New Books in Korean Studies New Books Network

Dr. SunAh M. Laybourn’s Out of Place: The Lives of Korean Adoptee Immigrants (NYU Press, 2024) explores the experiences of Korean adoptees, the largest population of adult transnational adoptees in the United States. Over 125,000 Korean children have been adopted into primarily white US families since the 1950s, and despite being raised as US citizens, still experience both legal and social barriers to national belonging.
Drawing on in-depth interviews with Korean adoptee adults, online surveys, and participant observation at Korean adoptee events across the US and in Korea, Out of Place illustrates how Korean adoptees come to understand their racial positions, reconcile competing expectations of citizenship and racial and ethnic group membership, and actively work to redefine belonging both individually and collectively. In considering when and how Korean adoptees have been remade, rejected, and celebrated as exceptional citizens, Out of Place brings to the fore the features of the race-making process.
Dr. SunAh M. Laybourn is an Assistant Professor of Sociology at the University of Memphis. She received her PhD from the University of Maryland in 2018. Her areas of interest include race and ethnicity, identity development, and Asian America/ns.
Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities at https://twitter.com/AJuseyo.
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Tell It to the World: The Broadway Musical Abroad (Oxford UP, 2024) offers a look at how the Broadway musical travels the world, influencing and even transforming local practices and traditions. It traces especially how the musical has been indigenized in South Korea and Germany, the commercial centers for Broadway musicals in East Asia and continental Europe. Both countries were occupied after World War II by the United States, which disseminated U.S. American popular music, jazz, movies, and musical theatre in the belief that these nations needed to rebuild their cultures in accordance with U.S. guidelines. By the 1990s, Broadway imports had become phenomenally popular in Seoul and Hamburg while home-grown musicals proliferated that adapted and transformed the prototypes that had been disseminated by the U.S.
Although this book focuses on recent musicals, it also looks back through the twentieth century to plot the evolution of musical theatre in South Korea and Germany. Part One considers the key questions: What is a musical? Why is it the great success story of U.S. theatre? How has it been assimilated to musical theatre traditions around the world? Part Two focuses on musical theatre in South Korea, studying the import/export business in large-scale musicals about Korean history and innovative hybrid experiments that mix local performance traditions with the Broadway vernacular. Part Three moves to Europe to analyze the conflicted attitudes toward musicals in the German-speaking world. Its three chapters survey the history of musicals in Germany from 1945 until the fall of the Berlin Wall, the reconfiguration of musical theatre conventions by experimental directors, and finally the ground-breaking German-language productions of Broadway classics by Barrie Kosky and other innovative directors.
In the twenty-first century, Broadway-style musical theatre has succeeded in becoming a lingua franca, the template for musical theatre around the world. This book shows how some of the most innovative, beautiful, and exciting musical theatre is being made outside the United States.
Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
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“The things that are happening to North Korea are happening to all of us…they are part of the human community. To say that this is just a problem for North Korea is to say that North Koreans are not part of the human community.” In her new book, Dying for Rights: Putting North Korea’s Human Rights Abuses on the Record (Columbia University Press, 2019), Sandra Fahy gives a thorough and compelling analysis of testimonies and reports on North Korea. Fahy explores the United Nation’s report as well as North Korea’s response to the report. The book also tackles issues of famine and hunger, information control, movement within the country and outside it, in addition to other pertinent issues. The book is full of detailed reporting on the issues but is still written in an accessible way in order to help readers understand more about North Korea and its people.
Sarah E. Patterson is a Postdoctoral Fellow at the University of Michigan.
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Dr. Andy Jackson’s The Late and Post-Dictatorship Cinephilia Boom and Art Houses in South Korea (Edinburgh University Press, 2024) examines an unexplored area of South Korean cinema history – the 1985-1997 growth of art film exhibition, consumption, and cinephilia. This moment of heightened interest in art film altered how many Koreans conceptualised cinema and helped pave the way for the critical success of South Korean film. This historical study analyses the cultural, political, social, and economic developments of the post-1985 period that increased interest in European art film. It looks at the interactions of art house exhibitors with cinephile audiences, the media and the state-level administrators responsible for governing the industry. The aim of young cinephiles was nothing less than a bottom-up cultural transformation of a society emerging from three decades of dictatorship. The analysis is based on the previously unheard voices of audiences who participated in the cinephilia. This study is both a history of an era in Korean cinema and an argument about the impact of this period of cultural renewal on the industry.
Andy Jackson is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University’s Korean Studies Research Hub here.
Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities on X. 
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The invention of an easily learned Korean alphabet in the mid-fifteenth century sparked an "epistolary revolution" in the following century as letter writing became an indispensable daily practice for elite men and women alike. The amount of correspondence increased exponentially as new epistolary networks were built among scholars and within families, and written culture created room for appropriation and subversion by those who joined epistolary practices.
Focusing on the ways that written culture interacts with philosophical, social, and political changes, The Power of the Brush: Epistolary Practices in Chosŏn Korea (U Washington Press, 2020) examines the social effects of these changes and adds a Korean perspective to the evolving international discourse on the materiality of texts. It demonstrates how innovative uses of letters and the appropriation of letter-writing practices empowered elite cultural, social, and political minority groups: Confucians who did not have access to the advanced scholarship of China; women who were excluded from the male-dominated literary culture, which used Chinese script; and provincial literati, who were marginalized from court politics. New modes of reading and writing that were developed in letter writing precipitated changes in scholarly methodology, social interactions, and political mobilization. Even today, remnants of these traditional epistolary practices endure in media and political culture, reverberating in new communications technologies.
The Power of the Brush is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem) and the generous support of Emory University and the Andrew W. Mellon Foundation.
Sarah Bramao-Ramos is a Research Assistant Professor at the Society of Fellows in the Humanities at the University of Hong Kong. She can be reached at sarahbr@hku.hk
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Even in states where borders and sovereignty are supposedly well established, large movements of transnational migrants are seen to present problems, as today’s crises show the world over. But as Alyssa Park’s book Sovereignty Experiments: Korean Migrants and the Building of Borders in Northeast Asia, 1860-1945 (Cornell University Press, 2019) shows, when both peoples and whole political paradigms are on the move simultaneously, we are able to look in very new ways at how governance works and how it interrelates with issues of human mobility.
In this richly informative and captivating book, Park focuses on the movement of Koreans around the point where China, Russia and Korea converged from the mid-19th century onwards. Deftly moving between intimate migrant experiences and higher-level government activity, the author’s interweaving of the personal and the political gives us a newly grounded perspective on several large empire-states and how they came to understand sovereignty, population and loyalty in the 19th and 20th centuries. These understandings continued to reverberate in the decades that followed, and many remain with us in the present.
Ed Pulford is an Anthropologist and Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia.
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