Guitar Books the Podcast

Joe McMurray

Join Joe McMurray as he thoroughly reviews guitar books – method, technique, song and repertoire. There are hundreds of books on the market, and Joe will help you to find the best book that explores your area/style of interest at the proper level of difficulty. Joe is a professional player and teacher with a formal background in jazz guitar, but extensive experience with folk, rock, blues, funk, and classical styles on instruments including the guitar, ukulele, piano, bass, banjo, and drums. He has released two solo fingerstyle guitar and ukulele albums, played on numerous rock recordings, and written his own book on arranging for fingerstyle guitar.

  1. 6D AGO

    Review #29: 12-Bar Fingerstyle Blues by Dave Rubin

    Is this one of the best or worst method or repertoire books for learning to play acoustic fingerstyle blues guitar? You can learn to play music using a variety of resources including teachers, online resources, and books. 12-Bar Fingerstyle Blues by Dave Rubin is another great repertoire book full of 12-bar blues choruses.  I loved the author’s other book, Solo Blues Guitar, and now I recommend this one as well – these fun arrangements inspire me to improvise in new ways with new grooves.  However, unlike the arrangements of his other book, these arrangements all need to be played without a plectrum.  This book has some tunes that late-beginner fingerstyle players could handle, but the book is most appropriate for intermediate players. The tunes in 12-Bar Fingerstyle Blues contain more repetitive grooves than some of the other fingerstyle blues method books on the market.  Fewer lyrical phrases in the melodies.  Whether that’s what you’re looking for is up to you.  However, I find that these pieces present some great grooves that you can use as the foundation for your own variations and improvisation. To really get the most out of the book, you will want to: Learn an example as written, Understand and internalize the groove – the shuffle, chord stabs, etc. Create your own melodic variations and improvisations while maintaining the original groove. By treating each short 12-bar tune as a seed or template for your own creativity, you can really milk these ideas and extend them into longer performances. This book presents a lot of great 12-bar choruses from various subgenres.  For experienced players, it is very fast to go through the entire book.  Because each tune is a 12-bar chorus, you get a lot of ideas that you can digest, combine, and make into your own in the future.  This book is simple and effective if you know how to use it. I appreciate the chronological organization of this book, which separates tunes out into subgenres including Delta and Southern Country Blues (the longest section), Ragtime Blues, Piedmont Blues, Prewar Chicago Blues, Texas Blues, Postwar Chicago Blues, and Modern American Solo Steel-String Blues.  Unfortunately, the tunes don’t really follow a clear difficulty progression.  Within each section, multiple keys signatures and grooves are presented, and some happen to be a bit harder than others. At the beginning of each subgenre, the author presents some cool history and key players to listen to.  I try to set aside time within my practice sessions to listen to lots of recordings of these players.  Personally, I listen on Spotify.  This listening is time well spent as it attunes me to the sounds and feel that I should aiming for as I play the tunes. 12-Bar Fingerstyle Blues provides both treble clef and tablature for each arrangement.  Unfortunately, no fingering is provided in the music.  For each example, I notated my own fingering in the music, after which I was able to play much more smoothly, accurately, and confidently.  The skill of choosing sensible fingering is important, and you will need to look elsewhere to further develop this skill. Recordings are available online through Hal Leonard’s website.  These will be very helpful to many readers.  As with Solo Blues Guitar, the recordings were done by Doug Boduch, the author of Hal Leonard’s Fingerpicking Guitar, which I reviewed in Review #17. © 2012 by Hal Leonard My own books: Fingerstyle Blues Guitar: An In-Depth Study of the 12-Bar Blues in E Major – Books 1 and 2 are available in paperback or as an eBook through Amazon [https://a.co/d/g7Udsso (Book 1) and https://a.co/d/aDbh4H0 (Book 2)].  The first priority of these books is to quickly get you playing a solo instrumental 12-bar blues, and then to build on it until you can freely improvise or “jam.” You should be up and running by the end of the third chapter, and each following chapter will add icing on the cake. Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar. My upcoming book, Arranging for Fingerstyle Ukulele, will be published by Mel Bay in 2026. My music is available on all streaming platforms at https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew: Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C. Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

    24 min
  2. FEB 6

    Review #28: Solo Blues Guitar by Dave Rubin

    Is this one of the best or worst method or repertoire books for learning to play acoustic fingerstyle blues guitar? You can learn to play music using a variety of resources including teachers, online resources, and books. Solo Blues Guitar by Dave Rubin is different from any other book that I’ve reviewed thus far in that it is not a fingerstyle guitar book.  The examples can be played fingerstyle, but most seem to work best with a plectrum/pick/flatpick.  However, I want to review this book for a couple reasons: It is focused on solo blues guitar arrangements I LOVE this book.  These examples are fun and they inspire me to improvise in new ways with new grooves. Solo Blues Guitar by Dave Rubin is a repertoire book for learning to play, well… solo blues guitar!  With a plectrum.  This book is suitable for intermediate players who already have some knowledge of the blues and how to improvise.  Each example provides a groove that intersperses melody and lead lines.  To really get the most out of the book, you will want to: Learn an example as written, Understand the rhythm guitar groove – the shuffle, chord stabs, etc. Insert your own melodies and improvisation while continuing to hold down the original rhythm guitar groove. You can try creating variations to the original groove as well. Other than a half-page introduction, there is no text in this book.  Only full 12 or 16-bar blues examples: (35) 12-bar, single-chorus examples in the keys of E, A, G, and D, (15) 12-bar, two-chorus, slow blues examples in the keys of E, G, and A, and (5) 16-bar examples with non-standard chord progressions in the key of A. Solo Blues Guitar provides both treble clef and tablature for each arrangement.  Unfortunately, no fingering is provided in the music.  For each example, I notated my own fingering in the music, after which I was able to play much more smoothly, accurately, and confidently.  The skill of choosing sensible fingering is important, and you will need to look elsewhere to further develop this skill. Recordings are available online through Hal Leonard’s website.  These will be very helpful to many readers.  Interestingly, the recordings were done by Doug Boduch, the author of Hal Leonard’s Fingerpicking Guitar, which I reviewed in Review #17. © 2006 by Hal Leonard My own books: Fingerstyle Blues Guitar: An In-Depth Study of the 12-Bar Blues in E Major – Books 1 and 2 are available in paperback or as an eBook through Amazon [https://a.co/d/g7Udsso (Book 1) and https://a.co/d/aDbh4H0 (Book 2)].  The first priority of these books is to quickly get you playing a solo instrumental 12-bar blues, and then to build on it until you can freely improvise or “jam.” You should be up and running by the end of the third chapter, and each following chapter will add icing on the cake. Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar. My upcoming book, Arranging for Fingerstyle Ukulele, will be published by Mel Bay in 2026. My music is available on all streaming platforms at https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew: Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C. Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

    18 min
  3. JAN 27

    Review #27: Roots and Blues Fingerstyle Guitar Explorations by Steve James

    Is this one of the best or worst method or repertoire books for learning to play acoustic fingerstyle blues guitar? You can learn to play music using a variety of resources including teachers, online resources, and books. Roots and Blues Fingerstyle Guitar Explorations by Steve James is a hybrid repertoire/method book for learning to play fingerstyle and bottleneck blues.  This book is suitable for late beginner to advanced fingerstyle players but is best for intermediate players.  I would definitely not recommend this book for complete beginners – it starts out too hard for inexperienced fingerstyle players.  The book offers some technical advice as well as fun historical anecdotes and quotes. There are a bunch of fingerstyle blues books on the market, and I would generally not recommend this book over some of the others.  On the positive side of things, this book excels in its material focused on open tunings and bottleneck slide.  If you watch the included videos, you’ll see that the author is an incredible bottleneck slide player, and that is reflected in these chapters.  On the other hand, I do not like multiple things about this book. The difficulty progression isn’t very smooth – the book starts out with some difficult (late beginner/intermediate) tunes, and then the difficulty varies from tune to tune.  Part of this is because the open tuning arrangements (starting in the middle of the book) are a bit easier to play. There aren’t a lot of exercises.  There are some, but this is more of a repertoire book with analysis and technical advice in the text. I’m not a fan of the way that Acoustic Guitar Magazine lays out their books.  They don’t integrate their text and playing examples.  Instead of text that prepares you for an example, then the example, then more text, then the next example, etc., they usually have the text in a big block, and that text will refer you to the examples which are together in another block.  It requires more jumping back and forth for the reader.  It’s not the end of the world, but it’s not my favorite. Late-beginner fingerstyle players could utilize Roots and Blues Fingerstyle Guitar Explorations as a supplement to a traditional method book: A general fingerstyle method like Alfred’s “Beginning Fingerstyle Guitar,” or A more focused method like Bruce Emery’s “Travis-Style Guitar from Scratch.” Roots and Blues Fingerstyle Guitar Explorations provides both treble clef and tablature for each arrangement.  Neither fretting nor picking hand fingering is provided in the music, but it is sometimes mentioned in the separate text.  You can usually tell which notes should be played with your thumb by looking at the treble clef – bass notes generally have down stems.  Regardless, the skill of choosing sensible fingering is important, and you will need to look elsewhere to further develop this skill. Videos demonstrating the examples are available online.  These are great.  For me, it was especially helpful while working through the bottleneck slide chapter. © 2014 by Steve James. Produced by String Letter Media in association with the Acoustic Guitar Magazine. My own books: Fingerstyle Blues Guitar: An In-Depth Study of the 12-Bar Blues in E Major – Books 1 and 2 are available in paperback or as an eBook through Amazon [https://a.co/d/g7Udsso (Book 1) and https://a.co/d/aDbh4H0 (Book 2)].  The first priority of these books is to quickly get you playing a solo instrumental 12-bar blues, and then to build on it until you can freely improvise or “jam.” You should be up and running by the end of the third chapter, and each following chapter will add icing on the cake. Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar. My upcoming book, Arranging for Fingerstyle Ukulele, will be published by Mel Bay in 2026. My music is available on all streaming platforms at https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew: Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C.Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

    30 min
  4. JAN 14

    Grateful Dead: "Scarlet Begonias": Solo Fingerstyle Guitar

    R.I.P. Bob Weir (1947-2026) Original solo fingerstyle guitar arrangement of the Grateful Dead tune, “Scarlet Begonias” (arr. Joe McMurray). “Scarlet Begonias” was released on the 1974 album, “From the Mars Hotel” and was written by Jerry Garcia and lyricist Robert Hunter. TABs are available for purchase through my PayPal link at https://www.paypal.com/ncp/payment/6D97WM3YV2JS6 If you are interested in purchasing the TABs, be aware that this arrangement is suitable for players with an intermediate skill level. Performed on my treasured 2023 Collings OM2H guitar. My books: Fingerstyle Blues Guitar: An In-Depth Study of the 12-Bar Blues in E Major – Books 1 and 2 are available in paperback or as an eBook through Amazon [https://a.co/d/g7Udsso (Book 1) and https://a.co/d/aDbh4H0 (Book 2)].  The first priority of these books is to quickly get you playing a solo instrumental 12-bar blues, and then to build on it until you can freely improvise or “jam.” You should be up and running by the end of the third chapter, and each following chapter will add icing on the cake. Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar. My upcoming book, Arranging for Fingerstyle Ukulele, will be published by Mel Bay in 2026. My music is available on all streaming platforms at https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew: Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C. Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

    4 min
  5. JAN 1

    Review #26: The Complete Acoustic Blues Guitar Method by Woody Mann

    Is this one of the best or worst method or repertoire books for learning to play acoustic fingerstyle blues guitar? You can learn to play music using a variety of resources including teachers, online resources, and books. Despite the book’s title, this is not a traditional method book for learning to play fingerstyle blues guitar.  This is a repertoire book containing fingerstyle blues arrangements in a variety of subgenres (i.e. ragtime and delta blues).  The book does offer more than a traditional repertoire book in that it has technical and historical notes before each tune, and then it occasionally introduces a new technique through a tune.  This book is suitable for late beginner to advanced fingerstyle players but is best for intermediate players.  I really like the organization of the book: tunes are organized by subgenre, and within each section the tunes are arranged from easiest to hardest. If you have zero experience playing fingerstyle guitar or fingerstyle blues, this is not the best book to start with.  If you do have some experience, this is a great book for learning fun tunes, improving your skills, and learning some background history. What stands out about this book is that some tunes include multiple choruses.  If you’ve studied fingerstyle blues from books, you’ve seen one or two page arrangements that, as written, are too short for a full performance.  You might have gathered that you should play the original arrangement and then create multiple variations to instrumentally simulate different lyrics for each verse of a vocal tune, to extend your performance, and to make it your own.  However, most books don’t actually write out any variations.  The Complete Acoustic Blues Guitar Method is wonderful in that some of its arrangements do contain 2nd and 3rd chorus variations.  These are great for beginners and players that just want to play a tune that lasts more than 30 seconds, and they are even more valuable for players that want to see and study concrete examples of variations.  You can learn a lot from analyzing these variations and then you can implement these ideas into other tunes in your repertoire. Difficulty ramps up quickly in this book with the majority of the arrangements in that intermediate difficulty range.  Beginner players may want to first use a traditional method book: A general fingerstyle method like Alfred’s “Beginning Fingerstyle Guitar,” or A more focused method like Bruce Emery’s “Travis-Style Guitar from Scratch.” Then you could utilize Woody Mann’s book as a supplement as you’re working through the method book.  Later beginners should aim for the first tune or two from each different section and see what specific styles of fingerstyle blues catch their ear.  You will improve faster and have more fun if you play tunes that are aren’t too difficult, so don’t get bogged down with the hardest tunes in the book. The Complete Acoustic Blues Guitar Method provides both treble clef and tablature for each arrangement, but neither fretting nor picking hand fingering is provided.  At least you can tell which notes should be played with your thumb by looking at the treble clef – bass notes have down stems.  Regardless, the skill of choosing sensible fingering is important, and you will need to look elsewhere to further develop this skill. Recordings are available online through Hal Leonard’s website.  These will be very helpful to many readers.  It’s fun and educational to hear some of the author’s little variations and stylistic techniques (slides, bends, etc.) that aren’t written into the music. The book doesn’t use the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc.  No thumb slaps, guitar body percussion, or tapping. It says that the copyright is © 2014 Wise Publications, but the book seems to be published and distributed by Hal Leonard. My own books: Fingerstyle Blues Guitar: An In-Depth Study of the 12-Bar Blues in E Major – Books 1 and 2 are available in paperback or as an eBook through Amazon [https://a.co/d/g7Udsso (Book 1) and https://a.co/d/aDbh4H0 (Book 2)].  The first priority of these books is to quickly get you playing a solo instrumental 12-bar blues, and then to build on it until you can freely improvise or “jam.” You should be up and running by the end of the third chapter, and each following chapter will add icing on the cake. Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar. My upcoming book, Arranging for Fingerstyle Ukulele, will be published by Mel Bay in 2026. My music is available on all streaming platforms at https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew: Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C. Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

    25 min
  6. 12/15/2025

    Winter Wonderland: Solo Fingerstyle Guitar

    Original solo fingerstyle guitar arrangement of Winter Wonderland by Joe McMurray.  One of my favorite Christmas tunes, Winter Wonderland was written in 1934 by Felix Bernard and lyricist Richard B. Smith. TABs are available for purchase through my PayPal link at https://www.paypal.com/ncp/payment/6ZEEQXVEQ7MFA If you are interested in purchasing the TABs, be aware that this arrangement is suitable for players with a intermediate+ skill level. Performed on my treasured 2023 Collings OM2H guitar. My books: Fingerstyle Blues Guitar: An In-Depth Study of the 12-Bar Blues in E Major – Books 1 and 2 are available in paperback or as an eBook through Amazon [https://a.co/d/g7Udsso (Book 1) and https://a.co/d/aDbh4H0 (Book 2)].  The first priority of these books is to quickly get you playing a solo instrumental 12-bar blues, and then to build on it until you can freely improvise or “jam.” You should be up and running by the end of the third chapter, and each following chapter will add icing on the cake. Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar. My upcoming book, Arranging for Fingerstyle Ukulele, will be published by Mel Bay in 2026. My music is available on all streaming platforms at https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew: Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C. Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

    6 min
  7. 12/01/2025

    Review #25: Christmas Rep for Solo Fingerstyle Guitar, 2025 Update

    Christmas repertoire books featuring solo fingerstyle guitar arrangements are great for the holiday season!  Whether you simply want to get into the Christmas spirit or you need to perform Christmas tunes at your gigs, there are a number of great Christmas repertoire books.  Last year I did a similar multi-book review, but I need to put out an update since I have since gone on a buying spree and purchased 4 more books that I’d been curious about.  In this review I will look at the original three books that I reviewed: Hal Leonard’s “Fingerpicking Yuletide,” Mark Phillips’ “Christmas Carols for Easy Classical Guitar” (Cherry Lane Music Company), and John Hill’s “Classical Guitar Christmas Sheet Music” (Hal Leonard) As well as my four new books: Michael Wood’s “Echoes of Christmas Past,” Bruce Emery’s “Christmas Fingerstyle Guitar,” and Doug Young’s “Christmas Carols for Fingerstyle Guitar” AND “A DADGAD Christmas.” And finally I’ll mention one book that I don’t have, but I can see enough from previews to be able to compare to the other books: Hal Leonard’s “Fingerpicking Christmas” To be clear, all books are suitable for either steel string guitar or nylon string classical guitar. I will demonstrate tunes from each book so that you can see and hear what you’re getting. Now, whether you are just looking to enjoy playing holiday tunes for yourself, with your family and friends, or on stage, there are several factors to consider.  Christmas music is really only acceptable in the month of December, so if you are like me then you’ll start preparing in November.  As these tunes are kept on the shelf for 10 months of the year, I generally look for the easiest arrangements that still sound as good as possible.  I need to be able to whip these into shape in a reasonable amount of time. Perhaps you (unlike myself) are looking for the most incredible sounding arrangements possible, regardless of their difficulty?  One of these books in particular fits that bill. Another important factor to consider is whether you are looking to play instrumental arrangements or if you are looking to lead a singalong.  Some books are better suited to one or the other. I’m going to try to guide you to the book or books that are best for YOU.  Each of these books is valuable in its own way, but one may fit you better.  Hal Leonard’s “Fingerpicking Yuletide” is the only book out of these that has popular modern/mid-twentieth century tunes like Holly Jolly Christmas, Frosty the Snowman, Jingle Bell Rock, and Let It Snow!  Hal Leonard is a publishing giant and has the ability to publish these popular tunes that are protected by copyright.  Late-beginner/intermediate.  Pretty good arrangements, especially as a starting point.  No audio recordings. All of the other books contain traditional Christmas carols like O Come, All Ye Faithful, The First Noel, Jingle Bells, and Silent Night.  These are all of the tunes that fall under the realm of public domain, so authors can arrange them without worrying about legal issues or royalties. Out of all of these other books, two books stand out for containing beautiful, yet easy to play arrangements.  Wood’s “Echoes of Christmas Past” is #1, Phillips’ “Christmas Carols for Easy Classical Guitar” is #2.  Wood’s arrangements are incredibly playable and sound so so good.  Very flowing and arpeggiated with a folksy touch.  Never too many notes at once, so easy on the hands.  No lyrics written into the music, and no audio recordings. Phillips’ arrangements also flow very well with lots of arpeggiation and pedaling on the open G string.  Definitely has some classical guitar vibes.  Once again, no lyrics, but this one does come with a CD for the audio recordings. If you are the type of player who wants a simple arrangement that you can enhance, or if you want to lead a singalong and need a really straightforward arrangement, Bruce Emery’s “Christmas Fingerstyle Guitar: Plain and Fancy” and Doug Young’s “Christmas Carols for Fingerstyle Guitar” are very valuable books.  Each contains the most basic arrangements with block chords harmonizing each melody.  These are excellent for beginners and work great as lead sheets for intermediate and advanced players (as a platform from which you can create your own variations).  Young’s book is a bit easier.   Emery’s book provides each carol at three difficulty levels.  Emery’s has lyrics in the music so it works better for singalongs.  Young’s has lyrics on the opposite page from the music, so usable for singalongs, but not ideal.  Both provide audio recordings.  These two books are both great gigging books, but I if I had to choose, I’d rather have the Wood or Phillips book at a gig. Doug Young’s “A DADGAD Christmas” is unique and incredibly beautiful.  Much more difficult in comparison – suitable for intermediate and advanced players.  Audio recordings are available on Spotify and make for great listening!  Some really satisfying arrangements, but not my first choice of Christmas gig book – I generally want Christmas gig tunes to be on the easier side. Hill’s “Classical Guitar: Christmas Sheet Music” contains arrangements that can absolutely work on steel string guitars, but they are written only in treble clef.  These arrangements are all a bit more difficult to play, regardless of treble clef vs. TAB, and they don’t necessarily sound better than the arrangements of the other books.  Many arrangements just feel clunky with difficult fingering.  One thing that I do like is the arrangement of Tchaikovsky’s “March” from the Nutcracker, which you won’t find in any of the other books.  If you are a classical guitar teacher, these would definitely be useful to use with your students.  No audio recordings. So, to organize all of this information: Only one for mid-twentieth century tunes: Hal Leonard’s “Fingerpicking Yuletide” Best for solo instrumental gigging: Wood’s “Echoes of Christmas Past” is #1, Phillips’ “Christmas Carols for Easy Classical Guitar” is #2.  Hal Leonard’s “Fingerpicking Yuletide”is an equally important gigging book for me too just because of its arrangements of popular tunes. Best for singalongs: Hal Leonard’s “Fingerpicking Yuletide”, Bruce Emery’s “Christmas Fingerstyle Guitar: Plain and Fancy”, and possibly Hal Leonard’s “Fingerpicking Christmas” Most beginner friendly: Probably Doug Young’s “Christmas Carols for Fingerstyle Guitar” orBruce Emery’s “Christmas Fingerstyle Guitar: Plain and Fancy,” then Wood’s “Echoes of Christmas Past” is #1, Phillips’ “Christmas Carols for Easy Classical Guitar” Most sonorous arrangements: Doug Young’s “A DADGAD Christmas” Don’t buy: Hill’s “Classical Guitar: Christmas Sheet Music” Performance: Holly Jolly Christmas, Frosty the Snowman – Hal Leonard’s “Fingerpicking Yuletide” Come, All Ye Faithful – in all books other than Hal Leonard’s “Fingerpicking Yuletide” andDoug Young’s “A DADGAD Christmas” Silent Night – in all books other than Hal Leonard’s “Fingerpicking Yuletide” My own books: Fingerstyle Blues Guitar: An In-Depth Study of the 12-Bar Blues in E Major – Books 1 and 2 are available in paperback or as an eBook through Amazon [https://a.co/d/g7Udsso (Book 1) and https://a.co/d/aDbh4H0 (Book 2)].  The first priority of these books is to quickly get you playing a solo instrumental 12-bar blues, and then to build on it until you can freely improvise or “jam.” You should be up and running by the end of the third chapter, and each following chapter will add icing on the cake. Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar. My upcoming book, Arranging for Fingerstyle Ukulele, will be published by Mel Bay in 2026. My music is available on all streaming platforms at https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew: Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C.Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

    25 min
  8. 11/20/2025

    Review #24: Beginning Fingerstyle Blues Guitar by Berle/Galbo

    Is this one of the best or worst method books for learning to play acoustic fingerstyle blues guitar? You can learn to play music using a variety of resources including teachers, online resources, and books. Another great find!  Beginning Fingerstyle Blues Guitar, by Arnie Berle and Mark Galbo, is a method book for learning to play fingerstyle blues guitar (both solo and accompaniment).  This is first fingerstyle blues books that I’ve come across that provides a great chapter on how to incorporate singing over your guitar playing.  The book is suitable for beginner fingerstyle players who can play basic chords through to intermediate players.  I blew through this book – the material progresses logically with exercises that build on each other and lead perfectly into complete 12-bar examples.  The majority of the book is focused on playing using an alternating bass (Travis style).  Rest assured, if you work through this book, you will build a solid fingerstyle blues foundation and you will learn a few cool 12-bar choruses.  You will still need further instruction to develop your arranging and improvisation skills as well as your tone, rhythmic feel, and fingering choices. After some introductory material covering blues history, form, rhythm, and picking hand technique, the book jumps right into exercises to develop your alternating bass technique.  Assuming you can already play your basic chord shapes, the book methodically shows you how to play the alternating bass over the I, IV, and V chords in the keys of A, G, and E.  Each chapter presents a new layer of complexity (new melody note options, new rhythms, new fretting or picking-hand techniques, new chord voicings, etc.), with progressive exercises that always culminate in a full 12-bar example.  The authors really did a great job in organizing the topics and calibrating the difficulty progression – the book flows well.  Although the examples of the early chapters sound “major” and bland, they prepare you for the addition of “blue notes” and other bluesy techniques that add some soul to your sound and immediately make your playing more satisfying.  Just stick with it through those early chapters! Late in the book, the chapter on how to incorporate singing over your fingerstyle blues guitar playing is special.  You won’t learn anything about vocal technique or tone production, but you will learn about the call-and-response dance between your vocals and guitar playing.  You will learn how to accompany your vocal lines (the “call”) and then play a guitar riff or chordal “response.”  First, the vocal melody is provided in standard notation and on the CD – you will want to learn to sing this melody.  Then the guitar part is provided, which you will learn separately before adding the vocals on top.  Then the authors provide alternate “response” riffs that you can substitute into the segments of the tune when there are no vocals.  Players with more experience can improvise their own riffs in these spots.  Finally, you will learn a few turnarounds that you can substitute into bars 11 and 12.  By the time I was finished with this section, I was really jamming out, improvising, and having fun with the example tune. The book culminates with five complete blues tunes that incorporate everything you’ve learned and jump-start your blues repertoire.  Four of these tunes are traditional and one is an original.  Three are vocal tunes and two are instrumental. Beginning Fingerstyle Blues Guitar provides both treble clef and tablature for each arrangement.  Minimal fretting hand fingering is provided (sometimes written into the music, sometimes provided via tiny chord charts written above the music, and sometimes discussed in the text).  Picking hand fingering is only provided in the music for the first chapter, although you can always tell which notes should be played with your thumb by looking at the treble clef – bass notes have down stems.  The skill of choosing sensible fingering is important, and you will need to look elsewhere to further develop this skill. Recordings are available on an included CD.  These will be very helpful to many readers. The book doesn’t use the modern percussive techniques used by modern players like Michael Hedges, Don Ross, Andy McKee, Mike Dawes, etc.  No thumb slaps, guitar body percussion, or tapping. Published by Amsco Publications © 1993 My own books: Fingerstyle Blues Guitar: An In-Depth Study of the 12-Bar Blues in E Major – Books 1 and 2 are available in paperback or as an eBook through Amazon [https://a.co/d/g7Udsso (Book 1) and https://a.co/d/aDbh4H0 (Book 2)].  The first priority of these books is to quickly get you playing a solo instrumental 12-bar blues, and then to build on it until you can freely improvise or “jam.” You should be up and running by the end of the third chapter, and each following chapter will add icing on the cake. Arranging for Fingerstyle Guitar: go to http://joemcmurray.com/checkout/ to purchase a pdf of my eBook.  Learning to arrange melodies will also help your fingerstyle songwriting and your understanding of the inner workings of fingerstyle guitar. My upcoming book, Arranging for Fingerstyle Ukulele, will be published by Mel Bay in 2026. My music is available on all streaming platforms at https://open.spotify.com/artist/5dcokTG6C598OhTslHH5uo?si=hrQb7FViSZewDRSgECw9Ew: Pins on the Map: my third fingerstyle guitar album was released on January 19, 2024. Watch the first single, “Open Road,” on YouTube here: https://youtu.be/uPBh8sZQsT4?si=EM_wAwnHFqU1VC9C.Riding the Wave and Acoustic Oasis: my first two fingerstyle guitar albums.

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Ratings & Reviews

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About

Join Joe McMurray as he thoroughly reviews guitar books – method, technique, song and repertoire. There are hundreds of books on the market, and Joe will help you to find the best book that explores your area/style of interest at the proper level of difficulty. Joe is a professional player and teacher with a formal background in jazz guitar, but extensive experience with folk, rock, blues, funk, and classical styles on instruments including the guitar, ukulele, piano, bass, banjo, and drums. He has released two solo fingerstyle guitar and ukulele albums, played on numerous rock recordings, and written his own book on arranging for fingerstyle guitar.