The Colours of Loss and The Spaces of Grief

Mark Knightley, Harriet Madeley and Lesel Dawson

Crowded Room and the Universtity of Bristol present creative explorations of grief and the process of dying. The first episode, The Colours, tells the story of Harriet Madeley's experiences at a seaside hospice in South Wales, where she went to explore the most universal and individual, normal and abnormal of situations: nearing the end of life. This episode combines extracts from her audio recorded interviews with the personal experiences and reflections of Harriet and director Max Barton. The second episode is the result of two creative workshops run by Mark Knightley, Lesel Dawson and Amanda Seyderhelm with small groups of bereaved people. During the workshop the participants worked together to create a fictional story inspired by the death of a beloved tree. The participants’ words and voices were recorded and then woven together to form The Colours of Loss, a new fictional audio story which movingly explores the varied and volatile emotions that follow loss. In the first episode of the second season the group return to Bristol with a new structure for a story and a new group of particpants.

Episodes

  1. 02/28/2023

    The Colours

    In 2018, Harriet Madeley arrived at a seaside hospice in South Wales, intending to explore the most universal and individual, normal and abnormal of situations: nearing the end of life. Over the course of several months, she audio-recorded interviews with patients, their families and palliative care professionals. These were woven together into The Colours, a Crowded Room theatre piece that premiered at Soho Theatre and Rowan’s Hospice in 2019. Marie Curie observed in their write-up: For healthy people, there’s a certain fascination with being close to death. What do people nearing the end of their lives know that we don’t? Perhaps knowing death is near leads to a new understanding of life’s meaning. Or maybe a clearer vision of what it is to be alive? During the course of conducting interviews, Harriet was diagnosed with a potentially life-limiting illness (PSC). Funded by an Arts Council National Lottery Project Grant, this brand-new audio adaptation brings many of the voices from The Colours back to life whilst exposing the acutely personal story behind its making for the first time, and examining the role of creativity in reckoning with mortality. Directed by Max Barton Written by Harriet Madeley Sound design by Jethro Cooke With thanks to Dr Idris Baker, Ty Olwen Hospice, Dr Mark Taubert, Velindre Cancer Centre and all interviewees. The words spoken by Dr Baker and Dr Taubert have been combined into a single character for simplicity of storytelling.

About

Crowded Room and the Universtity of Bristol present creative explorations of grief and the process of dying. The first episode, The Colours, tells the story of Harriet Madeley's experiences at a seaside hospice in South Wales, where she went to explore the most universal and individual, normal and abnormal of situations: nearing the end of life. This episode combines extracts from her audio recorded interviews with the personal experiences and reflections of Harriet and director Max Barton. The second episode is the result of two creative workshops run by Mark Knightley, Lesel Dawson and Amanda Seyderhelm with small groups of bereaved people. During the workshop the participants worked together to create a fictional story inspired by the death of a beloved tree. The participants’ words and voices were recorded and then woven together to form The Colours of Loss, a new fictional audio story which movingly explores the varied and volatile emotions that follow loss. In the first episode of the second season the group return to Bristol with a new structure for a story and a new group of particpants.