New Books in Museum Studies

New Books Network
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This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork

  1. Aug 21

    Samuel Holleran and Max Holleran, "Scattered Steel: The Afterlife of the World Trade Center" (Cornell UP, 2026)

    Scattered Steel: The Afterlife of the World Trade Center (Cornell UP, 2026) traces the extraordinary journey of the twisted remnants of the World Trade Center. When the Towers fell on September 11, 2001, nearly all that remained was pulverized concrete and contorted steel. Dr. Samuel and Dr. Max Holleran investigate how fragments of these skyscrapers became modern relics, scattered across all fifty states and beyond, built into hundreds of local memorials in firehouses, parks, and plazas, providing new and creative ways to grieve and remember. Drawing on years of research and interviews with artists, city officials, and first responders, the authors reveal a semi-improvised process that transformed industrial debris into sacred objects. They explore the aesthetics of rust and ruin, the rituals of transport and dedication, and the cultural tensions between grief, patriotism, and public art. From a quiet town square in Wyoming to a monumental glass "book" in Padua, Italy, these memorials tell a story not only of loss but of how communities far from Ground Zero took a piece of the tragedy—and made it their own. At once deeply human and sharply analytical, Scattered Steel asks urgent questions: What does it mean to sanctify matter? How do memorials shape collective memory in an age of global, and highly visual, trauma? And what happens when the symbols of tragedy become part of everyday landscapes? This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

  2. Aug 14

    Ellery E. Foutch, "A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026)

    Cultural studies of the nineteenth century often categorize their subjects as being motivated by one of two opposing notions: a wholehearted embrace of progress or an antimodernist nostalgia. A Perfectionist Impulse: The Art of Stopping Time in the Nineteenth Century (U Minnesota Press, 2026) centers a different kind of response to the period’s newly intensified awareness of temporality and history: an obsession with preserving perfection. Engaging a diverse set of case studies, Dr. Ellery E. Foutch explores the era’s desire to forestall the march of time and immortalize the fleeting moment through art and technology. Beginning with an investigation of artist and naturalist Titian Peale’s butterfly illustrations and specimen boxes, Dr. Foutch assesses the implications of attempts to fix animal life in the “perfect state.” She then turns to Harvard’s Ware Collection of Glass Flowers, botanical models meticulously crafted to serve as instructional tools but most famous internationally as a spectacle for tourists. Finally, she scrutinizes the period’s preoccupation with the fragility of the human body, examining artistic representations of the legendary bodybuilder Eugen Sandow, widely known during his time as the “Perfect Man.” Highlighting the paradoxical way in which these attempts at preservation ultimately sap the vitality from the organic processes they seek to arrest, Dr. Foutch uses these curious objects to unpack a deep set of cultural anxieties around decay and death. By analyzing objects of mass culture and natural history using methods typically reserved for works of art, A Perfectionist Impulse provides a unique window into how nineteenth-century scientists, technologists, artists, and entertainers rendered a common desire for perfection and immortality. Itself a wondrous collection of attempts to capture the idealized moment, this extensively illustrated book serves as a shining example of our enduring fascination with the ephemeral. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

  3. Aug 14

    Sarah Ellen Zarrow, "Displays of Belonging: Polish Jewish Collecting and Museums, 1891–1941" (Cornell UP, 2025.)

    Displays of Belonging: Polish Jewish Collecting and Museums, 1891–1941 (Cornell UP, 2025.) illuminates the lives and work of Polish Jewish collectors and museologists, who sought to preserve the treasures of the Jewish past while demonstrating Jewish belonging on Polish soil. As Jews comfortable in the Polish language and within Polish artistic and academic society, they saw themselves as intermediaries between less-integrated Jews and the Polish cultural elite. At the turn of the century, Jewish ethnographers and museum creators staked their claim to belonging to the civic nation though the display of Jewish folk art, fine art, and Judaica. After the First World War, the nearly three million Jews in the Second Polish Republic were suddenly challenged with finding a place for themselves in a state that increasingly defined itself as a creation of the ethnic Polish nation, to which Jews, by many accounts, did not belong. By tracing emergent documentation and display practices in partitioned Poland and in the interwar Second Polish Republic, Sarah Ellen Zarrow offers a better understanding of how integrated Jews identified with Polish culture and history and with non-Jewish Poles, and how they conceived of, negotiated, and argued their collective place within Poland. This is not a case of assimilation, nor of acculturation, but rather of displaying a parallel culture that was at once similar and yet distinctive. Displays of Belonging offers a nuanced understanding of the multiplicity of ways in which Jews in Poland saw their present and dreamed of their future. It places Jewish ethnographic practice and art collection within a Polish context, and sheds light on ways in which ideas about belonging and national identity were negotiated in the space of museums.  Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. Book here Faculty page here Email & Social Media: plerner@usc.edu @plerner.bsky.social Learn more about your ad choices. Visit megaphone.fm/adchoices

  4. Aug 9

    Margaret E. Farrar and Adam Kaul, "Becoming Utopia: History, Heritage, and Sustainability in the American Midwest" (U Nebraska Press, 2026)

    Becoming Utopia: History, Heritage, and Sustainability in the American Midwest (U Nebraska Press, 2026) centers on the tiny community of Bishop Hill, Illinois, whose marketing materials call it “Utopia on the Prairie,” home to a radical communal religious sect that emigrated from Sweden in the 1840s. Through rich textual and ethnographic analyses, Dr. Margaret E. Farrar and Dr. Adam Kaul tell the story of what happens when a small, historically significant Midwestern community negotiates the contradictory impulses of twenty-first-century place-making. At first glance, Bishop Hill is simply a small heritage tourism destination in Midwestern flyover country, but further inspection reveals it to be a complex place that mixes a deep nostalgia for the past undercut by complex origin stories of displacement and colonialism, an active historic preservation movement amid futuristic green energy technologies built by multinational corporations, and a commitment to localism in the context of omnipresent globalization. Based on fifteen years of fieldwork, Becoming Utopia is an interdisciplinary contribution to conversations about the importance and meaning of place-making, heritage-making, and sustainability (social, economic, and environmental) in the twenty-first century. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

  5. Aug 9

    Marisa Karyl Franz, "Near and Desired Things: Shamanism in Late Imperial Local Siberian Museums" (Cornell UP, 2026)

    Near and Desired Things: Shamanism in Late Imperial Local Siberian Museums (Cornell University Press, 2026) reveals nineteenth-century Siberian museums, built on Indigenous land and increasingly populated by political exiles, as active sites of ethnographic knowledge-making and centers of scientific research, regional identity, and colonial authority. Rather than collecting from distant colonies, these institutions concentrated on surrounding communities, their tools, beliefs, and everyday lives, to configure ideas about what counted as legitimate knowledge. Dr. Marisa Karyl Franz traces how Siberian museums helped construct shamanism as an ethnographic category. Shamans, while familiar and embedded in local space, were recast as icons of cultural otherness or representatives of an imagined primitive past. Through the evolving languages of science, anthropology, and empire, the local was abstracted and exported, feeding global museum networks and shaping modern anthropology. Yet, the museums held onto the intimacy of place, preserving tensions between familiarity and spectacle, documentation and desire. By placing Siberia at the center of a broader intellectual and political history, Near and Desired Things challenges assumptions about where modern knowledge is made and redefines provincial spaces as sites of innovation and as forces that reshape the terms of empire. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

  6. Aug 5

    Sara Pappas, "Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century" (U Toronto Press, 2024)

    Naturalism's Imaginary Museum, French Art, and the Eclectic Nineteenth Century (University of Toronto Press, 2024) examines one of the most revered art historical narratives of Western art: the famous turning point for painting and sculpture usually emblematized by the works of Édouard Manet and then the Impressionists. Instead of the usual revaluation of this turning point, Sara Pappas argues for the importance of the failure to find a cohesive story for the art world in the period itself, a difficulty that carries forward to galleries today. In order to demonstrate the importance of incongruity and disorder, Pappas brings together two worlds that may seem incompatible: nineteenth-century literary writers involved in naturalism and the organization of permanent collections of later nineteenth-century French art in today's museums. Drawing on the art novels and art criticism of these writers, the book provides optimal access to the questions that continue to haunt the categorization and display of nineteenth-century art. Guest Sara Pappas is Associate Professor of French and Visual Culture at the University of Richmond. In addition to this volume, she has published articles on topics from 19th century art criticism by literary figures such as Baudelaire and Zola to the Expositions universelles to contemporary artist Kehinde Wiley’s influence on French art, as well as co-curating an exhibit of Nineteenth Century French and Russian Art at the Harnett Museum of Art. Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript under review on posthumanist ecological engagement in the surrealist movement. Learn more about your ad choices. Visit megaphone.fm/adchoices

  7. Jul 26

    Victoria Donovan, "Life in Spite of Everything: Tales from the Ukrainian East" (Daunt Books, 2025)

    Life in Spite of Everything: Tales from the Ukrainian East (Daunt Books Publishing, 2025) is a unique reflection on the much-mythologised Donetsk and Luhansk regions of the Ukrainian east, the old and recent history of the region as seen by an esteemed academic multi-disciplinary scholar Victoria Donovan in her numerous travels to the region prior to the full-scale invasion. Seen through a deeply empathetic lens of conversations with local curators, historians, museum workers, and artists, the region is shown in its complexity, with the uniqueness of its landscapes, endangered biodiversity, entangled colonialisms of its past and a threatened future. Since start of Russia’s war against Ukraine in 2014, its eastern region—Donbas—has been synonymous with conflict. With the escalation of that war in 2022, its, cities such as Bakhmut and Lysychansk have become familiar to us through the images and reports of brutal devastation. Victoria Donovan excavates a rich, multicultural history of this area, and paints a radically different picture. Travelling from the dramatic, jagged peaks of Bilokuzmynivka to the marshland of Mariupol, from a warehouse rave to an abandoned gypsum mine, the physical world and its importance to this region’s identity is brought to vivid life. But above all else, by speaking to those whose lives are embedded there now—curators, artists, railway workers, young people who have grown up amidst instability and destruction—Donovan amplifies local voices and reveals the intensely personal lived reality of Putin’s war. Victoria Donovan is Professor of Ukrainian and East European Studies and Director of the Centre for Global (Post)socialisms, Southeast, Central and East European Studies at the University of St Andrews. Viktoriia Grivina is an independent anthropologist and writer, author of Kharkiv, a War City (Ibidem, 2025), and Kharkiv is a Dream: Public Art and Activism, 2013–2023 (Ibidem, 2025). Learn more about your ad choices. Visit megaphone.fm/adchoices

  8. Jul 4

    Sadiah Qureshi, "Vanished: An Unnatural History of Extinction" (Penguin, 2025)

    Anyone alive today is among a tiny fraction of the once living: over 90% of species that ever existed are now extinct. How did we come to think of ourselves as survivors in a world where species can vanish forever, or as capable of pushing our planet to the verge of a sixth mass extinction? Extinction, Professor Sadiah Qureshi shows us, is a surprisingly modern concept—and a phenomenon that’s not as natural as we might think. In Europe until the late eighteenth century, species were considered perfect and unchanging creations of God. Then in the age of revolutions, scientists gathered enough fossil evidence to determine that mammoth bones, for example, were not just large elephants but a lost species that once roamed the Earth alongside ancient humans. Extinction went from being regarded as theologically dangerous to pervasive, and even inevitable. Yet Vanished: An Unnatural History of Extinction (Penguin, 2025) shows us that extinction is more than a scientific idea; it’s a political choice that has led to devasting consequences. Europeans and Americans quickly used the notion that extinction was a natural process to justify persecution and genocide, predicting that nations from Newfoundland’s Beothuk to Aboriginal Australians were doomed to die out from imperial expansion. Exploring the tangled and unnatural histories of extinction and empire, Vanished weaves together pioneering original research and breath-taking storytelling to show us extinction is both an evolutionary process and a human act: one which illuminates our past, and may alter our future. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

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About

This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field. Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠ Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠ Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork

Information

  • Creator
    New Books Network
  • Years Active
    2023 - 2026
  • Episodes
    203
  • Rating
    Clean
  • Copyright
    © New Books Network
  • Show Website
    New Books in Museum Studies

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