No Set Path: Entertainment Break-In Stories

Rebecca Doyle

No Set Path is a biweekly podcast exploring how to succeed in film & TV by talking to people who have actually done it.

  1. MAR 26

    73 - Breaking into TV Writing with Evan Iwata (Outlander, CSI: Cyber, Pure Genius, The Fix, Emergence)

    Evan Iwata is a TV drama writer who recently sold his original high-concept crime procedural ON THE CLOCK to ABC with Lionsgate Television and Alexi Hawley’s Perfectman Pictures. He was previously a staff writer on the HBO Max sci-fi thriller SUBJECT TO CHANGE from J.J. Abrams and Bad Robot, and has also developed a YA action-adventure series for DreamWorks Animation. He began his career in the writers room, working in support staff roles on series including Starz's OUTLANDER, CBS's CSI:CYBER and PURE GENIUS, and ABC's THE FIX and EMERGENCE. An alum of the Warner Bros. TV Writers’ Workshop and the USC School of Cinematic Arts.  Today we are getting into how Evan went from being rejected from USC film school to a WGA writer selling his own show, what it was like working directly with JJ Abrams ona series for HBO and the three typical expectations most writers have that are completely incorrect. BREAKDOWN: 13:46 – Evan’s work on a potential Dreamworks show18:26 – Pitch vs. pilot vs. series bible23:18 – How to get paid before you start writing the pilot28:41 – From Oshkosh to USC / underGRAD31:41 – Megan Niquette33:21 – Namrata34:11 – Evan McGahey, Monisha Dadlani, Ethan Welling41:41 – Signing with reps42:24 – Writers’ Assistant Program, Conrad Sun46:41 – Knowing when to add an agent to the team46:41 – Kat Reilly50:41 – Warner Bros. TV Writer Workshop + Covid51:26 – Jennifer Yale52:01 – Getting in the writers room on JJ Abrams show59:21 – Starting as support staff (CSI: Cyber, Outlander)1:06:11 – Wrong expectations as writers1:17:41 – Getting a WGA card1:18:11 – Adapting a true story from an article1:24:36 – TIME CAPSULE KEEP UP WITH EVAN: @iwhata KEEP UP WITH THE SHOW: All Platforms: @NoSetPathShow www.NoSetPathShow.com bio.site/NoSetPath

    1h 38m
  2. FEB 6

    69 - From Screenwriter to Writer/Director with Faith Liu (Blumhouse, Disney, Sony Animation)

    Faith Liu is a writer/director who has written feature films for Blumhouse, FilmNation, Sony Pictures Animation, and Disney. Her directorial debut short “Sundowning” is available online at CryptTV’s YouTube channel after a successful festival run. She was a member of the CAPE New Writers Fellowship and Christina Hodson and Margot Robbie’s Lucky Exports Pitch Program. Today we are getting into how Faith landed paid distribution for her short film, how she got connected with opportunities to write features for major studios in traditional Hollywood and what she thinks there is to gain from the film festival circuit.  EPISODE BREAKDOWN: 1:31 START 2:00 - Sundowning, Faith’s horror-with-a-heart proof of concept short now out on CryptTV 4:10 - Getting paid distribution for a short: CryptTV 6:07 - What to gain from film festivals (especially genre festivals) 13:20 - Winning the Wes Craven Award 16:44 - Going from screenwriter to writer-director 19:10 - Crowdfunding $40k for Sundowning 23:20 - Signing with Faith’s longtime manager Max Goldfarb 26:33 - First jobs in support staff on writers rooms of “Warrior” and “Better Call Saul” 29:59 - Caren Dulles?  33:50 - CAPE (Coalition for Asian Pacific in Entertainment) New Writers Program & how to pitch yourself in 3 minutes 42:15 - Getting connected with writing for multiple Hollywood studios & landing Open Writing Assignment pitches 48:10 - Getting into Margot Robbie’s Lucky Chap Pitch Program & women who write action 51:40 - Faith’s advice for screenwriters 54:14 - How living situation has impacted creativity  56:00 - What helped Faith persevere  59:04 - TIME CAPSULE

    1h 16m
5
out of 5
8 Ratings

About

No Set Path is a biweekly podcast exploring how to succeed in film & TV by talking to people who have actually done it.

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