, the episode examines the tension between poverty and authenticity, isolation and beauty, tradition and technological change. Schlich reflects on how these five years in Lackavaun shaped his later artistic engagement with ritual, material culture, shamanism, technology and media archaeology long before he had a theoretical language for it. ArTEEtude 350 is a journey into a landscape full of traces — and into the stories that continue to live when someone decides to tell them again. About Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation. Research & Artistic MethodDetlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture. Download here for free: Shamanism, Art and Digital Culture: Cause and Effect https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience. Read here: Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich https://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_Schlich Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast. WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer. Official YouTube Channel: https://www.youtube.com/@WAWBand From the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music. AfricaSmile AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together. Watch here: https://www.youtube.com/watch?v=LnQbsh01YWU The Nile’s Bittersweet Song The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer. The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel. Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current. Watch here: https://www.youtube.com/watch?v=33AWko4IkKI WAW on BandcampSilent Night In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life. https://studiomuskau.bandcamp.com/track/silent-night Wild Atlantic Way This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast. https://studiomuskau.bandcamp.com/track/wild-atlantic-way YouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich https://www.youtube.com/watch?v=dAbytLSfgCw Detlef SchlichInstagram Detlef Schlich ArTEEtude I love West Cork Artists Facebook Detlef Schlich I love West Cork Artists Group ArTEEtude YouTube Channels visual Podcast ArTEEtude Cute Alien TV official Website ArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

    #ArTEEtude 350 - Detlef Schlich returns to the beginning of his life in Ireland and reflects on his arrival in Lackavaun on the Northside of the Mizen Peninsula in 2003.

  4. Aug 30

    # ArTEEtude 349, Detlef Schlich reflects with Sophia on the aftermath of the WAW Keep Clear journey through Cape Clear and Ballydehob.The episode closes with the new Los Inorgánicos track: “Why Do We Still Do This?”

    Two gigs. One island. Buses, ferries, instruments, rehearsals, carrying, setting up, tearing down — and not exactly a Rolling Stones budget.So why do we still do this?In ArTEEtude 349, Detlef Schlich reflects with Sophia on the aftermath of the WAW Keep Clear journey through Cape Clear and Ballydehob. With Dirk Schlömer back in Berlin and the equipment finally unpacked, there is time to ask a question that reaches far beyond two concerts: what keeps an artist moving when money, comfort and convenience clearly aren't the answer?The episode begins with one of the stories that never made it into the previous podcasts: two €50 notes disappearing on the way to Cape Clear — and unexpectedly returning aboard the ferry. From there, the conversation moves into ageing, physical exhaustion, artistic obsession, live performance and the difference between validation and resonance.Cape Clear becomes more than a gig destination. Encounters, landscape, weather and people generate ideas that could never have emerged inside the studio alone. Yet inspiration brings its own problem: every journey creates more possibilities, while time, money and energy remain finite.Perhaps artists don't necessarily need an audience to validate their work.Perhaps they need encounters.Because something changes when art leaves the protected space of the studio and meets real people in a real place.And maybe Dirk's joke about coming back “a hundred euros richer” wasn't entirely wrong after all.The episode closes with the new Los Inorgánicos track:“Why Do We Still Do This?”Not for money.Not for fame.Again. Again. Again. About Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation. Research & Artistic MethodDetlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture. Download here for free: Shamanism, Art and Digital Culture: Cause and Effect https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience. Read here: Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich https://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_Schlich Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast. WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer. Official YouTube Channel: https://www.youtube.com/@WAWBand From the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music. AfricaSmile AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together. Watch here: https://www.youtube.com/watch?v=LnQbsh01YWU The Nile’s Bittersweet Song The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer. The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel. Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current. Watch here: https://www.youtube.com/watch?v=33AWko4IkKI WAW on BandcampSilent Night In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life. https://studiomuskau.bandcamp.com/track/silent-night Wild Atlantic Way This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast. https://studiomuskau.bandcamp.com/track/wild-atlantic-way YouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich https://www.youtube.com/watch?v=dAbytLSfgCw Detlef SchlichInstagram Detlef Schlich ArTEEtude I love West Cork Artists Facebook Detlef Schlich I love West Cork Artists Group ArTEEtude YouTube Channels visual Podcast ArTEEtude Cute Alien TV official Website ArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

    # ArTEEtude 349, Detlef Schlich reflects with Sophia on the aftermath of the WAW Keep Clear journey through Cape Clear and Ballydehob.The episode closes with the new Los Inorgánicos track: “Why Do We Still Do This?”

  5. Aug 23

    #ARTEETUDE 348 —Schlich and Schlömer reflect on the latest WAW journey through West Cork. At the end we listen to a beach version of "When the tide knocks at your door". Inspired by our latest journey to Cape Clear.

    The Cape Clear adventure is over — but the tide is still moving.Detlef Schlich and Dirk Schlömer sit down at Garrylucas Beach for the final reflection on their WAW days in West Cork: two gigs, new songs, the Magic Forest, unexpected encounters, exhaustion, friendship and a packed Oasis Art Café.WAW played a full hour of original material before Go Like This took over the stage — two generations, two different sounds, one great night.And somewhere along the journey, WAW itself changed: tighter songs, increasingly intertwined voices and a growing collection of Stories of West Cork. The episode ends where this chapter began: with Cape Clear — and the new WAW song inspired by the island.About Detlef SchlichDetlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation. Research & Artistic MethodDetlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture. Download here for free: Shamanism, Art and Digital Culture: Cause and Effect https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience. Read here: Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich https://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_Schlich Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast. WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer. Official YouTube Channel: https://www.youtube.com/@WAWBand From the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music. AfricaSmile AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together. Watch here: https://www.youtube.com/watch?v=LnQbsh01YWU The Nile’s Bittersweet Song The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer. The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel. Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current. Watch here: https://www.youtube.com/watch?v=33AWko4IkKI WAW on BandcampSilent Night In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life. https://studiomuskau.bandcamp.com/track/silent-night Wild Atlantic Way This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast. https://studiomuskau.bandcamp.com/track/wild-atlantic-way YouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich https://www.youtube.com/watch?v=dAbytLSfgCw Detlef SchlichInstagram Detlef Schlich ArTEEtude I love West Cork Artists Facebook Detlef Schlich I love West Cork Artists Group ArTEEtude YouTube Channels visual Podcast ArTEEtude Cute Alien TV official Website ArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

    #ARTEETUDE 348 —Schlich and Schlömer reflect on the latest WAW journey through West Cork. At the end we listen to a beach version of "When the tide knocks at your door". Inspired by our latest journey to Cape Clear.

  6. Aug 16

    #ARTEETUDE 347 Schlich and Schlömer take the microphone on Cape Clear after their WAW – Wild Atlantic Way adventure brought them across the water and onto one of Ireland’s most remarkable islands.

    Cape Clear. An island at the edge of Ireland. A ferry, a gig, a few instruments — and two men who apparently still think jumping into the Atlantic is a perfectly reasonable form of post-production.This episode is not a polished travel report. It is the sound of actually being there.Detlef and Dirk talk about the journey to Cape Clear, arriving on the island, the people they met, the atmosphere surrounding the gig, performing their music far away from the usual circuits — and what remains when the instruments are packed away and the evening is over.The conversation moves between music, friendship, island life, improvisation and those unexpected moments that turn a gig into something much larger than a gig.And somewhere between land and sea, performance and memory, WAW’s KEEP CLEAR journey becomes exactly what it was meant to be:Not simply a tour.An encounter.An experience.A story worth bringing home. Keep Clear. Come closer About Detlef Schlich Detlef Schlich is a rock musician, podcaster, visual artist, filmmaker, ritual designer, and media archaeologist based in West Cork, Ireland.His artistic practice moves between performance, photography, painting, sound, installation, film, music, podcasting, and digital image-making. Across these fields, Schlich reflects on the human condition, the relationship between ritual and technology, and the changing role of the artist in digital culture.As a media archaeologist, he explores how media shape perception, memory, culture, politics, and artistic expression. His work often uses the figure of the digital shaman as an alter ego — a method for navigating the space between ancient ritual structures, contemporary media, and technological transformation.Research & Artistic MethodDetlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture. Download here for free: Shamanism, Art and Digital Culture: Cause and Effect https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience. Read here: Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich https://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_Schlich Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast. WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer. Official YouTube Channel: https://www.youtube.com/@WAWBand From the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music. AfricaSmile AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together. Watch here: https://www.youtube.com/watch?v=LnQbsh01YWU The Nile’s Bittersweet Song The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer. The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel. Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current. Watch here: https://www.youtube.com/watch?v=33AWko4IkKI WAW on BandcampSilent Night In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life. https://studiomuskau.bandcamp.com/track/silent-night Wild Atlantic Way This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast. https://studiomuskau.bandcamp.com/track/wild-atlantic-way YouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich https://www.youtube.com/watch?v=dAbytLSfgCw Detlef SchlichInstagram Detlef Schlich ArTEEtude I love West Cork Artists Facebook Detlef Schlich I love West Cork Artists Group ArTEEtude YouTube Channels visual Podcast ArTEEtude Cute Alien TV official Website ArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

    #ARTEETUDE 347 Schlich and Schlömer take the microphone on Cape Clear after their WAW – Wild Atlantic Way adventure brought them across the water and onto one of Ireland’s most remarkable islands.

  7. Aug 9

    #ARTEETUDE 346 - Detlef Schlich and his Co-Host Sophia carry their exploration of vibration, memory and reception across the Atlantic to Cape Clear Island — Oileán Chléire. The episode also looks ahead to the WAW Keep Clear Tour 2026, beginning at C

    Can a place listen? Following The Skin That Listens, Detlef and Sophia carry their exploration of vibration, memory and reception across the Atlantic to Cape Clear Island — Oileán Chléire. An island has no ears, yet it continuously receives: waves, weather, footsteps, languages, stories, warnings and songs. In this episode, Cape Clear becomes a living archive. Its ancient stone markings, oral traditions and maritime signals reveal how places preserve traces even when their original meanings have been partially lost. A former lighthouse once transmitted a warning from the island’s highest cliffs, but mist often prevented the signal from being seen. That contradiction becomes the philosophical centre of the episode: A lighthouse says: Keep clear.A story says: Come closer.The episode also looks ahead to the WAW Keep Clear Tour 2026, beginning at Club Chléire on Wednesday, 12 August, with Detlef Schlich and Dirk Schlömer—Detlef’s “better WAW half.” WAW reached No. 1 in Neil Quinn’s Cork Playlist last year and No. 2 this year. Their new song, When the Tide Knocks at Your Door, receives its spoken-word premiere in the podcast before being performed musically for the first time on Cape Clear. The closing track by Los Inorgánicos, After the Signal, remains deliberately atmospheric: The listeners receive the words first. The island receives the music. Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

    #ARTEETUDE 346 - Detlef Schlich and his Co-Host Sophia carry their exploration of vibration, memory and reception across the Atlantic to Cape Clear Island — Oileán Chléire. The episode also looks ahead to the WAW Keep Clear Tour 2026, beginning at C

  8. Aug 2

    #Arteetude 345 – Schlich and his AI co-host Sophia explore the relationship between hearing, touch, vibration, bodily rhythm and memory. The episode concludes with the new song by Los Inorgánicos: When Silence Moves

    Can sound be felt before it is heard? Arteetude 345 – The Skin That Listens grew directly from responses to our previous episode. Listener Wendy Chivers questioned whether feeling had been treated merely as an unusual side effect of hearing rather than as an essential form of perception. Pastora Braghini then shared a childhood memory of her deaf grandfather, who could detect the children approaching his armchair through vibrations travelling across the old wooden floor. Together with my AI co-host Sophia, I explore the territory between hearing and touch. The ear translates vibration into sound, while skin, bones, muscles and balance translate the same physical event into pressure, movement and spatial awareness. Perhaps listening has never belonged to the ear alone. Perhaps music enters a body already filled with rhythms—heartbeat, breath, memory and movement—and becomes part of us before language can explain what happened. The episode concludes with the new song by Los Inorgánicos: When Silence MovesResearch & Artistic MethodDetlef Schlich’s artistic research is rooted in his essay Shamanism, Art and Digital Culture: Cause and Effect, which investigates the relationship between ritual, artistic transformation, media, and digital culture. Download here for free: Shamanism, Art and Digital Culture: Cause and Effect https://www.researchgate.net/publication/303749640_Shamanism_Art_and_Digital_Culture_Cause_and_Effect Building on this foundation, Schlich developed Multilayerism: A New Paradigm in Contemporary Art – A Manifesto, an artistic method and conceptual framework for understanding contemporary art through layers of media, memory, technology, ritual, emotion, misunderstanding, and lived experience. Read here: Multilayerism: A New Paradigm in Contemporary Art – A Manifesto by Detlef Schlich https://www.researchgate.net/publication/375665507_Multilayerism_A_New_Paradigm_in_Contemporary_Art_-_A_Manifesto_by_Detlef_Schlich Together, these texts form the theoretical backbone of Schlich’s ongoing work as a visual artist, media archaeologist, ritual designer, musician, and host of the Arteetude podcast. WEBSITE LINKS Music ProjectsWAW / Wild Atlantic WayWAW is the music project by Detlef Schlich and Dirk Schlömer. Official YouTube Channel: https://www.youtube.com/@WAWBand From the forthcoming WAW album The Stories of Nil YoungTwo songs from WAW’s developing album project The Stories of Nil Young form part of a mythopoetic journey along the Nile, where river, memory, loss, cooperation, and hope flow into music. AfricaSmile AfricaSmile follows the Nile as an imagined journey from its sources to the Mediterranean Sea — a river of memory, movement, rhythm, and myth. The song turns the meeting of the White Nile and the Blue Nile into a fragile image of cooperation. It is not a naïve peace anthem, but a wounded musical hope: two different currents meeting, listening, and still moving forward together. Watch here: https://www.youtube.com/watch?v=LnQbsh01YWU The Nile’s Bittersweet Song The Nile’s Bittersweet Song is the first official single by WAW / Wild Atlantic Way — Detlef Schlich and Dirk Schlömer. The song follows the Nile as a river of memory, beauty, loss, and contradiction: a life-giver, but also a force that can take away what it once nourished. Through the story of Kamau, it becomes a poetic reflection on childhood, fragile hope, and the emotional landscape carried by a river that is both kind and cruel. Inspired by East African storytelling traditions and shaped along the Wild Atlantic Way in West Cork, The Nile’s Bittersweet Song is a mythopoetic musical journey about water, grief, resilience, and the deep human longing to keep moving with the current. Watch here: https://www.youtube.com/watch?v=33AWko4IkKI WAW on BandcampSilent Night In a world shadowed by conflict and unrest, Dirk Schlömer and Detlef Schlich felt compelled to reinterpret Silent Night to reflect the complexities and contradictions of modern life. https://studiomuskau.bandcamp.com/track/silent-night Wild Atlantic Way This song emerged from a trip to West Cork, Ireland, where the beautiful coastal Wild Atlantic Way stretches along the west coast. https://studiomuskau.bandcamp.com/track/wild-atlantic-way YouTubeSilent Night Reimagined – A Multilayered Avant-Garde Journey by WAW aka Dirk Schlömer & Detlef Schlich https://www.youtube.com/watch?v=dAbytLSfgCw Detlef SchlichInstagram Detlef Schlich ArTEEtude I love West Cork Artists Facebook Detlef Schlich I love West Cork Artists Group ArTEEtude YouTube Channels visual Podcast ArTEEtude Cute Alien TV official Website ArTEEtude Detlef Schlich Det Design Tribal Loop Support this podcast at — https://redcircle.com/arteetude-a-podcast-with-artists-by-detlef-schlich/exclusive-content

    #Arteetude 345 – Schlich and his AI co-host Sophia explore the relationship between hearing, touch, vibration, bodily rhythm and memory. The episode concludes with the new song by Los Inorgánicos: When Silence Moves
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About

ARTEETUDE is a West Cork–based podcast by visual artist Detlef Schlich, exploring the shifting intersections of art, culture, technology and the creative mind.Together with Sophia, his AI co-host, Detlef enters a conversational space where art history meets neuroscience, shamanic ritual encounters digital culture, and human imagination confronts artificial intelligence. Reflective, humorous and sometimes deeply personal, each episode investigates the forces shaping creativity, perception and contemporary life.Drawing on his practice in performance, photography, painting, sound, installation, film and media archaeology, Detlef treats the podcast not simply as a format, but as an artistic space in its own right — a place for philosophical inquiry, cultural critique, guest conversations, listener questions and poetic speculation. In a world driven by speed, distraction and surface-level connection, ARTEETUDE slows things down. It looks beneath the noise and asks: What does it mean to create today? How do technology and consciousness transform one another? What happens to spirituality in an increasingly digital culture? And where can the human soul still find resonance? Whether you are an artist, a thinker, a technologist or simply curious about the mysteries of creativity, ARTEETUDE invites you into a conversation where art, mind, body and machine meet.

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