Badass Records

Blair Johnson

a podcast about people and music

  1. Episode 202, Christian Dixon

    MAR 5

    Episode 202, Christian Dixon

    Christian Dixon is a son, a sibling, a musician and a songwriter, and he's my guest for Episode No. 202. If you're so inclined, you can give Christian an Instagram follow at @christiandixonmusic. You can find him on Facebook and Tiktok. You can peruse his Web site, christiandixon.bandzoogle.com. You can find his EP and his singles on Apple Music and Spotify. And I'll also encourage you to check out James Carter's "You Found Music" out there on the Web; he's the guy deserving of the kudos for connecting me and Christian. During our conversation, we talked about life, growing up, family, mental health, self-discovery, service to others, and a bunch more. We also talked about a few of Christian's favorite albums, which were these: Glory, The Original Motion Picture Soundtrack (1989) Switchfoot's Vice Verses (2011) Vessel (2013), Twenty One Pilots Phoebe Bridgers' Stranger in the Alps (2017) Punisher (2020), Phoebe Bridgers This is a long one, and that's certainly not desirable for some of the potential viewing audience, especially for a brand that's making zero clips or short-form content, but it's worth it. Christian is sharp, personable, and full of great insight, so I do hope you'll tune in. Thank you to him for the time, and to all of you that support the program. Note: Tom Cruise. Not Tom Hanks in Magnolia. Yeesh. copyright disclaimer: I do not own the rights to any of the audio contained within this episode. They are clips from a tune entitled, "Berkeley Jam," that was spawned from a live Phish performance. I poached it from Live Phish Downloads 8.06.10 (The Greek Theatre, Berkeley, CA) from 2011, and it's available to me and you c/o Who Is She Music Inc.

    2h 55m
  2. Episode 200, Carlton Rashad

    FEB 19

    Episode 200, Carlton Rashad

    Ladies and gentlemen, boys and girls -- Please allow me to introduce my wonderful guest, Carlton Rashad, to the podcast. Carlton is a son, a sibling, a singer, a songwriter, a performer, and a fantastic human being. He also makes an appearance on this program for the esteemed 200th episode, which -- if I'm not lying -- is pretty cool. Know what else is cool? Carlton. He has a Instagram -- @imcarltonrashad -- you can follow. He has a Facebook, a TikTok, a Threads, a YouTube, and he has his stuff on Apple Music and Spotify. He's the 2021 Best Male Vocalist per the Kansas City People's Choice Awards, and he's a Kansas Citian through and through. Carlton and I talked about his lifelong existence as a performer and a singer, a person with music always in his life, and his affinity for manifestation. We also talked about a few of his favorite albums, which were these: Get Lifted (2004), John Legend Mary Mary's self-titled release (2005) Future Sex/Love Sounds (2006), Justin Timberlake Lalah Hathaway's Lalah Hathaway Live! (2015) the entire Beyonce catalog Please go check out Carlton's stuff, and -- while I have you -- thank you for your continued support of the Badass Records podcast. copyright stuff: I do not own the rights to the audio clips contained within this episode. They are snippets from a tune by Robert Walter's 20th Congress called, "Inversion Layer." It's a track from his 2013 release, Get Thy Bearings, and we have access to it c/o The Royal Potato Family.

    2h 11m
  3. Episode 199, Ryan Johnson

    FEB 13

    Episode 199, Ryan Johnson

    Ryan Johnson is a son, a brother, and a musician. He's also a super-sharp dude, and he's my guest for Episode No. 199. Both Ryan's solo and full-band outfits write, record, and gig around town, and if you give him an Instagram follow -- @foxlinband -- you can see that he has some upcoming gigs, including one tomorrow night! Ryan was kind enough to share a little bit of time with me the Tuesday before last, and we talked about growing up, family, music memories, writing tunes, gigging live, his ongoing fight with cancer and challenges that he faces living with not only Multiple Myeloma, but Borderline Personality Disorder as well. We also talked about a few of his favorite albums, which were these: REO Speedwagon's Hi Infidelity (1980) Take Offs and Landings (2001), Rilo Kiley Bright Eyes' I'm Wide Awake It's Morning (2005) Mean Everything to Nothing (2009), Manchester Orchestra The Decemberists' The King Is Dead (2011) Meeting Ryan was a treat, and chatting with him was delightful. Find Foxlin's stuff at foxlinband.wixsite.com, Amazon, Apple Music, Spotify, YouTube, and Bandcamp. The Bandcamp platform has something in the way of seven EPs, two full-length releases, and a pair of singles. Lots of good stuff. And the Web site has some very valuable resources for anyone that may be in need. Thanks to Ryan for the time; thanks to all that support the show. copyright disclaimer: I do not own the rights to the audio clips contained within this episode. They are samples of the title track from Phish's 1990 release, Lawn Boy, and is available to listeners c/o Phish Inc.

    1h 51m
  4. Episode 197, Nicolette Paige

    JAN 15

    Episode 197, Nicolette Paige

    "Mama always said that dying was a part of life...but I sure wish it wasn't." -- Forrest Gump My journey as a fan of the Grateful Dead is -- from my perspective -- and interesting one in that I went from the tiny handful of FM-radio hits to Skeletons from the Closet: The Best of the Grateful Dead, and I didn't love it. At all, really. Some time later everything changed. I wasn't certain about the lineup and why the vocals sometimes didn't sound like Jerry Garcia's voice, but I eventually figured it out, and -- in typical fashion for myself -- I fell in love with Garcia's playing, Garcia's voice, and the sometimes-lovely keyboard playing. And that was kind of it. It took me until the formation of Dead and Company to form my admiration and respect of -- plus love for -- Bobby Weir. Seeing the occasional photo of him in Birkenstocks (and ultimately barefoot) on his on-stage rug in addition to the occasional Instagram post of him in yoga poses, etc. really solidified my belief that this was a truly special human being. I struggle with a number of things, and among them is the constant need for the reminder that social media isn't real life. So, when Bobby's passing was shared with the world, I bristled at verbiage in posts that started with phrases like, "I'm devastated." At the same time, I also kind of understood. Bob Weir -- from my vantage point -- was in incredible human, and we are so, so lucky that we shared living moments with him. I say all of that to say this: Nicolette Paige joined me for Episode No. 197 and even though I didn't know her prior to her ringing my doorbell (and scarcely know her now), she seems like a delightful person. She -- I think -- is all about energy and love and positivity, and we could use a few more Nicolettes on this planet right now. Mrs. Paige and I talked about family, growing up with incredibly supportive parents, putting on shows, seeing clients, peddling products, managing screen time, as well as a few of her favorite albums, which were these: Bob Marley's Exodus (1977) Bruised Orange (1978), John Prine Jimi Hendrix's The Jimi Hendrix Experience (2000) Mama's Gun (2000), Erykah Badu Erykah Badu's New Amerykah, Part I (4th World War) (2008) Follow her at @nicolettepaigemusic on Instagram. Check out her Web site, soulchildawakenings.com, and -- if you're so inclined -- you can follow Soul Child Awakenings on the socials we know as Instagram, Facebook, and TikTok. She's also got two albums -- self-titled + The Other Side -- available via the streaming platforms. A big thank you to Nicolette for the time and the vibes. A super-big thank you to you for supporting the podcast, and a massive thank you to Bob Weir, for being an absolute treasure. copyright disclaimer: I do not own the rights to the audio clips featured in this episode. They are snippets taken from the leadoff track of Bob Weir's 2016 record, Blue Mountain. It's a fantastic album, and I encourage you to check it out in its entirety. We have it available to us today c/o TRI Studios LLC, which is distributed under license by Rhino Entertainment Company, a Warner Music Group Company.

    1h 34m

Ratings & Reviews

5
out of 5
5 Ratings

About

a podcast about people and music