I caught up with Marcos Bravo, a Chilean guy living in Portugal, who has spent most of his adult life bouncing between tech, sales, marketing, and whatever paid the bills. He is 46 now. He has a family. And he is in that phase where you look at your work and ask a blunt question: Is this all I am showing my kids, that life is just paying bills. Marcus is not doing the clean midlife pivot. He is doing the messy version. He wrote a book because he had time, he was unemployed, and he needed to put the stories somewhere or he was going to lose his mind. He got the idea after seeing a tweet about how, with everything going on, we might see another Anne Frank “in our backyard.” That stuck with him. He started writing a kids book, got blocked, then wrote a different story that took shape. It became Ana Luz’s Diary, about a girl named Anna hiding in an attic with her brother and aunt, trying to stay quiet because noise brings the wrong people. He ran it past his daughter, she signed off, and he shipped it. At the same time, he is doing video work for companies because that is what keeps things running. He is starting an ice cream brand with his wife. He is putting together a punk band in Portugal. He is trying things, not because it is efficient, but because he is trying to figure out what feels like his life. He said he does not want to be a one road guy. When something feels right, he wants to take a shot. We also talked about why storytelling still matters when AI can generate words all day. His point was simple. The missing part is connection. You can generate a story, but you cannot replace the feeling of a real person looking you in the eye and saying something that lands. He ties it back to work, too. In marketing and sales, if you do not know people, you cannot connect to people. Your story falls flat. He is also clear-eyed about aging in tech. He worries about how long he can keep doing what he does, and whether the industry will move on without him. His answer is to stop chasing status. He does not want to manage people. He wants to deliver a specific thing well, mentor when asked, and stay useful. He thinks experience will matter again, not as a title, but as real history you can apply. The part that stuck with me was how he thinks about safety. He does not judge people who stay in the cubicle. He just does not want to end up like his dad, who spent decades in one company and now, at 75, feels like he missed his chance to do more. Marcos wants to look back and say, that was a lot, that was worth it. He framed his goals in a way I liked. He wants to give his kids a few core memories they will actually keep. A trip to Japan for his daughter. A steak in New York for his son, yes, Peter Luger. He wants those things, and he wants to be able to say his own life was good too. He even mentioned he stopped drinking and still enjoys life, which is its own kind of data point. This is the whole point. You do not need a clean plan. You need motion. You try things. You keep what works. You drop what does not. You pay the bills, but you do not let that become the only story your kids learn from you. Marcos is doing it in a way that looks chaotic from the outside, but it has a clear center. He is trying to make sure his life is not just a job history, it is a life. His book is Ana Luz’s Diary, by Marcos Bravo. If you want to see what he made, it is on Amazon. Transcript John Biggs (00:27.042) Welcome back to Keep Going, a podcast about success and failure. I’m John Biggs. Today on the show we have Marcus Bravo. He’s Chilean. He lives in Portugal now. I met him in Poland when we were pros approximately, I think, six years old, I think. That’s what it feels like at this point, right? So welcome, Marcus. You’re an author, you’re a marketer, you’ve done loads of work. Marcos Bravo C. (00:46.072) Yeah, something like that. Yeah. John Biggs (00:55.252) over the years with multiple clients, multiple places, and now you’re kind of doing your own brand. You’re kind of building your own presence. So why don’t you tell me what you’re working on. Marcos Bravo C. (01:03.398) So, well, I like you said, I moved to Portugal from Poland two years already here. And yeah, I needed to start something else. I mean, felt that I was getting old for being the tech guy or the sales guy. And I just thought, well, let’s see what I can do. Right. So a mix of crazy stuff. You try to do everything that you think that you feel that it can. be sort of meaningful to yourself, but you really realize that you don’t know what’s meaningful to yourself. So you have to rediscover all of that. one of the things I’m doing now, I just wrote a book, which was on my bucket list, I guess. I wrote a book. I’m starting with video again. I started putting together a punk rock band here in Portugal. mean, Jesus, I’ve been trying to do everything just to figure out. what’s the right thing to do. And when you have a family, you have to figure out how to the bills. So I’m still having an affair with tech. But basically, I’m just trying to still discover things when I’m 46, which is I don’t know if it’s right or not, but it’s weird. John Biggs (02:06.734) Mm-hmm. John Biggs (02:11.011) What is that impetus to discover as we get older? Marcos Bravo C. (02:16.756) I guess I get so used to, well, I have to figure out how to pay the bills and that’s it. I started figuring out, well, what am I showing my kids? Is it all about money? Is it all about just to go through life without trying to not die of hunger? And I wanted to do something that is meaningful for me as well. I had to sort of ask permission. It’s like, do you mind if I don’t do this? crap, I make less money, but I do something else that might be more meaningful. And that’s what I’m doing. I mean, the whole book came out of almost an accident, just like watching videos of people writing books, trying to come up with an idea. And because I couldn’t write the book that I wanted to write, I ended up writing another book that ended up taking shape. And now it’s on sale. mean, every little step that I’m doing is just sort of showing me something new. And like you said, we’ve been around for a while. We’ve been doing tech. John Biggs (02:48.429) Mm-hmm. Marcos Bravo C. (03:15.374) all the stuff for many years, but there’s always a space for something new, something better, something meaningful. John Biggs (03:25.378) What does it mean to be meaningful, right? So your book is Analyst’s Diary, which is a kid’s book, right? And it’s about a little girl, why don’t you tell us the story? Marcos Bravo C. (03:37.382) So basically, Andalus came out, I was writing a kids book, I was writing a bunch of stories, like very cool, fun, weird, scary, whatever. And then when I was blocked, I was like, well, I need to write something else. And I remember seeing a tweet right before started writing. It says like, with all this happening around the world, we soon we’re to have an Anne Frank in our backyard. And I was like, right, well. What if Anne Frank’s still around? There are many Anne Franks around the world, especially with how things are. So I started to write the story, like, how would I see from maybe like a little bit of a Latin view or like trying to add my own experiences into this little girl called Anna who got stuck in the attic with her brother and her auntie and they’re trying to figure out how to be quiet because noise will bring more people, will bring the bad people. John Biggs (04:06.926) Mm-hmm. John Biggs (04:29.976) Mm-hmm. Marcos Bravo C. (04:30.38) And that ended up taking very nice shape. I started adding all of the things that I knew of storytelling. And I created a story that is maybe not an easy to read story, but it made sense to me and it made sense. mean, my daughter had to approve it. So it made sense to her too. It worked. John Biggs (04:48.782) Is the goal to just do this? Is the goal to allow this to be part of your personality, part of how you grow? Do you think it’s Marcos Bravo’s for the rest of your life? Or is it Marcos Bravo who does everything else that you’ve done before, Marcos Bravo C. (05:11.43) I think it has to be a mix. The first thing I realized for sure is that I don’t want to be the one road guy. But every time or anytime there’s something that feels good, that feels right. The world, let’s give it a shot. For sure I’m writing more. I love writing and I’ve been writing since I was a kid and this is the first time I actually said, and this is because I was unemployed. I’m like, I have all this time in my hand. I need to do something, otherwise I’m gonna go crazy. So I need to put stories in there and it felt right and that’s definitely something I want to keep exploring and we’re going to keep doing. John Biggs (05:52.014) Tell me about storytelling in general. How do you use storytelling in your career? How do you use it to, well, mean, first off, beat AI, right? Because right now we can blast out. We could feasibly blast out your book if we gave it the idea. We would just blast it out. It wouldn’t be any good. But how do you keep that humanity? How do you keep that aspect of storytelling? Marcos Bravo C. (06:09.989) Yeah. Marcos Bravo C. (06:16.271) Well, mean, AI, even though it’s been helpful with many things, I I use it quite often for work, but it was a huge threat for me because I mean, my whole career beside marketing and sense of whatever is because of storytelling is because I found that I can tell stories that people want to listen. And rediscovering that people, yeah, they’re okay with that. can create stories in AI like that. But it’s this connection that is missing, like you and I talking, you and I look at each other and having that feeling, that’s irreplaceable. That’s not going to happen anytime soon. It might happen. Absolutely. mean, anything