This time on Film Swap, we’re exploring two extraordinary films that take the works of William Shakespeare and transform them into something entirely their own.Joining us is returning guest Brad McDermott, artist and filmmaker from Toronto, for a double bill of Shakespearean cinema that showcases two very different approaches to adapting the Bard.First, we discuss Orson Welles’ Chimes at Midnight (1965), a remarkable reimagining of Shakespeare’s history plays that brings the larger-than-life Sir John Falstaff to the forefront. Starring Welles himself alongside John Gielgud and Keith Baxter, this moving and visually inventive film explores friendship, ageing, rejection and the painful passage of time. We also look at its extraordinary Battle of Shrewsbury sequence, its influence on later cinematic depictions of medieval warfare, and the creative ingenuity behind one of Welles’ most celebrated films.In the second half, we turn to Peter Greenaway’s Prospero’s Books (1991), a dazzling and unconventional adaptation of Shakespeare’s The Tempest, starring John Gielgud as Prospero. Blending theatre, classical painting, animation, music, dance and experimental visual effects, Greenaway transforms Shakespeare’s final play into a kaleidoscopic cinematic experience. We explore the film’s elaborate imagery, its imaginary library of magical books, and its fascinating reflections on art, knowledge, memory and the creative process.From Welles’ gritty, emotionally charged vision of Shakespearean history to Greenaway’s richly layered audiovisual fantasia, these films demonstrate just how much can be discovered when filmmakers dare to remix a literary classic.Whether you’re a Shakespeare enthusiast, an admirer of Orson Welles and Peter Greenaway, or simply curious about adventurous world cinema, join us for a thoughtful and fun conversation about two distinctive works of essential cinema.Films discussed:- Chimes at Midnight aka Falstaff (1965) — directed by Orson Welles- Prospero’s Books (1991) — directed by Peter GreenawayFollow artist Brad McDermott on Instagram: and Letterboxd: https://boxd.it/jpwFPeter Greenaway is still at it: Guardian Article 🎬 About Film SwapHosted by David Seeley and Jonathan Pritchard-Barrett, Film Swap explores film history, cult favourites, lost classics and hidden gems. We go beyond the familiar to discover what makes cinema so fascinating, with thoughtful conversation, unexpected connections and an eye on the bigger picture.If you enjoy discovering great films and looking at familiar stories from a fresh perspective, follow or subscribe to Film Swap and join us for the next double bill.Our website: filmswap.uk