Bureau of Lost Culture Stephen Coates

*"Punk taught us the future had only just begun” he says
*For him that future was to include the bands Killing Joke, The Orb, Brilliant and The KLF; starting various record labels; hit records; producing and remixing a massive range of artists including Paul McCartney, The Verve, Tom Jones, Maria McKee, Kate Bush, Pink Floyd, Guns N' Roses, Primal Scream, Siouxsie and the Banshees, Art of Noise, Crowded House, Erasure, U2, INXS, and the Suns of Arqa- and a Grammy for his recent work with Toots and the Maytalls

 
*But running beneath it all is a deeply countercultural spirit.
 
*Uber-Music producer and druid Youth (Martin Glover)returned to the Bureau to talk about his life and times. We get deep into punk, post-punk, London as 'The City of Revelation', psychgeography, The Sacred Thames, squatting, the South London Arts Lab, druidry, turning Stonehenge off, having an epiphany, burning money, sampling other people's records, the second summer of love, the creative process, drugs - and, of course, counterculture.
 
Check out this playlist of just a selection of Youth's work and music.
 
https://music.apple.com/gb/playlist/youth-martin-glover-productor/pl.u-EzbdIa0z2vl
 

 


#psychogeography #psychedelics #theunconscious #consciousness #thepyramids #yout #counterculture #drug  #lsd #acid #martinglover #theorb #psychedelic #klf #druidry #killingjoke #occult

*Julie Taylor was the police officer who gave her name to 
'OPERATION JULIE', the biggest drug bust in UK history and one which resulted in the conviction of over a hundred individuals involved in the trafficking of LSD, including some of the most prolific chemists of the era.
 
*Christine Bott was a practising doctor living a classic 1970s rural countercultural life in mid Wales, growing organic vegetable, rearing goats and ministering to the local community. She also happened to be part of the biggest LSD manufacturing gang in UK history, an activity that led to her arrest under the Operation Julie bust and imprisonment amongst 'the 36 most dangerous women in Britain' - including the child murderer Myra Hindley.

 
*Whilst much has been made of Operation Julie in articles, books and even a musical in recent years, Christine's story, like many of those of women in the counterculture, has been largely sidelined - until now.  
 
*Before she died, her friend KATE HAYES promised her that she would tell it - and she has kept that promise by publishing two books: 'The Untold Story of Christine Bott' and 'After Julie: The Kemp Tapes', the latter a record of the only interviews with Christine's partner Richard Kemp, the chemist who invented 'The Microdot' (generally recorded as the best LSD in Christendom.
 
*Both were driven by a desire to change the world for the better, to save the planet and, however naive their actions may have been, they held to that vision and paid the price for it.
 
*Kate came to the Bureau to tell us how it all came about and how Christine survived - and even thrived - despite the darkness of prison.
 
Its truly gripping stuff.
 
For more on Kate and the books

 
#tripping #psychedelics #theunconscious #consciousness #operationjulie #christinebott #counterculture #drug  #lsd #acid #richardkemp #myrahindley #psychedelic #microdot #tripping #druglaw #timleary 

*A time when musicians were viewed as revolutionaries and revolutionaries might be considered pop culture icons
 
*Crate digger / rock critc / reissue producer and archivist extraordinaire Pat Thomas came to the Bureau to tell how black power intersected with counterculture and influenced folk, rock, soul and jazz in the years between 1965 and 1975.
 
*We hear astonishing stories from his book 'Listen, Whitey: The Sights and Sounds of Black Power’ and some amazing sounds from the accompanying album issued by Light in the Attic including tracks by John and Yoko, Dylan, The Watts Prophets and Elaine Brown.
 
*And we learn how the Black Power Movement, and the Black Panthers in particular, moved from militant political action to community activism whilst interacting with the wider counterculture - and, though bad things were done, how many of their adherants used a pencil, a book of poetry, a typewriter or a musical instrument to bring about change beyond violent revolution.
 


#counterculture #rockagainstracism #backpanthers #blackpower #angeladavis #racism #thebeats #oakland #tomothyleary #activism #socialism #revolution #rockrevolution #eldridgecleaver #bobdylan #motown #johnandyoko #thewattsprophets 

*Who do the green roads and wide open spaces of Albion belong to?
 
*This episode is a story is about a collision of two cultures - the counterculture of the twin tribes of urban free party ravers and new age travellers - and the mainstream culture of landowners, the legal authorities, English Heritage and right-wing politicians.
 
*In the first of a series on '80s and '90s counterculture, Aaron Trinder, director of the documentary 'Free Party: A Folk History' came to the Bureau to tell how that collision played out in the years between 1985 and 1992 when extra-ordinary free festivals and parties built  on youthful passion, music, community, dancing, the desire to connect with the ancient landcape  - and drugs - were violently suppressed.
 
*We hear of the brutal police tactics at 'The Battle of the Beanfield' and at Britiain's largest ever free rave at Castle Morton; how legislation has curtailed the culture of the travellers, the use of common land and ancient rights of access, and we note that whilst free festivals have been crushed, commercial festivals have become an essential part of the the mainstream culture, the entertainment industry and the economy.
 
*Upcoming: Mark Angelo Harrison on Spiral Tribe
 
More on Aaron's film 'Free Party a Folk History' 
 


#festivals #counterculture #freefestivals #spiraltribe #squatparty #travellers #newagetravellers #battleofthebeanfield #hippie #castlemorton #techno #drugs #lsd #soundsystem #raveculture #raves #StonehengeFreeFestival #stonehenge
 

What was it like to live in a commune? What was it like to grow up in a commune?
NANCY THOMPSON came to the Bureau to tell us. She was born in The Shrubb Family Commune - one that was set up in a big old farmhouse in rural Norfolk in 1970 - and, remarkably, one that is still going today.
In the early to mid '60s many Western cities were magnets drawing the young and hip in from the regions, shaking off the austerity of the '50s, joining their urban peers in experimenting with new and radical ways of loving and living. Communes and squats sprung up all over places like London.
But as the '60s drew to a close, there was a reverse movement and many left the cities heading back out into the shires to try to build a new kind of sociey in the quieter, slower life of village and market town. Some settled in North Suffolk and South Norfolk, an open countryside of low hills and wide plains with few towns and many villages where a commune movement had been established from 1965.
Nancy's is a complex, tumultous tale  - at times a rather bewildering tapestry of overlapping relationships and familes, the British class system, rural life, travellers, gypsies and the gentry, encounter groups, blackmail, rogue psychiatrists, lsd - and horses..
For more on the British commune and intentional community culture of the 60s and 70s see below



The countercultural movement of the 1960s and 1970s in Britain gave rise to a surge of communal living experiments known as hippy communes or intentional communities. These collectives emerged as an alternative to mainstream society, rejecting consumerism, conventionality, and materialism in favor of a more liberated, eco-friendly, and cooperative way of life.
The origins of this communal living trend can be traced back to the mid 60s, when a confluence of social, political, and cultural factors created an environment ripe for such experiments. The rise of the hippie counterculture, and the burgeoning environmental and back-to-the-land movements all contributed to the growth of communal living arrangements.
One of the earliest and most influential British hippy communes was Findhorn in Scotland, established in 1962 by Peter and Eileen Caddy and Dorothy Maclean. Originally a small caravan park, Findhorn evolved into a thriving spiritual community centered around principles of sustainability, meditation, and harmony with nature. Its success inspired many other like-minded groups to establish their own communes across Britain.
As the movement gained momentum in the late 1960s, a wave of new communes emerged, each with its own unique philosophy and approach to communal living. Some, like The Diggers in Cornwall and the Laurieston Hall community in Scotland, focused on self-sufficiency through organic farming and sustainable living practices. Others, like the Freestone community in Essex and the Newbold Trust in Worcestershire, emphasized artistic expression, alternative spirituality, and personal growth.
Many of these communes adopted a back-to-the-land ethos, seeking to reconnect with nature and escape the constraints of urban living. They often established themselves in rural areas, repurposing abandoned farmhouses, old mills, or purchasing inexpensive land to build their communities from scratch. This allowed them to embrace a more self-reliant and environmentally conscious lifestyle, growing their own food, generating their own energy, and living off the land as much as possible.
While each commune had its own unique character and rules, they shared several common principles. Communal living, non-hierarchical decision-making processes, shared resources and responsibilities, and a commitment to peace and environmentalism were hallmarks of these communities. Many also embraced alternative lifestyles, such as polyamory, nudism, or open relationships, challenging traditional societal norms.
As the 1970s progressed, the hippy commune movement faced various challenges, including internal conflicts, fi

Being the further adventures of English musician broadcaster and LGTBQ activist TOM ROBINSON, as he gets deeply involved in the gay counterculture of London in the '70s whilst on his journey to having a huge hit with the song 2-4-6-8 MotorwayWe hear about the genesis of another hit - (Sing if You're)Glad to Be Gay - a remarkable, unprecedented protest song that climbed into public consciousness in the late 70s (despite the best efforts of some in the establshment), and about Tom's later hit War Baby.
We talk about the desperate times in between, about his activism - not only for the queer commmuity but as part of the Rock Against Racism movement - and how he had to face one his greatest challenges in coming out for a second time, risking the disapproval of the very community he had fought for for many years…
 
And we learn about Stonewall, the UK’s ’Sus Law' and get some terriffic tips for songwriters aspiring stars..

 
For More on Tom
For More on Glad to Be Gay

#homosexuality #sex #suslaw #section28 #stonewall #glf #gayliberationfront #bisexuality #pride #pridemarch  #london #queer #gayliberation #quaker #sexuality #gay #tomrobinson #gladtobegay #suicide #counterculture #cafesociety #comingout #homesexuality #morality