Come Back To Earth | Music & Mental Health

J.D. Murgolo | Story House Studio

What does it cost to make music, and what does it give back? Come Back to Earth is a weekly music interview podcast where host J.D. Murgolo sits down with musicians and songwriters to explore mental health, creative survival, and the stories hidden behind the songs. We go beyond the stage to uncover the wounds, turning points, and hard-won hopes that shape an artist's life. Through honest conversations about the creative process, music and mental health, and what it means to keep going, this is a show where the music is the doorway — and the soul is the destination. Because the most important thing an artist makes isn't the record. It's the decision to come back to themselves.

  1. Aug 7

    Grace Palmer: The Song You Wrote on the Floor

    “Breathe” was written during one of the most difficult seasons of Grace Palmer's life, when her mother was in intensive care and the weight of uncertainty felt unbearable. After briefly escaping the heaviness on holiday, she returned home and crashed, sitting on her floor with a guitar and writing a five-minute song that would later become an anchor for others navigating anxiety and depression. Years later, after her mother passed away just days before Christmas, Grace wrote “By His Side,” a song about grief, faith, and the unbearable weight of loss and the hope that love doesn’t disappear. From using her inheritance to finally record her music at 39, to rejecting industry narratives about age and relevance, Grace shares a story of rebuilding choosing to create something meaningful out of what broke her. This is a conversation about collapse, courage, and the quiet decision to build anyway. Go backstage HERETheme music by: Lincoln Parish From the Studio This episode is part of Come Back To Earth, produced by Story House. We believe story is a tool for meaning-making, not just performance. Leave a voice message or reflection The Letterbox I read every letter. If something in this episode landed for you, or raised something you're still sitting with, I'd love to hear it. Email me at: storytellingpods@gmail.com Find the House Long-form writing and studio notes: https://story-house.beehiiv.com/Support this work: http://storyhousestudio.org/community Presence over persuasion. Consistency over frequency. http://storyhousestudio.org (00:00) - Grace Palmer (00:07) - OPENING MEMORY (00:35) - STANDARD INTRO (00:57) - EPISODE ORIENTATION (01:25) - Conversation With Grace Palmer (30:50) - CLOSING REFLECTION (31:34) - OUTRO

    Grace Palmer: The Song You Wrote on the Floor
  2. Jul 24

    Robin Vincent: Modular Synths, Hardware Culture & Why Building Sound by Hand Keeps Us Sane

    In this episode of Come Back to Earth, I reflect on the grounding power of having something small you can control — a dial, a cable, a circuit — when the rest of life feels unpredictable. I then sit down with music technology veteran and journalist Robin Vincent to talk about modular synthesis, hardware culture, and why building electronic music by hand keeps people curious, engaged, and sane. This conversation explores tactile creativity, community, and the difference between scrolling presets and crafting sound from scratch. It also asks a bigger question: In an era of instant generation, what do we lose — and what do we gain — when we stop building things ourselves? This is an episode about process, presence, and the quiet joy of plugging cables into possibility. Go backstage HERETheme music by: Lincoln Parish From the Studio This episode is part of Come Back To Earth, produced by Story House. We believe story is a tool for meaning-making, not just performance. Leave a voice message or reflection The Letterbox I read every letter. If something in this episode landed for you, or raised something you're still sitting with, I'd love to hear it. Email me at: storytellingpods@gmail.com Find the House Long-form writing and studio notes: https://story-house.beehiiv.com/Support this work: http://storyhousestudio.org/community Presence over persuasion. Consistency over frequency. http://storyhousestudio.org (00:00) - Robin Vincent (00:07) - Opening Memory (00:38) - Introduction (00:57) - Episode Orientation (01:25) - Interview with Robin Vincent (32:37) - Closing (33:36) - Outro

    Robin Vincent: Modular Synths, Hardware Culture & Why Building Sound by Hand Keeps Us Sane
  3. Jun 12

    Joe McLeod: Songwriting Through Grief and the Weight of Becoming the Protector

    Grief doesn’t always arrive as tears. Sometimes it arrives as instinct, the sudden, sharp reflex to call someone who isn’t there anymore. I’m sitting down with Canadian folk-pop songwriter Joe McLeod to talk about his single, “ARROWS” the first release from his upcoming album TORN. Written over years of reflection following the loss of his father at age 22, “ARROWS” explores the weight of becoming the protector. From writing in solitude on an acoustic guitar to intimate house shows in Switzerland, this conversation explores loss not as a one-time event, but as a lifelong reshaping.  In This Episode: Navigating the loss of a parent in early adulthood.Understanding grief as an evolving process, not a destination.The journey of writing alone versus the energy of the studio.Creating a shared, present-moment refuge for the audience.Go backstage HERETheme music by: Lincoln Parish --- From the Studio This episode is part of Come Back To Earth, produced by Story House. We believe story is a tool for meaning-making, not just performance. Leave a voice message or reflection The Letterbox I read every letter. If something in this episode landed for you, or raised something you're still sitting with, I'd love to hear it. Story House 370 Mallard Loop Dr.Clayton, NC 27527 Find the House Long-form writing and studio notes: https://story-house.beehiiv.com/Support this work: http://storyhousestudio.org/community Presence over persuasion. Consistency over frequency. http://storyhousestudio.org

    Joe McLeod: Songwriting Through Grief and the Weight of Becoming the Protector
  4. May 29

    Emilie Thorsby: Songwriting, AI in Music, and the Human Touch

    Some songs are written during the day. Others are built in the quiet hours, when no one is watching, when exhaustion meets inspiration, and when something inside refuses to let you sleep. I’m joined by Danish pop artist Emilie Thorsby to talk about her single, “Late Night”—a vibrant celebration of hardworking musicians in an era increasingly shaped by AI and automation. From global radio play (including a surreal first spin in Uganda) to studio sessions fueled by disco beats and live saxophone, Emilie shares why she believes in breath over perfection and live performance over simulation. This is a conversation about the craft of songwriting, the ethics of AI in the music industry, and the simple truth that some things can’t be generated, they can only be lived. Go backstage HERETheme music by: Lincoln Parish --- From the Studio This episode is part of Come Back To Earth, produced by Story House. We believe story is a tool for meaning-making, not just performance. Leave a voice message or reflection The Letterbox I read every letter. If something in this episode landed for you, or raised something you're still sitting with, I'd love to hear it. Story House 370 Mallard Loop Dr.Clayton, NC 27527 Find the House Long-form writing and studio notes: https://story-house.beehiiv.com/Support this work: http://storyhousestudio.org/community Presence over persuasion. Consistency over frequency. http://storyhousestudio.org

    Emilie Thorsby: Songwriting, AI in Music, and the Human Touch

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About

What does it cost to make music, and what does it give back? Come Back to Earth is a weekly music interview podcast where host J.D. Murgolo sits down with musicians and songwriters to explore mental health, creative survival, and the stories hidden behind the songs. We go beyond the stage to uncover the wounds, turning points, and hard-won hopes that shape an artist's life. Through honest conversations about the creative process, music and mental health, and what it means to keep going, this is a show where the music is the doorway — and the soul is the destination. Because the most important thing an artist makes isn't the record. It's the decision to come back to themselves.