Cinema Very Gay

Jake and Kevin

Welcome to Cinema Very Gay, the podcast where we take a look at LGBTQ+ movies throughout the history of film to try to answer the question: Just what is it that makes a good gay movie? Listen to hosts Jake and Kevin as they go deep, leaving no question unprobed and no queer movie behind.

  1. 05/04/2023

    031 - Desert Hearts

    Pull out your hat pins and loosen up because it's time for another installment of Cinema Very Gay! Desert Hearts (or, "Not Another Lesbian On This Ranch") is a seminal piece of lesbian cinema, and for many good reasons. The film was directed by Donna Deitch in 1986 and stars Helen Shaver as Vivian, a stuffy literature professor at Columbia who is in the process of divorcing her unseen husband. To expedite the process, she establishes residency in Reno by staying on a "ranch" run by Frances (Audra Lindley). As in any good lesbian period piece, a woman can't run into the wilderness without finding romantic entanglements, as Helen is unexpectedly seduced by the confident and carefree Cay, played by Patricia Charbonneau. Though there are some familiar beats to the script, the movie is touchingly directed and does an incredible job at showing the complexities of Helen and Cay's romance, as well as its impacts on those around them. Why does Frances care so much that Cay might find love? Is this the dustiest lesbian movie ever made? Is Kevin actually in love with Patricia Charbonneau? This and more on this week's episode! And then an entry in our miniseries on Criterion's LGBTQ+ shorts collection, but we aren't over the moon about this one. Jake and Kevin watched the short film Call Your Father (dir. Jordan Firstman, 2016), which follows a disastrous first date between men from different generations. There's not much reason for the date to have continued as long as it did, but there is a bit of sit-com humor to appreciate.

    1 hr
  2. 04/13/2023

    030 - Looking: The Movie

    It's San Francisco, how hard can it be to meet cool people? Well, if the only people you run into is the cast of the HBO series and movie, Looking, you might have some work to do! This week we tackle the controversial and short-lived HBO series and subsequent moviefilm, Looking, created by writer-director Andrew Haigh. The series followed a group of gay men in San Francisco and their travails in life and love- Patrick (Jonathan Groff), our anxious protagonist with deeeeeeeep mommy issues; Augustin (Frankie J. Alvarez), the tortured "artist" looking for meaning in his work and finding drugs along the way; and Dom (Murray Bartlett), a peri peri chicken lover having a mid-life crisis. Over the course of the series, which only ran for 18 episodes from 2014-2015, we follow this crew and a great cast of supporting actors, including but not limited to Lauren Weedman, Scott Bakula, and sexpot Raul Castillo, as they look for meaning in their lives, with plenty of cringe, Grindr dates, and drunken dancing along the way. The series unfortunately had a short run, but was brought back for one final installment in 2016 with Looking: The Movie. Join Jake and Kevin this week as we talk about the highs of lows of the series and how successful the movie holds up as a final episode. Why did they not cast any gay or queer Asian characters in a show set in San Francisco? Why are the three protagonists so insufferable in the first season? Did Richie and Patrick really get back together in the movie? This and more on this week's episode! PLUS: We dive back to our regularly-scheduled mini-series programming this week! The Criterion Channel (who does not yet sponsor this podcast but we're open to the idea) has a fantastic selection of queer filmmaking, bolstered recently by a collection of queer short films. For the next few episodes, we'll be watching some of these shorts, beginning with the film The Red Tree, directed by Paul Rowley in 2018. This pseudo-documentary short follows a fictional gay man who travels back to the island where Mussolini interred hundreds of gay man in his rise to power in the 1930s.

    1h 17m
  3. 02/10/2023

    026 - Rock Hudson (Part I: The Sirk Years)

    We're trying something new on Cinema Very Gay and taking a career retrospective for the next few weeks on Rock Hudson! He is known perhaps best for being a hunky, mildly-talented, openly-closeted movie star of the 50s and 60s, and for his high profile death due to complications from AIDS in 1985, but there really was much more to Hudson and his famed career than many first assume. Over the next four episodes, join Jake and Kevin as we look back on four key periods in Hudson's film career and talk about how the façade of Hudson's on-screen presence was in contrast to his real-life dalliances.  To begin, we start with the phase of Hudson's career that flung him into stardom and made him a household name, his collaborations with director Douglas Sirk. Sirk today is synonymous with 50s melodrama, those saccharine, romantic "women's pictures" that we know and love today. Though not as critically-acclaimed in his time as he is today, Sirk's films still were hits at the box office, and his decision to bring Hudson out of the background and into his turn as a leading man. Thanks to Sirk, every man wanted to be Rock Hudson, and every woman wanted to be with him...and as it turns out, lots of men did too! Join Jake and Kevin this week as we take a look back at the 8 films of the Sirk-Hudson collaboration: Has Anyone Seen My Gal? (1952); Taza, Son of Cochise (1954); Magnificent Obsession (1954); Captain Lightfoot (1955); All That Heaven Allows (1955); Written on the Wind (1956); Battle Hymn (1957); and Tarnished Angels (1957). They might not all be hits, but we're pretty obsessed with a few of them, and hope you find some new favorites in this first part of the series!

    1h 18m

Ratings & Reviews

4.5
out of 5
11 Ratings

About

Welcome to Cinema Very Gay, the podcast where we take a look at LGBTQ+ movies throughout the history of film to try to answer the question: Just what is it that makes a good gay movie? Listen to hosts Jake and Kevin as they go deep, leaving no question unprobed and no queer movie behind.