OFFSCRIPT with Ritika Agrawal

Ritika Agrawal
  • 5.0 (3)
  • TV & Film
  • Updated Weekly

Your front row seat to the future of global entertainment! Episodes every other Monday at 11:00 AM CT

  1. Sep 21

    The Underdog Story Behind the Underdog Story: Shubhangi Shekhar on Four Years of Delusional Confidence and South Asian Basketball

    She graduated into a pandemic, left her job, moved to LA, and spent four years throwing her own savings at a documentary about a South Asian basketball team no one knew existed, before a single distributor said yes. Shubhangi Shekhar joins Ritika Agrawal to talk about what it actually costs to bet on yourself before anyone else will, and why the story she needed to tell wasn't a sports story at all. Her documentary *Hoop Like This* is now making the festival rounds after four years in the making. Shubhangi explains: ■Why "delusional confidence" isn't the same as self-belief — and which one actually got the film made ■How she lost 35 pounds and then gained 40 from stress, and what that taught her about the creative life ■The fundraising playbook nobody tells you: fiscal sponsorship, donor-advised funds, and employee matching programs ■Why your day job is a fundraiser for everything you love to do — and what to look for in one ■The unexpected bond between a South Asian filmmaker and South Asian basketball players doing something no one had done before ■How community building actually works: why your network is the people who showed up when you weren't doing anything impressive ■Why 25% of the world's population is not a niche audience — and how to pitch that to a Netflix exec in three sentences ■The one piece of advice she'd give every indie filmmaker: figure out the money piece first, then function confidently in your art Chapters: (00:00): Intro (04:10): The Origin Story: A Friend, a Team, and a Pivot to Taiwan (10:30): What "Delusional Confidence" Really Costs You (17:45): The Film Nobody Picked Up — and Why She Kept Shooting Anyway (24:20): How She Actually Funded *Hoop Like This* (31:00): Fiscal Sponsorship, DAFs, and the Financial Literacy Gap No One Talks About (38:15): Community Is Who Showed Up When You Had Nothing (45:30): 25% of the World Is Not a Niche (50:40): The 9-to-5 as a Creative Fundraiser (54:20): Burnout, Functional and Otherwise (58:10): The Playbook: Know Your Why, Fix Your Finances, Then Make Your Art (1:02:30): What Comes After *Hoop Like This* (1:04:00): Rapid Fire: Courtside or Film Festival, Work Out More, Go to Sleep Happy OFFSCRIPT is your front row seat to the future of global entertainment. New episodes every other Monday, subscribe so you don't miss one: https://www.youtube.com/@offscriptwithritika Listen on the go: Spotify — https://open.spotify.com/show/6u63rW7RJ1zY74ery2h72C Follow Ritika: Instagram — https://instagram.com/ritikagrawall LinkedIn — https://linkedin.com/in/ritika-agrawal- TikTok — https://tiktok.com/@ritikagrawall Follow OFFSCRIPT: Instagram — https://instagram.com/offscriptwithritika TikTok — https://tiktok.com/@offscriptwithritika For sponsorships and partnerships: ritika@phoolhouseproductions.com #OFFSCRIPT #ShubhangiShekhar #HoopLikeThis #SouthAsianFilmmaker #IndieDocumentary #SportsDocumentary #SouthAsianBasketball #FilmFundraising #CreativeEntrepreneur #DelusionalConfidence

  2. Sep 7

    How To Get Cast In India: Shivam Gupta on Authenticity, Bombay, and Breaking In

    He left home at 13 with a letter under his mother's pillow and a one-way conviction toward cinema. From theater rounds in Delhi to casting "Big Girls Don't Cry" and producing Venice-recognized films, Shivam Gupta has quietly become one of Bollywood's most trusted casting directors. Shivam joins Ritika Agrawal to break down the real state of casting in 2026, why OTT budget cuts are actually creating more opportunity for new actors, and the one thing he says separates the actors who get cast from the ones who don't.Credits include *Big Girls Don't Cry*, *Sacred Games 2*, *Trapped*, *Daddy*, *Jaadugar*, and several feature films currently in production. Shivam is also developing regional and international projects through his production slate, including Marathi, Gujarati, and cross-border co-productions.Shivam explains:■OTT platforms have seen an 18% budget drop in India, but that contraction is actually forcing a shift toward fresh faces and story-first casting, opening real doors for new actors right now.■ The Indian entertainment market is hitting $33 billion, yet the biggest casting decisions aren't driven by numbers, they're driven by whether the director believes in the story enough to go with someone unknown.■He cast the lead for *Big Girls Don't Cry* after auditioning 600–700 girls, and found his Indira Gandhi lookalike not at a talent agency, but outside a movie theater.■Social media following can factor into casting, but only when the actor also has real craft. Without that, it's a different business entirely, and the audience always knows.■Acting is secondary when someone first walks into an audition room. What he's actually watching for is truth, authenticity, and whether the character lives in the person's face and body before a single line is spoken.■Theater gave him the foundation, discipline, honesty, conviction, and he believes those qualities are what no amount of training can fake on camera.■ The West is systematic in a way India isn't yet: agents, process, on-time professionalism. He's learning it in real time, and it's shaping how he wants to cast internationally.■ His advice to every aspiring actor right now: work your craft, come to Bombay, feel the energy, meet the right people , and if you believe in your story, just keep moving.(00:00): Intro(01:45): New York Debut - Full Circle Moment(03:45): The $33 Billion Market That's Cutting Budgets(06:00): What Casting in India Actually Looks Like in 2026(10:00): Story First, Stars Second(14:00): How He Discovers New Talent (Apps, Theater, the Street)(18:30): The 600-Girl Audition and the Indira Gandhi Find(23:00): Social Media Followers vs. Acting Craft :The Real Answer(28:30): The 13-Year-Old Who Left a Note and Ran(35:00): His Sister, His Guru, and the People Who Shaped Him(40:00): Producing Nine Films in Five Years, Without Planning Any of It(43:30): Bridging East and West: International Projects and TASVEER(47:00): Rapid Fire Round(50:00): What's Next for Shivam Gupta FilmsOFFSCRIPT is your front row seat to the future of global entertainment. New episodes every other Monday , subscribe so you don't miss one: https://www.youtube.com/@offscriptwithritikaListen on the go:Spotify — https://open.spotify.com/show/6u63rW7RJ1zY74ery2h72CFollow Ritika:Instagram — https://instagram.com/ritikagrawallLinkedIn — https://linkedin.com/in/ritika-agrawal-TikTok — https://tiktok.com/@ritikagrawallFollow OFFSCRIPT:Instagram — https://instagram.com/offscriptwithritikaTikTok — https://tiktok.com/@offscriptwithritikaFor sponsorships and partnerships: ritika@phoolhouseproductions.com#OFFSCRIPT #ShivamGupta #BollywoodCasting #IndianCinema #CastingDirector #BigGirlsDontCry #SouthAsianFilm #NewIndianCinema #AspiringActors #FilmIndustry

  3. Aug 25

    From Rhode to Hollywood: Chandni Sharma Modi on Culture, Community, and Building Rooms That Matter

    After Heading Culture at Rhode. Chandni Sharma Modi stepped into one of Hollywood's most important behind-the-scenes institutions. VP & Strategic Development at CAPE and co-founder of Mela Collective, Chandni joins Ritika Agrawal to unpack what it actually takes to move the needle on API representation, not from the outside, but from inside the rooms where decisions get made. CAPE (Coalition of Asian Pacifics in Entertainment) has been building infrastructure for Asian American storytelling for 35 years, through fellowships, finishing funds, writers programs, and behind-the-scenes matchmaking between studios and the next generation of filmmakers. Chandni also co-founded Mela Collective, a community platform bringing together South Asian tastemakers, founders, and executives, including the annual Diwali Royale gathering and a Sundance activation with Women in Film, to create the kind of intentional connection the community has long needed but rarely had a home for. Chandni explains: ■Why CAPE's 35-year alumni network is one of the most underestimated power structures in Hollywood. and how it operates invisibly behind the scenes to connect people to jobs, projects, and opportunities. ■The two data points that tell the whole story: API audiences are among the largest and highest-spending in the country, yet Asian Americans represent just 3.8% of people on screen and 3.2% of speaking roles. ■How *Crazy Rich Asians* split the industry into ""before"" and ""after"", and why that benchmark matters less than the distribution problem no one talks about enough. ■ What she learned at Goldman Sachs and at Rhode about building programs that people actually stay connected to long after they're done. ■ Why she always looks for the South Asian exec inside a brand before pitching, and what it means when a mainstream company is already showing up for the community versus just chasing the spend. ■ The case for storytelling as the most powerful tool in philanthropy, why the world's largest foundations are now quietly funding narrative change alongside health and hunger. ■ How Mela Collective's Diwali Royale event became the room that brings the behind-the-scenes builders together, not just the names people recognize, but the people with real decision and investment power. Chapters: (00:00): Intro (02:25): How Goldman Sachs Became Her First Big Bet (05:30): The Thread: Social Impact Across Every Role (09:10): What CAPE Actually Does, And Has Done for 35 Years (13:00): The Feedback Loop That Built a Community (17:30): 3.8% On Screen: The Data Behind the Work (22:00): Crazy Rich Asians and the Before/After (27:00): Storytelling as Philanthropy (31:30): How She Pitches Brands on the South Asian Market (36:45): The Invisible Work of Matchmaking (41:00): Mela Collective and the Diwali Royale (46:20): What Gaps Still Need Closing: Distribution and Financing (51:00): Advice to Younger Chandni: Trust the Process (55:30): What's Coming: CAPE's 35th Anniversary Gala and Beyond OFFSCRIPT is your front row seat to the future of global entertainment. New episodes every other Monday, subscribe so you don't miss one: https://www.youtube.com/@OFFSCRIPTwithRitika Listen on the go: Spotify — https://open.spotify.com/show/6u63rW7RJ1zY74ery2h72C Follow Ritika: Instagram — https://instagram.com/ritikagrawall' LinkedIn — https://linkedin.com/in/ritika-agrawal- TikTok — https://tiktok.com/@ritikagrawall Follow OFFSCRIPT:Instagram — https://instagram.com/offscriptwithritikaTikTok — https://tiktok.com/@offscriptwithritika For sponsorships and partnerships: ritika@phoolhouseproductions.com #OFFSCRIPT #ChandniSharmaModi #APIRepresentation #CAPE #SouthAsianCreatives #FilmIndustry #HollywoodDiversity #MelaCollective #AsianAmericanFilm #SouthAsianDiaspora

  4. Aug 10

    The Outsider's Playbook: Sayani Gupta on Breaking Into Bollywood With Nothing and Building India's Hello Sunshine

    She arrived in Bombay in 2011 with no industry connections, no family in the business, and a film school degree from FTII. Over fifteen years of eight auditions a day, theater stages, and quietly becoming one of the most respected actors working in India, Sayani Gupta has built something rare; a career entirely on her own terms. Sayani joins Ritika Agrawal to talk about what it actually takes to survive the system from the outside, why she's now producing her own films, and the force she's quietly building behind the camera.Sayani is best known for her roles in, Four More Shots Please, Delhi Crime, Glory, Margarita with a Straw, among many others. She is currently premiering her debut production, the short film, Aasmani following its world premiere at the Houston International Film Festival. She recently received the Harvard South Asian Person of the Year Award.Sayani Explains: ■How she actually broke in: no connections, no family, just a city to cover and eight auditions a day■Why nothing goes to waste: the audition she lost is the one that got her cast■What nobody tells you about making your first film, and why it's the closest thing to childbirth■The real reason actors stay mediocre (and what serious practitioners do instead)■Why she's producing, and why agency over your stories is the only thing that sets you free■ What imposter syndrome actually is, why women carry it differently, and how she moves through it■Fame as a byproduct, and the mindset shift that changes everything about why you show up■The one mantra she comes back to on the hardest daysChapters:(00:00) - Intro(01:09) - New York, Aasmani & Houston International Film Festival (02:19) - What Making Your First Film Actually Feels Like(05:47) - India's Hello Sunshine: Why Sayani Started Producing(07:44) - Agency, Autonomy, and the Women Who Came Before(09:26) - The Vision Behind Sayani Gupta Movies(11:37) - Bombay 2011: No Connections, No Family, No Safety Net(13:52) - The Playbook - Eight Auditions a Day and Why Nothing Goes to Waste(18:09) - What Actors Do Between Roles (and Why It Matters)(21:29) - The Play You Can Never Rehearse(23:09) - Why Mediocre Work Happens and How to Avoid It(25:30) - What Makes an Actor Stand Out Before They're Hired(32:12) - The Live OTT Pitch for Short Films(40:45) - What Naseeruddin Shah Taught Her About Truth and Being in the Moment(42:09) - Harvard South Asian Person of the Year, and the Imposter Syndrome That Followed(47:21) - Why Women Are Still Pulling Themselves Down(49:55) - How She Actually Deals With Imposter Syndrome(51:41) - What's Next: New Projects, and a One-Woman Show(53:39) - Sayani Nominates Her Next GuestOFFSCRIPT is your front row seat to the future of global entertainment. New episodes every other Monday, subscribe so you don't miss one: https://www.youtube.com/@offscriptwithritikaListen on the go:Spotify — https://open.spotify.com/show/6u63rW7RJ1zY74ery2h72CFollow Ritika:Instagram — https://instagram.com/ritikagrawallLinkedIn — https://linkedin.com/in/ritika-agrawal-TikTok — https://tiktok.com/@ritikagrawallFollow OFFSCRIPT:Instagram — https://instagram.com/offscriptwithritikaTikTok — https://tiktok.com/@offscriptwithritikaFor sponsorships and partnerships: ritika@phoolhouseproductions.com#OFFSCRIPT #SayaniGupta #FourMoreShotsPlease #IndianCinema #Bollywood #SouthAsianCreatives #WomenInFilm #Filmmaking #IndianActress #Aasmani

  5. Jul 27

    The $500 Billion Creator Economy: Aman on Building the Total Package in Hollywood & Bollywood

    He started posting YouTube videos at 13, a shy kid doing magic tricks and VFX experiments to escape his own shell. Now Aman has millions of followers across platforms, a massive female fanbase, and Hollywood is watching. Aman joins Ritika Agrawal to go OFFSCRIPT about what it actually costs to chase both the creator world and the film world at the same time, and why having an audience doesn't mean the doors just open. Aman is a Los Angeles-based South Asian-American creator and actor known for his Bollywood romantic content and short-form collaborations across TikTok, Instagram, and YouTube. Aman explains: ■Hollywood is actively partnering with creators, but a social following alone won't get you a film career. You have to build two separate packages and earn the total one. ■He spends a minimum of 9 to 10 hours editing a single one-minute video, and still insists on doing it himself, because creative control is the whole point. ■The creator economy is on track to hit $500 billion by 2027, but short-form content is ephemeral. The creators with the longest careers build for evergreen value, not just viral moments. ■Nostalgia is his secret weapon: by anchoring Bollywood content to classic songs, his back catalog stays valuable years after it was posted, something trend-chasing never gives you. ■On protecting creative instincts from the algorithm: he uses screen-time blockers, actively limits his feed, and admits he sometimes gets demoralized watching other creators' highlight reels. ■The real psychological shift from shy kid to internet heartthrob happened quietly, during Covid, when the numbers changed on a screen but his day-to-day life didn't , which made it easier to absorb. ■His advice for new creators: start with a repeatable format, lead with a strong hook, do as many collaborations as possible across niches, and build portfolio pieces even when they don't perform, because you're making content for future you, not just for the algorithm today. ■ On love in three words: "A best friend." Chapters: (00:00): Intro (02:00): The Creator-to-Film Pipeline (07:00): Why a Following Isn't Enough (11:00): Building the Acting Package Separately (16:00): 9-10 Hours for One Minute of Video (22:00): How He Makes a Bollywood Collab (28:00): Protecting Your Creative Instincts (35:00): Short Form vs Long Form: The Real Revenue Math (42:00): Going Full-Time: What It Actually Costs (50:00): The Shy Kid to Millions of Followers (57:00): What's Next OFFSCRIPT is your front row seat to the future of global entertainment. New episodes every other Monday, subscribe so you don't miss one: https://www.youtube.com/@offscriptwithritika Listen on the go: Spotify — https://open.spotify.com/show/6u63rW7RJ1zY74ery2h72C Follow Ritika: Instagram — https://instagram.com/ritikagrawall LinkedIn — https://linkedin.com/in/ritika-agrawal- TikTok — https://tiktok.com/@ritikagrawall Follow OFFSCRIPT: Instagram — https://instagram.com/offscriptwithritika TikTok — https://tiktok.com/@offscriptwithritika For sponsorships and partnerships: ritika@phoolhouseproductions.com Follow AMAN: https://www.instagram.com/a.magic.man/ #OFFSCRIPT #Aman #CreatorEconomy #BollywoodCreator #SouthAsianCreators #CreatorToActor #ShortFormContent #IndianAmerican #ContentCreator #FilmPipeline

  6. Jul 6

    The Emmy-Winner's Playbook: Apoorva Bakshi on Betting Everything on Delhi Crime and Making Indian Stories Unstoppable

    She is the Emmy-winning producer who read a script overnight, canceled all her meetings the next morning, and put her life savings into a show that had never been done before in India. Apoorva Bakshi joins Ritika Agrawal to break down exactly what it took to bring Delhi Crime, one of Netflix's Top 10 non-English shows globally, from an unproven idea to an internationally celebrated series, and to reveal the single creative principle she believes separates stories that travel from stories that simply get made. Delhi Crime (Netflix, Seasons 1–3) Emmy Award winner, Best Drama Series; 2.5 million views in its first week; Netflix Top 10 Non-English globally. Apoorva is currently in production on new projects spanning Bengali cinema and additional series in development. Apoorva explains: ■Why a good distribution strategy cannot save a bad story, but a great story can be amplified by one ■How to package and pitch independent Indian films to global streamers before they were buying them ■The subtitling decisions that made Delhi Crime land emotionally in markets that had never seen Indian crime drama ■What independent producers actually need to do before approaching a platform and why representation rights are a starting point, not a ceiling ■How to finance an independently produced TV series with no studio backing, no track record, and no guarantee of a deal ■Why shooting like an independent filmmaker is the competitive advantage on a streaming platform ■What makes a story investable to global financiers, and how to build a slate that earns trust over time ■The producing philosophy behind Delhi Crime's three-season run: specificity, subtitling, and betting on the written material (00:00) Intro (02:38) Welcome to OFFSCRIPT: A Conversation Long Overdue (04:15) The Emmy, Delhi Crime, and 2.5 Million Views in Week One (07:30) Creative vs. Distribution: Which Comes First? (11:00) The More Specific You Are, the Further It Travels (15:45) Why Subtitling Is a Craft, Not an Afterthought (21:00) A Goldmine of Independent Films No One Was Distributing (28:30) The Netflix Deal That Started With Representation Rights and No Money (35:00) Reading the Delhi Crime Script and Canceling All Meetings (44:00) Putting Life Savings In and Getting Everyone to Say Yes (52:00) 62 Days, a Danish Cinematographer, and a Crew Aged 27 (1:01:00) The Sundance Bidding War and the Deal That Changed Everything (1:10:00) Why Independent Cinema Still Wins in a $32 Billion Market (1:18:00) The Rapid Fire: Constellation, Motherhood, and Ruthless Prioritizing (1:26:00) What She's Betting on Next OFFSCRIPT is your front row seat to the future of global entertainment. New episodes every other Monday, subscribe so you don't miss one: https://www.youtube.com/@offscriptwithritika Listen on the go: Spotify — https://open.spotify.com/show/6u63rW7RJ1zY74ery2h72C Follow Ritika: Instagram — https://instagram.com/ritikagrawall LinkedIn — https://linkedin.com/in/ritika-agrawal- TikTok — https://tiktok.com/@ritikagrawall Follow OFFSCRIPT: Instagram — https://instagram.com/offscriptwithritika TikTok — https://tiktok.com/@offscriptwithritika Follow Apoorva Bakshi: https://www.instagram.com/apoorvarb/?hl=en For sponsorships and partnerships: ritika@phoolhouseproductions.com #OFFSCRIPT #ApoorvaBakshi #DelhiCrime #IndianCinema #Netflix #IndependentFilm #SouthAsianFilmmakers #GlobalStorytelling #EmmyAward #WomenInFilm

  7. Jun 22

    The Independent Filmmaker's Playbook: Venk Potula on Financing Indie Films, Beating Imposter Syndrome, and Building a Legacy Without the Studios

    He built a production company from short films shot for a few hundred dollars, broke into Tribeca, and landed an IFC release, all without a single studio connection. Venk Potula joins Ritika Agrawal to talk about what it actually takes to finance, direct, and release an independent film as a South Asian filmmaker in America, and why the community's biggest cultural moment in cinema hasn't happened yet.Venk Potula is a multi-hyphenate actor, director, and producer behind Four Samosas (Tribeca 2022, IFC Films) and the upcoming theatrical release Namaslay (August 2025). His directorial feature debut is currently in post-production.Venk explains:■ Why you invest your own money before any investor will, and what his dad told him■ Why a film that flopped makes you more investable than one you never made■ The Excel spreadsheet in his pitch deck that sets him apart from every filmmaker in the room■ Why controlling your time is the one non-creative skill that decides if you survive■ How he beat imposter syndrome on Four Samosas, and the call with his mom that changed everything■ Why South Asian cinema still has no Black Panther moment, and what it'll take to build one■ Why the smartest filmmakers start marketing before the film exists■ What "build your own Hollywood" really means when the bills are real and the door is closed (00:00) Intro(01:11) "Build Your Own Hollywood" — But Who's Actually Funding It?(03:08) The Dad Test: Would You Bet Your Own Money?(04:16) Why a Failed Film Makes You More Investable(05:09) Get a Lawyer: The Lesson Nobody Teaches(06:36) The Film That's in Post Right Now(08:07) How to Find Investors When You Have No Industry(09:58) The Excel Spreadsheet in His Pitch Deck(12:00) Marketing a Film Before It Exists(14:22) From Wild 'N Out to Independent Cinema: Redefining Success(16:18) The Man Who'd Never Seen Himself on Screen(18:23) Imposter Syndrome and the Mom Who Drilled Him on His Lines(24:15) The One Non-Creative Skill That Keeps You in the Game(27:11) Khrisp Entertainment: Building a Legacy, Not Just a Career(32:06) On Being South Asian Without Being a Spokesperson(38:36) Niche vs. Range: Do You Have to Choose?(42:13) Where Is South Asian Cinema's Black Panther Moment? OFFSCRIPT is your front row seat to the future of global entertainment. New episodes every other Monday, subscribe so you don't miss one: https://www.youtube.com/@offscriptwithritikaListen on the go:Spotify: https://open.spotify.com/show/6u63rW7RJ1zY74ery2h72CFollow Ritika Agrawal:Instagram: https://instagram.com/ritikagrawallLinkedIn: https://linkedin.com/in/ritika-agrawal-TikTok: https://tiktok.com/@ritikagrawallFollow OFFSCRIPT:Instagram: https://instagram.com/offscriptwithritikaTikTok: https://tiktok.com/@offscriptwithritikaFollow Venk Potula: https://www.instagram.com/venkpotula/For sponsorships and partnerships: ritika@phoolhouseproductions.com#OFFSCRIPT #VenkPotula #IndependentFilm #IndieFilmmaker #FilmFinancing #Filmmaking #FilmBusiness #CreativeEntrepreneur #BuildYourOwnHollywood #FilmProduction

  8. Jun 8

    The Rise of the Global Actor: Ankur Rathee on Making Yourself Bankable in Bollywood & Hollywood

    He left a corporate career after Princeton, spent a decade building himself in Bombay, and now works across Bollywood and Hollywood. Ankur Rathee joins Ritika Agrawal to break down what the globalization of entertainment actually looks like from the inside, and what it takes to build a career across two industries. Ankur Rathee is an actor known for Four More Shots Please!, Undekhi, Made in Heaven, Shehzada and Netflix's Single Papa. He stars in the upcoming Best of the Best alongside Hasan Minhaj, Maitreyi Ramakrishnan and Lilly Singh. In this episode:■ Glocalization: the smartphone leap that rewired a billion viewers■ Indian cinema's real competition now? Global content.■ Bankability, not nepotism — the real economics of casting■ Attention gets the meeting. Craft keeps the career.■ Every commercial actor is an entrepreneur■ Rejection vs stardom — and staying whole between the two■ Cut through the noise: do what only you can do (00:00) Intro(02:00) Why Leave Princeton for Bombay?(05:33) The Father Who Said Quit(08:01) Glocalization: Streaming Changed Everything(10:10) What Are Indian Audiences Actually Watching?(11:02) Becoming a Global Actor: Bridging East & West(13:11) The Universal Language of Craft(13:45) Is It Nepotism Or Bankability?(15:44) Attention Is Currency(18:38) Using Social Media the Right Way for Your Craft(20:45) Craft First: Why He Didn't Go DIY(25:43) How Do Actors Actually Make Money?(30:48) A Commercial Actor Is an Entrepreneur(33:09) Rapid Fire(37:25) Meditation: The Bedrock(40:00) How Do You Survive Rejection in the Spotlight?(44:05) Cutting Through the Noise OFFSCRIPT is your front row seat to the future of global entertainment. New episodes every other Monday. Watch the full video episode on YouTube: https://www.youtube.com/@OFFSCRIPTwithRitika Follow OFFSCRIPT on Instagram: https://www.instagram.com/offscriptwithritika/Follow Ritika: https://www.instagram.com/ritikagrawall/Follow Ankur: https://www.instagram.com/ankurratheeofficial/ For sponsorships and partnerships: ritika@phoolhouseproductions.com

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