Foolish Careers

Timi Siytangco

Have you ever been told: “You should get a more sensible career"? On this show, we speak with the people who ignored that advice to become the trailblazers, leading lights, and entrepreneurs of Asia's creative industries. From Singapore to Seoul, Taipei to Tokyo, Mumbai to Manila, these creators and artists tell us how they paved their own path and dealt with the unexpected challenges and unmitigated failures along the way, as they built a unique and singular foolish career. Hosted on Acast. See acast.com/privacy for more information.

Episodes

  1. 11/27/2021

    How losing at the Webbys turned into winning creative careers with Andas Productions' Roshan Singh and Isabel Perucho

    Temujin is a limited-series audio drama about the life of Genghis Khan. It has a fan base in the audio drama world and was a finalist at this year's Webby Awards in the Podcasts - Scripted Fiction category, where it competed against The Daily Show with Trevor Noah and entries from HBO, the BBC, and Wondery. Spoiler alert: Temujin lost to Trevor Noah. But it was comfortably in second place with 34% of the 2 million votes cast. (The Daily Show with Trevor Noah got 40% of the votes. Third place got 10%.) It has opened doors for the show’s producers. Writer and director Roshan Singh was brought on as a writer on the animated adaptation of the beloved graphic novel The Art of Charlie Chan. He and fellow Temujin producer Isabel Perucho have set up Andas Productions to create narrative stories for audio and video games.  But back in university (they graduated from Yale-NUS three years ago, although it feels like a lifetime in the past), Temujin was a capstone project Roshan worked on with his classmates. Most thesis projects simply get printed and sent to the archives. He wanted to put it out into the world, despite little encouragement from mentors.  “One thing a mentor of mine said was that Temujin was just a silly little side project I was doing with my friends and that I would have to grow up soon and figure out what my actual career is going to look like.” He first pursued it as a play, but there was no interest. So Roshan considered audio. “The beauty of audio is if you have the resources, nobody can tell you not to do it.” With Isabel running marketing, they raised $10,000 on Kickstarter to fund the production. “We decided to push ahead because we had this faith that if it meant something to us, then it'll mean something to someone else.” In this interview, Roshan and Isabel reflect on the experience of finding a listener base for Temujin and how they're navigating the industry as young producers.  Hosted on Acast. See acast.com/privacy for more information.

    How losing at the Webbys turned into winning creative careers with Andas Productions' Roshan Singh and Isabel Perucho
  2. 10/22/2021

    The patient ways of chocolate with Kad Kokoa founders Nuttaya and Paniti Junhasavasdikul

    Paniti and Nuttaya Junhasavasdikul had stars in their eyes. They had just spent two weeks in Hawaii with Nat Bletter, a pioneer in the bean-to-bar chocolate movement, and at the Fine Cacao and Chocolate Institute in San Francisco with chocolate scholar Dr Carla Martin. From Dr Bletter they learned how to produce and package bean-to-bar chocolate, and from Dr Martin how to grade cacao, the better to evaluate the beans they were buying directly from farmers.  Their idea of having one’s own brand of chocolate…seemed…possible.  They had already planted 400 cacao seedlings on a plot of land in Mae Tang, in Chiang Mai province. Which they found while on a motorbike trip around Thailand. Which they had done to slow their lives down after two decades working as lawyers clocking billable hours.  “Those hours, we only spend them and we don't get anything back,” Paniti says. “Lawyers have a good life. We get paid well, we reward ourselves with cars and watches. But finally, we felt that this wasn’t for us. So we tried to enrich ourselves with more experiences than objects.”  The plan was to build a retirement farmhouse, eventually. But in Thailand, unused land is taxed heavily, so a farmer suggested they plant cacao. “We can grow cacao in Thailand!” Nuttaya thought. “This is interesting.” Following their curiosity, they crisscrossed the country on their own cacao learning tour, then Nuttaya taught herself how to make chocolate using YouTube. The texture of these early batches wasn’t great, but they discovered that cacao from different provinces presented unique flavor profiles.  Cacao from Chumphon, on the Gulf of Thailand’s western coast, has “notes of ripe grapes and red berries.” Just 200 kilometers north, Prachuap Khiri Khan, which grows pineapples and coconuts, is “bright and citrusy, with a smooth floral aftertaste.” Beans from Chantaburi, in the east, hint of “passion fruit, mango, and a honey-lemon creamy body.”  “And that was it, the idea ran wild,” Paniti laughs.  Kad Kokoa, their brand, celebrates Thai culture through chocolate. Now three years old, Nuttaya and Paniti have self-funded it to where it is today: a retail space, a cafe, a lab, a talented team, relationships with farmers, awards, the support of top chefs, an outpost in Tokyo, and a growing base of regular customers.  Paniti used to think this was the time to scale. They met with many investors and almost closed some deals. The typical response was: “We like your brand very much, but you need to move a needle. If one day you make half a billion [baht], talk to us then.” On reflection, this type of investment was not for them. “We cannot take money then suddenly we are running like a rat trying to deliver investor returns from chocolate.”  So until they find their “investor soulmate,” as Nuttaya describes it, someone who has patient capital and is investing for impact, they’ll continue to bootstrap.  In this interview, Nuttaya and Paniti share what they’ve learned about patiently building a product, brand, and creative life from scratch. Hosted on Acast. See acast.com/privacy for more information.

    The patient ways of chocolate with Kad Kokoa founders Nuttaya and Paniti Junhasavasdikul
  3. 03/09/2021

    Launching your debut novel about protest amidst a mass protest with Sunisa Manning and Jason Erik Lundberg

    Sunisa Manning was born and raised in Bangkok to a Thai mom and American dad. She studied journalism at Brown University then came back home to work in the non-profit sector, which led to working in rural Thailand with farmers, school teachers, and descendants of royalty alike.  The experience opened her eyes to the wealth disparity in the kingdom and was part of Sunisa’s political awakening. (“I was one of those people who probably couldn't have told you it was rice growing in the field for a long time.”)  It planted the earliest seeds for her debut novel, A Good True Thai, a coming-of-age story about three young Thais from different classes and ethnic backgrounds who join Thailand’s 1970’s violent democracy movement.   The characters are compelling; the story has the sweep of historical fiction. Jonathan Head, the BBC’s long-time Thailand correspondent who hosted Sunisa’s launch, says it has an incredible sense of place. It is deeply researched and took six years to write. Between the writing and the topic, there was potential for getting published in the US. “We tried to sell it in March 2017. Donald Trump took office in January 2017. I talked to my agent about it: ‘You think Americans are going to want to buy anything to do with the rest of the world?’ She was like, ‘I think it's so topical.’ And that's really not what anyone else thought.” After trying to sell it to a US publisher for three years, Sunisa submitted her manuscript to the Epigram Books Fiction Prize, a Singapore competition that opened up to Southeast Asian writers in 2020. A Good True Thai was a finalist and sold out in four months, which hasn’t happened since the Prize’s first year. In this interview, Sunisa tells us how she advocated for her own work and promoted the book during the pandemic.  We're also joined by Epigram's Fiction Editor, Jason Erik Lundberg. He edited the book and provides insight into the writer-editor relationship today. If you have a novel in your drawer, or in your head, this is the podcast episode to listen to And if you enjoyed this episode, there's more where that came from. Sign up for the free Foolish Careers newsletter. You'll get fresh stories and actionable takeaways from a creator who's ignored the advice to get a sensible career. Go to foolishcareers.asia. We look forward to hearing from you! Hosted on Acast. See acast.com/privacy for more information.

    Launching your debut novel about protest amidst a mass protest with Sunisa Manning and Jason Erik Lundberg
  4. 02/18/2021

    Why every creator needs a scene with filmmaker Suridh Hassan

    By age 30, Shaz Hassan had several significant projects under his belt. His London-based production firm Studio Rarekind, cofounded with Ryo Sanada, had produced and sold three independent films, “Scratching The Surface” about Japanese hip hop culture, "Rackgaki" about Japanese graffiti art, and “Soka Afrika” documenting human trafficking in football. They had authored two books on graffiti art in Asia which led to a new project, Stickerbomb, a series of sticker books curating street art from around the world.  These projects established Studio Rarekind’s reputation as a creative studio plugged into contemporary culture and attracted projects in sports, music and art.  Not bad for someone who started out as video paparazzi doorstepping Justin Timberlake as he came out of a club. The day after he submitted the hard drive containing Soka Africa, Shaz got on a plane to Southeast Asia “and basically never left.” He lived and worked in Siem Reap, Jakarta, Bangkok and Singapore for the next decade.  Shaz had come up as part of the street art and DJ scenes in Brighton and then London’s East End, which nourished Studio Rarekind creatively. Coming to Southeast Asia, he sought new creative scenes and found pockets of it in Jakarta, Bangkok and around the region.  Moving to Singapore to “get serious,” Shaz struggled to find a scene that synced with Studio Rarekind’s edgy vibe. While they won great projects with advertising clients like Nike and Netflix, it pulled them away from making the films they loved. (It maps to the 5-year gap in Shaz’s IMDB page.) “I was out drinking one evening with another agency and I realized that what we were creating was essentially what they have. It set off a trigger in my head: Wow, I don't want what they have. I never wanted that in my life. What am I doing?”  In this interview, Shaz talks about how Studio Rarekind built a culturally-relevant body of work, the decision to close down the studio in Singapore, and why every creator has a “therapy piece.”  Hosted on Acast. See acast.com/privacy for more information.

    Why every creator needs a scene with filmmaker Suridh Hassan
  5. 02/11/2021

    Building the first buffalo dairy farm in Laos with chef Rachel Elman O'Shea

    What if you had to explain the concept of a gallery, then build one, before you could present your art? What if a creator had to build YouTube or TikTok before they could produce their first video? 99.999999% of us would never get started.  And what if you craved cheese while living in the poorest country in Southeast Asia, where milk isn’t part of the diet and farmers didn’t know they could milk their buffalo?  If you’re the founders of Laos Buffalo Dairy, you do it all from scratch: build the dairy, convince farmers to rent you their buffalo, grow the grass the buffalo was going to eat, set up the breeding program to improve genetics, import the equipment. And of course, make the cheese -- and yogurt and ice cream and cheesecake. “We wanted a midlife crisis with a purpose, not a Porsche,” says cofounder Rachel Elman O’Shea. “The Porsche would’ve been cheaper.”   Rachel is a trained chef. With her co-founder Susie Martin, a seasoned corporate executive, they decided to deal with their midlife crises by moving from Singapore to Luang Prabang, the Lao city known for its monks and languid life along the Mekong. The plan was to build a hotel, sell it, then figure out “the cheese thing” afterward.  But a farmer was willing to lend them his buffalo for the cheese experiment. Before they knew it, they were learning to milk buffalo and trying (and failing) to make buffalo mozzarella.   Hosted on Acast. See acast.com/privacy for more information.

    Building the first buffalo dairy farm in Laos with chef Rachel Elman O'Shea
  6. 02/03/2021

    Swapping rock-and-roll journalism for volunteer work with editor Kristine Fonacier

    Journalist and editor Kristine Fonacier launched her writing career in the golden age of magazines, and her freelance work as a music journalist quickly took off. Ten years in, she found herself questioning its relevance. “I was doing rock-and-roll journalism. After your hundredth party, you begin to wonder if you’re really contributing anything to society.” This triggered a career recalibration that included 18 months of volunteer work in Guyana, an experience that informed her editorial decisions when she came back to the publishing world and built a broad body of work that spanned business, politics, culture and travel.  As editor-in-chief of Esquire Philippines (she’s the first female editor in the title’s 80-year history), Kristine led an editorial shift that featured fully-clothed middle-aged women on the cover and called out misogyny in its pages. She helped the country’s youngest billionaire write his first book. Then out of a desire to read and tell travel stories about the Philippines that were not stereotypical listicles about white-sand beaches, she co-founded Grid Magazine, an independent title still running today that has found a new revenue stream during the pandemic. She is currently editor-in-chief of travel title Smile Magazine. In this interview, Kristine spells out the traits that helped her build a versatile writing career, how to turn a passion project into a sustainable business, and why she looks for attitude over talent when hiring writers. If you enjoyed this interview, there's more where that came from. Join us at Foolish Careers, www.foolishcareers.asia, where you can sign up for the weekly newsletter and connect with the Foolish community. We look forward to meeting you! Hosted on Acast. See acast.com/privacy for more information.

    Swapping rock-and-roll journalism for volunteer work with editor Kristine Fonacier
  7. 01/29/2021

    Creating a Netflix-worthy comic book with Trese author Budjette Tan

    Like many authors, Budjette Tan had a dream. He wanted to get his comic book published in America so it could gain a wider readership.  While working long hours as a creative director at an ad agency in Manila, Budjette and his co-creator, artist Kajo Baldisimo, started writing the graphic novel Trese, featuring heroine Alexandra Trese, a detective who walks among Filipino mythical creatures and helps the cops solve supernatural crimes.  From its first print run of 30 copies, Trese gained a fan base. Budjette and Kajo became fixtures at Komikon Philippines, got on Neil Gaiman’s radar, and broke convention by being the first graphic novel to win the country’s prestigious National Book Award. Trese was acquired by Netflix in 2018, which while an accomplishment in itself, was important because it led to the dream fulfilled: following the Netflix announcement, Budjette and Kajo got an email from Ablaze, a US-based comic book publisher, with an offer to carry the comic book. Trese is now available to a US audience.  All this only took 15 years.  In this interview, we learn about the attitudes and systems Budjette and Kajo devised so they could make time for creative work and get their comic book into the world with limited resources.  We also hear Budjette’s perspective on balancing this creative work with his advertising career. Parallel to Trese’s rise, he rose to Executive Creative Director at MRM/McCann Philippines and has since taken on another challenging role as Senior Brand Creative at LEGO, his current day job.  If you enjoyed this interview, there's more where that came from. Join us at Foolish Careers, www.foolishcareers.asia, where you can sign up for the weekly newsletter and connect with the Foolish community. We look forward to meeting you! Hosted on Acast. See acast.com/privacy for more information.

    Creating a Netflix-worthy comic book with Trese author Budjette Tan

About

Have you ever been told: “You should get a more sensible career"? On this show, we speak with the people who ignored that advice to become the trailblazers, leading lights, and entrepreneurs of Asia's creative industries. From Singapore to Seoul, Taipei to Tokyo, Mumbai to Manila, these creators and artists tell us how they paved their own path and dealt with the unexpected challenges and unmitigated failures along the way, as they built a unique and singular foolish career. Hosted on Acast. See acast.com/privacy for more information.