Dispatch Ajax! Podcast

Dispatch Ajax!

A Geek Culture Podcast - Two life-long Nerds explain, critique and poke fun at the major pillars of Geek Culture for your listening pleasure.

  1. 1d ago

    Screen Zombies

    For the conclusion to our annual Halloween series we lean into a modern dread and treat it like a horror creature: the Screen Zombie, a modern twist on the undead where the “bite” is a signal, a feed, a notification loop, or a broadcast that strips away empathy and agency until people move like automatons. We start with a philosophical gut-check from Descartes: how would you spot a mind versus a machine? Then we drag that question into 2026 reality, where smartphones, social media algorithms, bot-filled platforms, and always-on content can hollow out connection. We talk about the civility paradox, why online interaction can intensify hostility, and how heavy screen time ties into sleep disruption, dopamine loops, and teen mental health concerns. From there we connect loneliness and screen-only community to conspiracy ecosystems like QAnon, where an internet-shaped reality can become more powerful than the one outside your door. Then we get nerdy and cinematic. We trace zombie symbolism from Haitian folklore through Romero’s consumer critique, and we map the newer “signal-driven” subgenre with Pulse (Cairo), The Signal, Antisocial, and the clearest archetype we’ve found: Stephen King’s Cell. We also hit adjacent picks like DCeased and Await Further Instructions, plus other technozombie cousins that circle the same fear. If the screen zombie metaphor works, it’s because it doesn’t just scare us, it dares us to look up. Subscribe, share this with a friend who can’t stop scrolling, and leave a review so more people can find Dispatch Ajax.

    Screen Zombies
  2. Oct 23

    Wes Craven

    This week we continue our Halloween celebration with a Horror legend! Wes Craven’s name gets tossed around in the background, but we wanted to actually put him in perspective. We stack him up against the heaviest hitters, argue through the horror director Mount Rushmore debate, and explain why Craven isn’t just a legend, he’s a repeat offender at reinventing the slasher genre. We walk from the brutal early impact of The Last House on the Left to the scorched, survivalist nightmare of The Hills Have Eyes, then pull the thread that ties so much of his work together: families that fail, authority that can’t be trusted, and characters forced to build something new out of the wreckage. From there we hit A Nightmare on Elm Street and Craven’s “rubber reality,” where dream logic bleeds into the real world and Freddy Krueger becomes a different kind of monster than the usual mask-and-knife crowd. Then we go beyond the obvious. We spotlight The Serpent and the Rainbow for its hallucinatory voodoo dread and corporate exploitation, The People Under the Stairs for its nasty, still-relevant social horror, and Red Eye for proof Craven can deliver a lean, Hitchcockian thriller when he wants to stay grounded. If you love horror movies, Wes Craven films, and the history of slashers, this is a watchlist and a roadmap in one. If you like what you hear, subscribe, share the episode with a fellow horror fan, and leave us a five-star review so more people can find the show.

  3. Oct 18

    Warlock

    We’re in Spooktober mode, and we’re planting our flag. For our continuing October Halloween exploration we bring you an often overlooked Horror movie series: Warlock. It's one of those franchises we keep waiting for people to rediscover, because the first film has everything genre fans claim they want: a confident supernatural villain, strange old-world witchcraft rules, and a time-travel chase that never stops pushing forward. Julian Sands brings a “posh evil” presence that feels genuinely dangerous, sexy, and unpredictable, the kind of performance that should have made him a bigger horror household name. We dig into what makes Warlock feel different from the slasher giants and even from its supernatural peers. The magic has texture: pennies in mouths, toes bound to thumbs, cold iron, nails in footprints, boiled fat for flight, and a Grand Grimoire that can literally unmake creation if the Warlock speaks the name of God backwards. Along the way, we talk about the film’s underappreciated craft, its VHS-fueled cult life, and how studio chaos and release timing helped keep it from getting the recognition it deserved. Then we take the full franchise tour. Warlock 2 The Armageddon goes bigger, louder, and more 90s, with druid stones, eclipse stakes, and set pieces that flirt with comic book logic before that became the norm. Warlock 3 The End of Innocence, though, is where we draw a hard line, and yes, we explain why. We also hit the spin-off legacy, including a novelization, comics, and the 90s video game, plus a sober note on real-world media panic and why blaming horror movies is a shortcut. If you enjoy smart horror deep dives and cult franchise autopsies, subscribe, share the show with a fellow monster nerd, and leave us a review. What’s your Warlock ranking: 1, 2, or refuse to acknowledge 3?

  4. Sep 23

    Star Trek at 60: The State of Trek Today

    Star Trek turns 60 and somehow the big story is this: the pipeline is drying up, the creative direction feels scattered, and the one show still on the air is starting to lose us. We talk through Strange New Worlds season four and why the constant genre tribute approach starts to feel like “holodeck episodes all season” with none of the payoff. When every week becomes a parody or a pastiche, the ship stops feeling real, character choices stop carrying weight, and we catch ourselves checking out instead of leaning in. We also get specific about what works and what does not. A musical can land when the format reveals character and the plot uses Star Trek logic to justify the weirdness. But when an episode is “just Buffy” or “just a soap opera” or “just Crimson Tide in space,” it can feel like modern TV is regurgitating familiar IP instead of taking a real swing at something new. That frustration becomes a bigger conversation about Hollywood’s dependence on recognizable templates and why audiences can sense desperation even when the production values look great. Then we zoom out to the franchise level: our breakdown of modern Trek as a post-2009 phase shaped by Abrams-era storytelling and the Kurtzman production machine, the way streaming exclusivity narrows who actually shows up, and the corporate chaos at Paramount that keeps killing movies before they happen. We end with the uncomfortable question we cannot avoid: would a real pause help Star Trek come back with a clear vision, or is this the slow fade? Subscribe, share the episode with a Trek friend, and leave us a review on Apple Podcasts. What genre stunt finally made you tap out, and what would you want a true Star Trek reset to look like?

Ratings & Reviews

5
out of 5
6 Ratings

About

A Geek Culture Podcast - Two life-long Nerds explain, critique and poke fun at the major pillars of Geek Culture for your listening pleasure.