Afterlives of Ancient Egypt with Kara Cooney

Kara Cooney

History isn’t repeating itself; history is now ancientnow.substack.com

  1. 6h ago

    Anatomy of the Ancient Egyptian Soul: The Akh

    Not everyone gets to become effective. Not everyone gets to matter after they’re gone. Not everyone becomes a saint. Your Ka, your Ba, your Ren — those showed up the moment you were born, automatic, no work required, the way your name did. The Akh is different. You had to earn it, build it. Amber and I have been in this journey about the different parts of the human personality for weeks now. This is the fourth episode in our series on the anatomy of the Egyptian soul, and definitely the hardest one so far. The Ka and the Ba you can make a go at describing. The Akh doesn’t allow that. It’s not really even a noun. It’s closer to a verb, the same energy as the Egyptian word kheper, “becoming,” transformation-in-progress. This podcast convo ended up going places I didn’t expect: gender, hubris, ecological grief even, and a king who tried to grab the most fleeting, liminal power in the whole Egyptian cosmos and hold it in his own two hands like in that Guardians of the Galaxy movie except without the happy ending. Akh as Photosynthesis In his dictionary of Middle Egyptian words, Faulkner tells us that akh means to be effective, glorious, useful, profitable. An Akh is what happens when something works or grows or becomes. This is not metaphorical but actual, like sunlight hitting a seed, the seed becomes a plant. That’s akh. If a person dies and manages to keep acting in the world of the living, that’s akh too, assuming the person passed the scales and saw his heart come out on top, assuming the funerary rituals did their job. The akh has the same kind of power as the plural bau of the word ba, for the soul of mobility. Bau is raw strength. Akh is strength that connects, that intervenes, that changes something. Florence Friedman spent her dissertation and a large part of her career on this topic, and her argument is that calling the Akh a “spirit” tells you nothing. She reads the word as something closer to sunlight. But what does that even mean? Friedman focuses on sunlight specifically, because it is effectiveness par excellence, the mechanism by which the divine reaches across into this world and makes something happen. Sun light is the tree growing, the fruit emerging, the people happily eating that fruit. If you think photosynthesis, you would come close, I think, to what the Egyptians had in mind with the notion of the akh. This effectiveness of spirit can be used for good or ill. The word survives into Coptic language where it means demon. That’s not later Christian problematizing of pagan things but sheer respect for power that cannot be contained. An Akh could bless you or smite you, same as any god could. The force that grows your wheat is the same one that can destroy it in a blight of grasshoppers. The bird that stopped migrating to Egypt :( The hieroglyph for Akh is a real bird—the northern bald ibis, common in Egypt through the Old Kingdom, and then, after that, poof, just gone. The bird’s habitat dried out, Egypt’s climate shifted, and the bird that had given its shape to effective transformation disappeared from the Nile Valley within living memory of the people who used its picture every day in their texts. I did not know this. I am still stunned to have learned it. The Egyptians kept drawing the bird glyph, of course. For thousands of years after its disappearance from their Nile waters, they drew it. A bird nobody living had ever actually seen, got more abstract and stylized the further it got from anyone’s lived experience, until by the New Kingdom it’s sporting something that looks suspiciously like a nemes headdress. The feathers Old Kingdom scribes had faithfully and realistically drawn to identify the bird were reimagined as a kind of linen headcloth or a nod at royal regalia. As far as I know, nobody’s done the actual philological legwork of tracing exactly when the faithfully drawn Akh starts dropping out of the textual record, and I wonder whether it clusters around the sixth through tenth dynasties, right when Egypt is drying up into famine and subsequent civil war. Let me know if there is work out there on this. Somebody go write that dissertation and tell me what you find. Ancient/Now is always free for all! Consider becoming a paid subscriber. All your $$ goes directly to paying Amber and Jordan, which means more of this, more often. Insemination, wombs, and who gets to make things happen Now it’s gonna get sexual, because… Egypt. The Akh is masculine. Akhet the horizon, the place where the sun is born and dies, the zone between worlds, is feminine. The akhet was a container, a womb, the hills cradling the sun like you would hold a newborn. There’s a strange archaic ritual Egyptologists called the Vogellauf, the “bird run,” where the king sprints toward a goddess with a live ibis in his hand and hands it over. This ritual helps us understand the akh’s purpose. The king is positioning himself as the one who delivers the divine spark, the inseminating force, while the goddess receives it, holds it, does the actual work of turning potential into life. That’s a patriarchal way of imagining creation, but also a very ancient Egyptian one that may have preceded patriarchal regional state pharaonic Egypt. The divine masculine principle initiates, the feminine principle receives what’s handed to her and transforms it within herself. Christianity arguably reinvented this same masculine creation theology millennia later in the Immaculate Conception; the Annunciation; when light entered the Virgin Mary’s womb by means of the Holy Spirit, credit going to the God who sent the light, while all the gestating, nurturing, protecting, and grieving belonged to the woman’s body. She does all the caretaking. The king who tried to own the light And this is where Akhenaten comes in! Because of course he does! He changed his name from Amenhotep to Akhenaten—the one who is effective for the Aten, or the light of the Aten. He built a city, named it Akhetaten, “horizon of the Aten,” and covered it with offering tables and altars, as if he could physically catch every sunbeam, to transform his own person, his Great royal wife Nefertiti, his daughters, and Egypt, however he named it and understood it. His hymn to the sun describes the Aten as the force that makes the baby grow in the mother’s womb. Akhenaten’s theology really helps us to understand the akh better. He was worshipping the sun, yes, but he was also trying to become the only intermediary for transformation itself. The sunlight came to him. He wanted to own the Akh outright. Of course it all failed, because of flying to close to the sun on waxen wings and all that, but let’s not mix mythologies. The Akh is also time! It’s a spark an instant, that liminal, in-between space, present for a handful of minutes (seconds?) at dusk and dawn and then gone. Akhenaten tried to drag it out permanently into the material world, into his own body, his own city, and claim ownership over something whose entire nature is that it doesn’t stay put. You cannot pin down a migratory bird. Trying to materialize and hoard something that’s ephemeral, that’s always on the move, that’s always in flight is what guaranteed the collapse of his new theology. After he died, the Akh went back to being the purview of the gods and the superhero ancestors who had made it past the scales and beyond. I don’t think any Egyptian king ever tried to claim it as personal property again. (One could do a whole discussion of the ancient Egyptian Akh theology influencing the emerging Jesus cult inserting ideas of ephemeral existence, sacrifice death and rebirth, but I’ll not do that here…) It’s an interesting story to hear right now as strong men and techbros rule the world. There are too many men convinced they have found the shortcut to fate and effectiveness, doling it out or withholding it as they see fit. The Egyptians watched in real time exactly how such hubris ends. What you do with a thing that doesn’t stay Every person who’s ever lived has wanted some edge on the uncontrollable in this material world, some way to fix their fate, some way to touch God and know the future, to bend the future in your favor. These are old human worries. The Egyptians tried to control their fates too, and one of the best ways to do that was to reach out to the akhu spirits (plural for akh!) and ask for their intercession. They wrote letters to dead relatives they thought had become akh. They mummified animals, then killed them (!), to carry messages into the next world. They stood in the temple portico at Esna temple and had their astrological charts read. You do the same thing checking your horoscope, or asking a dead grandmother for help in prayer, or telling yourself that if you just work hard enough you can outrun whatever’s arbitrary about your life, or wearing your baseball hat upside down and inside out at the key moments in the World Series. We reach out for hope wherever we can find it. But remember the akh is ephemeral. You touch it, and it’s already gone. You can spend your whole life trying to contain it and hold it, and you’ll never get there. That’s what living an earthly life is all about. That’s probably the right way to hold this strange ancient Egyptian conception of the soul—not as religious doctrine, but as an ongoing race that you will never finish. It’s a verb, not a noun! Good luck out there. Reach for your ancestors, your gods, whatever gets you through the dark part of the day—because it’s squirrelly out there. Just don’t try to own the whole horizon. It didn’t work out for the last guy who tried it. This episode, the fourth in our series on the ancient Egyptian soul, following the Ka, the Ba, and the Ren, is up now up on the Afterlives of Ancient Egypt podcast, available wherever podcasts are heard. If this newsletter is useful to you, consider becoming a p

    1h 35m
  2. Jun 12

    Anatomy of the Ancient Egyptian Soul: The Ren

    Part three of our ongoing series on the anatomy of the ancient Egyptian soul. Previously: the Ba and the Ka. Next up: the Akh, the Ib, the Shut, and the Khat. In turbulent times, let Egyptology be your resistance. That’s the spirit in which we (Kara and Amber) sat down for this episode — and if that sounds like an unusual rallying cry, well, you’ve come to the right place. Today’s topic is the Ren: the name. And before you go, I know what a name is, you don’t. Because the ancient Egyptians understood something about names that we’ve spent the last several thousand years forgetting (and that the modern American government is actively exploiting right now; yes, I know, we make everything political and history is now and all that…). What Is the Ren? In Faulkner’s Concise Dictionary of Middle Egyptian, the entry for rn (ren as we would say it in an Egyptian reading class) is almost insultingly short. Two phonetic characters, the mouth hieroglyph (r) and a single water sign (n). No dramatic determinative. No elaborate sign to illustrate it. Compare this to the Ba — the human-headed bird that flutters, moves and exists visually in the world — or the Ka, with its famous outstretched arms, intimate and embodied, ready to embrace. The Ren just sits there with no explanatory symbolism whatsoever. The writing of the word betrays the secrecy surrounding the name itself. But that spareness is the point. The Ren’s power is its abstraction. It is not a thing you can see or touch. It is a sound, an utterance, a vibration shaped by lips and tongue and the specific quality of a human mind. And this is where things get interesting: the hieroglyphic word rn begins with the mouth sign, because of course it does. The name lives in speech. It is born from the human body in the most literal sense possible. The name is utterance incarnate, which takes us to the Egyptian understanding of creation. In the Beginning Was the Name The Memphite Theology is an inscription said to be copied from an ancient, worm-eaten papyrus, even though this particular version comes to us as the so-called Shabaka Stone of the 25th Dynasty Kushite kings, and it describes the god Ptah creating the world through utterance. Ptah conceives (sia, abstract thought) of things with his heart (ib) and then brings them into material existence through his mouth (r) using the force of heka (magic). He speaks the name of something, and it becomes real by passing through the lips, tongue, and teeth. In the beginning was the word, as we know from the Bible. The idea that spoken language is a creative force, that naming something is a form of making it, runs through ancient Egyptian creation theology, including the Memphite Theology, through the Hebrew Bible, through Neoplatonic philosophy, and straight into the digital age, where the naming of things (brands, identities) still confers power. The ancient Egyptians were not doing something primitive or naive when they enshrined this idea. They were identifying something true. A name captures the essence of something. And crucially, in this theology, the name is not just descriptive. It doesn’t label something that already exists. It creates the thing. Which means that whoever speaks the name first, whoever utters it properly, with the right cadence and pronunciation, has a claim on the essence of the thing named. They hold a piece of it. And this is where the Ren gets genuinely dangerous. Isis and the Secret Name of the Sun God The most famous story about the power of the Ren comes from Papyrus Turin 1993, a 20th Dynasty text currently in the Egyptian Museum in Turin. It tells the story of Isis and Re. Re, the sun god, is old. He is aging and drooling—both poignant and humanizing for the head of the Egyptian pantheon—and Isis, the Mistress of Magic, decides to use the moment to her advantage. She collects his spittle and uses it to fashion a clay snake, which she places in his path. Re is bitten by this snake made from his own essence. He cannot heal himself: you cannot cure a wound that comes from within your own body, apparently. And so he has to call upon Isis. She shows up, calm and helpful, and says: I can heal you. But first, I need to know your secret name. She doesn’t want the name that priests chant in temples, or the name carved onto obelisks. She wants his other name, the real name, the one that encapsulates his true essence, the name that, if you knew it, would give you power over the sun god himself. Re, who is dying, tells it to her. She heals him. And the text informs us he passes the name to her with the stipulation that she share it only with her son Horus, who can use it only for healing. There is so much to unpack here. Isis is conniving—she engineers the crisis herself, lest we forget—and yet she is also the indispensable linchpin of the entire solar cycle, the one who heals the sun and ensures that he can rise again. She is the mother of god. She has to be duplicitous to get what she needs, because that’s what women in patriarchal systems have to do: they work around the system, not through it. And her workaround gives her—and by extension Horus—genuine, permanent power over the most important force in the cosmos. (Just note that she has to use her son as the formal mechanism to take that power. She can’t wield that power herself within patriarchy.) It’s also worth noting that this story has a very familiar ring. Isis creates a crisis so that a god can be healed and reborn, and that power is then passed to her son. The pattern is ancient. Judas. Jesus. Mary knowing her son was doomed to die for the sins of all humankind. It did not begin in Galilee. The Name Is a Tool of Power (And Someone Else Usually Wields It) Here’s what the ancient Egyptians knew, and what we mostly pretend not to know: we do not name ourselves. We are named by others. By parents, by institutions, by the state. And when someone in society decides to choose their own name—through transition, through divorce, through reclaiming ancestry—it is, as I put it, “rather an F you to society at large, and people don’t take it well.” Enslaved people in America were stripped of their names and given the names of their enslavers. This is not a metaphor. It was a deliberate act of erasure—an understanding, conscious or not, that to take someone’s name is to take their identity, their lineage, their claim on their own essence, to make them legible in the system of power. Formerly enslaved people who took new names after emancipation were not just making an administrative change. They were performing an act of profound self-creation. Women who change their names at marriage, and then change them back, sometimes can’t produce the right documents to satisfy a bureaucracy. This is also not a metaphor. The SAVE Act (Safeguard American Voter Eligibility Act), just recently killed by Congress, would have required voters to produce documentary proof of citizenship that matches their current legal name. Since approximately 69 million American women have changed their surnames at marriage—with their birth certificates unchanged, of course—this provision creates an enormous paperwork burden that falls almost entirely on women. The name you were given, the name you choose, the name on your passport, the name on your birth certificate: suddenly, these mismatches become mechanisms of legal disenfranchisement. The ancient Egyptians would have recognized this—the name as a tool of ownership—immediately. My own name is a good illustration of the principle: my formal given name is Kathlyn Mary Cooney. That’s on my passport and driver’s license. My mother preemptively nicknamed me Kara to prevent anyone from calling me Kathy (!), and it’s been Kara ever since — appearing on no official document anywhere. When someone calls and asks for Kathleen (because who knows how to pronounce the Anglican Irish Kathlyn?), I know immediately: they don’t know me. They don’t have my secret name. (My publisher, American University Press, later asked me to use Kara Cooney on my Recycling for Death book cover — which crossed the streams rather dramatically and left my actual secret name thoroughly scrambled. Very Isis. Very Re.) Names in the Pyramid Texts: 45 Ways to Protect, Weaponize, and Transform For this podcast, I did a search of the Pyramid Texts of Unas—the oldest religious corpus in the world, inscribed on the walls of his burial chamber at Saqqara—and found 45 mentions of rn, for “name.” And, of course, a quick glance at the text shows Unas’ name in cartouche visible everywhere on the walls. The magical spells had to name him repeatedly to have any effect. In Utterance 137, there is a curse against anyone who “shall speak evil against the name of Unas.” Slander. Gossip. Misusing a name in speech. The ancient Egyptians understood that once a name is out in the world—written on a wall, spoken aloud—it can be turned against you. You can be libeled. You can be slandered. You can have your reputation destroyed through the same medium that keeps you alive. The name is vulnerability as much as it is power. Utterance 143 is wild. Unas takes on the name of Horus: “You are born, O Horus, as the one whose name is he before whom the earth quakes,“ and then we read Seth’s epithet: he before whom the sky shakes. These are primeval names, Ur-names, that predate even the physical world. By speaking them, by claiming them, Unas is not just identifying himself as divine. He is reshaping the form of that divinity. The name does that: it transforms. It is not merely descriptive. It is constitutive. Utterance 147 goes further still: lift yourself up, so said they, in your name: God. The king is given a new name in the afterlife. He is addressed as God—netjer—and this address is not flattery. It is installation. The name confers the identity it declares. A Brief Taxonomy: Name vs. T

    1h 8m
  3. Jun 3

    Building Tutankhamun's Digital Afterlife

    Summary: Kara and Jordan welcome Griffith Institute staff Daniela Rosenow and Lara Bampfield to discuss the new Tutankhamun Spatial Archive, a searchable, metadata-driven platform that reconnects Carter’s excavation records to the tomb spaces, seasons, people, and objects. We learn about the trials and tribulations behind such an endevour, future plans for the project, and some of the fabulous stories behind lesser-known pieces in Tut’s tomb. Tutankhamun Spatial Archive Guest Bios: Lara Bampfield has recently submitted her DPhil in Assyriology at the University of Oxford. Her research investigates change and continuity in the motifs of Old Babylonian and Kassite cylinder seals, applying advanced digital methods such as 2D and 3D modelling, image-annotation software, and machine learning to analyse these transformations. In 2025 Lara joined the Griffith team as research assistant for the Tutankhamun Spatial Archive project focusing on the digital and metadata components. Daniela Rosenow studied Egyptology and Classics at the Humboldt University Berlin where she obtained her PhD on Late Period sacred architecture. She has worked at UCL’s Institute of Archaeology, the British Museum, the University of Munich and the German Archaeological Institute Cairo. In February 2021 Daniela joined the Griffith Institute, University of Oxford, where she co-curated the exhibition “Tutankhamun – Excavating the Archive“, and she is now the Manager of the Griffith Institute. Show Notes: Griffith Institute Main Website Tutankhamun Spatial Archive The latest story on the Egyptian Workforce Cast of Characters * Francis Llewellyn Griffith * Kate Bradbury * Nora MacDonald * Howard Carter * Harry Burton * Phyllis Carter OEB- Online Egyptological Bibliography TOB- Topographical Bibliography Middle Coffin (Compare) * Tutankhamun’s Floral Wreath * Hamza, N. M. (2020) Study and Investigations of Archaeobotanical Remains From Tutankhamun Tomb. ProQuest Dissertations & Theses. * For more information about the Egyptian workers – Quirke, S. (2010) Hidden hands : Egyptian workforces in Petrie excavation archives 1880-1924 / Stephen Quirke. London: Duckworth. * Smithsonian Magazine, “Remembering the Unsung Egyptians Who Helped Discover King Tut’s Tomb” * 1939 BBC Radio: playing of Tut’s trumpet with modern mouthpiece * Minnie Burton’s Diary Ancient/Now is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Ancient/Now at ancientnow.substack.com/subscribe

    1h 36m
  4. May 26

    The Hidden and the Formalized: Female Queerness in Ancient Egypt

    Thank you paid subscribers, KinchStalker, Phoenix, Tomas Johansson, and many others for tuning into this live video with Jordan Galczynski and Amber Myers! You filled the chat with such sharp and interesting questions. This is exactly the kind of conversation we love — primary sources, spirited disagreement, duck genitalia, and the occasional new moon. We’ll be back soon. CW— mature themes; sex; sexuality; sexual assault What does it mean to look for queer lives in the ancient world? We don’t want to impose today’s freedoms onto a patriarchal past, but we also don’t want to erase the biological reality that queer people have always existed in the world. That tension—generative, unresolved, and genuinely fun to argue about—animated our latest live conversation, and we’re thrilled so many of you joined us for it. Two Women, Arms Entwined We kicked things off with a pair statue currently held at the Museo Egizio in Turin. Amber had shared it earlier in the week and it immediately sparked debate among the three of us. Dating to the Thutmosid period and likely from a tomb in the Theban necropolis, it shows two women — Idu and Rui — seated side by side in white linen shifts and elegant bipartite wigs, arms wrapped around each other in precisely the embrace you’d expect to see between a husband and wife. The museum’s own description calls the relationship between them “unclear.” Which is, of course, the perennial problem. Are they friends? Sisters? Mother and daughter? Could they be something more? Kara was the self-described cynical voice in the room, skeptical that ancient Egyptian society would have allowed a formally commemorated queer female relationship — while also being completely open to the possibility that a very real relationship could have existed behind the scenes, just one that could and would never be named outright. Jordan pointed out something quietly fascinating: Idu holds the title nebet per — Mistress of the House — while Rui carries no title at all, no indication of kinship or any named social role. That asymmetry suggests a dependent relationship, but of what kind, we simply can’t say. They seem to have wanted to show themselves as the core of their household. What we can say is that someone commissioned this statue, paid for it, and had it placed in a tomb context so that both women would receive offerings in the afterlife. That’s not nothing. Whatever Idu and Rui were to each other, there was care—plus money, and intention—and a desire to keep this person in one’s eternal company. The group also floated an intriguing hypothesis: what if Idu had outlived her husband, inherited his property, and then got to live exactly as she chose? Two women, a shared household, just friends, obviously. Roommates even. The ancient world’s version of companions traveling down the Nile together — who, as Jordan noted, everyone quietly understood were probably lovers, but who would never in a thousand years have said so in a formal inscription. The Notorious Tomb of Niankhkhnum and Khnumhotep From there we moved to the far more famous case of the two manicurists of the Old Kingdom royal court: Niankhkhnum and Khnumhotep, buried together at Saqqara in a shared tomb decorated with images of the two men nose-to-nose, embracing in ways typically reserved for married couples. Scholars have argued they were brothers, conjoined twins, or colleagues — with Kara noting, drily, that “conjoined twins” seems like a remarkable amount of effort just to avoid the word gay. But who knows? This scene is unique and perplexing. We should not try to flatten the complexity of the image: we can acknowledge that queer people existed in the ancient world without pretending they enjoyed anything like modern queer freedom or visibility in society. What the Texts Actually Say (or Don’t) So what does the written record give us? Rather less than you might hope, and rather more ambiguous than anyone would like. Jordan pulled up Book of the Dead 125—the famous Negative Confession—the list of sins the deceased declares they have not committed before the scales of Ma’at. One entry reads something like: I have not copulated with a catamite — or, depending on your translation, I have not copulated with a boy, or I have not laid with a man. The Egyptian word in question, Kara noted, is a hapax legomenon: it appears nowhere else in the corpus, which makes translation genuinely treacherous. The word catamite, the group agreed, implies pederasty — a prohibition against the sexual exploitation of a prepubescent boy — which is something categorically different from a prohibition against adult same-sex desire. The distinction matters. More investigation (after the podcast!) revealed the phrase to translate into something like “I did not f**k a f****r of f*****s,” which implies a refusal to have slept with someone who is already sleeping with others. But who knows? You decide; see the Egyptian below! * “I have not penetrated the penetrater of a penetrater (Variant: “I have not copulated with a boy”); I have not masturbated” (n nk.i nkk nkk n dAdA.i) * nkk [nkk] = 𓈖𓎡𓎡𓂺𓀀 (Thesaurus Linguae Aegyptiae); lit. the one who f***s; male sex worker; homosexual? * We presume they are attaching the male gender to this noun because of the presence of a penis in the word, but Book of the Dead 125 is the only use of this word! * Also see Betwixt the Sheets, “History of Homophobia” Contending of Horus and Seth gave us rather more vivid primary source material. The story is, to put it mildly, a lot: Seth attempts to assault Horus in their sleep; Horus outsmarts him by catching the semen in his hand; his mother Isis disposes of the evidence—by cutting Horus’s hand off and growing him a new one as one does—and fashions a trap, placing Horus’s semen into the lettuce Seth habitually eats; and when Seth boasts of his conquest before the gods, the divine tribunal calls the semen forth — whereupon it emerges from Seth’s own head like a crown, to the hilarity of everyone assembled. The story is funny, and also pointed: what makes Seth’s act monstrous is not same-sex desire per se, but domination, humiliation, and the horror of being placed in the feminized, receptive position. As Kara observed, the ancient Egyptian antipathy here is not really about queerness. It’s about misogyny. To be penetrated is to be made a woman, and being made a woman is, within this patriarchal framework, a degradation. The female body’s hiddenness, Jordan added, made female queerness simultaneously the most subversive and the most invisible form of desire—something that likely happened constantly and simply never showed up in the legal or mortuary record because it threatened no man’s property and produced no illegitimate heirs. A brief and gleeful tangent addressed the so-called “Hatshepsut graffito” at Deir el-Bahri — a piece of erotic wall art that scholars persistently attribute to the female pharaoh on no stronger grounds than that it’s located in a cliff above her mortuary temple at Deir el Bahari, a space that, Kara pointed out, was built up by approximately everyone. The figure is wearing something that might be a wig, might be a nemes headdress, but the group voted: no, It’s a wig. Moving on. On Morality, Property, and Free Love One of the conversation’s richest threads concerned why ancient Egyptian society seems, comparatively speaking, to have been rather relaxed about sexual transgression. No stoning for adultery. No virginity tests. Premarital sex left relatively unpoliced. Kara connected this to land ownership — or rather, the lack of it. In a society where the Nile flood periodically erased field boundaries and where the great institutions (the Temple of Amun, the royal palace) were the primary landowners, the tight relationship between sexual morality and property inheritance that drove so much ancient Mediterranean legislation simply didn’t apply in the same way. You couldn’t easily lose heritable land over a sexual scandal when most people didn’t own heritable land to begin with. This also explains why female queerness, in particular, would have been almost entirely invisible to official record-keeping: no property changed hands, no paternity was threatened, no inheritance could be disputed. The patriarchal system cared deeply about women’s bodies as reproductive resources — but only insofar as those bodies produced legitimate heirs. What happened otherwise, behind closed doors or in a shared household, was simply not the law’s business. The picture shifts, the group agreed, with the arrival of the Greeks. Ptolemaic Egypt imported stricter social structures around female bodies: veiling, endogamous marriage to keep property within families, the concept of illegitimacy as a barrier to succession. These were new ideas, and not Egyptian ones. Priests, Priestesses, and the Gods’ Wives of Amun A subscriber question about priestly celibacy sent us down another rewarding path. The short answer is: Egyptian priests were, for most of the pharaonic period, married members of elite society who served on a rotating schedule, and the prescriptions around ritual purity—no sex, no fish, no leather—applied only during their active service, much like a young man in Thailand entering a temple for a period of education and contemplation before returning to ordinary life. The longer and thornier answer involves the Divine Adoratrices of the Late Period, the so-called God’s Wives of Amun, who held extraordinary political and religious power, adopted their successors rather than bearing biological children, and named no husbands in their records. Were they celibate? Almost certainly not in any enforced sense. They were the most powerful women in Egypt. Whatever they did, they did as they chose. Lovers were not memorialized on stone mon

    1h 1m
  5. Anatomy of the Ancient Egyptian Soul: The Ka

    Mar 19

    Anatomy of the Ancient Egyptian Soul: The Ka

    In this episode Kara and Amber continue their series on the ancient Egyptian anatomy of the self by exploring the ka—often translated as a “life force,” but an element far more complex than that simple phrase suggests. Drawing on textual evidence like the Pyramid Texts and Coffin Texts, art, architecture, and funerary practices, Kara and Amber examine how the ka functioned as a sustaining power tied to food offerings, lineage, divine capabilities, and the material world. Their discussion reveals how the ancient Egyptians understood the survival of the ka as something deeply materialistic: a system of bodies, images, offerings, and rituals designed to sustain the ka for eternity. Show Notes Allen, James P. 1988. Genesis in Egypt : The Philosophy of Ancient Egyptian Creation Accounts. Yale Egyptological Seminar, Dept. of Near Eastern Languages and Civilizations, Graduate School, Yale University. Goebs, Katja. 2008. Crowns in Egyptian funerary literature: royalty, rebirth, and destruction. Griffith Institute Monographs. Oxford: Griffith Institute, Ashmolean Museum. Lobban, Richard, “A Solution to the Mystery of Was Scepter of Ancient Egypt and Nubia,” KMT: A Modern Journal of Ancient Egypt (10/3), 1999, 68–77. Lobban, R. A. and M. Sprague, “Bulls and the W3s Sceptre in Ancient Egypt and Sudan,” Anthrozoös 10, 1997, 14-22. Schwabe, Calvin W., Joyce Adams, and Carleton T. Hodge, “Egyptian Beliefs about the Bull’s Spine: An Anatomical Origin for Ankh,” Anthropological Linguistics 24, no. 4 (1982): 445–79. http://www.jstor.org/stable/30027646. Get full access to Ancient/Now at ancientnow.substack.com/subscribe

    1h 22m
  6. Feb 27

    Anatomy of the Ancient Egyptian soul: The Ba

    What, exactly, makes a person a person? In this episode, Kara and Amber launch a new series exploring the anatomy of the ancient Egyptian soul. They begin with the ba—often translated as “soul,” but far stranger and more powerful than that simple word suggests. The ba is the part of you that moves, that transforms, that survives death. Drawing from art, funerary texts, and literary works like The Dialogue of a Man with His Ba, the Egyptians unpack how the ba functioned as a mobile, solar, and deeply dynamic aspect of the individual. What emerges is an understanding that the ancient Egyptians did not view the self as singular. They saw it as layered and multifaceted—existing everywhere all at once: still and enduring, yet constantly in motion. This episode begins a multipart exploration of the ancient Egyptian individual—from the ba to the ka, the name, the heart, and beyond—asking how this ancient civilization imagined identity, survival, and how the Egyptians sought eternal existence in a world where death is inevitable. Notes Allen, James P. 2011. The debate between a man and his soul: a masterpiece of ancient Egyptian literature. Culture and History of the Ancient Near East 44. Leiden: Brill. Janák, Jiří. 2016. Ba. In Jacco Dieleman, Willeke Wendrich (eds.), UCLA Encyclopedia of Egyptology, Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz002k7g85 Lichtheim, Miriam. 1973. Ancient Egyptian literature. A book of readings, volume I: The Old and Middle Kingdoms. Los Angeles, CA: University of California Press. Get full access to Ancient/Now at ancientnow.substack.com/subscribe

    1 hr
  7. Jan 30

    The Old Man and the Sun: Sex, Death, and the Turin Erotic Papyrus

    **Content and trigger warning: This episode contains images of sex and discussion of sexual themes, sexual abuse and exploitation, incest, and other related topics that might be inappropriate or upsetting to some listeners. Kara and Amber discuss one of the most debated objects from ancient Egypt: the so-called Turin Erotic Papyrus (Turin P. 55001). Often viewed as an example of ancient Egyptian pornography or crass entertainment, this papyrus reveals far more about elite anxiety, dynastic survival, and the ideological machinery of patriarchy. Through close visual analysis and discussion, they explore what is behind the exaggerated and sexualized depictions of bodies and scenes of sexual dominance and performance—not simply as humor, but as expressions of a system of power struggling to reproduce itself and maintain dominance. These images expose an obsession with regeneration, haunted by aging and mortality, and shaped by fear of failing masculinity, in which an aging sun god—and an aging king—must be sexually reborn to keep the cosmos intact. This episode connects sex, death, pornography, religion, ancient harems, and power structures both ancient and modern, asking why patriarchal societies so often turn to sexual control as ideology—and why these ancient images still feel disturbingly familiar today. Show notes More about the Turin Erotic Papyrus (Museo Egizio) Selected Bibliography Babcock, Jennifer Miyuki , Ancient Egyptian animal fables: tree climbing hippos and ennobled mice (Culture and History of the Ancient Near East 128), Leiden; Boston 2022, p. 49–54, 107 e passim. Bresciani, Edda, Sulle rive del Nilo : l’Egitto al tempo dei faraoni(Grandi Opere), Roma 2000, pp. 122–127, 139–141, fig. 13 p. 124-5; fig. 5-6 p. 140. Flores Diane, “The topsy-turvy world”, in Egypt, Israel, and the ancient Mediterranean world. Studies in Honor of Donald B.Redford., 2004, pp. 234–235, 239, 246, 249, fig. pp. [21], [27], [37], [42]. Houlihan, Patrick F., Wit & humour in ancient Egypt, London 2001, pp. 67–72, 132–136, fig.. 57, 66, 67, 68, 136, 141-6. Janák, J. And H. Navrátilová, 2008, “People v. P. Turin 55001,” in C. Graves-Brown (ed.) Sex and Gender in Ancient Egypt, ‘Don your wig for a joyful hour,’ The Classical Press of Wales. Manniche, Lise, Sexual life in Ancient Egypt, in -, London 1997, pp. 106–115. Omlin, Joseph A., Der Papyrus 55001 und seine satirisch-erotischen Zeichnungen und Inschriften (Catalogo del Museo Eg. di Torino - Serie I. - Monumenti e testi 3), Torino 1973. Skumsnes, Reinert. 2025. A case study of the Turin Satirical-Erotic papyrus: historical bodies, mundane resistance, and alternative body worlds. In Pedersen, Unn, Marianne Moen, and Lisbeth Skogstrand (eds), Gendering the Nordic past: dialogues between perspectives, 235-250. Turnhout: Brepols. DOI: 10.1484/M.WOP-EB.5.144367. Toivari-Viitala, Jaana-Toivari-Viitala, Jaana, Women at Deir el-Medina : a study of the status and roles of the female inhabitants in the workmen’s community during the Ramesside Period(Egyptologische Uitgaven 15), Leiden 2001, pp. 146–7. Get full access to Ancient/Now at ancientnow.substack.com/subscribe

    1h 29m
  8. Jan 20

    Finding the 'Elusive' Libyans w/ Jason Silvestri

    In this episode of Afterlives of Ancient Egypt, Kara, Jordan, and guest Jason Silvestri delve into the enigmatic history of the Libyans during Egypt’s Third Intermediate Period. Jason shares his academic journey into Egyptology, discusses the discovery of ancient Libyan words in the Qeheq papyrus, and highlights his exciting archeological work at El Hibeh. About our Guest: Jason Silvestri Jason Silvestri (BA ’19, Univ. of Toronto; MA ’21 UC Berkeley) is the Lady Wallis Budge Junior Research Fellow at Christ’s College, Cambridge and PhD Candidate in Egyptian Archaeology at UC Berkeley’s Dept. of Middle Eastern Languages and Cultures (MELC), where he is writing a dissertation on the social and political history of the Libyan Period (Dyns. XXI-XXIV). He has also worked extensively on Libyan-Egyptian interconnections, and has published the earliest known evidence of an Ancient Libyan language, the Qeheq Papyrus. In addition to his textual work, he is also an archaeologist, and has worked for several projects in Italy, Greece, and Egypt. Academia https://elhibehproject.org/ Show Notes * Check out Jason’s article on oldest extant text that possibly preserve the Berber language * Third Intermediate Period * Libyan Period * Egyptian glyph rendering of the term “Libyans”- 𓍿𓅓𓎛𓌙𓀀 or 𓍿𓎛𓈖𓏌𓇋𓇋𓅱 * Candelora, Danielle 2019. The eastern Delta as a middle ground for Hyksos identity negotiation. Mitteilungen des Deutschen Archäologischen Instituts, Abteilung Kairo 75, 77-94. * Hubschmann, C., (2010) “Who Inhabited Dakhleh Oasis? Searching for an Oasis Identity in Pharaonic Egypt”, Papers from the Institute of Archaeology 20(1), 51-66. doi: https://doi.org/10.5334/pia.341 * Code Shifting * Use of the term “tribe” within anthropological studies * Banishment Stela * The Amazigh Language Family * Afroasiatic Language Family * Cooper, Julien Charles 2021. Beja and Cushitic languages in Middle Egyptian texts: the etymologies of queen Aashayet and her retainers. Lingua Aegyptia 29, 13-36. DOI: 10.37011/lingaeg.29.02. * Cooper, J. (2020). Egyptian Among Neighboring African Languages. UCLA Encyclopedia of Egyptology, 1(1). Retrieved from https://escholarship.org/uc/item/2fb8t2pz * El Hibeh Want to learn more about the Libyan Period? Suggested Readings: * Ritner, R. K. (2009) The Libyan anarchy : inscriptions from Egypt’s Third Intermediate Period / translated with an introduction and notes by Robert K. Ritner ; edited by Edward Wente. Atlanta: Society of Biblical Literature. * Moreno García, J. C. (2014) Invaders or just herders? Libyans in Egypt in the third and second millennia bce. World archaeology. [Online] 46 (4), 610–623. * Broekman, G. (2011) Theban Priestly and Governmental Offices and Titles in the Libyan Period. Zeitschrift für ägyptische sprache und altertumskunde. [Online] 138 (2), 93–115. Ancient/Now is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Get full access to Ancient/Now at ancientnow.substack.com/subscribe

    1h 21m
4.8
out of 5
146 Ratings

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