Low-Noise

Low Noise
  • 3.0 (1)
  • MUSIC
  • WEEKLY SERIES

Low Noise is a weekly podcast, which provides a (fairly) in-depth analysis of popular music and culture in (approximately) fifteen minutes. These episodes have been recorded ‘on the spot’ using the Low Noise Mobile Recording Studio (my iPad) at various locations throughout the UK. All broadcasts are recorded with passion, enthusiasm and substance. Low noise - high output. Thank you for listening!

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  1. EPISODE 1

    No Other (Gene Clark)

    A (relatively) in-depth analysis of the album No Other by American singer-songwriter and musician Gene Clark. Released in 1974, No Other was Clark's fourth solo album. Largely dismissed by critics at the time it was a commercial failure. The studio time and cost were seen as indulgent by Asylum Records who did not promote the album, eventually deleting it from their catalogue a few years after its release. Clark never recovered from the failure of the album.  It has since been positively reappraised and prior to Clark's death in 1991 it was reissued on CD. In the early 2000s it was reissued a second time to further reappraisal, being referred to as a lost masterpiece. In 2019 4AD launched another reissue campaign releasing the album as a CD, LP, deluxe double-CD set, and an expansive super deluxe box set with three SACDs, one Blu-ray disc, a silver-colored LP, and commemorative 80-page book. I do hope you enjoy this episode. Mathew Woodall https://www.facebook.com/share/1F15mx4ea3/ https://buymeacoffee.com/lownoise Why buy me a coffee? Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!). Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

    28 min

  2. EPISODE 2

    Ride Like the Wind (Christopher Cross)

    A (relatively) in-depth analysis of Ride Like the Wind by American singer-songwriter and musician Christopher Cross. Released in 1980, Ride Like the Wind was the lead single from Cross' Grammy-winning 1979 self-titled debut album. On the album's inner sleeve, Cross dedicated this song to Lowell George, formerly of the band Little Feat (do take a listen to my Little Feat episode). The song features backing vocals by Michael McDonald. Although the single never charted in the UK, it reached number two in the US Ride Like the Wind has not been covered extensively, although in 1991, Italian dance music group East Side Beat covered the song and in 2013 Belgian DJ Laurent Wéry released a version. Donald Fagen and Walter Becker of Steely Dan once invited Cross to play on their albums, but Cross declined as he belived the experience would be far too intimidating. I do hope you enjoy this episode. Mathew Woodall https://www.facebook.com/share/1F15mx4ea3/ https://buymeacoffee.com/lownoise Why buy me a coffee? Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!). Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

    23 min

  3. EPISODE 3

    Boat To Bolivia (Martin Stephenson & The Daintees)

    A (relatively) in-depth analysis of Boat to Bolivia by British rock/folk/pop band Martin Stephenson and the Daintees. Having become busking sensations the group were signed by Kitchenware around the same time as Prefab Sprout and released their first single in 1982. Like other Kitchenware acts the group had its origins in the North East England. The band enjoyed a high critical profile and some minor commercial success. Their best-selling and most acclaimed album is Boat to Bolivia released in 1986. Both The Daintees and Martin Stephenson have remained active in recent years. Stephenson currently lives in the highlands of Scotland and splits his time between solo and small collaborative projects with band albums and annual celebratory Daintees UK tours. I do hope you enjoy this episode. Mathew Woodall https://www.facebook.com/share/1F15mx4ea3/ https://buymeacoffee.com/lownoise Why buy me a coffee? Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!). Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

    24 min

  4. EPISODE 4

    Director's Cut (Kate Bush)

    A (relatively) in-depth analysis of Director's Cut by the English singer-songwriter Kate Bush. Released in 2011, the album consists of new versions of songs from the earlier albums The Sensual World (1989) and The Red Shoes (1993). All tracks have new lead vocals, drums, and instrumentation and are remixed and restructured. Some song were transposed to a lower key to accommodate Bush's lowering voice. Three of the songs, including 'This Woman's Work', have been completely re-recorded, often with lyrics changed in places. Bush described the album as a new project rather than a collection of remixes.It was Bush's first album release since 2005's Aerial and the first on her own record label, Fish People. Bush wrote all of the songs and lyrics with the exception of lines borrowed from James Joyce. The album has received mostly positive critical reviews. I do hope you enjoy this episode. Mathew Woodall https://www.facebook.com/share/1F15mx4ea3/ https://buymeacoffee.com/lownoise Why buy me a coffee? Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!). Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

    21 min

  5. EPISODE 5

    The Doors

    An exploration of the groundbreaking American rock band The Doors. Taking their name from Aldous Huxley’s visionary work The Doors of Perception, The Doors emerged in the mid-1960s as one of the most influential—and controversial—acts of their era. Blending blues, psychedelia, flamenco flourishes, and avant-garde experimentation, the band crafted a sound that was both darkly poetic and unmistakably original.  At the centre stood Jim Morrison, whose baritone voice, symbol-laden lyrics, and volatile stage presence became the band’s defining force. Morrison’s fascination with existentialism, rebellion, and altered states of consciousness shaped songs that felt less like pop singles and more like theatrical, sometimes dangerous, artistic statements. His increasingly erratic behavior and legal troubles only amplified the group’s notoriety, cementing their reputation as countercultural icons. Yet The Doors were far more than their frontman. Keyboardist Ray Manzarek’s swirling organ lines, guitarist Robby Krieger’s flamenco-tinged riffs, and drummer John Densmore’s jazz-inflected rhythms combined to create a distinctive, bass-less sonic landscape that remains instantly recognizable. Decades after Morrison’s death, The Doors continue to command a massive, multi-generational following.  With over 10 million monthly listeners on Spotify, their music resonates as strongly today as it did in the 1960s. From lifelong devotees to teenagers discovering them for the first time, new audiences continue to find meaning in their haunting melodies and provocative themes. Widely regarded as a foundational rock band, their influence can be heard across alternative, gothic, and psychedelic rock movements that followed. I hope you enjoy this episode as we delve into the artistry, mythology, and enduring cultural impact of The Doors.  I do hope you enjoy this episode. Mathew Woodall https://www.facebook.com/share/1F15mx4ea3/ https://buymeacoffee.com/lownoise Why buy me a coffee? Low Noise is proudly ad-free. If you would like to to say thank you for any of the content you have enjoyed (and help support the continuation of creating more), the above link provides a way to make a small donation of your choice (I also function on coffee!). Feel free to leave a note with your donation to let me know what you enjoy about the podcast or any topics you would like me to discuss in the future.

    31 min
See All Season 5 (5)

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About

Low Noise is a weekly podcast, which provides a (fairly) in-depth analysis of popular music and culture in (approximately) fifteen minutes. These episodes have been recorded ‘on the spot’ using the Low Noise Mobile Recording Studio (my iPad) at various locations throughout the UK. All broadcasts are recorded with passion, enthusiasm and substance. Low noise - high output. Thank you for listening!

Information

  • Creator
    Low Noise
  • Episodes
    163
  • Seasons
    5
  • Rating
    Clean
  • Copyright
    © Copyright Low Noise
  • Show Website
    Low-Noise