The Road to Your Name Podcast

Aboriginal Legal Services

The Road To Your Name Podcast series grew out of a program started by Aboriginal Legal Services (ALS) in 2016 that helped people going through the justice system and their families to strengthen and deepen their cultural connections. Host, Lisa VanEvery, examines many aspects of Haudenosaunee culture and teachings with a wide range of guests.

  1. Road To Your Name - Season 7, Episode 10:  Visiting with Samantha Doxtator and talking about Haudenosaunee Cosmology

    17h ago

    Road To Your Name - Season 7, Episode 10: Visiting with Samantha Doxtator and talking about Haudenosaunee Cosmology

    Reading the Sky — A Return Visit with Samantha DoxtatorThis episode was recorded in June 2025 Road to Your Name | Season 7 / Episode 10 Episode Description Samantha Doxtator of the Oneida Nation at Oneida of the Thames returns to the Road to Your Name podcast for a conversation that reaches across the galaxy. Samantha is a Haudenosaunee astronomy researcher and presenter who travels to Indigenous communities, universities, and museums across North America — and as far as the Hayden Planetarium in New York City — sharing the star knowledge of the Haudenosaunee. This episode begins with a deeply moving story: how Samantha came to carry on the work of her late sister Sasha, who spent three years gathering Haudenosaunee astronomy research before passing away from cancer. That work — continued in Sasha’s memory, with her presence still felt in dreams and through others — has grown into something remarkable. From the Pleiades as a celestial navigation marker to the connection between dying stars and our own blood, from the Great Law of Peace and solar eclipses to her dream of building an Indigenous science center — Samantha brings ancient knowledge into vivid, present-day conversation. This is an episode about how the sky has always been speaking to us. We just have to learn how to listen. What We Talk About How Samantha’s late sister Sasha spent three years gathering Haudenosaunee astronomy research — and how Sasha’s presence, even after passing, guided Samantha to continue the workWhat it felt like to be “downloaded” with knowledge once Samantha accepted her calling to carry on Sasha’s researchPresenting at the Hayden Planetarium at the American Museum of Natural History in New York City — the most visited planetarium in the world — as the first Indigenous woman to do so, and receiving its first-ever standing ovationDesigning her own planetarium show: asking to see the universe from the sky’s perspective, not Earth’sThe Pleiades as a celestial marker — a guide for travel across the Milky Way, a signal for planting and harvesting, and a connection to where Haudenosaunee people come from and return toThe 2024 total solar eclipse passing through Haudenosaunee homelands for the first time in 99 years — and what it means when the sun and moon’s paths crossThe connection between solar eclipses and the formation of the Great Law of PeaceHow modern science is catching up to Indigenous knowledge: the iron in dying stars is the same iron that makes our blood redWampum belts and their hidden connections to the stars — through the diamond shapes of the Oneida wampum beltTraveling to Indigenous communities, museums, and universities across Ontario, New York, Michigan, Wisconsin, and beyondHer goal of owning a portable planetarium ($100,000 USD) and eventually building a stationary Indigenous science centerWhat it’s like to tour communities — and why she’s starting to realize she needs a road manager and social media helpWhy she does this work: so people walk away feeling how brilliant and connected Onkwehon:we people truly are Guest Samantha Doxtator — Oneida Nation, Oneida of the Thames. Haudenosaunee astronomy researcher and presenter. Samantha travels across Turtle Island sharing Indigenous star knowledge with communities, museums, and institutions, carrying on the research begun by her late sister Sasha. Connect with Samantha Email: justalittlestardust@outlook.comFacebook: Samantha DoxtatorInstagram: Life of a Freelancer (or search Samantha Doxtator)GoFundMe (coming soon) — to support the purchase of a portable planetariumTo book a presentation for your community or organization, reach out via email Also Mentioned Wilfred Buck — Cree astronomer and star knowledge keeper, who also presented at the Hayden PlanetariumThe Hayden Planetarium — American Museum of Natural History, New York CityNASA’s solar eclipse database and their 2024 eclipse programming in Niagara Falls, NYAboriginal Legal Services — aboriginallegal.caSupport the show: click Donate at the top of the ALS homepageFacebook: Road to Your Name Road to Your Name is produced by Aboriginal Legal Services and hosted by Lisa VanEvery, Mohawk Nation, Wolf Clan. Recorded on Haudenosaunee territory with technical assistance from True Seed Media. Nia:wen for listening.

    36 min
  2. Road To Your Name - Season 7, Episode 9:  A conversation with death doula, Diane Boots from Iahki'nikonhketskwas (Lifting Their Minds Center)

    3d ago

    Road To Your Name - Season 7, Episode 9: A conversation with death doula, Diane Boots from Iahki'nikonhketskwas (Lifting Their Minds Center)

    Road to Your Name | Diane Boots — Lifting Their Minds: A Conversation on End-of-Life Doula WorkThis episode was recorded in April 2025 EPISODE DESCRIPTION What does it mean to be present for someone at the very end of their life — and what does our culture already know about death that we've forgotten how to practice? In this episode, Lisa speaks with Diane Boots, director of Iahki'nikónhkétskwas (Lifting Their Minds Center) at Akwesasne and an end-of-life doula, birth doula, and pipe carrier. Diane has supported over 200 births in Akwesasne, and after a near-death experience of her own, she found her way to death doula work following a wake where a grieving family felt abandoned by their community. What she shares is unflinching, deeply practical, and quietly beautiful: the legal documents every family needs before someone passes at home, the physical realities of how a body naturally prepares for death, how hearing remains for roughly thirty minutes after a person passes, and how Haudenosaunee teachings — particularly the Condolence — already contain almost everything we need to know about how to grieve and how to show up for each other. This is a conversation about honoring the spirit's transition the same way we honor its arrival, and about what gets lost when a circle community starts taking care of only its own. WHAT WE TALK ABOUT - What an end-of-life doula actually does, and how the role mirrors the work of a birth doula in providing education, presence, and support through a major transition- The essential legal documents every family needs before a loved one passes at home: DNR, will, medical proxy, power of attorney, and executor — and what happens if they're missing- Why feeding a dying person, however loving the instinct, can cause real physical distress as the body's digestive system naturally begins shutting down- Encouraging patients to keep living during their final transition: doing something they enjoy, inviting students to keep learning from them, treating the dying process as something other than simply lying in wait- The medically documented fact that hearing remains for up to thirty minutes after a person passes — and what that means for how families say goodbye- Diane's own path into doula work: more than 200 births supported in Akwesasne, a gift she describes as "the coming and going of the spirit," and two personal near-death experiences that removed any fear of dying- The wake that changed everything: a grieving family devastated not by their loss alone, but by a community that didn't show up — and what that taught Diane about the responsibility of a circle community- Writing the grant that funded Iahki'nikónhkétskwas (Lifting Their Minds Center), with support from the Mohawk Council Healing Grant, the Mohawks of Akwesasne Trust Settlement Fund, and CKON radio- The difference between training community members in end-of-life care versus certifying professional doulas, and why Diane intentionally keeps her community classes informal and accessible- Hands-on training that includes wearing adult briefs and being repositioned in bed, so caregivers understand what the experience actually feels like for a patient- A breakdown of funeral options most people don't know exist: green burials, home funerals without embalming, and what New York State law actually requires (and doesn't)- The spiritual dimension of dying: the parallel between the energy felt at a birth and the energy felt as a spirit prepares to leave, and a simple hands-on exercise anyone can try to feel that energy themselves- A story about a man in his final days who was frightened by visions of his deceased parents in the room — and the peace that came once he understood what was happening- How Haudenosaunee Condolence teachings already map out the grieving process, down to the specific instruction to change your dinner time so you stop watching the door for someone who isn't coming home- The post-COVID shift Diane has observed in community caretaking, and her concern about families pulling inward at exactly the moment connection matters most- The "compassion pouch" Diane created for home care workers: essential oils, tobacco, sage, sweetgrass, and a written prayer to use between patients, so caregivers have a moment to ground themselves before moving on to the next family- How Diane cares for herself doing this work, including the support of her husband, learning to allow herself to rest, and finding peace in trusting that the people she's helped have arrived somewhere safe- The practice of washing a person in cedar, dressing them, lighting candles, playing music and creating space for family to lie beside them and say goodbye privately before a funeral home becomes involved.  She describes it as a sacred time.- Diane's offer to travel to other communities and provide her two-day training course GUEST Diane Boots — Director of Iahki'nikónhkétskwas (Lifting Their Minds Center) at Akwesasne. End-of-life doula, birth doula (200+ births supported), and pipe carrier. Facebook: Diane Boots (note: search carefully, as another page with a similar name exists)Email:  dianeb13655@yahoo.comPhone:  (518) 317-8927 RESOURCES MENTIONED - Iahki'nikónhkétskwas (Lifting Their Minds Center), Akwesasne- Mohawk Council Healing Grant- Mohawks of Akwesasne Trust Settlement Fund- CKON Radio, Akwesasne- Akwesasne TV — interview feature on Diane's work- Aboriginal Legal Services — aboriginallegal.ca- Support the show: click Donate at the top of the ALS homepage- Facebook: Road to Your Name ---Road to Your Name is produced by Aboriginal Legal Services and hosted by Lisa VanEvery, Mohawk Nation, Wolf Clan. Recorded on Haudenosaunee territory with technical assistance from True Seed Media. Nia:wen for listening.

    46 min
  3. Road To Your Name - Season 7, Episode 8:  Visiting with language speakers at the Six Nations Language Symposium (Part 2)

    4d ago

    Road To Your Name - Season 7, Episode 8: Visiting with language speakers at the Six Nations Language Symposium (Part 2)

    Road to Your Name | Special Episode: Live from the Six Nations Language Commission SymposiumIndigenous Language Day 2025This episode was recorded March 31, 2025.  It is Part 2. EPISODE DESCRIPTION Continuing this special on-location episode, Lisa takes the podcast to the Six Nations Language Commission's Indigenous Language Day symposium, where language keepers, teachers, and program coordinators from across Haudenosaunee territory gathered to mark Language Day and talk about what it takes to keep Kanien'kéha (the Mohawk language) alive and thriving. Recorded live in the hallways and gathering spaces of the symposium, this episode features three conversations: a second year language immersion student, a fluent language teacher at a university, and a mature student returning to school to learn her traditional Cayuga language. Across all three conversations, one theme keeps surfacing: language isn't just vocabulary. It's identity, healing, culture, and a way of seeing the world that survived residential schools and is being actively rebuilt, one word, one sentence and one conversation at a time. WHAT WE TALK ABOUT Conversation One: Immersion student learning with Katsyenhasehton (Tazline Mansell) - Inspired by her cousin in the immersion program to apply herself.  She learned self-discipline and commitment to self.- The immersion program fostered an environment of caring for one another and encouraging one another- Being in the immersion program encouraged her to attend Longhouse and helped her to be in conversation with family members- She encourages young people to begin by learning words as a starting point should they want to begin their language journey- Katsyenhasehton shares a glimpse of her language skills- Language focused excursions to aid in their language journey- Her goals are to be in language retention as a teacher- She's made a tutorial making a ribbon skirt all in Kanienke:ha- Language is meant to bring us together  Conversation Two:  Instructor at Onkwawenna Kentyohkwa and Professor of Linguistics at University of Toronto, Oherohskon (Ryan DeCaire) - Bringing his daughter to the immersion class as he and his wife are raising her as a first language speaker- His work in language revitalization at the University of Toronto- His research reflects that immersion is the best way for adults to learn a language- How the root word method and exposure to the language is the key to learning (2000 hours)- How can A.I. assist in language retention (Canada Research Council).  It's a tool but won't solve our problems- Starting our learning a language, you could take a night class.  There are benefits when you stick with it- We all have a role to play in learning language and language retention- Work to normalize the language in your community Conversation Three: Immersion student in the Cayuga lanaguage, Gannowiyohsta' (Fran Henry) - Retiring from work to study the Cayuga language in 2014 at Six Nations Polytechnic, graduating with a university degreee from the program in 2018- Then returning to study language in 2023.  If you don't use it, you lose it.- Using the language at meal time- What drives her to continue to learn her language- The language and the culture are interconnected- She shares the reason she wanted to learn her traditional language- What more we can be doing to inject language in our community- Gannawiyouhsta' shares a story of a young man from Florida in his journey of language retention- It's never too late to learn GUESTS An immersion student of Kanienke:ha at Onkwawenna Kentyohkwa An immersion instructor at Onkwawenna Kentyohkwa and researcher in linguistics A mature student of the Cayuga language RESOURCES MENTIONED - Six Nations Language Commission — host of the Indigenous Language Day symposium- Onkwawenna Kentyohkwa — online and in-person Mohawk immersion program; Facebook page and website available for the first 40 words and more- ETS (Everlasting Tree School)- OLP (Ogwehoweh Language Program)- BAOL (Bachelor of Arts in Ogwehoweh Languages)- Ohén:ton Karíhwatéhkwen (the Thanksgiving Address)- Aboriginal Legal Services — aboriginallegal.ca- Support the show: click Donate at the top of the ALS homepage- Facebook: Road to Your Name ---Road to Your Name is produced by Aboriginal Legal Services and hosted by Lisa VanEvery, Mohawk Nation, Wolf Clan. Recorded on Haudenosaunee territory with technical assistance from True Seed Media. Nia:wen for listening.

    57 min
  4. Road To Your Name - Season 7, Episode 7:  Visiting with Kanienke:ha language speakers at the Six Nations Language Symposium (Part 1)

    5d ago

    Road To Your Name - Season 7, Episode 7: Visiting with Kanienke:ha language speakers at the Six Nations Language Symposium (Part 1)

    Road to Your Name | Special Episode: Live from the Six Nations Language Commission SymposiumIndigenous Language Day 2025This episode was recorded March 31, 2025. EPISODE DESCRIPTION In this special on-location episode, Lisa takes the podcast to the Six Nations Language Commission's Indigenous Language Day symposium, where language keepers, teachers, and program coordinators from across Haudenosaunee territory gathered to mark Language Day and talk about what it takes to keep Kanien'kéha (the Mohawk language) alive and thriving. Recorded live in the hallways and gathering spaces of the symposium, this episode features three conversations: a language nest coordinator from Kahnawà:ke who started her program around her own kitchen table in 2005, a program director and instructor at Six Nations' adult immersion school who breaks down the "root word method" that's transforming how the language is taught, and a teacher and potter from Akwesasne building a language program rooted in the natural and ceremonial calendar. Across all three conversations, one theme keeps surfacing: language isn't just vocabulary. It's identity, healing, culture, and a way of seeing the world that survived residential schools and is being actively rebuilt, one family and one classroom at a time. WHAT WE TALK ABOUT Conversation One: The Kahnawà:ke Language Nest with Ieronhienhawi (Tatum McComber) - How a language nest coordinator and a small group of friends started an immersion program for families with young children in 2005, inspired by the Māori language nest model in New Zealand- The early days: cooking, gardening, harvesting, tapping trees, and singing together entirely in the language, with first-language speakers always present to keep the environment accurate- Why the original program ran from 2005 to 2007 before dissipating as life circumstances changed- Bringing the language nest back in 2014 after a dream pointed the way, and applying for grant funding to make it sustainable- Why the program now runs two full days a week per family group instead of the original five- A typical day: morning mingling and conversation, guided questions, hands-on activities, formal teaching moments, and lunch together- How something as simple as talking about the weather becomes a rich daily language lesson- Why older children face a harder transition into immersion than younger ones- The practice of asking parents to teach what they've learned to a partner, parent, or older child at home- The healing that parents report experiencing simply through learning to speak the language- Why self-determination is one of the biggest factors in becoming an advanced speaker- A glimpse into the science: using ultrasound imaging to study tongue and throat movement during speech, and how it's been applied to study sounds across different Indigenous languages- The nest's current size (14 families) and future goals: expanding to serve older children and more of the whole family, and returning to a more traditional way of living and working the land together Conversation Two: The Adult Immersion School (Onkwawenna Kentyohkwa) at Six Nations with Rohahiyo (Jordan Brant) - A program that began in 1999 and now runs two cohorts at a time, aiming for 1,000 contact hours of full-time immersion across two years- How the instructor went through the program himself in 2013, graduated in 2015, and was offered a job as a teaching assistant and followed by being hired as an instructor so he never left- The program's core goal: restoring intergenerational transmission of Kanien'kéha by training adults to a proficiency level where they can raise first-language-speaking children- An explanation of the "root word method," developed by the late Kanatawakhon (David Maracle) of Tyendinaga, which restructured language teaching around verbs rather than nouns- Why over 90% of Kanien'kéha is verbs, and what it means for a language to be "polysynthetic" — entire English sentences expressed in a single word- The 63 pronominal prefixes, grouped into "red," "blue," and "purple" categories, that students learn early to start building sentences almost immediately- A driving-school analogy: learning the formal rules first, then graduating to navigate the language's real-world variation- Why literacy has become just as important as spoken fluency in 2025, given how much daily communication happens through text- How to start learning on your own: the first 40 words available through the Onkwawenna Kentyohkwa online program, and the importance of figuring out your own learning style- The role of standardized orthography, developed in the 1980s with major contributions from the late Karihwenhawe (Dorothy Lazore), in making resources mutually intelligible across Mohawk communities from Six Nations to Akwesasne to Kanesatake- The program's ultimate goal: to become unnecessary, because the language is once again strong enough in the community that nobody needs an immersion program to learn it- The urgency behind honoring the speech patterns of the community's last elderly first-language speakers as that generation passes Conversation Three: Language, Land, and Pottery at Akwesasne with Nihahsenaa (John Peters) - A teacher and potter from Akwesasne whose family has unbroken lines of Kanien'kéha speakers on both sides, despite residential and day school history- How his mother's work at the Freedom School led his parents to actively pass on the language to their youngest children- His school's approach: building curriculum around the Haudenosaunee ceremonial and natural cycle rather than grade levels, organizing learning by life stages instead- A current planning year spent securing funding and refining the intake process, with plans to reopen in September 2025- The chronic funding challenge facing community language programs that often compete for the same limited grants- Learning to make traditional maple syrup using clay and wood instead of contemporary methods, as part of the program's seasonal curriculum- How the Mohawk word for "what is your clan" literally translates to "what is your clay" — a direct linguistic link to pottery and to the Haudenosaunee creation story- Studying traditional pottery techniques in Oklahoma with renowned pottery makers, including harvesting and processing clay and pit-firing pieces the traditional way- Why so much traditional knowledge and language was lost alongside art forms like pottery and basketry as those practices declined — and the effort now underway to recover both together- His family's small business, Fox & Forest Studio, where he creates pottery and his wife creates traditional finger-woven pieces- A shared goal among Akwesasne artists and crafters to establish a dedicated studio and storage space — a kind of co-op for traditional pottery makers- The youngest children in the program reciting the Ohén:ton Karíhwatéhkwen (Thanksgiving Address) from memory by age six or seven GUESTS A language nest coordinator from Kahnawà:ke, co-founder of the community's family immersion program (est. 2005, relaunched 2014) A program director and second-year instructor at the adult immersion school at Six Nations (est. 1999) A teacher and potter from Akwesasne, co-founder of Fox & Forest Studio RESOURCES MENTIONED - Six Nations Language Commission — host of the Indigenous Language Day symposium- Onkwawenna Kentyohkwa — online and in-person Mohawk immersion program; Facebook page and website available for the first 40 words and more- Fox & Forest Studio — pottery and traditional finger weaving, find them on Facebook- Ohén:ton Karíhwatéhkwen (the Thanksgiving Address)- Aboriginal Legal Services — aborig...

    1h 1m
  5. Road To Your Name - Season 7, Episode 6:  A visit with Tom Wilson, Creative Artist

    6d ago

    Road To Your Name - Season 7, Episode 6: A visit with Tom Wilson, Creative Artist

    The Road to Your Name Podcast This episode was recorded in March 2025.  This episode may include offensive language.Episode Notes: Tom Wilson - Creativity, Identity, and Reclaiming Mohawk Heritage Host: Lisa Van (Mohawk Nation, Wolf Clan) Guest: Tom Wilson Episode: Season 7 Produced by: Aboriginal Legal Services Technical Assistance: Tru Seed Media Episode Overview This episode features acclaimed creative artist Tom Wilson, who discusses his multifaceted artistic practice across painting, music composition, theatre, and writing. The conversation centers on how creativity has become his pathway to reclaiming his Mohawk identity and decolonizing himself from the impacts of colonialism and forced assimilation. Key Themes Identity and Reclamation Tom's identity was kept from him for 53 years; he was never told he was from the Mohawk nationHis journey to reclaiming his identity is deeply intertwined with his creative practiceHe quotes director Shane Belcourt (Métis): "You're not putting on an Indian costume. You're taking off the costume that colonialism put on you."Tom emphasizes that reclaiming identity is about stripping away the bonds of colonialism rather than "putting on" cultureThe Creative Process as Meditation and Healing Painting serves as Tom's meditation and grounding practiceFor someone with a "hyper brain," the detailed, meditative process of painting provides calmThe creative process is deeply personal and not meant to be observed; its true power lies in the finished creationThrough creativity, Tom has built opportunities and navigated life's challengesHe has sustained himself emotionally and spiritually through writing, music, painting, and performanceThe Role of Artists in Society Artists have a pure light of wanting to create something for the world that wasn't there yesterdayUnlike governments, religions, and corporations that seek to control, artists contribute without seeking controlCreative work has the power to inspire and translate across audiencesTom Wilson's Background and Early Life Childhood Separation and Adoption Tom's mother was a teen when she gave birth to himBorn in 1959 at St. Joseph's Hospital in Hamilton, OntarioSeparated from his mother immediately after birth; she was sedated and prevented from seeing her newbornPlaced in foster care through Catholic Children's Aid, then adopted by Bunny and George WilsonHis adoptive parents kept his Mohawk identity a secret throughout his childhoodThis was the condition of the adoption agreement; he was forbidden from knowing he was IndigenousFamily Reunion At age 12 (now 53 years later), his grandfather John Lazore came from Kahnawake, Quebec to claim himHis great aunt and uncle, Bunny and George Wilson, became his caregivers and he describes them as his heroesThough his adoptive parents gave him "a fighting chance," they perpetuated colonial harm by hiding his identityTom honours his adoptive family while acknowledging the complexity of their choicesGrowing Up as an Only Child Felt like he was "dropped out of a spaceship in the wrong backyard"Found solace in time spent alone and in creative pursuits from an early ageThis early isolation contributed to his comfort with solitude and introspectionTom Wilson's Creative Works Beautiful Scars (Play) Theatrical production that premiered in Hamilton at Theatre AquariusAn art book was published accompanying the playThe play tells Tom's personal story of identity recovery and reclamationDescribed as "a Hamilton story" but fundamentally "a Canadian story" and "an Indigenous story"Tom wrote it to invite people in, not to "beat people over the head"Scheduled to tour at the National Arts Center in Ottawa and beyond in 2026-2027Like The Lion King, it requires multiple viewingsDocumentaries A documentary film was made about the creation of Beautiful ScarsDirected by Shane Belcourt (Métis)The documentary process itself became a journey of cultural discovery for TomFilm Soundtrack: First Land Back Movement Documentary Currently composing for a film (Ni-Naadamaadiz:  Red Power Rising, 2025) by Tanya Talaga, directed by Shane BelcourtFocuses on the First Land Back Movement in Kenora, OntarioThis was one of the first times Indigenous Peoples stood up for themselves in a modern, organized wayFeatures historical resistance that is often omitted from Canadian history booksTom's music for the film is the "music you never hear but would miss if it wasn't there"Music serves as invisible emotional infrastructure for filmLiterature First book: Autobiographical, telling his own story (published)Second book: Currently being written for Random HouseFocuses on identity and his mother's storyHis mother's narrative deserves to be heard and recognized for its power to inspirePainting Creates detailed paintings on his kitchen tableViews painting as meditative, requiring nose-to-the-canvas focusRecent work continues despite challenging personal circumstancesUses painting to express Mohawk identity in its truest formMusic Composition Composes for film and other mediaUses music as an emotional and spiritual toolEmphasizes the integral role of music in storytelling and human experienceCurrent Life and Challenges Recent Personal Struggles The past 10 months have been "tumultuous"Mother passed away in November 2024Serves as primary caregiver to multiple family membersCurrently visiting aunt in the hospitalDespite these challenges, continues creative workOngoing Connection to Roots Plans to visit Kahnawake (home community) when possibleHasn't been able to visit recently due to caregiving responsibilitiesDespite geographic distance, maintains spiritual and creative connection to Mohawk identityQuotable Insights On Feeling Mohawk: "When I paint, I feel Mohawk." On Colonial Impact: "You're not putting on an Indian costume. You're taking off the costume that colonialism put on you when you were too young and unaware to know that you were wearing it." On the Artist's Role: "Artists have the pure light of just wanting to create something for the world that wasn't there yesterday." On Perspective: "Looking back in anger is one thing. Moving forward with positivity and love is a lot harder, and that's what we're doing here today." On Creative Process: "The creative process is like watching somebody stand still. You don't see anything happening and at the end of the process, something beautiful is created, something that was not there yesterday." Resources & Links Aboriginal Legal Services: www.aboriginallegal.caPodcast: Yoha:te ne kahsen:na: The Road to Your Name (Facebook: @RoadToYourName)Support: Donations available at Aboriginal Legal Services website This episode is part of Season 7 of the Yoha:te ne...

    43 min
  6. Road To Your Name - Season 7, Episode 5:  A conversation about justice with Jaime Stephenson, Defence Lawyer

    6d ago

    Road To Your Name - Season 7, Episode 5: A conversation about justice with Jaime Stephenson, Defence Lawyer

    This episode was recorded in January 2025.The Road to Your NameJustice, Trust, and the Power of the Circle: A Conversation with Jaime Stephenson Episode Description Is law really black and white? Criminal defense lawyer Jaime Stephenson doesn't think so — and in this episode, she joins host Lisa to unpack what that means in practice. Jaime is a partner at Stephenson and Valeri, based in Hamilton, and practices regularly in the Brantford Indigenous People's Court, where she and Lisa first met. After 18 years of practice, Jaime speaks candidly about the realities of criminal defense: how legal aid works in Ontario versus the public defender system in the US, why she screens potential clients as carefully as they should screen her, and the cases she won't take on. She shares the story of one of her first Indigenous clients — a meeting so disconnected that it became the turning point in how she approaches cross-cultural trust, education, and the role of Gladue reports in sentencing. The conversation moves into the heart of the Indigenous People's Court: the circle process. Jaime describes her first circle as one of the most powerful experiences of her career, and the two discuss what's gained when the system slows down enough to actually listen — and what's lost when it doesn't. They also talk about the uphill battle to bring an Indigenous persons court to Hamilton (update:  The Hamilton Indigenous People's Court opened on June 16, 2026), the inconsistency of judicial education around Gladue principles, and the gap between knowing the law and knowing how to apply it with care. Jaime also opens up about life outside the courtroom — her farm, her seven horses, and the role animals have played in helping her carry the weight of a job that asks a lot of the people who do it well. In This Episode - [00:42] Meet Jaime Stephenson: criminal defense lawyer, Stephenson & Valeri- [00:51] Is the law black and white? Jaime's take- [01:31] The path to becoming a lawyer in Ontario: law school, articling, and the bar exam- [04:00] Does justice depend on what you can afford? Legal aid vs. the public defender system- [06:01] The cases Jaime won't take on, and why- [08:46] Jaime's philosophy after 18 years: respect, honesty, and managing expectations- [10:02] Why clients should interview their lawyer too- [13:09] The story that changed her practice: an early client, a Gladue report, and a hard lesson in trust- [18:05] What Gladue reports are, why they're not always requested, and what's at stake- [21:32] The education gap: why there's no real course on handling Gladue reports with care- [25:28] Inside the circle: how sentencing circles work in the Brantford Indigenous People's Court- [26:19] Jaime's first circle, and why it still affects her- [29:58] When the system slows down — and when it doesn't- [32:31] A proposal: circling back after rehabilitation, not just before sentencing- [35:33] The challenge of consistency: rotating Crowns, court officers, and judges- [37:19] The decade-long fight for an Indigenous People's Court in Hamilton- [44:33] A day in the life: driving circuit, client loyalty, and the commitment behind the wheel- [44:44] Horses, dogs, and the role they play in coping with the weight of the work- [47:53] A future goal: equine therapy for clients- [49:39] Final thoughts: education, sensitivity, and getting clients out of the revolving door Credits The Road to Your Name Podcast is hosted by Lisa, produced by Aboriginal Legal Services with technical assistance from True Seed Media.

    54 min
  7. Road To Your Name - Season 7, Episode 4:  A conversation about land with Katsi'tsakwas Ellen Gabriel and Sean Carleton, authors of When The Pine Needles Fall

    Jun 19

    Road To Your Name - Season 7, Episode 4: A conversation about land with Katsi'tsakwas Ellen Gabriel and Sean Carleton, authors of When The Pine Needles Fall

    Reclaiming the Narrative — Katsi’tsakwas Ellen Gabriel & Sean Carleton on When the Pine Needles Fall Road to Your Name | Season 7:  Episode 4This episode was recorded in December 2024. Episode Description In this episode, Lisa sits down with two co-authors of a landmark new book: Katsi’tsakwas Ellen Gabriel, Kanien’kehá:ka (Mohawk), Turtle Clan, from Kanehsatà:ke — land defender, filmmaker, artist, and human rights activist — and Sean Carleton, settler historian and professor of History and Indigenous Studies at the University of Manitoba. Their book, When the Pine Needles Fall: Indigenous Acts of Resistance (Between the Lines, 2024), is the first account of the 1990 Kanehsatà:ke Resistance told from Ellen’s own perspective. Written as a conversation, it traces her life before and after the 78-day standoff — when Mohawk land defenders stopped the municipality of Oka from bulldozing a cemetery to expand a golf course — and her decades of advocacy since. What emerges is a conversation about what the media got wrong in 1990, the central and largely erased role of women in the resistance, what it means to hold land as identity rather than resource, and why Ellen believes the international stage — not Canadian courts or legislatures — is where Indigenous sovereignty must be defended. This is a conversation about truth-telling, the long work of decolonization, and what it means to live a life committed to the land and to future generations. What We Talk About How the book came to be — Sean meeting Ellen during his PhD work and proposing a conversation-based format to uplift her voice and reclaim her own narrativeWhat the media got wrong in 1990: the resistance was not a “warrior society” story — it was women, children, and elders defending their home, and women went to the front three times when police arrivedHow the focus on men in camouflage made it easier for governments and media to label land defenders as terrorists and obscure the real issue: 270 years of land theftThe role of women as title holders to the land in Haudenosaunee governance — and why any negotiation over land must go through the womenHow colonization deliberately undermined the political authority of Indigenous women, including through imposing band council systems and patriarchyThe windows of opportunity — and dysfunction — during the 1990 negotiations, and Ellen’s direct account of what it felt like to have weapons pointed at her community while the government said it wouldn’t negotiate “with a gun to its head”Self-care during crisis: what survival looks like when there is no time for it, and the elders who helped Ellen stay groundedSean’s framing of his role: not ally, but “co-conspirator” and “uplifter” — and how the Two-Row Wampum offers a model for non-Indigenous people in this workEllen’s quote from the book: “For Onkwehon:we peoples, the land is precious and priceless. It contains all aspects of our identity.” — and what that means for Haudenosaunee language, clan systems, and relationship to all of creationDeskaheh’s 1923 journey to Geneva and why Ellen continues that tradition of international advocacy at the United Nations — including the push for Indigenous nations to have permanent observer statusWhy Canada’s domestic record means the international level is the only viable arena for protecting Indigenous rightsEllen’s art practice as survival — meditative, absorbing, and a thread of continuity throughout decades of hard workSean’s reflection on becoming a new father during the book’s release, and how it sharpened his sense of responsibility to build a different worldEllen’s current work: a third documentary about Kahnawake’s support during the 1990 resistance, and her continued work on land defense, climate, and youth mentorship About the Book When the Pine Needles Fall: Indigenous Acts of Resistance by Katsi’tsakwas Ellen Gabriel with Sean Carleton (Between the Lines, September 2024). With a foreword by Pamela Palmater and afterword by Audra Simpson. The book has been longlisted for CBC Canada Reads and Ellen’s companion documentary film Kanà:tenhs – When The Pine Needles Fall won Best Canadian Short Film at the International First Peoples Festival and has been recognized at over 30 festivals in a dozen countries. Guests Katsi’tsakwas Ellen Gabriel — Kanien’kehá:ka (Mohawk), Turtle Clan, Kanehsatà:ke. Spokesperson for the Kanien’kehá:ka community during the 78-day Kanehsatà:ke Resistance of 1990. Documentarian, visual artist, Indigenous human rights and environmental rights activist. Former President of Quebec Native Women. Board member of the National Executive Steering Committee for Indigenous Climate Action. 2024 Grand Prix recipient from the Conseil des arts de Montréal — the first Indigenous artist to receive the prize in its 38-year history. Sean Carleton — Settler historian and professor of History and Indigenous Studies at the University of Manitoba, Winnipeg, Treaty 1 Territory. His research examines the history of colonialism, capitalism, and schooling in Canada. Author of Lessons in Legitimacy: Colonialism, Capitalism, and the Rise of State Schooling in British Columbia (UBC Press, 2022). Resources Mentioned When the Pine Needles Fall: Indigenous Acts of Resistance — available from Between the Lines Press and wherever books are soldKanà:tenhs – When The Pine Needles Fall — Ellen’s award-winning documentary film (2022)Strong Spirits — Ellen’s first documentary film, on Indian Residential Schools in Canada (DOC NYC 2021)The Women’s Nomination Belt — Haudenosaunee wampum belt referenced in conversationDeskaheh’s 1923 mission to Geneva and the League of NationsUN Declaration on the Rights of Indigenous PeoplesAboriginal Legal Services — aboriginallegal.caSupport the show: click Donate at the top of the ALS homepageFacebook: Road to Your NameUpdate:  Katsi'ksakwas Ellen Gabriel recently participated on the panel of judges of the 57th session of The Permanent Peoples' Tribunal (PPT) on Indigenous Children held in Montreal from May 25-29, 2026. (permanentpeoplestribunal.org) Road to Your Name is produced by Aboriginal Legal Services and hosted by Lisa VanEvery, Mohawk Nation, Wolf Clan. Recorded on Haudenosaunee territory with technical assistance from True Seed Media. Niá:when for listening.

    42 min
  8. Jun 16

    Road To Your Name - Season 7, Episode 3: Visiting with Nadya Kwandibens — Award-winning photographer and founder of Red Works Photography

    This episode was recorded in November 2024.Episode Title: Nadya Kwandibens — Red Works, Indigenous Identity & the Art of Photography Show: The Road to Your Name Host: Lisa 🎧 Listen: https://share.transistor.fm/s/e7d02970 Episode Summary: In this episode, host Lisa sits down with Indigenous photographer and visual storyteller Nadya Kwandibens (Aniishinaabe, from the Animakee Wa Zhing #37 First Nation in northwestern Ontario). Nadya discusses her journey from studying film and English literature, to moving into portrait and event photography, to becoming an ambassador for the brand Canon and the Photo Laureate for the City of Toronto. Together they explore how photography becomes a tool of cultural reclamation, language revitalization, community connection and personal growth. In This Episode: • How Nadya’s early education in film production led into photography, and how that first portrait session in regalia sparked a career. • The transition from dark landscapes to bright, vibrant portraits and events: her evolving style of boosting colours like red, yellow and blue, and capturing Indigenous gatherings in full strength. • Memorable assignments: covering marches for the Missing & Murdered Indigenous Women & Girls movement, round dances, cultural gatherings, and key moments of community activism. • The story behind Nadya being named Canon Ambassador and how that partnership works (mentorship, gear, brand representation). • Her ongoing portrait series: the “Red Chair Sessions” — using Indigenous names, place-names, languages and land acknowledgements in each portrait; now touring nationally. • Upcoming projects: “Kitchen Table Talks” — a hybrid portrait + documentary series bringing Indigenous women and Two-Spirit people together around conversation, food, family and cultural memory. • Nadya’s role as the Photo­Laureate for the City of Toronto: what the role entails, her vision (including an ambitious sky-visible, copper-inspired installation reflecting Indigenous presence). • Her personal dream: a tiny house by water on her homeland reserve, where simplicity, land connection and creativity converge. • Advice for young Indigenous photographers: “Just get out there and do it. Practice, be mindful of light, meet people, do what makes you happy.” Key Quotes: “Language is our medicine — when you speak it, you heal parts of yourself you didn’t know were hurting.” (Note: This particular quote is adapted from a theme in the conversation.) “Photography is very much about living in the moment.” “This is all Indigenous land. No matter where you go.”Connect with Nadya Kwandibens / Red Works Photography: Website → RedWorks.ca Instagram / Facebook / X → check @redworks (or search “Red Works Photography”) Look for her “Red Chair Sessions” and be on the lookout for her book and documentary to come. About the Show: The Road to Your Name explores conversations with Indigenous voices reclaiming identity, purpose and place. Each episode highlights how culture, story, creativity and land intersect in everyday lives and work. Follow the show for more inspiring stories like this one.

    32 min

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About

The Road To Your Name Podcast series grew out of a program started by Aboriginal Legal Services (ALS) in 2016 that helped people going through the justice system and their families to strengthen and deepen their cultural connections. Host, Lisa VanEvery, examines many aspects of Haudenosaunee culture and teachings with a wide range of guests.

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