Unsung History

Kelly Therese Pollock

A podcast about people and events in American history you may not know much about. Yet.

  1. An American History of Purses

    1d ago

    An American History of Purses

    Today the US handbag market is estimated to be nearly $12 billion, with most of the purchasing done by women, but into the early 20th Century purses hadn’t yet become the nearly-exclusive domain of women. The integration of pockets into men’s clothing, and the marketing push of toiletry items to women in the 1920s and 1930s drove this differentiated market  development. Joining me in this episode is Dr. Kathleen B. Casey, Professor of History and Director of the Women's, Gender, and Sexuality Studies Program at Furman University and author of The Things She Carried: A Cultural History of the Purse in America. Our theme song is “Frogs Legs Rag,” composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Pack up your troubles in your old kit bag,” composed by Felix Powell with lyrics by George Asaf” and recorded in Camden, New Jersey, on December 22, 1916; the performance is in the public domain and is available via the LIbrary of Congress National Jukebox. The episode image is “Shoppers. Amsterdam, New York,” photographed by John Collier, Jr.; the photograph was taken in October 1941, and is available in the public domain via the Library of Congress. Related Episodes: Fashion, Feminism, and the New Woman of the late 19th CenturyFrench Fashion in Gilded Age AmericaAmelia BloomerThe Women who Entered the Federal Workforce during the Civil War EraThe History of Blue JeansEricka Huggins & the Black Panther PartyThe 1966 Compton's Cafeteria RiotAlice Roosevelt Longworth Additional Sources: “Ötzi the Iceman: Examining New Evidence from the Famous Copper Age Mummy,” by: M. Vidale, L. Bondioli, D.W. Frayer, M. Gallinaro and A. Vanzetti, Penn Museum Expedition Magazine, Volume 58 / Number 2, 2016.“MALE ATTIRE.; Charlotte P. Gilman Inveighs Against It but Finds Redeeming Features.” From The Independent, New York Times, March 5, 1905.“What you may not know about the Triangle shirtwaist factory fire,” by Peter Liebhold, National Museum of American History, September 5, 2018.“The Surprising Origins of Kotex Pads,” by Kat Eschner, Smithsonian Magazine, Originally published August 11, 2017, and updated November 9, 2018.“Handbag Market (2026 - 2033),” Grand View Research, GVR Clothing, Footwear & Accessories Research Team, April 2026  Advertising Inquiries: https://redcircle.com/brands

    40 min
  2. The Lady Bird Special

    May 18

    The Lady Bird Special

    On the morning of Tuesday, October 6, 1964, the Lady Bird Special, a 19-car train carrying First Lady Claudia “Lady Bird” Johnson, her supporters, members of the press, and a security detail, departed Union Station in Washington, DC, for an ambitious 1,682-mile whistle-stop campaign tour of Southern States. In four days, Lady Bird gave 47 speeches to over 200,000 people, demonstrating that despite the growing resentment of white Southern Democrats to President Johnson’s signing of the Civil Rights Act of 1964, neither LBJ nor Lady Bird were giving up on the South. Joining me in this episode is returning guest Shannon McKenna Schmidt, author of You Can't Catch Us: Lady Bird Johnson's Trailblazing 1964 Campaign Train and the Women Who Rode with Her. Our theme song is “Frogs Legs Rag,” composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode audio is “Lady Bird's Whistle Stop: Ahoskie, NC: 10/6/64, 4:22 PM,” from the LBJ Library; the audio is in the public domain. The episode image is Lady Bird Johnson posing with group of women aboard the Lady Bird Special, LBJ Library photo by Unknown #33317. Related Episodes: The Southern StrategyThe 1968 White House Fashion ShowThe 1968 Democratic National Convention in ChicagoThe Student Right in the late 1960s Additional Sources: “Claudia 'Lady Bird' Johnson, 1912-2007,” Edited by Arlisha R. Norwood, National Women’s History Museum.“Obituary: Lady Bird Johnson, 94, former U.S. first lady,” by Enid Nemy, The New York Times, July 12, 2007.“The filibuster that almost killed the Civil Rights Act,” by NCC Staff, National Constitution Center, April 11, 2016.“‘We may have lost the south’: what LBJ really said about Democrats in 1964,” by Charles Kaiser, The Guardian, January 23, 2023.“Lady Bird Special: The first First Lady to hit the campaign trail without her husband,” by Meredith Hindley, HUMANITIES: The Magazine of the National Endowment for the Humanities, May/June 2013, Volume 34, Number 3.“Mapping Lady Bird Johnson's Whistle-Stop Tour,” by Katie Peter, The White House Historical Association, August 18, 2023. “Lady Bird Johnson, At the Epicenter, 1963, 1965, The Whistle-Stop Tour (section III),” PBS.“50th Anniversary of Lady Bird Johnson’s 1964 Whistle Stop Tour of the South,” LBJ Library, October 1, 2014. Advertising Inquiries: https://redcircle.com/brands

    41 min
  3. Policing Slavery & Black Rebellion in the American South

    May 4

    Policing Slavery & Black Rebellion in the American South

    Enslaved Africans were forcibly shipped to Virginia starting in 1619 in response to a severe labor shortage. From the beginning, enslaved laborers resisted by fleeing and through violence, and white enslavers reacted by creating a racialized system of brutal policing, granting themselves authority based on skin color and a sense of superiority. Joining me in this episode is Dr. Gautham Rao, Associate Professor of History at American University in Washington, D.C., and author of White Power: Policing American Slavery. Our theme song is “Frogs Legs Rag,” composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Good News,” performed by Tuskegee Institute Singers on August 31, 1914; the audio is in the public domain and is available through the Library of Congress National Jukebox. The episode image is “The Effects of the Proclamation,” Harper's Weekly. Vol. 7, no. 321. February 21, 1863. p. 116; the image is in the public domain and is available via Wikimedia Commons.  Additional Sources: Proceedings and Acts of the [Maryland] General Assembly January 1637/8-September 1664, Volume 1, Page 107.Proceedings and Acts of the [Maryland] General Assembly, April 1666-June 1676, Volume 2, Page 224. “An act for preventing Negroes Insurrections” (1680),” Virginia General Assembly, " Encyclopedia Virginia. Virginia Humanities, December 7, 2020.“The Stono Rebellion of 1739: Where Did It Begin?” by Nic Butler, Charleston County Public Library, September 9, 2022.“South Carolina Slave Code (1740),” The Gilder Lehrman Institute of American History. “The Emancipation Proclamation,” The U.S. National Archives and Records Administration.  “Thirteenth Amendment,” Constitution of the United States, Constitution Annotated, United States Congress.“On this day - Feb 24, 1865: Kentucky Refuses to Ratify Abolition of Slavery,” A History of Racial Injustice, Equal Justice Initiative. Advertising Inquiries: https://redcircle.com/brands

    51 min
  4. The Frontier Myth and the People of the Western United States

    Apr 20

    The Frontier Myth and the People of the Western United States

    In 1893, historian Frederick Jackson Turner advanced his now-famous Frontier Theory, arguing that the American identity was forged through the process of exploring and adapting to new environments in the frontier west. Key to both Turner’s theory and the myth of the frontier that pre-dated it was the idea that brave white American men conquered a previously empty land through their grit in a relentless march west, but the land was populated long before white Americans arrived, and the people who lived, explored, and settled there were a far more diverse population than the myth acknowledges. Joining me in this episode is returning guest Dr. Megan Kate Nelson, author of The Westerners: Mythmaking and Belonging on the American Frontier. Our theme song is “Frogs Legs Rag,” composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “The west, a nest and you,” composed by Billy Hill with lyrics by Larry Yoell and sung by Lewis James on November 16, 1923, in Camden, New Jersey; the performance is in the public domain and is available via the Library of Congress National Jukebox. The episode image is the American Progress, painted by John Gast in 1872; the image is in the public domain and is available via Wikimedia Commons. Additional Sources: “Brief History of the AHA,” American Historical Association.“Significance of the Frontier in American History (1893),” by Frederick Jackson Turner, The American Yawp Reader.“How the Myth of the American Frontier Got Its Start,” by Colin Woodard, Smithsonian Magazine, January/February 2023.“Sacagawea, c. 1788 - c. 1812/1884?” by Teresa Potter and Mariana Brandman, National Women’s History Museum.“Sacagawea: Intrepid Indigenous Explorer [video],” The New York Historical.“Lewis & Clark Expedition,” National Archives.“Indian Treaties and the Removal Act of 1830,” Office of the Historian, United States Department of State.“Indian Territory,” Library of Congress.“Indian Territory,” by Dianna Everett, The Encyclopedia of Oklahoma History and Culture, January 15, 2010.“Cheyenne Sanctuary: The Northern Cheyennes’ Exodus, Mari Sandoz, and Lost Chokecherry Lake,” by Emily Levine, The Nebraska Sandhills, October 23, 2024.Northern Cheyenne Tribe. Advertising Inquiries: https://redcircle.com/brands

    53 min
  5. Magnus Hirschfeld, Dora Richter, and the Institute for Sexual Science in Weimar Germany

    Apr 6

    Magnus Hirschfeld, Dora Richter, and the Institute for Sexual Science in Weimar Germany

    In the Weimar Republic, Dr. Magnus Hirschfeld opened the Institute for Sexual Science and advocated for the repeal of legislation that criminalized sexual relations between men. At the Institute, pioneering gender-affirming surgeries were performed, and it was there that Dora Richter became the first known trans woman to undergo comprehensive male-to-female gender-affirming surgeries. But when the Nazis came to power, they labeled Hirschfeld an enemy of the state and destroyed the Institute’s immense library. Joining me in this episode is historian and novelist Dr. Brandy Schillace, author of The Intermediaries: A Weimar Story. Our theme song is “Frogs Legs Rag,” composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is Kleine Kammermusik, composed by Paul Hindemith and performed in February 1992 by the Soni Ventorum Woodwind Quintet; the recording is available by Creative Commons license and is available via Wikimedia Commons.The episode image is a portrait of Magnus Hirschfeld from 1928; the picture is in the public domain and is available via Wikimedia Commons. Additional Sources: “The Forgotten History of the World's First Trans Clinic,” by Brandy Schillace, Scientific American, Mary 10, 2021.“The first Institute for Sexual Science (1919-1933),” The Magnus-Hirschfeld-Gesellschaft e.V.“Magnus Hirschfeld and the Institute for Sexual Science,” by Gabrielle Bryan-Quamina, Science Museum, London, February 29, 2024.“Dora Richter (1892–1966),” Lili Elbe Library.“The Weimar Republic,” United States Holocaust Memorial Museum.“Hitler: Essential Background Information,” University of Kentucky College of Arts and Sciences.“How Did Adolf Hitler Happen?” National World War II Museum. Advertising Inquiries: https://redcircle.com/brands

    45 min
  6. The Feliciana Parishes of Louisiana

    Mar 23

    The Feliciana Parishes of Louisiana

    For 74 days in 1810 the current-day parishes of East and West Feliciana in New Orleans were part of the independent Republic of West Florida, which flew a lone star flag. By that point the residents of the Felicianas, including a large enslaved population, living on land that had been stolen from indigenous people, had been part of three different empires. The republic ended with the parishes annexed into yet another country, the United States, though fifty years later they would be part of still another attempted breakaway republic, the Confederate States of America. Joining me in this episode is Dr. Rashauna Johnson, Associate Professor of History at the University of Chicago and author of Sweet Home Feliciana: Family, Slavery, and the Hauntings of History. Our theme song is “Frogs Legs Rag,” composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Louisiana,” composed by Oliver Wallace with Lyrics by Arthur Freed and performed by the Sterling Trio on December 27, 1920, in Camden, New Jersey; the recording is in the public domain and is available via the Library of Congress National Jukebox. The episode image is a lithograph believed to be of drawings that artist Lewis Henry made on the Mississippi River around 1846-1848 with Bayou Sara in the foreground and St. Francisville on the bluff in the background; the lithograph was published in 1857 and is in the public domain in the United States and available via Wikimedia Commons. Additional Sources: “Native Americans: the First Families of Louisiana on the Eve of French Settlement (Online Exhibition),” Louisiana State Museums.“Louisiana Purchase Treaty (1803),” The U.S. National Archives and Records Administration.“West Florida Revolt,” by Samuel C. Hyde, 64 Parishes.“The History of the Short-Lived Independent Republic of Florida,” by William C. Davis, Smithsonian Magazine, May 2013.“The West Florida Republic,” by Anne Butler West Feliciana Historical Society and Museum.“The Siege of Port Hudson: ‘Forty Days and Nights in the Wilderness of Death’ (Teaching with Historic Places),” National Park Service. Advertising Inquiries: https://redcircle.com/brands

    45 min
  7. The Academy Awards

    Mar 9

    The Academy Awards

    When the Academy of Motion Picture Arts and Sciences was formed in 1927 one of the goals of the founders was to recognize achievements in the industry. That recognition quickly took the form of annual awards banquets, with the first one hosted in 1929. Over time the format shifted from banquet to the Oscars telecast we all know today, as the categories and even membership of the Academy adapted to the shifts in filmmaking. Joining me in this episode is Dr. Monica Sandler, a film and media historian at Ball State University, whose forthcoming book is The Oscar Industry: Creative Labor, Cultural Production, and the Awards System in Media Industry. Our theme song is “Frogs Legs Rag,” composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “He’s working in the movies now,” composed by Henry Lodge, with lyrics by Harry Williams and Vincent Bryan; the song was performed by Billy Murray on February 27, 1914, in Camden, New Jersey; it’s in the public domain and is available via the Library of Congress National Jukebox. The episode image is of Grace Kelly and Marlon Brando at the Academy Awards on March 30, 1955, published in the Los Angeles Times on March 31, 1955; the copyright is held by the UCLA Charles E. Young Research Library Department of Special Collections, and this work is licensed under a "Creative Commons BY Attribution 4.0 International" . Sources: “Experience over nine decades of the Oscars from 1927 to 2026,” Oscars.org.“Why Are the Academy Awards Called ‘Oscars’?” by Elizabeth Nix, History.com, January 22, 2026.“The Academy of Motion Picture Arts and Sciences [Pamphlet],” June 20, 1927, Available via the Margaret Herrick Library Digital Collections.“The Academy Awards Scandal That First Got PwC Its Job Counting Oscars Votes,” by Olivia B. Waxman, Time Magazine, March 2, 2018.“How Television Changed the Oscars,” by Lily Rothman, Time Magazine, February 22, 2015.““TV – That’s Where Movies Go When They Die”: Rewatching the First Televised Oscars,” by Thomas Doherty, The Hollywood Reporter, March 26, 2022.“What Determines Whether a Performance Is Lead or Supporting? Oscar Rules Explained,” by Eliza Thompson, US Weekly, March 7, 2024. Advertising Inquiries: https://redcircle.com/brands

    48 min
  8. Slavery and the Complicated Legacy of George Washington

    Feb 22

    Slavery and the Complicated Legacy of George Washington

    George Washington privately condemned slavery while actively holding hundreds of people in enslavement. He championed gradual emancipation plans while scheming to keep the people he enslaved from accessing them. He ruthlessly pursued a woman who escaped his enslavement and then emancipated the slaves he owned outright in his will. Washington’s complicated and contradictory legacy around slavery has been debated by Americans since his death. Joining us to discuss is Dr. John Garrison Marks, the Vice President of Research and Engagement at the American Association for State and Local History and author of Thy Will Be Done: George Washington's Legacy of Slavery and the Fight for American Memory. Our theme song is “Frogs Legs Rag,” composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The episode music is “I think we’ve got another Washington,” composed by George Fairman and performed by the Peerless Quartet on October 32, 2015, in New York City; the recording is in the public domain and is available via the Library of Congress National Jukebox.The episode image is “Washington at Mount Vernon plantation, 1797,” lithographed and published by Nathaniel Currier in 1852; the image is in the public domain and is available via Wikimedia Commons. Additional Sources: Never Caught: The Washingtons' Relentless Pursuit of Their Runaway Slave, Ona Judge, by Erica Armstrong Dunbar, 37 Ink, 2015.“The Enslaved Household of President George Washington,” by Lindsay M. Chervinsky, White House Historical Association, September 6, 2019.“George Washington on the abolition of slavery, 1786,A Spotlight on a Primary Source by George Washington,”Gilder Lehrman Institute.“George Washington’s Last Will and Testament, 9 July 1799,” Founders Online, National Archives. “Forgotten No Longer: Archaeology of the Slave Memorial & African American Burial Ground at George Washington's Mount Vernon,” by Joe A. Downer, Archaeological Field Research Manager, George Washington's Mount Vernon.“People Enslaved at Monticello Who Gained Their Freedom,“ Thomas Jefferson’s Monticello.“Trump administration ordered to restore George Washington slavery exhibit it removed in Philadelphia,” by Hannah Schoenbaum, AP News, February 16, 2026. Advertising Inquiries: https://redcircle.com/brands

    46 min
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About

A podcast about people and events in American history you may not know much about. Yet.

Information

  • Creator
    Kelly Therese Pollock
  • Years Active
    2021 - 2026
  • Episodes
    225
  • Rating
    Clean
  • Copyright
    © 2024 Unsung History
  • Show Website
    Unsung History

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