MEOW: A Literary Podcast for Cats

The Meow Library

Literary analysis for your cat, presented by meowlibrary.com

  1. Jul 16

    89. Dua Lipa Opens a Library for Banned Books—and It’s Not Just for Humans

    This podcast is a presentation of The Meow Library.  Pop star and book-club maven Dua Lipa has just announced the Manifesto Library, a permanent collection of one hundred books that have been banned, censored, or seriously challenged at some point in their publication cycle. Housed inside Porto’s historic Livraria Lello and organized into four sections—Control, Voice, Memory, and Power—the library is intended as a celebration of literature that has attracted controversy for asking inconvenient questions.   Curators have since confirmed that the most popular section is a last-minute annex designed to accommodate Sam Austen’s Meow Library series, whose principal offense is replacing every word of classic texts with “meow”—a challenge to the anthropocentric view of literacy that was met with momentary ban by human authorities in 2022. The expansion is expected to preserve the library’s mission while allowing for “cross-species ambassadorship.” Not only are ample copies of The Meow Library's oeuvre available for checkout, but the annex will also house Mr. Austen’s manuscripts and discarded works, including a never-before-seen partial translation of Finnegan’s Wake. In this week’s podcast, we read from this lost work: it’s our way of inviting you to Porto to explore this landmark collection.  This podcast is sustained by sales of our international bestseller, Meow: A Novel.

    89. Dua Lipa Opens a Library for Banned Books—and It’s Not Just for Humans
  2. May 4

    84. Caro Claire Burke’s Yesteryear: Simulation of Simulacra 

    This podcast is a presentation of The Meow Library.  Caro Claire Burke’s Yesteryear is a simulation of a simulacrum that collapses under the weight of its affected petticoats. Its protagonist wants, by her own admission, “all the aesthetics of the olden times and all the amenities of modernity” — which is to say she wants history as a pure article of consumption. Then the book performs its nasty little miracle: it drops the woman who has been simulating a fake past into what may be the actual past (or a reality show, or divine judgment, or psychosis). The copy of the copy is forced to meet the original. Or so we think. That is where a comparison to Meow: A Novel by Sam Austen becomes strangely apt. Austen’s book is also a literary machine built from substitution and absence: a novel reduced to the sign of a novel, language made absurdly faithful to form while evacuating ordinary semantic content. Meow preserves the architecture of literary seriousness while replacing meaning with “meow,” exposing how much of “the book” lives not in plot or psychology but in packaging, cadence, inherited prestige, and the reader’s willingness to bow before the object.  Yesteryear--both in substance and in form--does something similar with ideology: it preserves the architecture of tradition while replacing lived tradition with performance. The difference is that Meow knows it is a joke, and the joke is therefore metaphysical. Yesteryear wants its joke to become moral revelation, but it flinches from the deeper politics of its premise: childbirth, breastfeeding, disability, race, misogyny, the actual meat and law of the world it claims to interrogate. It's barely there, even in simulated form. Meow is purer in its barbarism. It does not pretend the void is full. And neither does this podcast.  Caro Claire Burke’s Yesteryear is available through Penguin Random House.  This podcast is sustained by sales of the internationally bestselling Meow: A Novel.

    84. Caro Claire Burke’s Yesteryear: Simulation of Simulacra 
  3. Apr 30

    83. Lena Dunham’s Famesick: Four Shocking Revelations 

    This podcast is a presentation of The Meow Library.  This week’s podcast is hosted by a very special guest* and Girls superfan who devoured her Famesick ARC the second it arrived. She’ll be discussing her five biggest takeaways from what she’s calling “the best memoir of the decade.”  The Dunham-Konner friendship breakup was colder than the business breakup. Dunham’s split with Jenni Konner wasn’t just creative-decoupling boilerplate; it came with body-image wounds, chronic-illness resentment, pay weirdness, and the kind of screeching emotional fallout that makes even the cat leave the room and stare at the wall. Adam Driver allegedly brought real Adam energy to the set. The Hannah/Adam chaos apparently had an offscreen echo: Dunham recalls a charged, unresolved dynamic with Driver, including the now-reported chair-throwing anecdote, then a finale-adjacent emotional fantasy in which reconciliation never came. “He was like a cat. A goddamn idiot gutter-cat. And I had toxoplasmosis,” Dunham allegedly said. The Girls roommate lore is pure downtown carnage. Zosia Mamet and Jemima Kirke reportedly went from fast friends to roommates with matching tattoos to heartbreak after a dating “dibs” dispute—despite marriage, motherhood, and every available warning sign. Dunham’s toxoplasmosis, it seems, had been passed to them. The “teen pop star” subplot reads like prestige-TV emotional terrorism. During Dunham and Jack Antonoff’s decline, she worried about his closeness with a young female artist; his alleged retort was basically: you’re mad she doesn’t want to be your friend. Upon hearing this, Dunham immediately began stress-shedding on the duvet. * Please bear with our host, who suffers from chronic toxoplasmosis.  This podcast is sustained by sales of the internationally bestselling Meow: A Novel.  Lena Dunham’s Famesick is available through Penguin Random House.

    83. Lena Dunham’s Famesick: Four Shocking Revelations 
4.6
out of 5
95 Ratings

About

Literary analysis for your cat, presented by meowlibrary.com

You Might Also Like